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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 v' R7 d: g1 p- w) ?
@& ?8 h: T( P2 gBBC评出100大英国文学名著2 s# Z/ g5 F2 i: ~% n6 a
http://www.bbc.com/culture/story ... test-british-novels2 W, U, |& t; N S
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。" e' K# y2 G/ d+ e7 w
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100. The Code of the Woosters (PG Wodehouse, 1938)
0 C" M* r1 | T$ |% z- E/ H99. There but for the (Ali Smith, 2011)
2 F% B3 U8 Q9 f) A; }! J$ \. R- Z# D7 Z98. Under the Volcano (Malcolm Lowry,1947)
8 U1 v+ K, i0 ~, n4 n# a97. The Chronicles of Narnia (CS Lewis, 1949-1954), B2 ?8 H! `/ \! U b U8 z3 P! t
96. Memoirs of a Survivor (Doris Lessing, 1974)6 B9 I! t7 U9 f( I4 Z' b" v5 i( I
95. The Buddha of Suburbia (Hanif Kureishi, 1990)% T# B/ Z6 U2 ]+ c! m- ?2 r
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
2 W+ M R/ k7 [1 }0 M* a93. Lord of the Flies (William Golding, 1954) `( _7 i+ N O, Y" W' a
92. Cold Comfort Farm (Stella Gibbons, 1932)
& B( c( O) p* e! ~& e91. The Forsyte Saga (John Galsworthy, 1922)- q5 G% s9 }/ `6 A( {% P( r+ P
90. The Woman in White (Wilkie Collins, 1859)
4 R7 s7 E- X/ ^2 H/ A! D% { D89. The Horse’s Mouth (Joyce Cary, 1944)3 b. H9 ~4 |% k- o* l2 ~4 b! s5 ~
88. The Death of the Heart (Elizabeth Bowen, 1938)) q" x7 W4 j/ i3 b+ C$ r, o0 t& c
87. The Old Wives’ Tale (Arnold Bennett,1908)
) P' {$ V$ |4 J86. A Legacy (Sybille Bedford, 1956)3 {) u! H/ A" g* E- @
85. Regeneration Trilogy (Pat Barker, 1991-1995) J3 F- j9 u* Z$ A: V9 V
84. Scoop (Evelyn Waugh, 1938)# q! [5 s6 ^6 C2 z3 o8 |% `
83. Barchester Towers (Anthony Trollope, 1857)
9 E2 f. s, R' V* e82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)1 {5 O | ~ a6 f% Z; j
81. The Jewel in the Crown (Paul Scott, 1966)) K% Y( W& |) F+ W0 M$ A+ l
80. Excellent Women (Barbara Pym, 1952)& B0 j- j+ d, Z7 u4 o* t" L8 p
79. His Dark Materials (Philip Pullman, 1995-2000)# \* [% v: ?* `7 v9 @. H) q
78. A House for Mr Biswas (VS Naipaul, 1961)
/ y( l( s( e7 U; G8 w3 A77. Of Human Bondage (W Somerset Maugham, 1915)
; G/ r5 G) L2 N0 A0 \0 R8 S76. Small Island (Andrea Levy, 2004)
/ |% C( U/ t% [1 g3 ?* ^75. Women in Love (DH Lawrence, 1920)
0 r/ \) P3 S' M74. The Mayor of Casterbridge (Thomas Hardy, 1886)
! S1 M1 d7 |" N* s, }73. The Blue Flower (Penelope Fitzgerald, 1995)
7 k0 J$ f+ Y' K. ?72. The Heart of the Matter (Graham Greene, 1948)! p& r4 E9 {, c$ `3 J8 {
71. Old Filth (Jane Gardam, 2004)3 }1 s9 ~" z4 v
70. Daniel Deronda (George Eliot, 1876)4 O' O2 g+ t) f3 I
69. Nostromo (Joseph Conrad, 1904)# W" ^ K$ U S0 a& v- z( i
68. A Clockwork Orange (Anthony Burgess, 1962)
. Q6 g: p: c4 _( |' b( `3 A9 I67. Crash (JG Ballard 1973)
$ Y; E2 W( |9 p9 J5 C2 X3 n66. Sense and Sensibility (Jane Austen, 1811)
3 E0 i9 j- I4 ?+ W6 R65. Orlando (Virginia Woolf, 1928)
- `$ U6 X: U% y$ U) I+ I' l64. The Way We Live Now (Anthony Trollope, 1875) X k, I! m/ ~* e Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961), a6 u3 S7 y3 }9 Y9 F+ m
62. Animal Farm (George Orwell, 1945)
) _7 u# u! x, n' |0 i3 R3 P/ |. _61. The Sea, The Sea (Iris Murdoch, 1978)
& A+ h1 t- W2 {. O% S" C60. Sons and Lovers (DH Lawrence, 1913), Y; v9 I: j6 |* i( P) \
59. The Line of Beauty (Alan Hollinghurst, 2004)
7 d) X" Q7 ^/ p. L58. Loving (Henry Green, 1945), y. n7 Q+ z7 a8 m( b, v& V S& h
57. Parade’s End (Ford Madox Ford, 1924-1928)7 ^' c7 q0 m! h: M$ Z# K) \0 Z: I4 |' n
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): U# v7 A. U& o8 A" D: N# u5 q) ~& o1 r
55. Gulliver’s Travels (Jonathan Swift, 1726)$ Z e f, e+ I2 r" Q2 c$ b
54. NW (Zadie Smith, 2012)
% S% p1 V- L! e4 V: }6 c53. Wide Sargasso Sea (Jean Rhys, 1966)
. z* f# W5 \0 C, `) k52. New Grub Street (George Gissing, 1891)
, T; Z) ]2 C; O) ^51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ F' S# |" v- m" b$ P7 b: Z% F+ {
50. A Passage to India (EM Forster, 1924)5 b/ I, S+ X1 m, a0 h
49. Possession (AS Byatt, 1990)& [% w t6 ~9 G7 q; V
48. Lucky Jim (Kingsley Amis, 1954)$ o. Q, n% s, s# i& M
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)! U7 B$ y& ?3 G3 T0 b7 g. d3 {- w) f
46. Midnight’s Children (Salman Rushdie, 1981); }2 d. U* n9 L u" ?# k0 a( o
45. The Little Stranger (Sarah Waters, 2009)+ W: |0 v8 V9 {/ _5 V
44. Wolf Hall (Hilary Mantel, 2009)
$ T7 y$ u4 b. X" x: Y& D8 S. H43. The Swimming Pool Library (Alan Hollinghurst, 1988)
) s$ s* y+ f6 { r& A) l42. Brighton Rock (Graham Greene, 1938)- u/ P+ n" Y u+ ^1 \ ~" ]
41. Dombey and Son (Charles Dickens, 1848)" V; @3 e7 F0 H
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
6 o: c4 c: W0 n39. The Sense of an Ending (Julian Barnes, 2011); |5 q+ }* L( W7 z* k/ J, q
38. The Passion (Jeanette Winterson, 1987)
( ?. o$ f( g. p4 _ A5 b% m0 j( I37. Decline and Fall (Evelyn Waugh, 1928) I( m, u; p4 y# p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
3 X) B v( s/ F( Y$ q% ]7 k0 m. ^35. Remainder (Tom McCarthy, 2005)
l+ u! K, O l" @" @+ N& M34. Never Let Me Go (Kazuo Ishiguro, 2005) q$ g- W! I+ t5 ]. G6 k. ?
33. The Wind in the Willows (Kenneth Grahame, 1908)7 j5 J' G5 b! {. N0 [. w5 |
32. A Room with a View (EM Forster, 1908)
0 C) D' z/ b! [. @31. The End of the Affair (Graham Greene, 1951)
! V7 W6 c& s/ m30. Moll Flanders (Daniel Defoe, 1722)
9 s* Z: f) b- p& t4 z29. Brick Lane (Monica Ali, 2003)
) ^! d) x( N5 L+ [0 A/ e8 \+ {+ \28. Villette (Charlotte Brontë, 1853)
" H8 T6 c2 f* R7 e" Y. s+ x27. Robinson Crusoe (Daniel Defoe, 1719)
3 l, {$ _/ x+ ?2 A* X1 ^26. The Lord of the Rings (JRR Tolkien, 1954)
# A: Q. b `+ j q- P! r6 G" L25. White Teeth (Zadie Smith, 2000)
% |6 A- l- I6 _/ y5 k24. The Golden Notebook (Doris Lessing, 1962)
' R' s% _2 l: W& D+ T x! T23. Jude the Obscure (Thomas Hardy, 1895)7 }8 d8 q' B4 H' o+ A
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)8 \4 C% B9 H% a X8 B0 q2 a+ ~( F( X- J
21. Heart of Darkness (Joseph Conrad, 1899)! c: `0 l+ f+ d2 Y- v+ x* M) a Y
20. Persuasion (Jane Austen, 1817)9 o. [+ E, j3 c5 F, c" b
19. Emma (Jane Austen, 1815)7 s# k" R- s. r* u% U
18. Remains of the Day (Kazuo Ishiguro, 1989)% |4 A. Q' J6 U
17. Howards End (EM Forster, 1910): X3 p8 r( i4 I* o, H6 f
16. The Waves (Virginia Woolf, 1931)# c7 _: }0 d5 _1 i: j( J
15. Atonement (Ian McEwan, 2001)3 o/ |$ Z4 S: G' L6 G, Q
14. Clarissa (Samuel Richardson,1748)) O# u$ F; q8 }6 l- [. i% Z
13. The Good Soldier (Ford Madox Ford, 1915)0 z. r7 l' L3 V6 C
12. Nineteen Eighty-Four (George Orwell, 1949)5 M' b' F) Y0 h+ l4 }1 _" B; Q
11. Pride and Prejudice (Jane Austen, 1813) u+ x2 L9 n& o" e4 ~8 Z/ ?- [
10. Vanity Fair (William Makepeace Thackeray, 1848)
! O# Q9 J" c$ Q) k. e* {7 z9. Frankenstein (Mary Shelley, 1818)
& {! s" h& U4 |; G8. David Copperfield (Charles Dickens, 1850)5 a& f( h% C- T7 A8 l" T: z
7. Wuthering Heights (Emily Brontë, 1847)- J. j: B- p6 Q c# [3 q2 r
6. Bleak House (Charles Dickens, 1853)
! L. e) `+ W X% t s5. Jane Eyre (Charlotte Brontë, 1847)" J7 G8 u# M( f3 T5 Y! x; Y! G( {$ F
4. Great Expectations (Charles Dickens, 1861)
+ m7 G+ ?* x4 @" ?" D3. Mrs. Dalloway (Virginia Woolf, 1925)
, N) l( A6 b1 t" p2. To the Lighthouse (Virginia Woolf, 1927)
% `3 v+ ^$ C( i. L; B9 k/ G1 q+ q5 J1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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+ r7 ~9 h3 b4 t0 T, b- n/ B* S呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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