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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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# H. ]$ ]2 L, ^! F. B# SBBC评出100大英国文学名著
/ }4 K- H+ k3 t1 Y5 S' Khttp://www.bbc.com/culture/story ... test-british-novels
7 B% Z2 H7 [# A5 k* n( |惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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" P0 O0 n& f* K3 B# [+ f, f; ?) N100. The Code of the Woosters (PG Wodehouse, 1938)
. ~5 l8 I; T. ^2 j* i: }1 W L99. There but for the (Ali Smith, 2011), N6 v! Y# F& u" I
98. Under the Volcano (Malcolm Lowry,1947)
. p# ?2 L! E! G3 D' z2 ]/ h. P& l! P97. The Chronicles of Narnia (CS Lewis, 1949-1954)' S ]* k9 |% f& T4 v1 j& ]
96. Memoirs of a Survivor (Doris Lessing, 1974)4 Q! v3 B9 {9 n$ V* u2 H
95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ F z$ R B* h8 U) \- p
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
% ]( V$ g* V4 Q3 P' a ~9 E93. Lord of the Flies (William Golding, 1954)& Z2 e0 x, K% B
92. Cold Comfort Farm (Stella Gibbons, 1932)* d8 r8 {$ z/ O5 ]4 q. U2 m+ N
91. The Forsyte Saga (John Galsworthy, 1922)# d7 x0 l5 X% s8 H6 ~
90. The Woman in White (Wilkie Collins, 1859)( J9 i( G* l L( I
89. The Horse’s Mouth (Joyce Cary, 1944)
7 _( r: M& w# V% e! {& z( N; f$ w) }88. The Death of the Heart (Elizabeth Bowen, 1938)
( ]) o! C b! g! u$ c: Z5 Z" }: N87. The Old Wives’ Tale (Arnold Bennett,1908)
$ d0 B6 L0 D" x/ s+ v( f$ R \86. A Legacy (Sybille Bedford, 1956)
5 d% M/ m' b$ Z( N5 O' g A: O# P& N85. Regeneration Trilogy (Pat Barker, 1991-1995)+ d% I8 Z! u) G2 }' x0 B
84. Scoop (Evelyn Waugh, 1938)
+ w' ]- N( K1 @3 Y2 ^* D83. Barchester Towers (Anthony Trollope, 1857)1 I' i4 }' \6 }( U3 \7 z8 Y9 T
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
5 l1 H ~2 d( f/ i& u& i+ Y+ L* }81. The Jewel in the Crown (Paul Scott, 1966)& i# i3 \5 a) z$ Y# i: p
80. Excellent Women (Barbara Pym, 1952)
4 P" k0 A, n* ?+ m0 K1 v79. His Dark Materials (Philip Pullman, 1995-2000)2 G: M6 Z# l, Y
78. A House for Mr Biswas (VS Naipaul, 1961) r. o# ?" J; }6 `7 C1 @0 W
77. Of Human Bondage (W Somerset Maugham, 1915)
. m6 ? Z( h- `: c9 F* ~" y+ H76. Small Island (Andrea Levy, 2004)# M' e+ H5 l* X& m) ?7 [
75. Women in Love (DH Lawrence, 1920)
- C& D" j- ]: Q74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 Q0 ]* J6 [; C: U' [3 t
73. The Blue Flower (Penelope Fitzgerald, 1995)) X2 E0 y1 G; Q' V9 F3 x' d
72. The Heart of the Matter (Graham Greene, 1948)
" x g- v% G5 j4 @) i$ V71. Old Filth (Jane Gardam, 2004)# T0 E J# v1 @+ h
70. Daniel Deronda (George Eliot, 1876)$ o6 t/ D; [) q# I5 n
69. Nostromo (Joseph Conrad, 1904)/ D/ m" L6 O6 J/ m
68. A Clockwork Orange (Anthony Burgess, 1962)0 l$ a6 Y. j$ b' J; K: Z5 E2 D% G2 T
67. Crash (JG Ballard 1973)# m W$ A& Y8 W8 e V; I' @0 x. e$ Q
66. Sense and Sensibility (Jane Austen, 1811)
5 Z9 t! y2 S5 C65. Orlando (Virginia Woolf, 1928)" W& Q& N+ j3 v% E+ I V
64. The Way We Live Now (Anthony Trollope, 1875)
! g0 }5 y2 Y$ `$ n' Q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 C, M' R- @0 K' [; R* N7 h
62. Animal Farm (George Orwell, 1945)8 ]1 R) {+ {" _" z0 F/ ~, O+ S
61. The Sea, The Sea (Iris Murdoch, 1978)8 y- Y$ u, c s0 n3 e
60. Sons and Lovers (DH Lawrence, 1913)
' E1 B) F( j1 s4 l4 z59. The Line of Beauty (Alan Hollinghurst, 2004)
7 G1 H( O% G( u; Q& M- Y58. Loving (Henry Green, 1945). [/ ^+ o& H% B4 ~0 ]
57. Parade’s End (Ford Madox Ford, 1924-1928)
& H8 W2 j, r0 J. q" n; w; a56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
( w4 K+ X' z5 J0 r0 L: Z" Q% |55. Gulliver’s Travels (Jonathan Swift, 1726). V$ r6 w0 P, l% ^8 W; q- V
54. NW (Zadie Smith, 2012)! R8 }1 s( g* i1 C; {
53. Wide Sargasso Sea (Jean Rhys, 1966)5 W4 d W5 S' H1 I' R) ~* g9 g1 M
52. New Grub Street (George Gissing, 1891)% K/ x$ @# u/ |3 U* e }
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" s: f4 L+ C5 e' Q7 ]" R. l3 J
50. A Passage to India (EM Forster, 1924)/ H4 L% K; y* Y: G- S. ^2 l3 ~
49. Possession (AS Byatt, 1990)6 L$ o$ K. Z/ d8 P O. P
48. Lucky Jim (Kingsley Amis, 1954)
3 c3 C# i" q2 d6 T- P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)% H8 C1 I$ o. ^
46. Midnight’s Children (Salman Rushdie, 1981)
. |3 f, \5 m' c' P1 k# Z45. The Little Stranger (Sarah Waters, 2009)) B/ ^ W5 W2 ]# `! B! U' g3 x5 N
44. Wolf Hall (Hilary Mantel, 2009)* F3 X. w6 E& K; s2 L
43. The Swimming Pool Library (Alan Hollinghurst, 1988) Z% ] r+ X6 L" X& H: e3 O
42. Brighton Rock (Graham Greene, 1938)5 D/ j. s! [% D$ ~9 f4 i9 X
41. Dombey and Son (Charles Dickens, 1848)
1 W) n. ?) G8 I% @& |0 \40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)! b5 E7 h; Z- f% t! p i, y
39. The Sense of an Ending (Julian Barnes, 2011)0 _- h6 G+ N# q, Z# }8 G
38. The Passion (Jeanette Winterson, 1987)
# ]! m) f- ~6 d37. Decline and Fall (Evelyn Waugh, 1928)
. \. X0 G: R; \" ]! s) |5 @36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& e2 d9 P- ?4 j+ t; j+ ^35. Remainder (Tom McCarthy, 2005)
Z1 ~, l! _6 i0 c8 A* N: i34. Never Let Me Go (Kazuo Ishiguro, 2005)
' a, M, p+ E6 e, R% d33. The Wind in the Willows (Kenneth Grahame, 1908)0 p8 Y7 `+ M) o6 W O7 t! I+ ]
32. A Room with a View (EM Forster, 1908)
, R5 c4 K8 }2 _' ~3 X d! z0 x31. The End of the Affair (Graham Greene, 1951)
0 r- T) ?, q/ `0 W30. Moll Flanders (Daniel Defoe, 1722)2 `# V: ^ d' @
29. Brick Lane (Monica Ali, 2003)- B& c$ w* B5 ^# ~
28. Villette (Charlotte Brontë, 1853)" q, r0 e k; W$ M" J, R
27. Robinson Crusoe (Daniel Defoe, 1719)
2 z7 L, c/ h# D! }! Z6 ^26. The Lord of the Rings (JRR Tolkien, 1954)
7 B; |. p4 Q/ F0 @8 _) }8 I25. White Teeth (Zadie Smith, 2000)
3 @5 C5 w3 N4 z$ V24. The Golden Notebook (Doris Lessing, 1962)' _) O2 m9 y( V' p6 d7 L
23. Jude the Obscure (Thomas Hardy, 1895)- ? T' {1 Q% Q( H4 Y4 a: W
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' w+ J. J5 u5 }3 r2 j" `
21. Heart of Darkness (Joseph Conrad, 1899)2 ~ ?! q0 `9 C1 A( s$ B! v& `
20. Persuasion (Jane Austen, 1817)
' a4 v0 _8 o6 l19. Emma (Jane Austen, 1815)7 g$ o4 X$ t, t7 f2 G" N
18. Remains of the Day (Kazuo Ishiguro, 1989)
C0 y, j# `0 ]/ R% }. H. c17. Howards End (EM Forster, 1910)
' g9 s2 N2 s8 I) i3 f/ t. W; _16. The Waves (Virginia Woolf, 1931)
Q& g5 }' _% ~+ y l; {3 u7 d15. Atonement (Ian McEwan, 2001)
; C3 j- T K/ X& w- N. u. U: @14. Clarissa (Samuel Richardson,1748)
% j: W1 N" R E. x3 i; n13. The Good Soldier (Ford Madox Ford, 1915)- X- B0 V5 u6 i& w' ]6 }3 w: c
12. Nineteen Eighty-Four (George Orwell, 1949)
9 b# ?( I9 i1 x7 p$ i: b11. Pride and Prejudice (Jane Austen, 1813)( ^5 H2 d2 [+ u* J7 t% e
10. Vanity Fair (William Makepeace Thackeray, 1848)
y$ k, o# h+ H9. Frankenstein (Mary Shelley, 1818)6 T, \7 U2 J [: N8 X, \
8. David Copperfield (Charles Dickens, 1850)- y; ~3 T* x1 H8 b* u1 k. q( {) |/ f) K
7. Wuthering Heights (Emily Brontë, 1847)9 d/ F( F5 _& S5 f2 C
6. Bleak House (Charles Dickens, 1853)9 p. r8 r1 R, H
5. Jane Eyre (Charlotte Brontë, 1847)- f A0 C D6 m
4. Great Expectations (Charles Dickens, 1861)
3 `* g9 \/ ^8 |- ^3. Mrs. Dalloway (Virginia Woolf, 1925)2 }1 I% [: A% k9 ?3 P! I
2. To the Lighthouse (Virginia Woolf, 1927)
; y' D3 `1 b. f, F* R* T6 B1. Middlemarch (George Eliot, 1874)$ p. [$ z+ E8 i6 t
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。% Y) U+ h0 \. D1 {: Z# t
( H n8 Q$ v9 ^' q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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