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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 . E/ ~! ?- Q) G8 m9 c' a
" D! @! Y/ x* n5 Y1 V9 l6 w. MBBC评出100大英国文学名著, M5 ^9 A9 @5 m3 c$ h; {$ _/ o
http://www.bbc.com/culture/story ... test-british-novels$ G9 F! }% P" ^6 M
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。: ]; \6 l& v' H( e" y( Z4 ]
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100. The Code of the Woosters (PG Wodehouse, 1938)
+ {) s$ t+ D' [# `$ Z9 } b99. There but for the (Ali Smith, 2011)- S4 z" S% _0 I# W
98. Under the Volcano (Malcolm Lowry,1947)
) W7 B$ i! N5 V. R, M- U97. The Chronicles of Narnia (CS Lewis, 1949-1954); Y+ U5 Y$ L% Y* y( ?
96. Memoirs of a Survivor (Doris Lessing, 1974)
' W7 w* g, x' E8 V W' |5 }95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* V0 b5 a ^9 a: ?% x( A94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
1 |/ }' g5 Q7 h; s4 [93. Lord of the Flies (William Golding, 1954)1 o; j7 y0 b2 T& I2 y/ J
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ ~" C% w! P6 D3 j6 n91. The Forsyte Saga (John Galsworthy, 1922); l v+ t. ]- B3 Q
90. The Woman in White (Wilkie Collins, 1859)
( ~' \0 |$ |3 d- V |89. The Horse’s Mouth (Joyce Cary, 1944)
- c! A& l, s& O4 Z( P88. The Death of the Heart (Elizabeth Bowen, 1938)
- J8 Z5 l' X8 r# z1 o. P87. The Old Wives’ Tale (Arnold Bennett,1908)5 F( x' S- u2 K+ s: I2 B# H
86. A Legacy (Sybille Bedford, 1956); O5 w8 [! K5 t9 ]) ^
85. Regeneration Trilogy (Pat Barker, 1991-1995)( V/ D# [' e2 ~- V( K1 k( Z
84. Scoop (Evelyn Waugh, 1938)1 P# N2 ?% X8 W) u% y% d: m! T; R; p
83. Barchester Towers (Anthony Trollope, 1857)) p W2 p' d' N- J1 `
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
C3 A( V/ C' }+ g81. The Jewel in the Crown (Paul Scott, 1966)- v# A; \* Y/ e8 [; O g
80. Excellent Women (Barbara Pym, 1952)
: I% c9 I9 N4 F; n6 b2 ^& d79. His Dark Materials (Philip Pullman, 1995-2000)' U6 k& A0 }- L
78. A House for Mr Biswas (VS Naipaul, 1961)
. a5 ~. c- u2 B; K5 U# w$ |77. Of Human Bondage (W Somerset Maugham, 1915)( E" s {/ |+ u( l
76. Small Island (Andrea Levy, 2004)
4 |4 w" r# z# ?( u75. Women in Love (DH Lawrence, 1920)
z# l3 O7 _1 D0 O! B8 a5 T74. The Mayor of Casterbridge (Thomas Hardy, 1886)+ d1 f* c' i }+ A0 A* Z
73. The Blue Flower (Penelope Fitzgerald, 1995)2 c4 K. B2 w" h) m2 C
72. The Heart of the Matter (Graham Greene, 1948)0 d6 Y+ r a7 j" P. z @( X
71. Old Filth (Jane Gardam, 2004)
9 ^# V, f$ K' M, {5 m6 W" q$ I70. Daniel Deronda (George Eliot, 1876)! {, A, k2 e/ q7 q
69. Nostromo (Joseph Conrad, 1904)0 R, K5 N3 O: I! F: [
68. A Clockwork Orange (Anthony Burgess, 1962)
) j2 o/ J3 c% |# T* Z1 L67. Crash (JG Ballard 1973)
9 Y- a% `2 n1 ^& n8 ~ X66. Sense and Sensibility (Jane Austen, 1811)) g! G8 L/ s" ]! y; i0 g6 V
65. Orlando (Virginia Woolf, 1928)
0 b( y" [, \0 C: O: @' F64. The Way We Live Now (Anthony Trollope, 1875)
# ~) s( D* S# u* e# B63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% W0 U% U: t9 F; I, d3 b1 d7 |62. Animal Farm (George Orwell, 1945)6 ]* J, Z1 \( K( x4 `& R$ B) r
61. The Sea, The Sea (Iris Murdoch, 1978)
8 v. g- v- {5 F: Y; }. v60. Sons and Lovers (DH Lawrence, 1913)3 B& q5 b# W8 H+ j% r
59. The Line of Beauty (Alan Hollinghurst, 2004). O! C/ m6 t& _( ~
58. Loving (Henry Green, 1945)4 B% ~" i+ I. H/ V, t( ~
57. Parade’s End (Ford Madox Ford, 1924-1928)/ L; h: d( A; p$ [
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& {) V2 H! n/ |! ?* ~6 l8 I8 d
55. Gulliver’s Travels (Jonathan Swift, 1726)- K5 \5 e, ]$ s% `4 x
54. NW (Zadie Smith, 2012)6 W3 q$ m& W8 m$ k
53. Wide Sargasso Sea (Jean Rhys, 1966)/ j! i5 x( @- j5 l) a+ ^
52. New Grub Street (George Gissing, 1891)9 ^/ f( q. x4 U" U
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
9 X1 B, y$ ^3 l: k3 K; k50. A Passage to India (EM Forster, 1924)
2 \! W" o# H- Z1 n) u* p' \49. Possession (AS Byatt, 1990)
+ p- V" O7 }4 ]- r/ b48. Lucky Jim (Kingsley Amis, 1954)5 W- z6 w# S) e& b( Y8 f
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 H% \# z# S6 K( |5 P1 o6 o/ e46. Midnight’s Children (Salman Rushdie, 1981)
; r) O% \6 R d0 f$ R/ l% m45. The Little Stranger (Sarah Waters, 2009)
' f: X& i; x0 u6 e44. Wolf Hall (Hilary Mantel, 2009)4 G5 x; V9 X! U7 x) P
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 k# C$ T/ M+ p9 x8 t) q$ d+ n0 W42. Brighton Rock (Graham Greene, 1938)
6 v" d- a; O7 U' E1 |: f41. Dombey and Son (Charles Dickens, 1848)
7 w0 h1 \" W0 p6 V/ P7 E i' j40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)% [0 m( x2 J* T3 K
39. The Sense of an Ending (Julian Barnes, 2011)
( W- g, u* j2 \: t# ]38. The Passion (Jeanette Winterson, 1987)
1 b! Y+ p9 {: i+ W3 {% G37. Decline and Fall (Evelyn Waugh, 1928)
* C5 K/ r# j& C9 ^7 G- K36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 z8 L: r; \6 T, m# I$ q3 n
35. Remainder (Tom McCarthy, 2005)8 V5 g9 i8 \* I+ b6 G8 a
34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 A0 `5 g9 I5 ]33. The Wind in the Willows (Kenneth Grahame, 1908)
; ~+ O# |: d( E32. A Room with a View (EM Forster, 1908)6 U/ s: [' p3 g( j
31. The End of the Affair (Graham Greene, 1951)
' t" h2 Y0 y5 h' V30. Moll Flanders (Daniel Defoe, 1722)7 g, J- I2 {! y T# U
29. Brick Lane (Monica Ali, 2003)% R: v: O4 y' ?9 @& w! |
28. Villette (Charlotte Brontë, 1853)
7 [2 |7 }$ u2 G/ v27. Robinson Crusoe (Daniel Defoe, 1719)
0 i4 T& T( e/ ?( {% _26. The Lord of the Rings (JRR Tolkien, 1954)' I" {8 N; Z& u9 h, L
25. White Teeth (Zadie Smith, 2000)* H: ]2 i9 ^2 K) J7 y
24. The Golden Notebook (Doris Lessing, 1962)' R$ O+ B' r+ @# G) R
23. Jude the Obscure (Thomas Hardy, 1895): w; c w4 Z/ I0 K e$ a2 T
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% a1 {4 H% S& h, O8 ~+ U21. Heart of Darkness (Joseph Conrad, 1899)* D. ~! n2 }# {. Y4 Q& E/ Y$ v
20. Persuasion (Jane Austen, 1817)6 |4 h) `8 m4 t* Y$ y
19. Emma (Jane Austen, 1815)
: i& w+ j( a7 F3 s9 D0 p18. Remains of the Day (Kazuo Ishiguro, 1989)
) T" } Q) L, N4 a17. Howards End (EM Forster, 1910)) c2 x$ [) V2 A& E- }
16. The Waves (Virginia Woolf, 1931)
. P& _. B* e1 q# [: V$ b+ W15. Atonement (Ian McEwan, 2001)
, ?8 x% b- z2 Q. P1 f14. Clarissa (Samuel Richardson,1748)" t9 s! C- j- @+ M$ F. V0 S$ _
13. The Good Soldier (Ford Madox Ford, 1915)
& F9 c7 r% j! {12. Nineteen Eighty-Four (George Orwell, 1949). w/ i7 M( q) N$ L1 N) B: o7 r i
11. Pride and Prejudice (Jane Austen, 1813)' v+ m0 c6 Y0 H4 O. D: X
10. Vanity Fair (William Makepeace Thackeray, 1848)9 ^4 r. [/ E# K+ c
9. Frankenstein (Mary Shelley, 1818)5 M6 q+ |& S$ G
8. David Copperfield (Charles Dickens, 1850). S( e$ e. a& \$ D( I, f. \8 Y& @) ]( q
7. Wuthering Heights (Emily Brontë, 1847)% {. X) u) [, d9 e, j0 @6 O
6. Bleak House (Charles Dickens, 1853)
; F( k3 v7 J$ p3 b7 n5. Jane Eyre (Charlotte Brontë, 1847)
) l8 ~: `; Y! d4. Great Expectations (Charles Dickens, 1861)' u" F5 A5 E8 ^: L. S
3. Mrs. Dalloway (Virginia Woolf, 1925)& G. x# |. \2 c
2. To the Lighthouse (Virginia Woolf, 1927)
3 m/ S. w: J! p2 x1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。6 G% s* ~& W( N! A
8 [) K, t5 F1 {% g K; a8 V) U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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