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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ w# s. e( Z, Z+ U3 P) F' h9 IBBC评出100大英国文学名著
# F0 N: E6 X& M% Y! F, Rhttp://www.bbc.com/culture/story ... test-british-novels3 } `* v. b% ^3 N
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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" y: `5 o8 r3 f& Y100. The Code of the Woosters (PG Wodehouse, 1938)
- X" _" b( c& ~: t' j3 _* A99. There but for the (Ali Smith, 2011)
+ X0 w& r# n- f& {7 E7 R6 C& F98. Under the Volcano (Malcolm Lowry,1947)
: C) r$ w( u8 L' | m: |97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 ]% x4 L+ p- {& x% W% X1 k
96. Memoirs of a Survivor (Doris Lessing, 1974): A. S- q' X3 a. i1 ]
95. The Buddha of Suburbia (Hanif Kureishi, 1990)* c: f% p9 A# D, I- {
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
# i; ~2 A# Y2 m4 h: o93. Lord of the Flies (William Golding, 1954)
4 i# @7 f8 }5 Q# A3 g% N92. Cold Comfort Farm (Stella Gibbons, 1932)
4 t" Y0 @5 x& e4 u7 P; j; X( m: S91. The Forsyte Saga (John Galsworthy, 1922)) `$ V/ z" C6 ]( k. o0 Q) b
90. The Woman in White (Wilkie Collins, 1859)! n4 G$ t3 |# X
89. The Horse’s Mouth (Joyce Cary, 1944)
. M6 f% ~7 u$ ]! y5 P, |- \88. The Death of the Heart (Elizabeth Bowen, 1938)
2 W, S6 G( t% B1 ?' q87. The Old Wives’ Tale (Arnold Bennett,1908)! d( J' b8 N4 X7 ~
86. A Legacy (Sybille Bedford, 1956)
+ B- p( q. i; O4 H85. Regeneration Trilogy (Pat Barker, 1991-1995)
0 o/ I3 I2 U0 `, K2 Q* l84. Scoop (Evelyn Waugh, 1938)
0 N. i9 c$ W; i1 c# ~" o- Q/ d83. Barchester Towers (Anthony Trollope, 1857)
9 \$ _7 ^3 r; G/ |0 s82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ S' k+ `# j& y: ^$ c% Z1 H1 A2 O
81. The Jewel in the Crown (Paul Scott, 1966)5 u c3 }' Z/ B/ C5 l' H& I) h
80. Excellent Women (Barbara Pym, 1952)
- A4 t* t& l- O5 S79. His Dark Materials (Philip Pullman, 1995-2000)
7 }- {5 s3 [8 v3 S# I4 I! W78. A House for Mr Biswas (VS Naipaul, 1961) p" @( e, y) L$ d2 B9 N% N
77. Of Human Bondage (W Somerset Maugham, 1915)
3 e) [7 g v' H ~' d76. Small Island (Andrea Levy, 2004), A- N; r' l# \
75. Women in Love (DH Lawrence, 1920)
# m8 _6 g: Q" ~4 h) ?" b4 m4 H1 V74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& c# z- z' R! y5 g& T73. The Blue Flower (Penelope Fitzgerald, 1995), h% q$ L5 Z9 ?7 u2 J
72. The Heart of the Matter (Graham Greene, 1948)6 M; o2 {0 X: ^
71. Old Filth (Jane Gardam, 2004). D7 N3 j- r9 h: ]0 [
70. Daniel Deronda (George Eliot, 1876)
+ G9 Z. t$ D% \* T+ L; s. N- A69. Nostromo (Joseph Conrad, 1904)
! W( g+ q9 o4 x- S) T( t68. A Clockwork Orange (Anthony Burgess, 1962)
; ] a. k3 U. A& |. g0 H67. Crash (JG Ballard 1973)
% f! I- @2 D9 R& E4 r: l66. Sense and Sensibility (Jane Austen, 1811)) ]+ G/ e2 s5 n d+ I0 r
65. Orlando (Virginia Woolf, 1928)- `7 C7 J g) t
64. The Way We Live Now (Anthony Trollope, 1875)
- [7 ]6 c0 G& s( v7 L: L3 c# N63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
1 A% v+ n1 x. r' F: C, W( W62. Animal Farm (George Orwell, 1945)4 B6 J9 j# C6 C7 Q- w+ q; d
61. The Sea, The Sea (Iris Murdoch, 1978)
1 c4 q* O4 k/ b. A, @4 Q2 F60. Sons and Lovers (DH Lawrence, 1913)
! x) Z4 w3 U% C2 X6 J- e59. The Line of Beauty (Alan Hollinghurst, 2004); {) ?" l- L; X& O+ F8 @
58. Loving (Henry Green, 1945)- ^+ S7 f0 R" r
57. Parade’s End (Ford Madox Ford, 1924-1928); u, A# z5 P5 V4 {5 O
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ q0 `7 v5 D* Z0 p55. Gulliver’s Travels (Jonathan Swift, 1726): R7 p: ^$ E. v- h _" P0 g
54. NW (Zadie Smith, 2012)7 c( U& O: d4 u* l/ f0 f
53. Wide Sargasso Sea (Jean Rhys, 1966); E' ?' M# u3 k% _9 N) ?
52. New Grub Street (George Gissing, 1891)
1 z2 T* k0 C. d51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( f$ ^& Z. Y u
50. A Passage to India (EM Forster, 1924); o% ~8 L4 S/ l' a
49. Possession (AS Byatt, 1990)
$ P' O% [; o: t7 ^48. Lucky Jim (Kingsley Amis, 1954)
% R2 g3 F3 F& b5 D47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
) M( C4 @( k* q) F4 w3 v8 P1 f: e; M46. Midnight’s Children (Salman Rushdie, 1981)
% t. J) H& u% Z; \45. The Little Stranger (Sarah Waters, 2009)
* D) W2 {; i/ V) s44. Wolf Hall (Hilary Mantel, 2009)7 {) M# d. Y8 E4 T: ^
43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 E6 e6 X0 J, Q# v( a f/ `% R
42. Brighton Rock (Graham Greene, 1938)8 p9 t P6 g3 z3 b( U0 T" f
41. Dombey and Son (Charles Dickens, 1848)
' h5 l1 P3 O7 A. p) ~( Z40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( }4 F% c5 D: `: b l39. The Sense of an Ending (Julian Barnes, 2011)6 L* t s' U( Y- I: G5 |+ i
38. The Passion (Jeanette Winterson, 1987)* t8 X; B; K: F5 u+ ^& ?
37. Decline and Fall (Evelyn Waugh, 1928)% Z5 `1 I7 L, Z
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
* S ]" ^! C' ~8 q4 X) i# X35. Remainder (Tom McCarthy, 2005)
* x7 f1 `+ c1 I8 `/ c: ~34. Never Let Me Go (Kazuo Ishiguro, 2005)
' A# B# Q, h+ h: m$ u33. The Wind in the Willows (Kenneth Grahame, 1908)
/ M7 |. a# W) t K9 O8 |32. A Room with a View (EM Forster, 1908)9 i$ n8 m3 R- _- J
31. The End of the Affair (Graham Greene, 1951)
3 [+ B, p4 d8 Y3 n30. Moll Flanders (Daniel Defoe, 1722)
* a8 n& t! {1 Z9 \0 m29. Brick Lane (Monica Ali, 2003)' u! V) |' y. D
28. Villette (Charlotte Brontë, 1853)
( m* N L7 k+ _/ r* t3 j- c0 A27. Robinson Crusoe (Daniel Defoe, 1719)
, Y- b5 [9 x+ R) ?: \: m26. The Lord of the Rings (JRR Tolkien, 1954)
6 D. N0 ~: B7 N, y25. White Teeth (Zadie Smith, 2000)- f7 k5 |- w, n: }" ~
24. The Golden Notebook (Doris Lessing, 1962)
8 `4 G& u8 Q+ w% E23. Jude the Obscure (Thomas Hardy, 1895)
* Q4 E) t1 Q" ?. @22. The History of Tom Jones, a Foundling (Henry Fielding, 1749), L, p+ F4 A$ O p2 J& {& \5 N3 e" v
21. Heart of Darkness (Joseph Conrad, 1899)
2 G7 C( N1 l, X2 [5 t20. Persuasion (Jane Austen, 1817)
! E1 J8 c/ S3 _1 i0 G4 S: k19. Emma (Jane Austen, 1815)
, I/ t1 k: e% d) w0 l! ?+ G4 D1 A. P18. Remains of the Day (Kazuo Ishiguro, 1989)
8 D( Q. \; E5 k7 x2 u2 S( O( y17. Howards End (EM Forster, 1910)+ ]# J9 C% I) J: \( n
16. The Waves (Virginia Woolf, 1931)8 n9 p3 F+ ]2 m% [! y6 D ~: C6 n
15. Atonement (Ian McEwan, 2001)" s& F5 ^$ C$ T1 \
14. Clarissa (Samuel Richardson,1748)' C3 |: B. A% c! S' @) d
13. The Good Soldier (Ford Madox Ford, 1915)
+ c5 Y6 C5 r& O12. Nineteen Eighty-Four (George Orwell, 1949)
4 e. I Q& B+ B) I+ l11. Pride and Prejudice (Jane Austen, 1813)
7 F% j0 v9 G' R, k10. Vanity Fair (William Makepeace Thackeray, 1848)6 F: d7 S( d' Z
9. Frankenstein (Mary Shelley, 1818)
$ A' t9 t: ?/ u% z8. David Copperfield (Charles Dickens, 1850)
) X. L- H5 ~/ o$ M6 t7. Wuthering Heights (Emily Brontë, 1847)/ H6 [6 ^% V/ q7 N( z' D2 j6 H
6. Bleak House (Charles Dickens, 1853)
/ _5 H. o6 Z% I3 m5. Jane Eyre (Charlotte Brontë, 1847)' J8 Z8 O1 M, n M, _/ S
4. Great Expectations (Charles Dickens, 1861)+ g3 F( D8 R+ a6 B6 `* l6 l Z
3. Mrs. Dalloway (Virginia Woolf, 1925)# b" D1 T4 f& t% Q0 ]
2. To the Lighthouse (Virginia Woolf, 1927)- o. ^! H$ I F k2 @5 x8 y+ s
1. Middlemarch (George Eliot, 1874)
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# g: P0 u( ~4 L% \: q前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。8 Z9 M% B4 u* ?
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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