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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # t5 O1 d7 M h8 u( \% t$ F* I
* Z* \/ W: g7 T/ Q% |7 tBBC评出100大英国文学名著
6 j; z# D0 c [$ e6 zhttp://www.bbc.com/culture/story ... test-british-novels! S% Y7 `. Z2 Y7 {* z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& ]$ k6 [ R2 x( n- G
* e8 p0 d( R$ a8 l5 P' [2 y$ Z100. The Code of the Woosters (PG Wodehouse, 1938)6 N$ B/ ^; g- D; ]- r
99. There but for the (Ali Smith, 2011)9 q& C. J+ ^- }9 W; l9 i& Y
98. Under the Volcano (Malcolm Lowry,1947)1 P0 Y8 e) U0 M/ r
97. The Chronicles of Narnia (CS Lewis, 1949-1954)# m5 l$ i, F! z& D
96. Memoirs of a Survivor (Doris Lessing, 1974)
. \: T: n) D P8 m3 t# f95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ t* X7 p5 l; ^2 n }4 C3 b
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' `+ b, g" y- d# L. N1 b5 l' P93. Lord of the Flies (William Golding, 1954)
$ B8 n2 E& ?3 [) N8 M92. Cold Comfort Farm (Stella Gibbons, 1932)
8 S/ u6 s( v$ R91. The Forsyte Saga (John Galsworthy, 1922)
7 }6 A4 B" q/ ?90. The Woman in White (Wilkie Collins, 1859)
/ F; Z; c% I7 q+ K, D89. The Horse’s Mouth (Joyce Cary, 1944)% k4 ]& F- y, I5 B
88. The Death of the Heart (Elizabeth Bowen, 1938)
$ g$ j1 u: l0 y* Z, X9 F87. The Old Wives’ Tale (Arnold Bennett,1908)
2 A. _6 b# P9 C2 g86. A Legacy (Sybille Bedford, 1956); Q' z o& ]* K; k$ C8 q x
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 q7 N+ l: Q6 M/ k1 X T84. Scoop (Evelyn Waugh, 1938)
, a/ a7 f. |) w+ F. A83. Barchester Towers (Anthony Trollope, 1857)0 ? u) U3 ?' o8 Y) t
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 _8 z) C* P0 X7 o; v* Y' I81. The Jewel in the Crown (Paul Scott, 1966)6 C! a) Q+ I$ o: ]5 k7 H6 W
80. Excellent Women (Barbara Pym, 1952): v, N- ]5 I/ p. K' u6 ~* G3 P" u
79. His Dark Materials (Philip Pullman, 1995-2000)
+ j9 j8 h1 [" @ U3 w! Q7 _78. A House for Mr Biswas (VS Naipaul, 1961)# v- Z9 ~& C: V$ E. H
77. Of Human Bondage (W Somerset Maugham, 1915)
- G9 ^/ x M; _5 d/ G, b' r$ J6 H76. Small Island (Andrea Levy, 2004)
9 r% D( U9 K- {, Q- i6 r% Y8 j75. Women in Love (DH Lawrence, 1920)
8 v/ O2 o g, z% a74. The Mayor of Casterbridge (Thomas Hardy, 1886)8 f, n9 l- w2 o& b4 K+ `
73. The Blue Flower (Penelope Fitzgerald, 1995)
3 n8 o, P& V/ S: a# c }72. The Heart of the Matter (Graham Greene, 1948)
( b: Q: V7 ?4 j5 {71. Old Filth (Jane Gardam, 2004)
! |1 q4 y, B9 H; I: e70. Daniel Deronda (George Eliot, 1876)
; j3 I( J0 n+ b5 _69. Nostromo (Joseph Conrad, 1904)
5 ^( P4 x5 K( ?* I68. A Clockwork Orange (Anthony Burgess, 1962)
/ w2 p. P6 j9 z3 O; P5 K, b( X, B67. Crash (JG Ballard 1973)
* P! r( Z$ A; R) h( y- m9 X6 a5 w5 A ]! e66. Sense and Sensibility (Jane Austen, 1811)
3 k4 ~7 H. I$ c( o65. Orlando (Virginia Woolf, 1928)
* T" F! j1 o9 t( r7 z4 P64. The Way We Live Now (Anthony Trollope, 1875)
4 Z6 S/ |" w# ~& a7 U# z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; `& F6 w9 ^+ m) o1 g62. Animal Farm (George Orwell, 1945)/ T- K0 v9 m$ a3 c" H; Q
61. The Sea, The Sea (Iris Murdoch, 1978)4 W! W. m0 z& p
60. Sons and Lovers (DH Lawrence, 1913)2 _- ~, H2 j' C2 F" N _' v9 l
59. The Line of Beauty (Alan Hollinghurst, 2004)! {0 I9 ^5 W1 V. A# g: m8 F. k, Z
58. Loving (Henry Green, 1945)
# O% W8 R% C. K3 x8 Z3 z( q: T# z57. Parade’s End (Ford Madox Ford, 1924-1928)/ |1 }3 I$ P8 J9 [/ i& n
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ h- s' }9 o, o4 F9 @: u
55. Gulliver’s Travels (Jonathan Swift, 1726)0 T! \9 ]( B9 }7 \/ X8 a* g9 F
54. NW (Zadie Smith, 2012)' G* |; {) A1 ^, y1 d6 v
53. Wide Sargasso Sea (Jean Rhys, 1966)
2 Z) d! T; j. `' s# v, a, P52. New Grub Street (George Gissing, 1891)& K, I6 E( l H! s' f4 ^
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
# j8 M# s: h8 ]50. A Passage to India (EM Forster, 1924)
: }2 e9 ^7 H4 J" ~49. Possession (AS Byatt, 1990)3 f. Q' }1 ]. q- ~1 a; c
48. Lucky Jim (Kingsley Amis, 1954)# r: l( W6 i. l/ K* I/ G
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), f( p9 j& p* }% O* p
46. Midnight’s Children (Salman Rushdie, 1981)( e3 g$ n& [, T# ~# `! ~0 ?
45. The Little Stranger (Sarah Waters, 2009), A+ X4 y& J' Y3 b* g+ I) ?
44. Wolf Hall (Hilary Mantel, 2009)
" ~: b7 I2 V" y/ ^! Z& B% F43. The Swimming Pool Library (Alan Hollinghurst, 1988)# T, i( J9 [! u$ B) X7 |' ^1 k) |6 L
42. Brighton Rock (Graham Greene, 1938)5 E9 f' o7 i9 l: l+ W
41. Dombey and Son (Charles Dickens, 1848)
c( p1 E5 f/ c: x40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# t- b; a0 P* `% M* g C- Q) Y39. The Sense of an Ending (Julian Barnes, 2011)9 ?/ S/ N# M L$ a7 g7 C. t9 f
38. The Passion (Jeanette Winterson, 1987)
5 y$ i# a" V$ M37. Decline and Fall (Evelyn Waugh, 1928)
* n. q8 @( C' s! T; k+ g36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 i' h, k5 X; Z: q
35. Remainder (Tom McCarthy, 2005)
5 C, u' o( \3 X! j34. Never Let Me Go (Kazuo Ishiguro, 2005)7 ?: W. c& b4 q( |* Z1 @$ V* l
33. The Wind in the Willows (Kenneth Grahame, 1908)
: C) K7 r5 h6 _0 a$ c5 h32. A Room with a View (EM Forster, 1908)
, K3 R6 Z% U; g31. The End of the Affair (Graham Greene, 1951)
8 Y# d& v. P5 B6 n: {# U30. Moll Flanders (Daniel Defoe, 1722)
( T# a$ p/ `# e0 F29. Brick Lane (Monica Ali, 2003); k6 w2 Q0 E- R1 E: X
28. Villette (Charlotte Brontë, 1853); p s" O& \( Y
27. Robinson Crusoe (Daniel Defoe, 1719)2 X' Q- U+ _/ G8 N
26. The Lord of the Rings (JRR Tolkien, 1954)
6 j7 F. Z( @, u" G25. White Teeth (Zadie Smith, 2000)
! \- q/ u9 u; T9 }( [- p5 C& ^24. The Golden Notebook (Doris Lessing, 1962)9 Y7 d$ {% q; N* T( L: L& F2 H9 \
23. Jude the Obscure (Thomas Hardy, 1895)% y! I5 z/ S. y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 c8 b; G( b/ x# |! j5 U
21. Heart of Darkness (Joseph Conrad, 1899)+ H; W8 i T' _; x& l0 Q' b
20. Persuasion (Jane Austen, 1817)6 I' k: j* U' s
19. Emma (Jane Austen, 1815)# p$ T1 ?7 X" b" r4 Y
18. Remains of the Day (Kazuo Ishiguro, 1989)
& f( o7 P: O f+ W- G- H |: a17. Howards End (EM Forster, 1910)4 U, m; H9 R& X. ^; u8 S+ a1 m& H8 z
16. The Waves (Virginia Woolf, 1931)
3 @8 s# L1 E! a# z- t3 Z9 b15. Atonement (Ian McEwan, 2001)' l1 \* R4 b# I4 G4 m# \
14. Clarissa (Samuel Richardson,1748)
! u. o: e' U# Y; W13. The Good Soldier (Ford Madox Ford, 1915)6 N6 g4 a7 n/ n6 v; l
12. Nineteen Eighty-Four (George Orwell, 1949)
7 m3 X4 P' Q/ C/ b0 c$ \11. Pride and Prejudice (Jane Austen, 1813)7 J# u* H" @1 h' j
10. Vanity Fair (William Makepeace Thackeray, 1848)
% M7 L0 y# @% ~8 [% o$ q) a9. Frankenstein (Mary Shelley, 1818)
$ f4 }; S! \: q$ _8. David Copperfield (Charles Dickens, 1850)
' n, e2 @: G( ` C7. Wuthering Heights (Emily Brontë, 1847)
$ q7 B0 Y+ F- Q) M; S, W6. Bleak House (Charles Dickens, 1853)
& ^5 b2 _" s( _2 d, X0 R5. Jane Eyre (Charlotte Brontë, 1847)
' C+ O- \& X' e- h9 W4. Great Expectations (Charles Dickens, 1861)6 N; \: |1 ?3 C6 E: o1 M
3. Mrs. Dalloway (Virginia Woolf, 1925)
- @4 c) k) q4 G; ?2. To the Lighthouse (Virginia Woolf, 1927)
4 B8 L- `+ S: o1 y1. Middlemarch (George Eliot, 1874)
7 G, W4 W: K& E
' z. |" }- C/ }; S前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! E+ i; j+ `9 K* D+ [) C$ \1 K
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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