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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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* ^& b! x) N3 ]9 G* e1 s4 ~BBC评出100大英国文学名著/ B3 y+ T( M" b
http://www.bbc.com/culture/story ... test-british-novels+ p: u) X1 I" B) \3 C8 ], ~
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。7 Y* h, y& ?" M1 l
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100. The Code of the Woosters (PG Wodehouse, 1938)2 k: ^2 N" a, x8 b: @: d& ?
99. There but for the (Ali Smith, 2011)3 |7 U1 ]1 ^+ g; m6 ]3 t# g
98. Under the Volcano (Malcolm Lowry,1947)% c ~% T0 z! Y( M. H
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
$ |3 Z) o: o O96. Memoirs of a Survivor (Doris Lessing, 1974)$ a Y0 J0 ?3 ~+ T$ o; Y& \
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 ~ o o8 B, A
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)9 @3 W- `! [/ a+ z+ P4 }
93. Lord of the Flies (William Golding, 1954)
/ }4 i. E) b/ l92. Cold Comfort Farm (Stella Gibbons, 1932)
( F! |# N/ n* u' A; J- m- s0 b91. The Forsyte Saga (John Galsworthy, 1922)
$ k" Z/ J6 Q v( l9 o90. The Woman in White (Wilkie Collins, 1859)
3 H& }- L1 V: n3 K9 D7 h89. The Horse’s Mouth (Joyce Cary, 1944)% e8 b5 y: E, Z& ]: B: V' ]+ c: B
88. The Death of the Heart (Elizabeth Bowen, 1938)
2 V9 j N) A# D5 V& o# v87. The Old Wives’ Tale (Arnold Bennett,1908)
/ X5 L; L2 |) M4 }86. A Legacy (Sybille Bedford, 1956)) o8 y0 v% m1 E3 h' r$ Q/ P% V
85. Regeneration Trilogy (Pat Barker, 1991-1995), D. y: t: g2 z1 C8 i8 i% G$ Q
84. Scoop (Evelyn Waugh, 1938)5 \0 S9 K6 y& V4 J
83. Barchester Towers (Anthony Trollope, 1857)
( ~% ^! o) U% e% g82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
6 ~- `$ n a( u' d81. The Jewel in the Crown (Paul Scott, 1966)
( C; v, _, y. C Y80. Excellent Women (Barbara Pym, 1952)! ?" w; [& Z+ W6 n1 x
79. His Dark Materials (Philip Pullman, 1995-2000)6 W+ C( [$ u% U) U% F6 B: w( l. g
78. A House for Mr Biswas (VS Naipaul, 1961)$ |8 P3 _/ X0 u$ I7 n' ]8 `- G
77. Of Human Bondage (W Somerset Maugham, 1915)
! _9 r/ E+ l* A/ X# M0 P n76. Small Island (Andrea Levy, 2004)
% K& N2 I' [, c1 I( T0 Q: [75. Women in Love (DH Lawrence, 1920)
, _& J0 `- c+ E: Z4 r! m74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 ]1 w0 G9 }3 R* J+ f5 H8 ?
73. The Blue Flower (Penelope Fitzgerald, 1995)
) h O3 H9 G- N) `8 e72. The Heart of the Matter (Graham Greene, 1948)
0 W/ N$ I6 y: n% z- L% A% {71. Old Filth (Jane Gardam, 2004)
g1 r2 J- Z% V+ E! o* z70. Daniel Deronda (George Eliot, 1876)- `. U3 V! Z: h* G2 V
69. Nostromo (Joseph Conrad, 1904)
# G' c( k5 D' V68. A Clockwork Orange (Anthony Burgess, 1962)
: a; `9 ?9 L. w! i- k67. Crash (JG Ballard 1973)
1 U. z- T% T" e- C3 f1 x9 }) o66. Sense and Sensibility (Jane Austen, 1811) u; F' i1 E- g
65. Orlando (Virginia Woolf, 1928)
8 b0 |: V! s& x64. The Way We Live Now (Anthony Trollope, 1875): U) k6 x* o( e- i3 e3 Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961): R8 l/ U0 V9 b( n4 R
62. Animal Farm (George Orwell, 1945)% L- ]! |& p* g; D Q+ Y5 D
61. The Sea, The Sea (Iris Murdoch, 1978)
( D4 u. B8 [8 G8 n$ _; _60. Sons and Lovers (DH Lawrence, 1913)
$ M% q0 r C+ R* q59. The Line of Beauty (Alan Hollinghurst, 2004)4 v5 ~3 w, W1 @7 J( D$ Z. y
58. Loving (Henry Green, 1945)1 {; k- v/ D& k+ r) w, J
57. Parade’s End (Ford Madox Ford, 1924-1928)
S+ u5 P' A& a: J56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 W; C" ^; I$ _) M55. Gulliver’s Travels (Jonathan Swift, 1726)4 |( X: E1 j" \2 ~' L
54. NW (Zadie Smith, 2012) L+ a, `: z& q/ [! r! { W
53. Wide Sargasso Sea (Jean Rhys, 1966)+ h+ c- b% m5 d1 o+ g
52. New Grub Street (George Gissing, 1891)3 p4 f) M3 R/ F* A6 ^+ F
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' j- d* D* z5 j6 u I+ u
50. A Passage to India (EM Forster, 1924)7 @' A, Q: o: D- }7 s8 Y2 M
49. Possession (AS Byatt, 1990)
- z3 g* m& D# Q6 L1 W9 g) E48. Lucky Jim (Kingsley Amis, 1954)
" I4 R+ r/ y1 N2 t7 F$ g47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 R) G1 A" _& ]; l2 q7 c; R4 m! \
46. Midnight’s Children (Salman Rushdie, 1981)
# b, P {6 v- |45. The Little Stranger (Sarah Waters, 2009)' c8 C, F4 A! Q! V8 `
44. Wolf Hall (Hilary Mantel, 2009)* Y1 o1 A( }7 r4 f5 l
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 F" `( W7 K( P42. Brighton Rock (Graham Greene, 1938)- P$ m4 Q: D) |# A+ v" Z) s0 g4 n
41. Dombey and Son (Charles Dickens, 1848)
7 E5 S% k. `- ~, m40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ m. k l- [, u+ r" \4 O0 i39. The Sense of an Ending (Julian Barnes, 2011)5 C. Z6 r1 R8 ?8 c* ^% `7 S
38. The Passion (Jeanette Winterson, 1987)
4 f- v: C1 t6 g" I9 T0 [6 W37. Decline and Fall (Evelyn Waugh, 1928)' R4 ]5 b. O. g
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
5 S; L! T. F, m35. Remainder (Tom McCarthy, 2005); Z3 Z/ s6 d9 u9 p
34. Never Let Me Go (Kazuo Ishiguro, 2005)7 F. J: B9 w, h" A6 {5 L
33. The Wind in the Willows (Kenneth Grahame, 1908). Y! i8 Z0 q9 c* }# Y" r
32. A Room with a View (EM Forster, 1908): Q x, G: G% D f6 }
31. The End of the Affair (Graham Greene, 1951)
" \2 w% z3 o1 d7 O) d$ ^30. Moll Flanders (Daniel Defoe, 1722)
* L, q, E) y. c0 k29. Brick Lane (Monica Ali, 2003)" }+ M0 J3 B7 V6 x/ z# o
28. Villette (Charlotte Brontë, 1853), j6 W. ?9 C8 i5 K
27. Robinson Crusoe (Daniel Defoe, 1719)
3 r ?& i1 O( a7 W) y' r26. The Lord of the Rings (JRR Tolkien, 1954)
k8 j( j% X% j+ t; D1 ^25. White Teeth (Zadie Smith, 2000)' o. }$ w# e% a" E2 M
24. The Golden Notebook (Doris Lessing, 1962)# `0 s/ D+ d% T2 l
23. Jude the Obscure (Thomas Hardy, 1895)
& i2 G; d, W( z2 b8 P22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& c3 l' a9 \4 a( o8 s7 b
21. Heart of Darkness (Joseph Conrad, 1899)
3 O R# U6 p$ t G20. Persuasion (Jane Austen, 1817)3 s3 `$ X, n% Q
19. Emma (Jane Austen, 1815)
0 _, D/ y. w1 f18. Remains of the Day (Kazuo Ishiguro, 1989)* W$ }% r5 M- U( o, e
17. Howards End (EM Forster, 1910)0 X8 ~3 r/ o; E
16. The Waves (Virginia Woolf, 1931)- R. i; e. i. [" m( P) A# e. V
15. Atonement (Ian McEwan, 2001)/ _/ p3 e5 a! Y2 `6 h
14. Clarissa (Samuel Richardson,1748)
" J5 V5 I- D2 H1 p13. The Good Soldier (Ford Madox Ford, 1915)
, O. V% o. n( N- T12. Nineteen Eighty-Four (George Orwell, 1949)& n9 v* ^! t( e- [: Z6 L
11. Pride and Prejudice (Jane Austen, 1813)# @1 \2 R# @! i: H
10. Vanity Fair (William Makepeace Thackeray, 1848)
5 \& R) y* f: X; b+ w! e9. Frankenstein (Mary Shelley, 1818)' d3 b% L& h J7 B6 @
8. David Copperfield (Charles Dickens, 1850)
( Q3 {" j+ L) T3 o$ V- w4 N7. Wuthering Heights (Emily Brontë, 1847)
8 n2 U0 n" T3 u" f8 f3 A6. Bleak House (Charles Dickens, 1853)+ V9 O% c' n. K7 ~4 J
5. Jane Eyre (Charlotte Brontë, 1847) K$ n4 Q; f! s5 ]
4. Great Expectations (Charles Dickens, 1861)/ D9 j* H4 V! G/ c
3. Mrs. Dalloway (Virginia Woolf, 1925)
3 Z/ ^5 s. G2 N. t+ s$ ^2. To the Lighthouse (Virginia Woolf, 1927)
- | J/ i! E1 u( o; ^1. Middlemarch (George Eliot, 1874)& k3 T1 b4 U6 E+ Z0 \1 a8 ?3 ^
2 G( G- U% C2 l* q @前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。( a# @% a* V! {4 L2 B! {8 c
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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