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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著5 a7 I9 V; m% ?
http://www.bbc.com/culture/story ... test-british-novels' @( z, F2 G: J
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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' C' V+ ^( b+ l3 v; I100. The Code of the Woosters (PG Wodehouse, 1938), a* v" S; \" A j
99. There but for the (Ali Smith, 2011)5 I. y+ M0 F) U; @ [
98. Under the Volcano (Malcolm Lowry,1947)
4 a2 Z' ?4 r2 O) v4 f, P* y- q3 ?7 h97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- U m1 D6 ]1 ~4 n, m. R. k. K96. Memoirs of a Survivor (Doris Lessing, 1974)4 @" T; A; B" @* L H' D! d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)% x( v# P' X. n9 U7 R6 F
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)0 s! t3 d ?' |! f9 O; f
93. Lord of the Flies (William Golding, 1954)! e+ A# y2 s r5 s3 v
92. Cold Comfort Farm (Stella Gibbons, 1932)
6 T! l, I/ F. b$ N91. The Forsyte Saga (John Galsworthy, 1922)5 @ O( H6 d7 R8 `6 i" w) ?* D, h
90. The Woman in White (Wilkie Collins, 1859)
- P; Z/ R7 Y" j! N89. The Horse’s Mouth (Joyce Cary, 1944)
. D; E# ?% F; b! O# [ N: J6 e* b88. The Death of the Heart (Elizabeth Bowen, 1938)5 }- Z |! T; N7 @8 E
87. The Old Wives’ Tale (Arnold Bennett,1908)# [; E k/ ]/ Y( Q& m. I0 `! H8 u
86. A Legacy (Sybille Bedford, 1956)3 V1 J" t7 d4 m$ o) l
85. Regeneration Trilogy (Pat Barker, 1991-1995)$ R! b- T; \* E8 p8 r
84. Scoop (Evelyn Waugh, 1938)
' i/ i# D" }+ T: |3 ^3 @* J8 D83. Barchester Towers (Anthony Trollope, 1857)
% d2 C3 H) t$ S4 |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012) g+ K% E2 F2 g1 v7 @, H# U% _
81. The Jewel in the Crown (Paul Scott, 1966)7 y# z+ p3 P. ?4 o1 g
80. Excellent Women (Barbara Pym, 1952)
. ^ m: L* S# [79. His Dark Materials (Philip Pullman, 1995-2000)
9 o1 ]7 w9 I+ Y5 o. \78. A House for Mr Biswas (VS Naipaul, 1961)
! T. O! r) T9 |# E% C77. Of Human Bondage (W Somerset Maugham, 1915)
2 D/ D9 K3 t% u) l9 {76. Small Island (Andrea Levy, 2004)* {% Y* |& R1 S, a+ _ B# d# @
75. Women in Love (DH Lawrence, 1920)
# j) g8 }( S4 m) Q; W7 @74. The Mayor of Casterbridge (Thomas Hardy, 1886)
! @9 [. V& y# R: Z73. The Blue Flower (Penelope Fitzgerald, 1995)8 @$ ^, {% e# A1 l
72. The Heart of the Matter (Graham Greene, 1948)4 f1 J8 Z! B1 X$ a+ a& q
71. Old Filth (Jane Gardam, 2004)
# E( ?# K* r% h* m$ J: _70. Daniel Deronda (George Eliot, 1876)
/ z$ j2 Z8 {) U V69. Nostromo (Joseph Conrad, 1904)
N2 u6 ~, A2 ~# E: b68. A Clockwork Orange (Anthony Burgess, 1962)
/ x, d0 V1 e5 b0 m: w67. Crash (JG Ballard 1973)2 u2 _+ G- w; a1 C1 s5 R" i& H
66. Sense and Sensibility (Jane Austen, 1811)) S2 v( ~/ q# q5 P5 c5 r+ G
65. Orlando (Virginia Woolf, 1928)* H7 |3 o3 s; O% `5 _8 m
64. The Way We Live Now (Anthony Trollope, 1875)8 t3 `( p4 _* U% p; ^ p' `: z
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961): q2 a. f+ e; e8 V i4 V# Q% e6 b4 Z
62. Animal Farm (George Orwell, 1945) v& U+ m7 S8 h0 A( R% t
61. The Sea, The Sea (Iris Murdoch, 1978)
4 k- c( y% k( n. N# w5 q7 [60. Sons and Lovers (DH Lawrence, 1913)% P& g* ?" n# G3 O! @
59. The Line of Beauty (Alan Hollinghurst, 2004) T. b& j& ~0 E: y5 t% M
58. Loving (Henry Green, 1945)' q9 H, ]: b- [* p* I
57. Parade’s End (Ford Madox Ford, 1924-1928)
+ k% m& g' w- ^56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); z1 c) B' C; s% A/ J8 w
55. Gulliver’s Travels (Jonathan Swift, 1726)
) e) G; t1 D" B7 V9 g H54. NW (Zadie Smith, 2012)
+ |7 k4 I0 X! N0 \: w53. Wide Sargasso Sea (Jean Rhys, 1966)# w; _8 P" ~1 v( ~' e+ w# ^
52. New Grub Street (George Gissing, 1891)* f0 y5 N* N, ]; h
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 X/ x& f3 K+ P# _$ T; e50. A Passage to India (EM Forster, 1924)9 D& t, u0 B2 L G0 z: v
49. Possession (AS Byatt, 1990)9 `) R2 R* p h* Z2 t! \ k+ Z
48. Lucky Jim (Kingsley Amis, 1954)! P# i8 Q6 C/ _3 T/ n
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: ]% ]; ~$ c6 @; n46. Midnight’s Children (Salman Rushdie, 1981)
8 F A- V* o! k1 J- D! f% W1 r45. The Little Stranger (Sarah Waters, 2009)* u, f- {, K1 Z7 S
44. Wolf Hall (Hilary Mantel, 2009)0 o# o. v; T& O& p7 I$ C8 f
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 u& I' B( ]$ m L! Y) {42. Brighton Rock (Graham Greene, 1938)
* q( l: N9 _# A$ Q41. Dombey and Son (Charles Dickens, 1848)/ _, X- ~ e2 p) g; ]" Z3 N* x8 i
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ v" ^7 L% H9 @/ t- n39. The Sense of an Ending (Julian Barnes, 2011)# x+ O1 X6 n0 P; b1 d$ f
38. The Passion (Jeanette Winterson, 1987)
) {5 t; j4 w6 L, x3 |& ?' G0 e37. Decline and Fall (Evelyn Waugh, 1928)& ?! v7 @) K6 h6 \: a5 b" C2 L
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 h8 H; ~ u8 o- K d6 O. Q35. Remainder (Tom McCarthy, 2005)
+ A8 I0 |0 d# f9 X2 o. _4 a0 X2 g9 Q34. Never Let Me Go (Kazuo Ishiguro, 2005)3 e4 |- `* z4 C$ [( j( v, C
33. The Wind in the Willows (Kenneth Grahame, 1908)3 `3 m( R& B* R6 k7 D, U& T
32. A Room with a View (EM Forster, 1908)* q+ j5 G0 O# V
31. The End of the Affair (Graham Greene, 1951)% X1 Z* L5 I8 h1 G+ G) S1 e
30. Moll Flanders (Daniel Defoe, 1722)
) F. [2 ~6 ]. d- U2 ]' i2 `% l9 B29. Brick Lane (Monica Ali, 2003)
/ |1 x8 n/ Q. {. n6 J28. Villette (Charlotte Brontë, 1853)
( L" \5 Y% S1 K& v27. Robinson Crusoe (Daniel Defoe, 1719)
, h2 Y, u& o( ?8 w26. The Lord of the Rings (JRR Tolkien, 1954)0 ~* K# Q3 g7 R$ J4 L& c2 p
25. White Teeth (Zadie Smith, 2000)' z; {& a+ V& Z$ F+ q
24. The Golden Notebook (Doris Lessing, 1962)) l" t, J- z F* Z8 M i
23. Jude the Obscure (Thomas Hardy, 1895)
5 f# U( g: C8 K# R22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* R/ T: L' i4 B) z, w& `8 t
21. Heart of Darkness (Joseph Conrad, 1899)7 n% D( k5 v! i2 D+ X7 ^
20. Persuasion (Jane Austen, 1817)
9 ^/ q+ G8 T6 K7 x19. Emma (Jane Austen, 1815)
0 ?5 K. ?/ W7 z& S18. Remains of the Day (Kazuo Ishiguro, 1989)& t7 X' ^/ H8 ~9 @# P/ T
17. Howards End (EM Forster, 1910)
) x- Y! W$ S+ U7 {/ @16. The Waves (Virginia Woolf, 1931)3 _' M& M n4 w5 a& A
15. Atonement (Ian McEwan, 2001)* x, D" j. v% {5 l! `& v
14. Clarissa (Samuel Richardson,1748)
' C6 ]7 x+ ~: J) q0 n6 l13. The Good Soldier (Ford Madox Ford, 1915)
: y' W( v7 h+ X E! t1 m* e12. Nineteen Eighty-Four (George Orwell, 1949)
' |' X ^$ ]8 f0 c8 B11. Pride and Prejudice (Jane Austen, 1813)( G, @9 D B. p! c
10. Vanity Fair (William Makepeace Thackeray, 1848)
3 B/ v4 u5 [9 k" M1 m0 a; E5 g* v9. Frankenstein (Mary Shelley, 1818)
8 I. U5 |1 A5 s7 O1 V, s% E$ I& O8. David Copperfield (Charles Dickens, 1850)4 _2 R+ s, m! r: @' g, z2 {$ M% K
7. Wuthering Heights (Emily Brontë, 1847)) R& H0 N+ S5 r
6. Bleak House (Charles Dickens, 1853)
5 ^9 H9 K7 A! U9 l( {: k5. Jane Eyre (Charlotte Brontë, 1847)& ~* I+ e6 w1 A! B% X
4. Great Expectations (Charles Dickens, 1861); B5 m1 N$ u* f8 i
3. Mrs. Dalloway (Virginia Woolf, 1925)
5 B0 u l+ _) G* f9 y& p+ g2. To the Lighthouse (Virginia Woolf, 1927)
5 v+ o# M5 ]/ H1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。# b7 i8 y; W& x& B" t
8 ?6 n, i& Y0 X- C* Z呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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