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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 C3 V, |, j1 B! h( ?0 c
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BBC评出100大英国文学名著
9 G- D W( q3 ~ t1 ?http://www.bbc.com/culture/story ... test-british-novels
# u; D( p3 L+ d( l惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 L; \4 p1 s- J- l- u7 p4 s" Z; }
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100. The Code of the Woosters (PG Wodehouse, 1938)9 [: m" C4 e; ~3 w+ S
99. There but for the (Ali Smith, 2011)
0 d! Q- L, F" O98. Under the Volcano (Malcolm Lowry,1947)! Z0 ?5 g$ z! j) U& s2 F
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
, b$ N3 ~# u3 C, ~" Q6 N& T! t8 N96. Memoirs of a Survivor (Doris Lessing, 1974)
$ Z" L2 Z! ?* p' y# v6 R95. The Buddha of Suburbia (Hanif Kureishi, 1990) I+ M' ~' E: S& ~0 v) s
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" H8 O+ V2 M3 l2 D5 F; t# a93. Lord of the Flies (William Golding, 1954)
7 O. F/ V. F [6 W9 }' L92. Cold Comfort Farm (Stella Gibbons, 1932)7 o) N1 i, k7 u2 K4 p1 @
91. The Forsyte Saga (John Galsworthy, 1922)
: b7 j) v- G+ h0 a90. The Woman in White (Wilkie Collins, 1859)
0 a: [6 _4 `# d89. The Horse’s Mouth (Joyce Cary, 1944)
$ v2 q; B/ D5 n1 N3 }88. The Death of the Heart (Elizabeth Bowen, 1938)0 @4 A* G% M& K1 |1 {$ G& K) @4 d
87. The Old Wives’ Tale (Arnold Bennett,1908)2 R' F Z; u1 b+ V( F
86. A Legacy (Sybille Bedford, 1956)- a- E e/ [4 `" R' k q
85. Regeneration Trilogy (Pat Barker, 1991-1995)
' H% {0 x3 R6 F7 i84. Scoop (Evelyn Waugh, 1938)
, @$ ^, U' \7 s+ p6 h# |% Y83. Barchester Towers (Anthony Trollope, 1857): ~5 Q4 e) n% `3 ]* s: w0 O$ f! l
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: v" @& }- |: X- A5 K81. The Jewel in the Crown (Paul Scott, 1966)
' Y8 K6 E6 b! \* h80. Excellent Women (Barbara Pym, 1952)
: }1 d& \- E+ q; C" h! Z79. His Dark Materials (Philip Pullman, 1995-2000)7 K2 z" f8 G$ q( J
78. A House for Mr Biswas (VS Naipaul, 1961)
* c. K- }% `7 Y% ]0 Q& R77. Of Human Bondage (W Somerset Maugham, 1915)$ F/ L! ? x5 c+ ?( B
76. Small Island (Andrea Levy, 2004)2 e% Y' Z, ?) ?" Q& J4 Q: r
75. Women in Love (DH Lawrence, 1920)
& K, p, \) }& ?9 C+ l) W1 H0 R. y3 x74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 L* v$ r/ `7 ^( f7 r73. The Blue Flower (Penelope Fitzgerald, 1995)
! A( h9 w4 P7 L- |" Z0 K72. The Heart of the Matter (Graham Greene, 1948) D* c% r. \9 L$ q" i
71. Old Filth (Jane Gardam, 2004), K# n/ s# I* M4 A& |9 }( }5 K: ]
70. Daniel Deronda (George Eliot, 1876)
: W* [% h( \* J$ q69. Nostromo (Joseph Conrad, 1904)
. }! w" F0 P1 A1 {9 \68. A Clockwork Orange (Anthony Burgess, 1962)
* h0 m$ n# S4 p/ Y( \67. Crash (JG Ballard 1973)
- ?/ E+ i2 p6 s. \1 ]) F% ]1 ?66. Sense and Sensibility (Jane Austen, 1811)
2 O* Y+ u$ Y% v4 y; }% a7 b: A0 D65. Orlando (Virginia Woolf, 1928)- K4 ]) W3 ~# V* A( A
64. The Way We Live Now (Anthony Trollope, 1875)0 i2 }, }/ y5 T3 P
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
5 L7 l; |% V% W& b T% T: [( K62. Animal Farm (George Orwell, 1945)& h$ o5 O" k; C6 C2 | X7 h
61. The Sea, The Sea (Iris Murdoch, 1978)
0 @" Q0 [- c w+ K! e60. Sons and Lovers (DH Lawrence, 1913)( u' a9 F" k( ~" D
59. The Line of Beauty (Alan Hollinghurst, 2004)) {6 r8 R* \ T) j
58. Loving (Henry Green, 1945)
4 x4 I' y* N, a. I57. Parade’s End (Ford Madox Ford, 1924-1928)
" a# E* F' D' i$ t( P) D56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
9 F" X' m" n5 y7 g55. Gulliver’s Travels (Jonathan Swift, 1726)3 v0 J+ @2 ]4 G7 {2 j( i8 `
54. NW (Zadie Smith, 2012): v3 ^2 a5 T, o+ {/ W) u" S
53. Wide Sargasso Sea (Jean Rhys, 1966)# ^0 u: j) [: m) i5 b
52. New Grub Street (George Gissing, 1891)& W {4 {; u' U+ ~
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)2 J9 n; p5 y# D n2 M
50. A Passage to India (EM Forster, 1924)
2 V3 p/ P P8 `( E: f# b9 G) m49. Possession (AS Byatt, 1990)6 E J r* ^7 N$ J" d( M& o
48. Lucky Jim (Kingsley Amis, 1954)0 i [7 o# A7 C
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ Y4 [1 S- w( e+ Z' N: s
46. Midnight’s Children (Salman Rushdie, 1981)/ W0 G- h" I l3 i: K
45. The Little Stranger (Sarah Waters, 2009)" ]) {2 ^7 ]5 [2 Y0 D7 `2 v. N( P1 i; a
44. Wolf Hall (Hilary Mantel, 2009). t' }8 B" y" @: w) p' _3 c
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* o6 [$ a2 {9 w2 i, l9 V- | ?1 A# u* F42. Brighton Rock (Graham Greene, 1938)3 |5 N+ I# {' T0 I! H+ }4 q) g+ `
41. Dombey and Son (Charles Dickens, 1848)
2 h6 F+ d u- Z/ `40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
1 X' D- g0 h! a1 @* V$ O: x" C1 \39. The Sense of an Ending (Julian Barnes, 2011)
9 @( b" e) |5 ]# D [38. The Passion (Jeanette Winterson, 1987)* D" N* ?- u2 {0 `+ U' }) z# U
37. Decline and Fall (Evelyn Waugh, 1928)7 T) n J3 {2 F! M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
) j- q& G4 i% d. W" k35. Remainder (Tom McCarthy, 2005)" I: L$ F: E+ |# p0 {; v, a
34. Never Let Me Go (Kazuo Ishiguro, 2005)
v# R( C* F- o+ l33. The Wind in the Willows (Kenneth Grahame, 1908)5 d5 X: u! Y* n8 F% X
32. A Room with a View (EM Forster, 1908)8 r7 m0 X: l9 S8 c- t6 h
31. The End of the Affair (Graham Greene, 1951)1 Q8 S) V- Z( g# |* [ k: |0 g
30. Moll Flanders (Daniel Defoe, 1722)3 y# i: f8 i |3 f7 p
29. Brick Lane (Monica Ali, 2003)
) u. |) j+ h. U; [3 V28. Villette (Charlotte Brontë, 1853)7 ?0 J- h* i4 z$ ?& M7 W: @' F
27. Robinson Crusoe (Daniel Defoe, 1719)2 j& Q+ W: U. i
26. The Lord of the Rings (JRR Tolkien, 1954)3 E; B. u- } J' t) t7 ?% f! l4 V4 Q
25. White Teeth (Zadie Smith, 2000); n1 v! y( j. v" b! p) g
24. The Golden Notebook (Doris Lessing, 1962)
( C* Q: R: m9 b/ J23. Jude the Obscure (Thomas Hardy, 1895) {% N- b) k$ a9 i0 i. G0 W
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
y& p! \1 @: U/ P1 x21. Heart of Darkness (Joseph Conrad, 1899)5 e& e* |/ D# ]& ]
20. Persuasion (Jane Austen, 1817)
* E0 B! k) D: ^19. Emma (Jane Austen, 1815)! t: P3 \) k+ {# Y5 B# Y5 F; ]! r% ^
18. Remains of the Day (Kazuo Ishiguro, 1989)* q/ b/ Z( t( {( N o; o
17. Howards End (EM Forster, 1910)' q1 W, f. G; W* G* a% W
16. The Waves (Virginia Woolf, 1931)
6 k9 a% t2 T" T$ _15. Atonement (Ian McEwan, 2001): x* s' X4 U, i @7 n
14. Clarissa (Samuel Richardson,1748). l, |! x9 L$ l1 M4 V, F
13. The Good Soldier (Ford Madox Ford, 1915)! i' K" ^& m& `- Q: u
12. Nineteen Eighty-Four (George Orwell, 1949)
* _! g! C4 v) A, T- {9 H$ b+ `11. Pride and Prejudice (Jane Austen, 1813)
7 W5 i3 o, m0 @' }: X& w3 k$ M10. Vanity Fair (William Makepeace Thackeray, 1848)
; _0 c2 X; n0 K9. Frankenstein (Mary Shelley, 1818)! K- q7 t. ]2 \8 C; Q7 s
8. David Copperfield (Charles Dickens, 1850)# g2 g8 S. Z- |. O* d' @, ?' F+ @1 U5 h
7. Wuthering Heights (Emily Brontë, 1847)7 H+ [% X+ c5 o, v: O* U2 z
6. Bleak House (Charles Dickens, 1853)
2 b- V2 Y' p8 j# W. g- d+ \) y5. Jane Eyre (Charlotte Brontë, 1847)
5 \ V# I3 H; d, T, w, \4. Great Expectations (Charles Dickens, 1861) B# @3 v) C4 u6 Y: N6 I( b
3. Mrs. Dalloway (Virginia Woolf, 1925)! h) w" C# H3 q. F' ~
2. To the Lighthouse (Virginia Woolf, 1927)
/ r9 s; B9 q; W4 [: c; D1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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