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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著; v" w# }% ?" N0 w9 i% v& P/ J4 c
http://www.bbc.com/culture/story ... test-british-novels- W* \& |. _+ J g& `
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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1 c' K& ]3 w! H( d2 G; q; z, j100. The Code of the Woosters (PG Wodehouse, 1938)
) [: C: f( K" k6 y( k99. There but for the (Ali Smith, 2011)
9 a9 g0 V D; P& N5 B ~, ?, ^98. Under the Volcano (Malcolm Lowry,1947)8 J- Z/ Q$ ]# B& I
97. The Chronicles of Narnia (CS Lewis, 1949-1954). v0 m- Y: j, D! ]
96. Memoirs of a Survivor (Doris Lessing, 1974)
8 [1 V! P% Y0 Q* O95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 R7 X* G5 k8 {) t. x: g, m& b/ s94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% G+ {$ T3 V s
93. Lord of the Flies (William Golding, 1954)# s, N5 s; x0 Y0 H! @1 L
92. Cold Comfort Farm (Stella Gibbons, 1932)
: {) ^. r5 \: Q91. The Forsyte Saga (John Galsworthy, 1922)
; D* J3 v* T/ h( Z90. The Woman in White (Wilkie Collins, 1859)
' p5 ~) k! Q3 W( A1 C( M1 A89. The Horse’s Mouth (Joyce Cary, 1944)% T4 \* ?* N3 a7 D9 i3 g: z
88. The Death of the Heart (Elizabeth Bowen, 1938)
; E$ N6 q5 A: ~3 d( L1 F87. The Old Wives’ Tale (Arnold Bennett,1908)* x9 i8 H4 q' J* \ A
86. A Legacy (Sybille Bedford, 1956)
6 ?$ a- k. I# q3 s85. Regeneration Trilogy (Pat Barker, 1991-1995)
' |3 w4 ]9 N! c: W4 d84. Scoop (Evelyn Waugh, 1938)
9 q8 z) w9 g P( R6 v9 l. ~83. Barchester Towers (Anthony Trollope, 1857)
5 Q+ F2 @0 a- z* v7 B$ @( Z* a82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ y' h' H+ c* g3 f! a4 x; \
81. The Jewel in the Crown (Paul Scott, 1966)% D( }7 C& R$ x4 Q* p
80. Excellent Women (Barbara Pym, 1952)2 r7 ~8 [- b8 @! E$ b
79. His Dark Materials (Philip Pullman, 1995-2000)
' l5 m2 \- d3 W5 W78. A House for Mr Biswas (VS Naipaul, 1961)
& x1 p1 `5 b( O( G% W8 k! r* ?77. Of Human Bondage (W Somerset Maugham, 1915)8 |8 E/ H, b+ h5 A
76. Small Island (Andrea Levy, 2004)0 ]/ a- l! P. d" {% b- N
75. Women in Love (DH Lawrence, 1920)
' Q1 Z& |8 M$ y0 y, T! e74. The Mayor of Casterbridge (Thomas Hardy, 1886)1 D7 }$ `6 t6 B6 N0 p
73. The Blue Flower (Penelope Fitzgerald, 1995)- M ^1 {. w/ k9 b
72. The Heart of the Matter (Graham Greene, 1948). K5 ]) _! J! Y& U9 n1 {$ d
71. Old Filth (Jane Gardam, 2004), b' z2 A5 v/ M# E3 E
70. Daniel Deronda (George Eliot, 1876)8 P7 |4 f, `( P! ^9 R
69. Nostromo (Joseph Conrad, 1904)/ S- k' @8 a4 ]: `, x6 Q' o
68. A Clockwork Orange (Anthony Burgess, 1962)! `/ f6 n* t$ i# t" i
67. Crash (JG Ballard 1973)- Y2 c9 U: m( S6 v& R/ B1 V
66. Sense and Sensibility (Jane Austen, 1811)6 ]6 g& x( X; R4 a
65. Orlando (Virginia Woolf, 1928)
: c+ x* X0 T: E64. The Way We Live Now (Anthony Trollope, 1875)
5 ]( ?+ G: E( U- |" H63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 _) R$ E& H/ ]
62. Animal Farm (George Orwell, 1945)$ V2 C( O* W6 }; }5 U1 `9 J
61. The Sea, The Sea (Iris Murdoch, 1978)8 W1 s( j/ O2 _$ I; y1 o
60. Sons and Lovers (DH Lawrence, 1913)
& I4 h. }8 E$ s2 ^59. The Line of Beauty (Alan Hollinghurst, 2004)
( a7 m$ q o! Q58. Loving (Henry Green, 1945)! _7 q; X c. o) y
57. Parade’s End (Ford Madox Ford, 1924-1928)
2 h' U, G$ I8 j2 _* ^; R6 {56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)0 \' {6 M0 [" J& O% R
55. Gulliver’s Travels (Jonathan Swift, 1726)
( l+ V8 c. u- F7 K54. NW (Zadie Smith, 2012)1 o ?3 ?2 R* `. ^; |) h+ }
53. Wide Sargasso Sea (Jean Rhys, 1966)0 S! I* s q' _
52. New Grub Street (George Gissing, 1891)9 F6 V1 z: N% C7 ^2 u6 p W
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)- w9 w; d- A+ B# z9 [- c% f
50. A Passage to India (EM Forster, 1924)5 h% z# L* W. n, s9 W. v1 a
49. Possession (AS Byatt, 1990)
( r# b) G! u3 R5 c+ E6 O48. Lucky Jim (Kingsley Amis, 1954)
, B0 `( E& I! I' W, U6 l47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- Y1 Z7 C! W8 T3 |- x0 T. I46. Midnight’s Children (Salman Rushdie, 1981)6 e9 ~1 Q% s) H) ^9 O$ Q' m3 Q) U
45. The Little Stranger (Sarah Waters, 2009)
2 _1 ]) W% p; w* G9 v! `44. Wolf Hall (Hilary Mantel, 2009)8 r* y$ t0 x. @6 o6 D
43. The Swimming Pool Library (Alan Hollinghurst, 1988); }9 O L0 m# t8 \* D
42. Brighton Rock (Graham Greene, 1938)
. U; V7 T$ h, w% A- ~: N41. Dombey and Son (Charles Dickens, 1848)& n/ E5 D* s0 b) t, ~8 A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
& x# d# F; a) h' _9 t39. The Sense of an Ending (Julian Barnes, 2011). t" A0 U1 Z3 `3 o9 [) u" {
38. The Passion (Jeanette Winterson, 1987)
. L- c `9 r: ^3 @; T37. Decline and Fall (Evelyn Waugh, 1928)
+ X V5 i K' Q" X# ]5 N( o36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ W, D: m& d9 c3 Z) I; d
35. Remainder (Tom McCarthy, 2005)8 e! }# ]! u0 D7 n3 i
34. Never Let Me Go (Kazuo Ishiguro, 2005)$ @' |* u% S- E4 a) C2 B
33. The Wind in the Willows (Kenneth Grahame, 1908)
4 \. }1 y2 ?4 Y+ {4 l8 V+ W3 v32. A Room with a View (EM Forster, 1908)9 Z' D3 |9 h' X- H& \7 W( `
31. The End of the Affair (Graham Greene, 1951)5 j/ T1 e6 b; p$ D8 r. K6 M
30. Moll Flanders (Daniel Defoe, 1722)# a" v0 h, f2 x s8 X/ B( a
29. Brick Lane (Monica Ali, 2003) I0 Q! B- Q# Z- I1 ~3 ]" _
28. Villette (Charlotte Brontë, 1853)
* t0 V& k; ^) t" q) P, ]27. Robinson Crusoe (Daniel Defoe, 1719)
. N! ]6 Q! k. n0 ^% i" ~( H. x26. The Lord of the Rings (JRR Tolkien, 1954)
3 }" U2 M. x1 B, w2 h! f$ M25. White Teeth (Zadie Smith, 2000)7 G4 h/ z% `/ S
24. The Golden Notebook (Doris Lessing, 1962)
& t7 U: \6 K$ g. K% G* H m23. Jude the Obscure (Thomas Hardy, 1895)9 f% l1 ^/ V1 ?
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, E! |! O" [$ `( z21. Heart of Darkness (Joseph Conrad, 1899)$ [6 D4 w) A+ x( Z+ Y
20. Persuasion (Jane Austen, 1817)6 j# a5 Y' l! ]% M/ O+ k
19. Emma (Jane Austen, 1815)4 h$ z5 Y* ?' J9 G" q
18. Remains of the Day (Kazuo Ishiguro, 1989)1 Y' j5 u( u2 b$ K, q8 u8 J
17. Howards End (EM Forster, 1910)
/ M- |- ~/ O) u16. The Waves (Virginia Woolf, 1931): o& Q$ I7 e1 S' j( Y) {, l' L
15. Atonement (Ian McEwan, 2001)+ e5 U* f3 [. I6 h/ A
14. Clarissa (Samuel Richardson,1748)1 k- m5 z: T: @! ?" T1 i; h6 b
13. The Good Soldier (Ford Madox Ford, 1915)5 X$ m$ N, m7 i/ l
12. Nineteen Eighty-Four (George Orwell, 1949)
$ w j8 b' g0 g! v" K; I5 G11. Pride and Prejudice (Jane Austen, 1813)
, t8 G0 G) Y+ i) K1 \7 d/ j5 `10. Vanity Fair (William Makepeace Thackeray, 1848)
. G) I2 A" a+ f% N* Q9 L; r9. Frankenstein (Mary Shelley, 1818)5 K t) q& i' e- I }: g: O7 v
8. David Copperfield (Charles Dickens, 1850)4 N( Q' g" X4 O8 B
7. Wuthering Heights (Emily Brontë, 1847)
; s& s0 ]2 m# g+ Y; w6. Bleak House (Charles Dickens, 1853)4 {8 l1 F9 K4 Z8 L$ V) v% M
5. Jane Eyre (Charlotte Brontë, 1847)6 p; ]$ J* _& ]; Z1 ~! x2 }8 z
4. Great Expectations (Charles Dickens, 1861)5 v$ m7 f$ R- Y
3. Mrs. Dalloway (Virginia Woolf, 1925)
: L. B# B6 Q/ X% h% [2 U+ N2. To the Lighthouse (Virginia Woolf, 1927)0 _4 l n; j& L8 c+ t
1. Middlemarch (George Eliot, 1874)* x% _$ W* P% x. F5 k% i; w/ p3 x
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。7 V! t6 A2 P4 l% d0 s
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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