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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + f# k3 m7 R6 u% z1 Q4 X3 {+ v
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BBC评出100大英国文学名著
+ x5 Z# |" H8 R1 L& r' O# [5 I" Q5 uhttp://www.bbc.com/culture/story ... test-british-novels
% H8 Y& P$ ~- S4 R6 p! Z+ M惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。3 x9 K5 a$ `5 n/ S3 {
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100. The Code of the Woosters (PG Wodehouse, 1938); `. s/ d( y. \$ k; ]
99. There but for the (Ali Smith, 2011)
( W2 H/ o# [" I# K# V( A* J98. Under the Volcano (Malcolm Lowry,1947)
4 s) ~3 E$ u2 S3 Q. p- \97. The Chronicles of Narnia (CS Lewis, 1949-1954)* C8 v7 a- E$ \# [7 R' L9 d9 J
96. Memoirs of a Survivor (Doris Lessing, 1974)
1 g. ~1 Q& X9 p2 M0 K: v95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ l& C; h: B6 \2 k0 {: h" t) [
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- N, O5 U$ l: u/ ?" u93. Lord of the Flies (William Golding, 1954)5 V8 Z8 C$ G% j( t
92. Cold Comfort Farm (Stella Gibbons, 1932)
' G4 C, N' I7 s% m& h91. The Forsyte Saga (John Galsworthy, 1922)2 d6 \: i: ^, X, e' V6 W5 g
90. The Woman in White (Wilkie Collins, 1859)
& @. F9 g" B6 Q' ~4 y8 p& c( x89. The Horse’s Mouth (Joyce Cary, 1944)
! C! w' o! r5 ~7 t& ]0 }88. The Death of the Heart (Elizabeth Bowen, 1938)
/ U3 i2 J T `4 Q0 b8 |87. The Old Wives’ Tale (Arnold Bennett,1908)% T0 |7 k' Z2 g3 m/ P7 _
86. A Legacy (Sybille Bedford, 1956)% Z1 h& c5 Z. O$ b$ F1 o# E
85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ U* {1 L0 |' d. f( i84. Scoop (Evelyn Waugh, 1938)
1 d! V7 v5 }( V83. Barchester Towers (Anthony Trollope, 1857)( Z5 _' v% U5 e3 D! k) R6 Q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
1 d8 z& D* r4 s/ t+ S7 M81. The Jewel in the Crown (Paul Scott, 1966)
# [! h3 ~ u( Q3 V80. Excellent Women (Barbara Pym, 1952)( `( E; G$ [' D9 a1 L
79. His Dark Materials (Philip Pullman, 1995-2000)' i0 }% ]3 R" y7 c
78. A House for Mr Biswas (VS Naipaul, 1961)( r) e7 e' z" A3 Y. U$ G" N$ D/ q" n
77. Of Human Bondage (W Somerset Maugham, 1915)% P- R' K7 w$ Q* @+ w E
76. Small Island (Andrea Levy, 2004)
2 K' _# S5 s9 Q, O! u4 _5 r; b75. Women in Love (DH Lawrence, 1920)
# ~% o3 e" F5 a74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ U3 a7 u' D# h
73. The Blue Flower (Penelope Fitzgerald, 1995)
) Y" @+ T, \4 k# @' I+ G72. The Heart of the Matter (Graham Greene, 1948). E. ]! b) j+ x g
71. Old Filth (Jane Gardam, 2004)
! a" H- x) I5 x. [70. Daniel Deronda (George Eliot, 1876)* `; ?/ G; p' O* Z
69. Nostromo (Joseph Conrad, 1904)% X% j' D7 h0 _& R/ j
68. A Clockwork Orange (Anthony Burgess, 1962)
7 x( O3 ~! g4 W! u- \" U# [67. Crash (JG Ballard 1973)5 Y) o; T! k& H4 _" z3 I" @
66. Sense and Sensibility (Jane Austen, 1811); g: G6 u: o* F9 o: ?" F1 }
65. Orlando (Virginia Woolf, 1928)
; i* x9 C' J+ D" W: x64. The Way We Live Now (Anthony Trollope, 1875)- G' S" \% V1 ~ X5 f4 v
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 X. ~+ S f3 X' f: u+ U62. Animal Farm (George Orwell, 1945)
. @9 o% q3 W+ V) ^61. The Sea, The Sea (Iris Murdoch, 1978)& Y4 c- f: E- q: M7 j
60. Sons and Lovers (DH Lawrence, 1913)
# T* u9 N! a7 n; v# f59. The Line of Beauty (Alan Hollinghurst, 2004)2 D5 \: F3 ^; d$ i2 `* s
58. Loving (Henry Green, 1945)9 X) }+ m9 q) A0 D. f8 \7 q
57. Parade’s End (Ford Madox Ford, 1924-1928)7 M+ L7 \" S: g3 s
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& i" n4 L8 T( n1 f1 C4 Q% v4 }
55. Gulliver’s Travels (Jonathan Swift, 1726)" E" j4 a2 k9 @, _) U" J
54. NW (Zadie Smith, 2012)
5 C3 J! d9 F- L% c7 Y: r: a53. Wide Sargasso Sea (Jean Rhys, 1966)- u5 g. O, g3 M# Y
52. New Grub Street (George Gissing, 1891)
# p" G1 X+ ^, p51. Tess of the d’Urbervilles (Thomas Hardy, 1891). L! b2 v9 s) B1 l
50. A Passage to India (EM Forster, 1924)
+ R# J) p1 ?8 z" N* V$ y* m1 p5 @49. Possession (AS Byatt, 1990)
$ S4 C% N! B+ r9 c5 |. E' R# S48. Lucky Jim (Kingsley Amis, 1954)
7 X- q e% _; c8 J+ n47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' ]/ d3 A9 ~3 O2 e+ f; c" b0 Y
46. Midnight’s Children (Salman Rushdie, 1981)/ k/ J1 @& H; C1 |
45. The Little Stranger (Sarah Waters, 2009)
/ V4 g( D5 D( K; B- x44. Wolf Hall (Hilary Mantel, 2009)9 `/ @) S* c/ _5 O
43. The Swimming Pool Library (Alan Hollinghurst, 1988); l. k1 `. [2 P. x) s; P1 H a
42. Brighton Rock (Graham Greene, 1938)
4 V9 j9 p) L! Z* R8 r: J# d, @41. Dombey and Son (Charles Dickens, 1848)$ Q) U( [( f7 ^
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
3 H; }# ~6 H, P2 z% @4 ?6 x39. The Sense of an Ending (Julian Barnes, 2011)4 C# H! T4 h! m q4 i' U% S7 n
38. The Passion (Jeanette Winterson, 1987)
" H; B; N' H. n) ^37. Decline and Fall (Evelyn Waugh, 1928)" D0 V3 {0 n& \
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
1 A3 V! Q* v! H35. Remainder (Tom McCarthy, 2005)0 ~2 w) u& I1 b
34. Never Let Me Go (Kazuo Ishiguro, 2005)
, k8 [9 w" p& B+ I. C1 q6 C33. The Wind in the Willows (Kenneth Grahame, 1908)
, t8 H# G- P$ n0 I% F% O& r/ I32. A Room with a View (EM Forster, 1908): X1 b; Z, V! B) |/ r7 X8 } @& p6 v7 T
31. The End of the Affair (Graham Greene, 1951)' I1 S q. c8 U* `' s
30. Moll Flanders (Daniel Defoe, 1722)
& h" y, s5 v' l. [2 @* c5 o29. Brick Lane (Monica Ali, 2003)
. p. d7 B9 X8 _# N/ Q4 {( ~28. Villette (Charlotte Brontë, 1853) q: T( y' l$ c' c+ }( I3 s, _; n9 a
27. Robinson Crusoe (Daniel Defoe, 1719)
% j8 I' B) m7 r( @; b& \26. The Lord of the Rings (JRR Tolkien, 1954)+ a( n& T2 G* \- S2 p8 ~
25. White Teeth (Zadie Smith, 2000)# m& ?! @8 ~1 G
24. The Golden Notebook (Doris Lessing, 1962)
" b7 X; |: J* H. U. z; t23. Jude the Obscure (Thomas Hardy, 1895)3 b8 k) i# B. |9 L
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 v6 x6 z2 R7 {' ^) I9 v9 E21. Heart of Darkness (Joseph Conrad, 1899)
+ D% k3 Q3 @. g2 K7 k! o7 t20. Persuasion (Jane Austen, 1817)
, q3 e2 H! B- u* Y; j19. Emma (Jane Austen, 1815)6 r( ~: F2 n T" v
18. Remains of the Day (Kazuo Ishiguro, 1989)2 d( @6 v! a% O G$ @: _- T' [, i
17. Howards End (EM Forster, 1910)
U% N1 P; V) x& K6 K) v' y16. The Waves (Virginia Woolf, 1931)
/ { B- e q* G. \- J3 P1 b15. Atonement (Ian McEwan, 2001). _% P5 g- F- Q. `+ c. B9 B% m$ @6 ]
14. Clarissa (Samuel Richardson,1748)' P) t6 f3 O n2 u& k" _% e
13. The Good Soldier (Ford Madox Ford, 1915), P1 D. e$ L% V. m
12. Nineteen Eighty-Four (George Orwell, 1949)
; |6 H" {7 ]. i5 ^$ d11. Pride and Prejudice (Jane Austen, 1813)
' q8 t& K. w2 t8 s" E! s10. Vanity Fair (William Makepeace Thackeray, 1848)! a& }0 I1 [3 C- A
9. Frankenstein (Mary Shelley, 1818); a6 j/ d: Z9 [3 P
8. David Copperfield (Charles Dickens, 1850)
8 `( G& K9 ^3 ^0 ~7 H7. Wuthering Heights (Emily Brontë, 1847)
8 s# R) z4 y) A6 _6. Bleak House (Charles Dickens, 1853)8 i9 }! t+ k& Q3 `8 N" i
5. Jane Eyre (Charlotte Brontë, 1847)3 f7 O5 u R+ S9 o8 j
4. Great Expectations (Charles Dickens, 1861)
) h, @! b1 _- L) j, j3. Mrs. Dalloway (Virginia Woolf, 1925)
& E: u( m' p# A! m$ H2. To the Lighthouse (Virginia Woolf, 1927)1 e$ l7 ~. t- P
1. Middlemarch (George Eliot, 1874)
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5 O0 @3 q M& ^前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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# f \ z3 r6 _, {+ f: u呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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