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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
& U* C9 _/ Q: V# ?+ o. R8 w: c# v/ a9 [http://www.bbc.com/culture/story ... test-british-novels
* z0 Q( r( t! Q$ w7 E惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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. O$ Z% t3 x/ i) z, T100. The Code of the Woosters (PG Wodehouse, 1938)$ W) u2 U% |5 k; U$ o$ C8 k
99. There but for the (Ali Smith, 2011)
5 k. ?4 m6 Z8 F2 T( W98. Under the Volcano (Malcolm Lowry,1947)* C! x9 y* T; I; h# S* N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)* [5 u w& k; {
96. Memoirs of a Survivor (Doris Lessing, 1974)
* [% w- D2 R$ \95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 ]- Y1 B2 A; g, d& c7 X# Z94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; x2 k. E* Y) C/ F( m4 {93. Lord of the Flies (William Golding, 1954); H. Y% Z6 Z5 ~
92. Cold Comfort Farm (Stella Gibbons, 1932)
- Z4 J9 C2 H1 ~91. The Forsyte Saga (John Galsworthy, 1922)
/ x7 i& F( S8 F: p% n9 C90. The Woman in White (Wilkie Collins, 1859)
0 D) N, U5 }7 l89. The Horse’s Mouth (Joyce Cary, 1944)
& m+ ]. A! O/ F; s+ @! S& W% t! ]# \88. The Death of the Heart (Elizabeth Bowen, 1938)
6 A4 w3 z& D. X) T87. The Old Wives’ Tale (Arnold Bennett,1908)
& U1 X- {5 V$ p7 x- U86. A Legacy (Sybille Bedford, 1956)
0 a8 k+ Z4 ?; c6 q c6 D85. Regeneration Trilogy (Pat Barker, 1991-1995)8 Y0 J* l$ S" j
84. Scoop (Evelyn Waugh, 1938)) |6 ^ f5 K; S* T2 D- u! C$ X2 X+ K3 X
83. Barchester Towers (Anthony Trollope, 1857)
6 }1 D- P; v" E82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" W: X& H' }- v# x
81. The Jewel in the Crown (Paul Scott, 1966)
- B* Z, b2 k: L80. Excellent Women (Barbara Pym, 1952)9 a. ?* q$ V; M- ]$ X# ^
79. His Dark Materials (Philip Pullman, 1995-2000)! M" N) D- I M5 M$ t0 |0 j! {! o) m/ P
78. A House for Mr Biswas (VS Naipaul, 1961)
8 _2 O5 [# o( U77. Of Human Bondage (W Somerset Maugham, 1915)8 G# T4 l+ d5 `, t
76. Small Island (Andrea Levy, 2004)
& {4 S/ g' ^( E9 a75. Women in Love (DH Lawrence, 1920)+ I% c; F0 G# b. C- D
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
8 h: G( l3 m. j! T0 w, m73. The Blue Flower (Penelope Fitzgerald, 1995)
* r8 w8 [4 Q2 {" \! W2 g: e: Y72. The Heart of the Matter (Graham Greene, 1948)! P" ? m+ J9 {( _% e x9 y
71. Old Filth (Jane Gardam, 2004)9 m& y) n3 r0 [& i
70. Daniel Deronda (George Eliot, 1876)( t( d9 S; z' f8 {1 \2 r
69. Nostromo (Joseph Conrad, 1904)
& Q0 o3 E+ |5 N68. A Clockwork Orange (Anthony Burgess, 1962)
+ J: Z d" y% U: X, u0 V" l67. Crash (JG Ballard 1973)
, k/ Y% A' \ m! R6 D+ m; K% @66. Sense and Sensibility (Jane Austen, 1811)
* S5 \2 X( N& \) F7 y) a65. Orlando (Virginia Woolf, 1928)
- v+ l& k8 U" p( s Z8 c' U64. The Way We Live Now (Anthony Trollope, 1875)
9 P! }* u$ \6 P0 g+ Z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 m8 W2 |3 V3 Q; Q) [% U62. Animal Farm (George Orwell, 1945)
% E" L% W" x2 n3 f7 j61. The Sea, The Sea (Iris Murdoch, 1978)3 V- p9 V2 I; M9 x$ v1 [$ Q' I
60. Sons and Lovers (DH Lawrence, 1913)3 t0 E3 T8 N- K
59. The Line of Beauty (Alan Hollinghurst, 2004)) J$ T: {1 L3 h0 U! x9 U$ S
58. Loving (Henry Green, 1945)
( n, }% G7 g( i/ n9 k" ~* ?7 u57. Parade’s End (Ford Madox Ford, 1924-1928)( Y5 p: T& I$ v0 C' k8 u6 C
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. M6 I9 R( k" R# e' T9 i' Y d& d55. Gulliver’s Travels (Jonathan Swift, 1726)
" w# G$ V. I: [- u. v+ w( l54. NW (Zadie Smith, 2012)) B T7 C$ E4 [; J9 X, f
53. Wide Sargasso Sea (Jean Rhys, 1966) v! v2 O* c( H' Z5 F6 h- n& q
52. New Grub Street (George Gissing, 1891)
; ^2 j! n& A2 n* ]3 e6 m) a51. Tess of the d’Urbervilles (Thomas Hardy, 1891)8 v9 O: A# t8 {; e8 y
50. A Passage to India (EM Forster, 1924)
1 y% P4 _, }3 ?! h) H w; t& T49. Possession (AS Byatt, 1990)1 D; [# }! O( ?# E* k) l, {
48. Lucky Jim (Kingsley Amis, 1954)0 X9 m, N6 T {' y5 g- {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ I( y0 k6 r) x9 O* x! f46. Midnight’s Children (Salman Rushdie, 1981)
* u o6 W6 @% f* t8 C7 H45. The Little Stranger (Sarah Waters, 2009). I* s% l1 J% W! `7 l
44. Wolf Hall (Hilary Mantel, 2009)
$ f3 v9 x7 h: I1 k8 C6 c43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ w9 n! W$ i0 [0 U& D- Q- @
42. Brighton Rock (Graham Greene, 1938)
8 I% Y G# n- C1 \, b4 @ b41. Dombey and Son (Charles Dickens, 1848)8 X! s) _' `$ i! ?# x) e
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)) @* w& E* \5 j' f7 Q& M! Z* Y
39. The Sense of an Ending (Julian Barnes, 2011)# Q" e! y3 a+ t& J
38. The Passion (Jeanette Winterson, 1987)9 f5 ?/ A7 g0 h5 E& r
37. Decline and Fall (Evelyn Waugh, 1928)
: o4 t& R1 L+ E4 j. x) ^* e8 q R36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 p$ w. M2 v( T a& W7 u c
35. Remainder (Tom McCarthy, 2005)
0 V0 z P! E# o/ ^0 ?. T& O34. Never Let Me Go (Kazuo Ishiguro, 2005)
z* y2 R% t! e, T! z* }33. The Wind in the Willows (Kenneth Grahame, 1908)
% N L( t0 R5 ]7 r0 \. [" e6 b32. A Room with a View (EM Forster, 1908)% ?' }. [* y* E F
31. The End of the Affair (Graham Greene, 1951)- u. d8 u1 F% m2 B) C6 k' j
30. Moll Flanders (Daniel Defoe, 1722)* I i4 R( z$ \
29. Brick Lane (Monica Ali, 2003)
. Z: q$ c- I7 d4 _* ^5 G# `. a' Y28. Villette (Charlotte Brontë, 1853)
" ]$ z0 h8 I6 K; [27. Robinson Crusoe (Daniel Defoe, 1719)
( M0 s! [- ^5 i% u2 j26. The Lord of the Rings (JRR Tolkien, 1954)7 s6 B( w& V8 y
25. White Teeth (Zadie Smith, 2000)
( ?6 E" L! l! p1 S9 U0 o24. The Golden Notebook (Doris Lessing, 1962)' i! q v+ ~2 D0 j
23. Jude the Obscure (Thomas Hardy, 1895)+ F- n( m/ O0 b+ `: |0 {
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ |) o/ t U; _! q1 ]% d" I21. Heart of Darkness (Joseph Conrad, 1899)* _1 X% W' ?/ O5 V! Z J; M& s S
20. Persuasion (Jane Austen, 1817)
4 P: q7 N P/ ]8 T* u19. Emma (Jane Austen, 1815)
( ?8 o0 t: r2 \9 ?& ]' s( S' N18. Remains of the Day (Kazuo Ishiguro, 1989)4 v* G \# M! u9 r& b
17. Howards End (EM Forster, 1910). }/ s) X8 M& }- w, m7 `- r
16. The Waves (Virginia Woolf, 1931)1 B# b: a6 w% ~
15. Atonement (Ian McEwan, 2001)
" ]. k2 w# |) n14. Clarissa (Samuel Richardson,1748)2 z6 X# a! @& \7 S3 k; L
13. The Good Soldier (Ford Madox Ford, 1915), {3 M. R$ \$ l! \) K! C
12. Nineteen Eighty-Four (George Orwell, 1949)2 l$ t1 O+ h8 l, _3 Y, w
11. Pride and Prejudice (Jane Austen, 1813), |$ L5 V( D l4 L& f5 [
10. Vanity Fair (William Makepeace Thackeray, 1848)
* S7 T2 Y' e' L: ?8 i# D; N9 ^. }9. Frankenstein (Mary Shelley, 1818)
; {; H6 V$ J+ T0 ~8. David Copperfield (Charles Dickens, 1850)4 ]& C& C7 ~8 C3 ]$ A9 l
7. Wuthering Heights (Emily Brontë, 1847)
+ [7 z0 _) q- e. ~6. Bleak House (Charles Dickens, 1853)1 j) I% X* q/ I3 W
5. Jane Eyre (Charlotte Brontë, 1847)
' V4 E% S$ A+ V1 @/ u0 D- L# `- i4. Great Expectations (Charles Dickens, 1861)
. Z l# {! p6 m$ s$ F" T3. Mrs. Dalloway (Virginia Woolf, 1925)
6 U# O5 c8 x: ~5 |: S2. To the Lighthouse (Virginia Woolf, 1927)
$ ~$ {! x. ~& b$ r4 V H X1. Middlemarch (George Eliot, 1874)6 m1 ]( J! D( l( @# {8 w. t" s/ b
! G; T% e* a9 m7 S9 X- j前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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& Q1 ?! ?( `( C9 u+ ~2 K呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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