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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / }$ ^6 n6 ^8 }: P4 i
5 J. L9 K' Y. R4 ]BBC评出100大英国文学名著8 T# N8 F0 v; q$ T, a9 i0 H
http://www.bbc.com/culture/story ... test-british-novels
5 E, a+ \; f6 S. v* p, T6 R惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。8 E+ X2 [3 B; |, B1 U# s& n9 \
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100. The Code of the Woosters (PG Wodehouse, 1938)0 E! h, P- c/ W" Q* L5 u: y
99. There but for the (Ali Smith, 2011)
' ~6 a8 I( q$ E' p98. Under the Volcano (Malcolm Lowry,1947)
) X8 K0 E% x$ d n" ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)
& [" S% t- x0 m. A- |96. Memoirs of a Survivor (Doris Lessing, 1974)
/ z. a, |& L; N, E- t; p( ^95. The Buddha of Suburbia (Hanif Kureishi, 1990)
2 G7 u5 u2 I6 ]) S94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' d8 F( r; a2 Z2 p2 s* D93. Lord of the Flies (William Golding, 1954)
; W/ p$ \+ H' v4 M92. Cold Comfort Farm (Stella Gibbons, 1932)
4 Z0 @3 p' G0 | |3 L91. The Forsyte Saga (John Galsworthy, 1922)* y7 M, n) X# M% L
90. The Woman in White (Wilkie Collins, 1859), T( k/ ?8 R7 G( \$ f1 d& {
89. The Horse’s Mouth (Joyce Cary, 1944). c3 }& S! p. U3 c
88. The Death of the Heart (Elizabeth Bowen, 1938)
% [" j; K+ L7 B2 r: i) `87. The Old Wives’ Tale (Arnold Bennett,1908)
/ X2 X+ D. |- A9 i86. A Legacy (Sybille Bedford, 1956); a. u' n6 K/ ?! f
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 O6 q4 @8 X& f& ^. ]" M5 L' M" n84. Scoop (Evelyn Waugh, 1938)
4 d9 A: k% Q! P; {2 h. u83. Barchester Towers (Anthony Trollope, 1857)6 d5 Y7 p0 A% l- q% C# Z" L. h
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)- R+ F8 r) K. ? U7 L
81. The Jewel in the Crown (Paul Scott, 1966)) Y8 B8 J8 u/ s2 {3 [- q
80. Excellent Women (Barbara Pym, 1952)2 M1 o2 p: l" C" G) a6 m& U
79. His Dark Materials (Philip Pullman, 1995-2000)
( z5 H8 `. I$ ~78. A House for Mr Biswas (VS Naipaul, 1961)
4 i# ~3 L; j3 I. {5 l77. Of Human Bondage (W Somerset Maugham, 1915)
, L+ v- B) X& r) Y( y: g/ g76. Small Island (Andrea Levy, 2004): w5 {! } G4 V0 b. E) b k% e
75. Women in Love (DH Lawrence, 1920)4 q7 \+ ]! E! u& A5 G; A+ B
74. The Mayor of Casterbridge (Thomas Hardy, 1886). k* }1 v A; R! p9 m
73. The Blue Flower (Penelope Fitzgerald, 1995)
0 e: K2 z; t1 [72. The Heart of the Matter (Graham Greene, 1948). @8 [0 B5 P% ?* w6 g! |1 f5 `
71. Old Filth (Jane Gardam, 2004)+ H3 F7 c. ?1 D8 |& i
70. Daniel Deronda (George Eliot, 1876)# K- ]1 p- l5 W J% y
69. Nostromo (Joseph Conrad, 1904). a, Y, q. W/ @1 J: R- p
68. A Clockwork Orange (Anthony Burgess, 1962)
+ g' y' M! U& z8 C/ ~2 Q7 z9 ]67. Crash (JG Ballard 1973); y# ]) T; S2 V) z
66. Sense and Sensibility (Jane Austen, 1811)' G/ }+ n! c& x# g9 W
65. Orlando (Virginia Woolf, 1928)4 I, U! l) W' b) t
64. The Way We Live Now (Anthony Trollope, 1875)
% G- a, ~% X- R7 P# s63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
& u# C. L' U' o62. Animal Farm (George Orwell, 1945), C- ^* o4 @0 a. i0 [1 P1 g/ |! e
61. The Sea, The Sea (Iris Murdoch, 1978)
& \7 x6 Y1 F. t6 C* B: O/ C: R60. Sons and Lovers (DH Lawrence, 1913)$ x* U) b" E3 i. V
59. The Line of Beauty (Alan Hollinghurst, 2004)
$ s G# T. W$ n( l58. Loving (Henry Green, 1945)
$ m$ H4 v, @# J5 [8 \, t57. Parade’s End (Ford Madox Ford, 1924-1928)/ p+ M) h. T5 Q6 ?! N8 p0 G/ E
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 ~, I- p% Z1 @2 R+ ^
55. Gulliver’s Travels (Jonathan Swift, 1726)
: I. V: ^8 u9 A( _; l& n! R6 O' w7 a54. NW (Zadie Smith, 2012)
7 S* N6 I4 s' B2 ?- ]53. Wide Sargasso Sea (Jean Rhys, 1966)
& Y8 K9 l$ z1 q. L52. New Grub Street (George Gissing, 1891)
* r: n) [# }6 S( q8 E! ^51. Tess of the d’Urbervilles (Thomas Hardy, 1891)% Y6 o1 W. b$ G9 p4 @; K
50. A Passage to India (EM Forster, 1924)+ k7 P+ w! r4 y0 a1 @$ I- o. S, g
49. Possession (AS Byatt, 1990)* @- N* ~: P% D2 K& X9 @
48. Lucky Jim (Kingsley Amis, 1954)
5 R; W7 D. f# K& X0 r47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 K' D: @, g- W) a3 G) g
46. Midnight’s Children (Salman Rushdie, 1981)* b) g2 r7 t" X
45. The Little Stranger (Sarah Waters, 2009)
- D9 M* e2 G' t7 s+ F44. Wolf Hall (Hilary Mantel, 2009); K1 ]- C5 B8 M$ Y {! e
43. The Swimming Pool Library (Alan Hollinghurst, 1988)- i. D' O. O$ }& o. W& l/ m
42. Brighton Rock (Graham Greene, 1938)
) B, C% M% _0 V% ]41. Dombey and Son (Charles Dickens, 1848)
) G; O# G3 D/ e40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865); r- s t3 z: _1 Z5 p
39. The Sense of an Ending (Julian Barnes, 2011)
5 H* c5 q7 Y! x { A38. The Passion (Jeanette Winterson, 1987)
2 A9 {1 ]% E e, E( l7 x37. Decline and Fall (Evelyn Waugh, 1928)
4 F- J& o0 N9 L$ Z; Z. `36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
* B1 h9 I; {# ]. o35. Remainder (Tom McCarthy, 2005)
/ @! h4 A" M- x34. Never Let Me Go (Kazuo Ishiguro, 2005)8 ]) |5 O' z8 V, z4 R! O8 H
33. The Wind in the Willows (Kenneth Grahame, 1908): t/ }/ V- M& J3 l
32. A Room with a View (EM Forster, 1908)6 k2 w6 n* }6 u+ {# X) J: \
31. The End of the Affair (Graham Greene, 1951)
1 H2 X# z' ?2 d+ B2 ?' n2 m3 |30. Moll Flanders (Daniel Defoe, 1722)
5 C' } Q; d" Z; ?. a H) }29. Brick Lane (Monica Ali, 2003)% w; M- J3 U/ J; j( W
28. Villette (Charlotte Brontë, 1853)
. R: t( r. @+ G2 u27. Robinson Crusoe (Daniel Defoe, 1719)
( L2 w# V' ]& `26. The Lord of the Rings (JRR Tolkien, 1954)
0 K( D, F* d7 b$ z7 X6 Y: d25. White Teeth (Zadie Smith, 2000)
" ?3 o0 R+ u; D2 a# v# L) J24. The Golden Notebook (Doris Lessing, 1962)
7 `# z5 s# [) W! m3 _23. Jude the Obscure (Thomas Hardy, 1895)
+ ?9 y( q( {; Y0 ^ _& d( z3 |22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
9 j: P) L; M2 e8 p, U21. Heart of Darkness (Joseph Conrad, 1899)+ ?/ j+ j& u$ o" c% V4 L( s# y
20. Persuasion (Jane Austen, 1817)
" r! d( l! [; e6 f) x7 X$ h19. Emma (Jane Austen, 1815): Z, a& P! \( x w& D% z v% R
18. Remains of the Day (Kazuo Ishiguro, 1989)
9 M8 ]/ V& x; C+ {17. Howards End (EM Forster, 1910)
w/ M# w/ F( v s! f' y+ B6 w6 t" M$ E16. The Waves (Virginia Woolf, 1931)
0 p" n; f0 v+ U7 G; x15. Atonement (Ian McEwan, 2001)
: S9 x, }8 D8 j* s9 }14. Clarissa (Samuel Richardson,1748)
3 T( m2 E7 x! U, P* s3 D1 p13. The Good Soldier (Ford Madox Ford, 1915)2 o, [8 l/ M$ K% V- m# Y" q$ L
12. Nineteen Eighty-Four (George Orwell, 1949)( d# o. p/ i4 o+ @2 `
11. Pride and Prejudice (Jane Austen, 1813) N8 Y: H6 Z; @' ?9 z) R4 o
10. Vanity Fair (William Makepeace Thackeray, 1848)
1 A3 G/ H0 M7 J/ q9. Frankenstein (Mary Shelley, 1818)
' P8 f0 U- }: D2 N( I8. David Copperfield (Charles Dickens, 1850)
8 a3 S+ p- z d7. Wuthering Heights (Emily Brontë, 1847)3 h% I' _: r1 V$ P8 P& w1 @$ }
6. Bleak House (Charles Dickens, 1853); I0 ]9 ~5 L$ v! P, E, I9 P- }
5. Jane Eyre (Charlotte Brontë, 1847)
! G' d# O7 ^# m) ~; o y7 b' p* Z4. Great Expectations (Charles Dickens, 1861)
+ x; J/ ?3 D8 `3. Mrs. Dalloway (Virginia Woolf, 1925)1 v; \2 o2 {4 u: `" b
2. To the Lighthouse (Virginia Woolf, 1927)
, R# }+ r1 D* [/ T1. Middlemarch (George Eliot, 1874)
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) H* C* e0 }1 p* G) w) r1 Y8 X前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。) F* r7 i k. r1 `/ `& k
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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