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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! ~+ \5 f! b6 _5 Y
# g- b) @) F# i; ?6 C- e. J @. a4 O) vBBC评出100大英国文学名著
k8 ?0 U- T/ a a ^3 c& o" Phttp://www.bbc.com/culture/story ... test-british-novels; J# L' D) _$ D! B4 K4 y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 v& a2 i+ ?! ?5 r
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100. The Code of the Woosters (PG Wodehouse, 1938)
* N) q9 X( d: s6 ?99. There but for the (Ali Smith, 2011)/ Z* f0 ~- \4 c: k
98. Under the Volcano (Malcolm Lowry,1947)
& v( [/ _0 n2 M8 D, t97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 @. A7 e1 g4 E+ i' c. g96. Memoirs of a Survivor (Doris Lessing, 1974) z3 G5 Q2 @. O/ J
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( [5 |2 }9 w: Y
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)- h+ Y- h: i( w3 i. c' k, T7 Y
93. Lord of the Flies (William Golding, 1954); A6 S+ U3 V! p- F; }) e( X
92. Cold Comfort Farm (Stella Gibbons, 1932)
6 k( c+ P$ F- e91. The Forsyte Saga (John Galsworthy, 1922)
& L3 b6 ]; v( U9 F! A2 r# b90. The Woman in White (Wilkie Collins, 1859)3 c* m! A+ M2 T6 y2 U v
89. The Horse’s Mouth (Joyce Cary, 1944)
( H# D) X; c& Q' w9 x4 p: P4 Z88. The Death of the Heart (Elizabeth Bowen, 1938)
8 A. G( @+ `! {' E87. The Old Wives’ Tale (Arnold Bennett,1908)
+ B* |+ ]# q% v( S) T86. A Legacy (Sybille Bedford, 1956)
; e: I# ?# e5 c5 i85. Regeneration Trilogy (Pat Barker, 1991-1995)- A+ j \1 Q% [$ G, m
84. Scoop (Evelyn Waugh, 1938) N8 \+ f2 p5 `0 s4 C m; A; Y! @
83. Barchester Towers (Anthony Trollope, 1857)) ?; _* Y5 L6 _2 A
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: G2 d1 g; u5 r$ E81. The Jewel in the Crown (Paul Scott, 1966)
, x$ y( @ H X9 ]$ f8 x! R+ w80. Excellent Women (Barbara Pym, 1952)
1 W9 f2 e0 \( D) |/ e1 W: L79. His Dark Materials (Philip Pullman, 1995-2000). e2 z% s; f& c# g- m0 S2 J5 N
78. A House for Mr Biswas (VS Naipaul, 1961)4 k( O) @8 c: W
77. Of Human Bondage (W Somerset Maugham, 1915)
# C/ }$ ~8 F+ t% o7 H6 {! h76. Small Island (Andrea Levy, 2004)
$ n, H, |: H {. y; s7 k. a1 v& g75. Women in Love (DH Lawrence, 1920). K* Z+ o# V: m; I/ e1 o4 ^3 z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)5 }5 r( n6 J7 t( n
73. The Blue Flower (Penelope Fitzgerald, 1995)
& F. F1 H8 i9 }% X72. The Heart of the Matter (Graham Greene, 1948)- ]& {+ j, j3 T
71. Old Filth (Jane Gardam, 2004)
4 v- X# t$ e3 x4 c70. Daniel Deronda (George Eliot, 1876)
2 r! k$ K' a: I! I2 c69. Nostromo (Joseph Conrad, 1904)
" k" X: q$ J: G( c/ A* p7 ]68. A Clockwork Orange (Anthony Burgess, 1962): v6 {' _6 V# P3 [, p# ~3 a5 u
67. Crash (JG Ballard 1973)
. }% q/ A! T4 g% Y66. Sense and Sensibility (Jane Austen, 1811)1 Q K; d1 t8 ?* `3 s# \
65. Orlando (Virginia Woolf, 1928)- w# w8 w+ v' P
64. The Way We Live Now (Anthony Trollope, 1875)
& w( G* T/ F/ D& I63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
, ]% o5 y2 M& R& u6 R62. Animal Farm (George Orwell, 1945)) p# {$ h& X8 {1 s$ q! m$ x$ v
61. The Sea, The Sea (Iris Murdoch, 1978)
' Y; \; ?' D8 P4 P2 K60. Sons and Lovers (DH Lawrence, 1913)) R! a: B' w0 u& E
59. The Line of Beauty (Alan Hollinghurst, 2004)- _; `7 R* Z, N* k
58. Loving (Henry Green, 1945)* o( n0 o* W( ]* ~ h
57. Parade’s End (Ford Madox Ford, 1924-1928)
$ I0 ~2 I; i, a# ~% [# p4 K56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 w* x3 E! g0 [+ H4 E5 s @
55. Gulliver’s Travels (Jonathan Swift, 1726)
9 [; o. C t, B" q0 Q2 v2 y- `54. NW (Zadie Smith, 2012), x3 d0 B' ~7 s
53. Wide Sargasso Sea (Jean Rhys, 1966)
8 b, N- ^- G' p7 T* ~9 }. b8 ^52. New Grub Street (George Gissing, 1891)3 E' h. B# p% Q5 W1 s6 ]! s
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% g$ h" x) |: c- q50. A Passage to India (EM Forster, 1924)
( [# W. j& f t+ C49. Possession (AS Byatt, 1990) ^) E- e z0 w/ d$ E
48. Lucky Jim (Kingsley Amis, 1954)) K1 i$ V @% `/ ^4 S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 N, P% _* m- R9 {3 m. F
46. Midnight’s Children (Salman Rushdie, 1981)
1 `4 _! X/ R: _, _3 g" z; K45. The Little Stranger (Sarah Waters, 2009)$ @" ^4 @* ]. R& [- \
44. Wolf Hall (Hilary Mantel, 2009). ?6 ^8 f4 H( b8 Q& X9 N) {
43. The Swimming Pool Library (Alan Hollinghurst, 1988); f, I1 [& b3 p3 }- j
42. Brighton Rock (Graham Greene, 1938)
# ?' w" q. g! ^, W& J41. Dombey and Son (Charles Dickens, 1848)$ C: }- k. Z% Q# C/ @
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
$ q4 g8 `8 A) S39. The Sense of an Ending (Julian Barnes, 2011)
' C6 H( C) b$ p x* i38. The Passion (Jeanette Winterson, 1987)2 c) L3 J( Z4 k5 M: H, g' \
37. Decline and Fall (Evelyn Waugh, 1928)
6 P+ Y, h" n# k3 R3 I3 J36. A Dance to the Music of Time (Anthony Powell, 1951-1975)- F( i) R$ x" {+ o, {' p* G+ T+ ]6 e
35. Remainder (Tom McCarthy, 2005)' M. G/ _0 b/ d i
34. Never Let Me Go (Kazuo Ishiguro, 2005)# }, L& {! ], ~7 S0 W
33. The Wind in the Willows (Kenneth Grahame, 1908)" S/ I! }; B6 Z! f5 C
32. A Room with a View (EM Forster, 1908)
! ]- }) c! _1 P0 D u1 u6 C31. The End of the Affair (Graham Greene, 1951)- Q% _! E- d* Q% t# y$ e1 s6 l
30. Moll Flanders (Daniel Defoe, 1722)) d2 w; [+ f$ `
29. Brick Lane (Monica Ali, 2003): L/ O: W3 G/ d! H/ f; x7 ^
28. Villette (Charlotte Brontë, 1853); P: X. g0 o. M* @0 L& A
27. Robinson Crusoe (Daniel Defoe, 1719)
) f* K$ T0 [4 Y1 l9 s* e1 M [26. The Lord of the Rings (JRR Tolkien, 1954)
0 F% N$ j. g/ ?9 u25. White Teeth (Zadie Smith, 2000)0 \! ?+ Q1 [5 e/ p
24. The Golden Notebook (Doris Lessing, 1962)/ L! V: C) q$ I9 D* F$ \$ l: A
23. Jude the Obscure (Thomas Hardy, 1895)* f+ p- H; H a o) \' u* U, U( d
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% ?+ G4 t0 o, b8 J21. Heart of Darkness (Joseph Conrad, 1899)
, n1 Q5 m/ u) n9 }' ]20. Persuasion (Jane Austen, 1817)
% g( T/ t5 { N8 t1 {; C+ m6 v19. Emma (Jane Austen, 1815)& O# |; }8 X3 S
18. Remains of the Day (Kazuo Ishiguro, 1989)1 @9 `! v/ S; T
17. Howards End (EM Forster, 1910)
1 w0 E$ [7 |' S% Z+ i9 o) ?# T3 H" T7 l16. The Waves (Virginia Woolf, 1931)+ u$ B" @" q, G" K+ C
15. Atonement (Ian McEwan, 2001)* }1 ?: ^/ u3 A6 v
14. Clarissa (Samuel Richardson,1748)9 w. h i6 m1 u/ ^& r
13. The Good Soldier (Ford Madox Ford, 1915)! E1 V- R+ o0 J: N4 g# u4 o5 L
12. Nineteen Eighty-Four (George Orwell, 1949)) ^, f- M$ K' V! E- o7 M
11. Pride and Prejudice (Jane Austen, 1813)
" H) B6 P1 q0 N( K10. Vanity Fair (William Makepeace Thackeray, 1848)
. A* s0 _2 Z s0 @: c9. Frankenstein (Mary Shelley, 1818)
4 u, j. D' D" k7 ^8 J0 B' a8. David Copperfield (Charles Dickens, 1850): n. W# b5 [9 i
7. Wuthering Heights (Emily Brontë, 1847)
9 N' E0 X9 ?* V2 P4 _6. Bleak House (Charles Dickens, 1853)% `) Y2 M5 d' K6 i5 {' k
5. Jane Eyre (Charlotte Brontë, 1847)
+ ~7 i5 m8 V4 |1 F9 s" z2 [4. Great Expectations (Charles Dickens, 1861)( C/ e+ b2 t3 l. D2 W9 H
3. Mrs. Dalloway (Virginia Woolf, 1925)
# e5 V% z: z% I1 S; ^, z8 z2. To the Lighthouse (Virginia Woolf, 1927)! Z6 U$ E; {0 L% x2 v
1. Middlemarch (George Eliot, 1874)' S+ b+ V Q$ u! B
" I1 r; P: O, L6 n( |( ?+ y [9 M前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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8 Q0 \2 |$ P) M( K! t% _* g8 M呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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