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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著 @: H1 ]! t! j/ |' D* W% J
http://www.bbc.com/culture/story ... test-british-novels! y& w8 Y9 a1 p% y5 g
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 A: r7 B! S- g J/ e
8 r0 H8 d& ?" Y1 W& g/ T100. The Code of the Woosters (PG Wodehouse, 1938)
5 d; Q0 h5 z: p99. There but for the (Ali Smith, 2011)5 y( v( `, t( W. a" Q
98. Under the Volcano (Malcolm Lowry,1947). h2 |' N! _' M( o8 H# g0 [
97. The Chronicles of Narnia (CS Lewis, 1949-1954)* w0 {. u4 m* U* O G
96. Memoirs of a Survivor (Doris Lessing, 1974)
- y9 M# J0 F( f& V4 C+ O95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ g5 Y5 I5 P& T
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824): X. h1 v. G* L1 j- h
93. Lord of the Flies (William Golding, 1954)" V$ C, D0 Z* [& z$ ]! w4 r, t
92. Cold Comfort Farm (Stella Gibbons, 1932). B6 P- \+ |5 `4 Z3 w
91. The Forsyte Saga (John Galsworthy, 1922)
7 e+ S; P6 k" p: O' x# H90. The Woman in White (Wilkie Collins, 1859)
) P, r R3 o& b/ j* F6 w89. The Horse’s Mouth (Joyce Cary, 1944)
{* J9 u% X8 j( j, N88. The Death of the Heart (Elizabeth Bowen, 1938)/ R% @6 f1 M0 I' Y9 L0 K4 K/ G1 P
87. The Old Wives’ Tale (Arnold Bennett,1908)9 l/ W3 @# d7 ?" Q
86. A Legacy (Sybille Bedford, 1956)
+ E* g& M/ @# z" L85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 H( [6 c$ x) ^84. Scoop (Evelyn Waugh, 1938)
4 f& Z7 E4 T2 j9 Y83. Barchester Towers (Anthony Trollope, 1857)
9 h" `# z; f$ ?1 j* r( l v* K82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. C) Q' p& P0 b+ p) x7 n81. The Jewel in the Crown (Paul Scott, 1966)
0 r4 z+ K. j& e% c. M8 Y80. Excellent Women (Barbara Pym, 1952)
* }% V3 a4 n) l# `& d79. His Dark Materials (Philip Pullman, 1995-2000)
1 u) Q) a! K/ s# r78. A House for Mr Biswas (VS Naipaul, 1961)
/ {. `' S2 _$ Q2 Z77. Of Human Bondage (W Somerset Maugham, 1915) [/ H; K7 F. _+ p8 M, ~1 b7 f
76. Small Island (Andrea Levy, 2004)% t7 v) _+ v$ n; g9 E6 {2 `% E Y
75. Women in Love (DH Lawrence, 1920)6 C3 w. D2 K5 Z! a- d) d) k; o- ~/ B
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
4 e& k5 Q. _% w5 [/ f! j73. The Blue Flower (Penelope Fitzgerald, 1995)& n7 X0 u' j9 D
72. The Heart of the Matter (Graham Greene, 1948)
$ z. m6 B8 h/ c! Q8 h71. Old Filth (Jane Gardam, 2004)
3 ]; B: [5 ]. P/ m/ d; s# c70. Daniel Deronda (George Eliot, 1876) b9 v ?( o: g: T
69. Nostromo (Joseph Conrad, 1904)6 A5 w: A/ R9 ~' e5 ~1 R1 U% L
68. A Clockwork Orange (Anthony Burgess, 1962)
4 M/ I$ b$ v7 ]67. Crash (JG Ballard 1973)
5 t$ h: N8 a, F! d" q+ N" Y: {8 R66. Sense and Sensibility (Jane Austen, 1811)8 @ t/ Y; ^) C
65. Orlando (Virginia Woolf, 1928)3 h1 W9 f& e9 h) g) Z
64. The Way We Live Now (Anthony Trollope, 1875)
9 F5 h- i! A% W4 q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)& N. n# J% {6 g: G( E
62. Animal Farm (George Orwell, 1945); T$ O$ g) P6 f4 T. |( U
61. The Sea, The Sea (Iris Murdoch, 1978)9 m! |* D& H; Z. X, I0 h, L" r
60. Sons and Lovers (DH Lawrence, 1913)
& B# n) C7 H: Q0 w/ [1 f8 Y. W59. The Line of Beauty (Alan Hollinghurst, 2004)
( }9 @2 |0 y- Z2 w g) V# M58. Loving (Henry Green, 1945)' b* E2 I: j3 |- d! w( D
57. Parade’s End (Ford Madox Ford, 1924-1928)# ]. A0 f4 ~2 U2 N+ D7 I
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
; h4 J0 @; `) B2 t* P0 A, q55. Gulliver’s Travels (Jonathan Swift, 1726)
6 `$ e# C# D2 C s+ p2 e0 ?54. NW (Zadie Smith, 2012)
' d5 J, @; O4 k7 Z53. Wide Sargasso Sea (Jean Rhys, 1966)
7 }' E K& O. Q, O# ?* S' z; j52. New Grub Street (George Gissing, 1891)
% V+ P; F- T2 e% u( y9 }51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 }/ e5 Q: p, c3 F+ Z50. A Passage to India (EM Forster, 1924)
4 _$ K$ x* s& z/ Y1 G2 b7 E$ R49. Possession (AS Byatt, 1990)8 E& ~' l) I: ?9 R+ V8 ^( I
48. Lucky Jim (Kingsley Amis, 1954)
7 r8 |2 D y8 c47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 s# \% W0 G+ V$ B& l% A46. Midnight’s Children (Salman Rushdie, 1981)
. m- M5 q& m4 N3 ?7 |45. The Little Stranger (Sarah Waters, 2009)
/ G* U5 ~1 w9 d+ x) ^; i2 V44. Wolf Hall (Hilary Mantel, 2009)& i7 R/ W0 ~7 r6 n: J( Y9 Z
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! |, Z2 g! C6 ~* G( i+ P* {% V" C) ]42. Brighton Rock (Graham Greene, 1938)
9 m1 Q P" k& g& r6 G* D41. Dombey and Son (Charles Dickens, 1848)
, R) e6 E8 i8 O* u. s5 @& p40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
2 D0 p; W" A8 x39. The Sense of an Ending (Julian Barnes, 2011)
% L, `& v# v6 L38. The Passion (Jeanette Winterson, 1987)
6 X; C. y+ B) W7 \* A# ^% A, E37. Decline and Fall (Evelyn Waugh, 1928)
. F( l5 l7 l" H36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
7 @6 b W: L$ c7 V7 a35. Remainder (Tom McCarthy, 2005)1 ~# ^4 X0 o! U' z) d
34. Never Let Me Go (Kazuo Ishiguro, 2005)5 g4 t+ Q4 B3 i8 ^7 B. m0 L
33. The Wind in the Willows (Kenneth Grahame, 1908)8 y; ~+ _, C+ p9 u q" [* j
32. A Room with a View (EM Forster, 1908)( I; m( O; J6 I
31. The End of the Affair (Graham Greene, 1951)
T1 R' Q2 v4 o7 V2 I30. Moll Flanders (Daniel Defoe, 1722)
9 N$ e! L2 {1 z! c/ x$ x1 p4 z1 I! X29. Brick Lane (Monica Ali, 2003)
b! I( e$ U" F5 U8 X5 w28. Villette (Charlotte Brontë, 1853)- \1 Y. K- L+ B8 Q1 C( b' x% b1 s
27. Robinson Crusoe (Daniel Defoe, 1719)
1 T/ a9 Z) f2 j' e26. The Lord of the Rings (JRR Tolkien, 1954)
4 R" M$ @4 k4 F25. White Teeth (Zadie Smith, 2000)# U$ E2 @- N+ y/ h+ f
24. The Golden Notebook (Doris Lessing, 1962)2 `- J' n& l5 U% x1 J
23. Jude the Obscure (Thomas Hardy, 1895)" x7 T4 a: {* x$ U. A, O# F4 d
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, O, F2 X/ C( d* X: ~ B" f21. Heart of Darkness (Joseph Conrad, 1899)" N2 r+ W! P) D b
20. Persuasion (Jane Austen, 1817)
7 M7 _/ _( h+ ^9 ?19. Emma (Jane Austen, 1815)
8 o0 b3 g9 H+ b; [4 B( ^( Z0 u18. Remains of the Day (Kazuo Ishiguro, 1989)
$ [( E: o- O# l( D) B17. Howards End (EM Forster, 1910). b) `; T) T5 n7 Q( S! p
16. The Waves (Virginia Woolf, 1931)
8 m4 M* ], @* e: K. Q0 C' b7 X1 e' X! x s15. Atonement (Ian McEwan, 2001)
% C9 r3 t& T, \+ Q# m14. Clarissa (Samuel Richardson,1748)6 a. B3 j6 T$ C- }. D0 e
13. The Good Soldier (Ford Madox Ford, 1915)! C9 C- ?4 H/ T) m. C$ s g* `
12. Nineteen Eighty-Four (George Orwell, 1949)
% s- o) Z& N6 ]& H11. Pride and Prejudice (Jane Austen, 1813)$ j4 r( V" E/ ~0 n& o
10. Vanity Fair (William Makepeace Thackeray, 1848)
0 J- S4 K" m2 u) r; r) r* e. f9. Frankenstein (Mary Shelley, 1818)
) K- r; |2 L/ L0 C' I* U8. David Copperfield (Charles Dickens, 1850)* {& Q( J" e2 J1 |3 H
7. Wuthering Heights (Emily Brontë, 1847)
. k1 D6 k+ x- K$ E3 G" S: p6. Bleak House (Charles Dickens, 1853)+ y+ K* O! b9 w$ x1 ^! P8 |
5. Jane Eyre (Charlotte Brontë, 1847)
) D9 i, r$ A! o/ c4. Great Expectations (Charles Dickens, 1861)
# N3 S9 o: G: m" k5 I! @" _8 p9 `3. Mrs. Dalloway (Virginia Woolf, 1925)
+ x8 ^ n% ~( U1 d$ u b2. To the Lighthouse (Virginia Woolf, 1927)
: i9 s5 T# n* R( G' b1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 g, L8 V/ T+ L: p2 D( {
, ~ w7 x" V3 ^' t呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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