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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 3 @" P. `& }( |) {# d& D( M
$ U! C" T+ R- R/ Z$ ~, iBBC评出100大英国文学名著* Q( t9 _3 ~% Z4 _) n b
http://www.bbc.com/culture/story ... test-british-novels* c2 ~! a0 ^0 T" l
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 h1 @ B# T7 |+ _) p5 ^( `100. The Code of the Woosters (PG Wodehouse, 1938)0 g4 L) |' E! _) v6 c9 p
99. There but for the (Ali Smith, 2011)
" O8 u, ^* |% g, Y" R6 x$ j98. Under the Volcano (Malcolm Lowry,1947)
8 ?$ S0 n! l6 A5 N1 I/ s3 y7 }5 S97. The Chronicles of Narnia (CS Lewis, 1949-1954)' c# C/ u- @! l! }
96. Memoirs of a Survivor (Doris Lessing, 1974)
8 Y# f4 Q! S0 @2 {95. The Buddha of Suburbia (Hanif Kureishi, 1990)
) E% {" V+ X* w$ n/ u8 q2 W94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)+ g; d- E% R# @; a/ D3 i) v
93. Lord of the Flies (William Golding, 1954)- z& B+ p' e5 Z
92. Cold Comfort Farm (Stella Gibbons, 1932)7 T) h: l0 T! v( y. T
91. The Forsyte Saga (John Galsworthy, 1922)
8 y' t( X) Y2 |' n M: A3 u90. The Woman in White (Wilkie Collins, 1859)
/ S) o& q9 K/ q/ h89. The Horse’s Mouth (Joyce Cary, 1944)2 ~) _8 X) T/ R, E6 V5 M/ w
88. The Death of the Heart (Elizabeth Bowen, 1938)7 L( \3 h# F- @6 N
87. The Old Wives’ Tale (Arnold Bennett,1908)
5 j* \; R |3 }+ T7 F+ Z0 A* R( C86. A Legacy (Sybille Bedford, 1956)
9 U/ l" A3 d6 }8 n85. Regeneration Trilogy (Pat Barker, 1991-1995)
, g- ]& i U8 ^5 ~" Z4 y84. Scoop (Evelyn Waugh, 1938): t# |% c/ b# |, i, q0 R
83. Barchester Towers (Anthony Trollope, 1857)* v; ?( m6 n5 C& G+ L) |
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
, F2 G) \( V i+ _9 B- j* j81. The Jewel in the Crown (Paul Scott, 1966)
( _4 F' Y7 V5 r80. Excellent Women (Barbara Pym, 1952)
' A" X& [8 W0 @3 a k3 C/ f79. His Dark Materials (Philip Pullman, 1995-2000)2 [( u3 c/ q2 I9 ^
78. A House for Mr Biswas (VS Naipaul, 1961)5 t7 c% _2 x) D0 A9 f) m+ z
77. Of Human Bondage (W Somerset Maugham, 1915)
" _" Z. X7 j4 s( G8 }8 W. K76. Small Island (Andrea Levy, 2004)
* j9 \( {1 Z4 k1 [- l, c# c3 }75. Women in Love (DH Lawrence, 1920)8 ]) V) v! m7 c2 H$ u, r
74. The Mayor of Casterbridge (Thomas Hardy, 1886)5 c9 `% S9 R9 E1 r+ J
73. The Blue Flower (Penelope Fitzgerald, 1995)
[5 |4 `; X5 o1 c4 B72. The Heart of the Matter (Graham Greene, 1948)* T" f: f6 p5 Y( O M) y5 l
71. Old Filth (Jane Gardam, 2004)
. a9 c4 z! f ~) m8 |70. Daniel Deronda (George Eliot, 1876)
! h) ?! D9 J% |# O1 _7 s) K$ D- u. \69. Nostromo (Joseph Conrad, 1904)8 \9 a. N+ a# W$ J3 X/ _
68. A Clockwork Orange (Anthony Burgess, 1962), R: h! o. X; d( O5 ^
67. Crash (JG Ballard 1973)2 O/ \6 l7 W! R+ b2 z
66. Sense and Sensibility (Jane Austen, 1811)
' p6 s! f r$ m4 i65. Orlando (Virginia Woolf, 1928)
! D4 }$ ?, S( j+ K# Q4 Z64. The Way We Live Now (Anthony Trollope, 1875)" e9 r2 F( }7 g3 ?) g
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)3 _& T1 ^1 X2 R# P8 G
62. Animal Farm (George Orwell, 1945)
0 x/ E5 }# B" r# |5 H61. The Sea, The Sea (Iris Murdoch, 1978)
9 P' I+ [- {9 d( o60. Sons and Lovers (DH Lawrence, 1913)# ]2 w6 X' f8 l* H4 M
59. The Line of Beauty (Alan Hollinghurst, 2004)0 s7 |( B, C* m- ^
58. Loving (Henry Green, 1945)
' B I7 `/ o% O& C/ p; R2 Y57. Parade’s End (Ford Madox Ford, 1924-1928)
7 |6 b+ H3 n! V! H56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
( r/ C. Y) U) M55. Gulliver’s Travels (Jonathan Swift, 1726)
$ ]$ A# {( ?& ?% V# n54. NW (Zadie Smith, 2012)
% ~ [1 K% `# k% [53. Wide Sargasso Sea (Jean Rhys, 1966)
- O: N; H4 Z5 x! g$ z/ P52. New Grub Street (George Gissing, 1891)4 k1 [: e& K2 e4 R4 Y/ H
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 [6 h' e2 `0 P6 {0 f50. A Passage to India (EM Forster, 1924)
3 X; t1 f8 y, n49. Possession (AS Byatt, 1990)3 L" E7 a+ ^" `! d' q- j
48. Lucky Jim (Kingsley Amis, 1954); C# v7 }" l% @' v7 X3 ?9 G9 K8 Z0 D
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) d$ n! b, N3 _/ S7 n
46. Midnight’s Children (Salman Rushdie, 1981)4 K' P" l( U. m$ l n+ L
45. The Little Stranger (Sarah Waters, 2009)
0 G8 g$ ?" w, X& J& ?5 k44. Wolf Hall (Hilary Mantel, 2009)* g! i3 I* [2 p
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 K: q+ c6 g9 Z ~42. Brighton Rock (Graham Greene, 1938)
* u1 I, a- d4 Y* I41. Dombey and Son (Charles Dickens, 1848)
' T( M y) Q7 x! B0 N. ^- u6 k40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% o& h6 W4 ~* t9 N5 l, t39. The Sense of an Ending (Julian Barnes, 2011)
, Z7 ]4 S9 i, @" |6 A# [+ d38. The Passion (Jeanette Winterson, 1987)
y& J- y1 b$ ` E37. Decline and Fall (Evelyn Waugh, 1928)
3 ~- P3 {6 C: [36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ `9 b# l# O! ]4 `! M2 K: v" k1 B
35. Remainder (Tom McCarthy, 2005)
+ R1 m1 B: ]5 o; |( p" P+ b% _* r34. Never Let Me Go (Kazuo Ishiguro, 2005)3 k' n g7 M( p, T- u
33. The Wind in the Willows (Kenneth Grahame, 1908)+ P' N. f8 @3 j; w0 r
32. A Room with a View (EM Forster, 1908)) X" K& f6 ?; E* M4 T8 m- O' c
31. The End of the Affair (Graham Greene, 1951)
; `( I$ W% A; y( C q30. Moll Flanders (Daniel Defoe, 1722)
$ O1 q% w6 g, _" W29. Brick Lane (Monica Ali, 2003)
/ z" d6 ~" O, k+ m4 W/ j28. Villette (Charlotte Brontë, 1853)5 B0 p! h) k' N7 M7 f7 n
27. Robinson Crusoe (Daniel Defoe, 1719)0 k; c2 X! T) ?- i1 N3 y
26. The Lord of the Rings (JRR Tolkien, 1954)
$ `: E" B1 J( H) c3 L5 s25. White Teeth (Zadie Smith, 2000); P3 D6 S- e2 F/ r) O, a
24. The Golden Notebook (Doris Lessing, 1962)
* O1 V- D. r5 [8 L0 o23. Jude the Obscure (Thomas Hardy, 1895)# l; ^; I a# {) [: }- e
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( |( W+ K/ C7 n1 c. k
21. Heart of Darkness (Joseph Conrad, 1899)
: ~ v/ z2 p9 {9 J4 T( ]20. Persuasion (Jane Austen, 1817)
! q( z; S+ U$ y19. Emma (Jane Austen, 1815)
, R: N4 `% f. ^/ q& Q4 s18. Remains of the Day (Kazuo Ishiguro, 1989)2 M7 T1 \/ p( S" a+ u4 o
17. Howards End (EM Forster, 1910)# ~( M2 h1 E7 f$ Z: v- _
16. The Waves (Virginia Woolf, 1931)5 A O" k5 c3 y9 R8 Q
15. Atonement (Ian McEwan, 2001): S: I: l& o( D' j8 g Y
14. Clarissa (Samuel Richardson,1748)3 a6 @% E& U) `
13. The Good Soldier (Ford Madox Ford, 1915); o- W- `( x# @/ _$ h5 h
12. Nineteen Eighty-Four (George Orwell, 1949)
{% y, p2 I s1 ?11. Pride and Prejudice (Jane Austen, 1813)
6 z) r: Y5 _3 u$ q2 ]* s10. Vanity Fair (William Makepeace Thackeray, 1848). `6 @. w3 w5 S- U
9. Frankenstein (Mary Shelley, 1818)
7 B4 B" a5 J% e2 v% Q7 o3 B8. David Copperfield (Charles Dickens, 1850)
6 l- b* I; l; ^- D4 @1 e7 W1 J7. Wuthering Heights (Emily Brontë, 1847)6 o/ E* n+ y# p. w/ O
6. Bleak House (Charles Dickens, 1853)% c" d3 y# H: N# `
5. Jane Eyre (Charlotte Brontë, 1847)1 W+ [ A5 _& ?; G+ S% ?! e
4. Great Expectations (Charles Dickens, 1861)* ?" O) ^5 y2 h9 i
3. Mrs. Dalloway (Virginia Woolf, 1925)
1 @, r: p. v+ p2. To the Lighthouse (Virginia Woolf, 1927)
% n& U0 v& ^4 R P G! V1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 b& B* G" Z1 A5 U" S8 {" o; t9 n" |7 D
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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