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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著. I( @' I( L& k3 Z$ S/ P
http://www.bbc.com/culture/story ... test-british-novels4 w3 _! G+ J; i4 @
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。8 G. ]% h9 J3 T; a
$ P- x5 ^8 _3 ?/ E. B100. The Code of the Woosters (PG Wodehouse, 1938)
; E/ o# A% b- G% z0 K! G! H99. There but for the (Ali Smith, 2011)
: Q, X3 v1 h9 v( L8 L* }0 X98. Under the Volcano (Malcolm Lowry,1947)* w% r& D! Y: |9 g
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! V& Z4 A3 W& M% Z/ x7 S96. Memoirs of a Survivor (Doris Lessing, 1974)
$ N! F B! a, V8 v" V* _1 L. z95. The Buddha of Suburbia (Hanif Kureishi, 1990); s) h- c! K$ D* T' y3 @, n
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824) t& [: R; N6 J$ o
93. Lord of the Flies (William Golding, 1954)
1 ^% O1 _. L: V( O' E% J- r7 S92. Cold Comfort Farm (Stella Gibbons, 1932)
& t. C6 t; `9 h( U0 n91. The Forsyte Saga (John Galsworthy, 1922)
4 f' |2 Y6 K! Q90. The Woman in White (Wilkie Collins, 1859)
& y/ k5 U) C. D0 P) z+ X89. The Horse’s Mouth (Joyce Cary, 1944)
/ K& W* ?0 @, j2 R! K/ P5 n88. The Death of the Heart (Elizabeth Bowen, 1938)% p0 f# E# f) ~- @& P9 q
87. The Old Wives’ Tale (Arnold Bennett,1908)1 O- e6 E6 B1 ?8 T6 {
86. A Legacy (Sybille Bedford, 1956)
" y q) j$ P2 D85. Regeneration Trilogy (Pat Barker, 1991-1995)" }# p7 X+ O6 h! [7 M; x& N" z
84. Scoop (Evelyn Waugh, 1938)" }; T; B# I: Q. Y
83. Barchester Towers (Anthony Trollope, 1857)5 W) N$ K; ^4 A+ O2 q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* m( w+ L8 K- m2 c( I3 u: q4 [81. The Jewel in the Crown (Paul Scott, 1966)
& @9 C& Y& |7 [9 p" X80. Excellent Women (Barbara Pym, 1952)5 V% e: B. f/ g+ T0 T [0 I
79. His Dark Materials (Philip Pullman, 1995-2000)
& u9 M1 F, h0 P- w7 g78. A House for Mr Biswas (VS Naipaul, 1961). H: ~+ H2 e0 S" \
77. Of Human Bondage (W Somerset Maugham, 1915)
& h9 |$ w% d8 Y$ L, C {' \76. Small Island (Andrea Levy, 2004)
) b( e# t, Y& @75. Women in Love (DH Lawrence, 1920)5 w+ \, {/ j) A; V
74. The Mayor of Casterbridge (Thomas Hardy, 1886)% e4 c5 }* P \- X
73. The Blue Flower (Penelope Fitzgerald, 1995); ?$ Y$ H8 S7 a
72. The Heart of the Matter (Graham Greene, 1948)
/ U( ]; Z2 |7 v2 S1 R71. Old Filth (Jane Gardam, 2004); I9 Y' t: Q; C/ j8 `; k
70. Daniel Deronda (George Eliot, 1876)1 M0 N) B7 T% d D7 t
69. Nostromo (Joseph Conrad, 1904)
2 [, z+ H6 w( d68. A Clockwork Orange (Anthony Burgess, 1962)% H9 J/ I1 N4 S* l' V" d
67. Crash (JG Ballard 1973)8 n- K* X& @& Z6 T% ]) K
66. Sense and Sensibility (Jane Austen, 1811)
! F3 }2 J# s- `+ d X/ [0 b65. Orlando (Virginia Woolf, 1928)
7 X$ B, P) D8 e) Q$ h64. The Way We Live Now (Anthony Trollope, 1875)
) o! T Z* \' R63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 n \) {: D/ x c% A
62. Animal Farm (George Orwell, 1945)
( `4 A4 j7 _- d+ k# B# m6 l* X, \61. The Sea, The Sea (Iris Murdoch, 1978)
+ u# n( B: ?- m) N5 `60. Sons and Lovers (DH Lawrence, 1913)! J7 T8 z* D$ ?
59. The Line of Beauty (Alan Hollinghurst, 2004)
, A. I4 Q/ Y. L, n& V5 {/ e( E* z8 B58. Loving (Henry Green, 1945)/ j7 {; s, Z' {" |* s. I. v
57. Parade’s End (Ford Madox Ford, 1924-1928)( h# b9 `3 y, U* x' S
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 D1 K, D* c- \
55. Gulliver’s Travels (Jonathan Swift, 1726)
* r2 `% U+ [+ ^54. NW (Zadie Smith, 2012)
$ y0 Q/ X# j2 w. Z53. Wide Sargasso Sea (Jean Rhys, 1966)
2 s# z# z# [9 h# o- d; H52. New Grub Street (George Gissing, 1891)
8 o1 j$ K, Z( u3 E/ }# m51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. U8 c; z$ a9 s+ E) E50. A Passage to India (EM Forster, 1924)
3 L$ B* T& {% |6 w2 t R49. Possession (AS Byatt, 1990)( m" O; s. N! `9 X
48. Lucky Jim (Kingsley Amis, 1954)8 d8 v! J& a/ O. ]
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 A/ W. t; L1 s# z3 Z/ Q46. Midnight’s Children (Salman Rushdie, 1981)
0 j2 f; b G+ ~3 S6 Y( `3 e45. The Little Stranger (Sarah Waters, 2009)9 T5 }: \' T7 ~3 e4 V
44. Wolf Hall (Hilary Mantel, 2009)
4 N8 H; d0 s' A43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* p( y& p$ A; {% S42. Brighton Rock (Graham Greene, 1938)* a/ c+ F) `- X7 G; S% q
41. Dombey and Son (Charles Dickens, 1848)
' w& P6 m6 H7 Q( ^; Q, l40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
' v; M2 M J; b& o; T3 V39. The Sense of an Ending (Julian Barnes, 2011)/ A8 {% k3 G3 e m) x* e, ~
38. The Passion (Jeanette Winterson, 1987)
6 X7 @3 e3 P4 b37. Decline and Fall (Evelyn Waugh, 1928)
4 r) u. {5 S) R2 h N g$ d5 s& H36. A Dance to the Music of Time (Anthony Powell, 1951-1975); F1 \0 W9 F, u, V3 R6 o
35. Remainder (Tom McCarthy, 2005)
3 B7 u5 F6 E. M7 O9 ?6 ?) V* d% n8 i34. Never Let Me Go (Kazuo Ishiguro, 2005)$ E; p0 f& O$ K; Y1 j
33. The Wind in the Willows (Kenneth Grahame, 1908)
. c6 ^9 F/ L( y6 z) F& S$ ]) p32. A Room with a View (EM Forster, 1908)6 z. N* f& D% b7 d: p4 N, q) r$ c5 [
31. The End of the Affair (Graham Greene, 1951)" |) b3 B4 T% V. P
30. Moll Flanders (Daniel Defoe, 1722)
" A. p6 p/ d6 i6 h" N; z29. Brick Lane (Monica Ali, 2003)
: g8 f, U7 ^: K( ]" T28. Villette (Charlotte Brontë, 1853)9 G( z- r; g6 U
27. Robinson Crusoe (Daniel Defoe, 1719), \+ m& b5 w& R9 ~! N
26. The Lord of the Rings (JRR Tolkien, 1954)2 i" m/ A5 t* ]$ F' X* y0 n: c- i; h
25. White Teeth (Zadie Smith, 2000)
& G) f( F( s% y. J# v24. The Golden Notebook (Doris Lessing, 1962)# L# t& z2 q; C; G7 L0 k0 @
23. Jude the Obscure (Thomas Hardy, 1895)6 e( z# g, D6 V9 {- }: J
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
* ?' G+ h& W% u5 }- @, r9 c6 N21. Heart of Darkness (Joseph Conrad, 1899)
/ y/ M( o2 k' o( v20. Persuasion (Jane Austen, 1817)
; Z8 n+ N; H8 L19. Emma (Jane Austen, 1815)& ^/ M e- J, E, R8 E
18. Remains of the Day (Kazuo Ishiguro, 1989)$ ~( z4 l$ z R$ Y# w' r
17. Howards End (EM Forster, 1910)$ g+ E8 E5 R: Q
16. The Waves (Virginia Woolf, 1931)3 A5 f& X' v$ A! o% d# r
15. Atonement (Ian McEwan, 2001)0 ]0 R$ ?" {7 Z3 o
14. Clarissa (Samuel Richardson,1748)
; e# D: ]1 D! Z2 t13. The Good Soldier (Ford Madox Ford, 1915)
% f: x( z) ^0 n: s6 o& Z8 }% k12. Nineteen Eighty-Four (George Orwell, 1949)
6 `, E0 m ~" }/ I8 X11. Pride and Prejudice (Jane Austen, 1813). a0 O: I9 v: L9 {) N( E7 |! v7 z) j
10. Vanity Fair (William Makepeace Thackeray, 1848)
- i; G7 ?' L! n( S' k- B' z9. Frankenstein (Mary Shelley, 1818)) k- i& g- M. p( [1 Q6 f5 s7 \
8. David Copperfield (Charles Dickens, 1850)6 V) D- w5 v$ n- R/ @: H$ E/ m
7. Wuthering Heights (Emily Brontë, 1847)
6 M/ q3 o* u9 `3 I6 |! }& r- Z6. Bleak House (Charles Dickens, 1853)
: Z0 c$ d- G' b" B5 Z7 l5. Jane Eyre (Charlotte Brontë, 1847)
5 b7 M- _; N: @: ?# u" e5 l* |+ r4. Great Expectations (Charles Dickens, 1861), Z8 I; G: N7 z, {. G7 I
3. Mrs. Dalloway (Virginia Woolf, 1925)# T! z K) p: `5 w
2. To the Lighthouse (Virginia Woolf, 1927)( f6 m1 u' o- ]/ N8 P$ z& ^
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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