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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 5 }" n9 v/ q4 Q) X
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BBC评出100大英国文学名著5 E# `, P X1 d; P1 B( L/ s
http://www.bbc.com/culture/story ... test-british-novels
. Y- p$ n, }, `& g" z! y惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& s3 ?; ^7 o# {9 D% X/ z% k
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100. The Code of the Woosters (PG Wodehouse, 1938); v: ^8 v3 {, Q6 L
99. There but for the (Ali Smith, 2011)- K, H! |) n& O4 ]8 I$ _6 T
98. Under the Volcano (Malcolm Lowry,1947)
+ h* j# {2 B$ G' t" {- E. e97. The Chronicles of Narnia (CS Lewis, 1949-1954)' {/ {2 t( f1 {. ?; W& Q; u
96. Memoirs of a Survivor (Doris Lessing, 1974)
& d9 W9 Y4 u4 B2 S- }. X0 R95. The Buddha of Suburbia (Hanif Kureishi, 1990)- r: U( E% o/ y' S$ H$ J
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
4 J% D+ H" L% d93. Lord of the Flies (William Golding, 1954)
; u1 R& r7 I Q# l( K! l2 e% N92. Cold Comfort Farm (Stella Gibbons, 1932)
. F7 S8 Y# y; M: O1 y91. The Forsyte Saga (John Galsworthy, 1922); X( o, [# n( D4 [" ?# J4 z# O1 w
90. The Woman in White (Wilkie Collins, 1859)5 K, Q* {* a$ H8 t" A. ^; M
89. The Horse’s Mouth (Joyce Cary, 1944)8 W3 j: g9 {! I. @$ D
88. The Death of the Heart (Elizabeth Bowen, 1938)
& O& j& _* p* T8 W7 `/ m87. The Old Wives’ Tale (Arnold Bennett,1908)
& ]. g- K" U, J) n& W+ _" A8 U86. A Legacy (Sybille Bedford, 1956)
% s$ h0 Q3 ^0 x6 k% n85. Regeneration Trilogy (Pat Barker, 1991-1995)! x+ r- [ v- _6 s
84. Scoop (Evelyn Waugh, 1938)
0 k0 R0 T- H2 J83. Barchester Towers (Anthony Trollope, 1857)
/ }; H( [/ g* _- \& v- [" \82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
! \2 Y8 P# a8 b, F81. The Jewel in the Crown (Paul Scott, 1966)
* n( o# n( Q& N. Y+ L4 L9 {0 g80. Excellent Women (Barbara Pym, 1952)+ H& Y0 B0 R5 B# ?+ [: d
79. His Dark Materials (Philip Pullman, 1995-2000)
) f; Q2 X3 f- ~* m78. A House for Mr Biswas (VS Naipaul, 1961)
% w3 N0 y. U s, S; p) v+ T77. Of Human Bondage (W Somerset Maugham, 1915)9 K+ Q" Q8 l: w% W, F6 `
76. Small Island (Andrea Levy, 2004)
# ^' J7 ^- D% m% W6 h: q3 d8 ]: |75. Women in Love (DH Lawrence, 1920)
% o* ^$ k7 o! t9 g3 A) @/ u74. The Mayor of Casterbridge (Thomas Hardy, 1886)' Y* i& N- i, d1 S* K8 g8 l
73. The Blue Flower (Penelope Fitzgerald, 1995)3 A" D A1 P. ]% Q
72. The Heart of the Matter (Graham Greene, 1948)% [% s! v. L/ Y# y. J* J' {
71. Old Filth (Jane Gardam, 2004)- u$ X* m; s2 {, t+ L
70. Daniel Deronda (George Eliot, 1876)
5 G' ?0 r3 L$ o. Q69. Nostromo (Joseph Conrad, 1904)6 j/ Z2 @+ q- O' ^
68. A Clockwork Orange (Anthony Burgess, 1962)6 c3 s5 X& W3 L1 P
67. Crash (JG Ballard 1973)
/ _( W, R \4 o! d8 t66. Sense and Sensibility (Jane Austen, 1811)- J: p7 n4 D0 d. ~; I3 t
65. Orlando (Virginia Woolf, 1928)
( Z) I+ J2 ^; d- M: G64. The Way We Live Now (Anthony Trollope, 1875)
- J( [8 m. i6 n$ x: H, U1 ^+ D d63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% y) E2 U0 w8 Z4 I- ]) r& g
62. Animal Farm (George Orwell, 1945)
9 f% Z* w# u v8 O/ A3 a61. The Sea, The Sea (Iris Murdoch, 1978)
% p4 F$ i& M9 e- o. \60. Sons and Lovers (DH Lawrence, 1913)+ e! M! ]2 |; m$ E8 B5 y- v
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 Z x: ?) a8 m8 ^58. Loving (Henry Green, 1945)4 j! b) P3 ?9 I; h& W. _
57. Parade’s End (Ford Madox Ford, 1924-1928)
- B7 L: s' O& P' p: U56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- M/ {0 P8 E$ O) a
55. Gulliver’s Travels (Jonathan Swift, 1726), S6 | k* y5 T1 V- M" \
54. NW (Zadie Smith, 2012)
) ^# Q" q3 h! u! q* E6 P53. Wide Sargasso Sea (Jean Rhys, 1966)
3 ^$ m0 r. a# R' Z5 D0 N) ^52. New Grub Street (George Gissing, 1891)
4 S( q1 s# d7 ^! s: M# B' c2 Y6 K51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
6 J! E$ r9 y N+ F, m, ~50. A Passage to India (EM Forster, 1924)2 A, }& o4 w$ I
49. Possession (AS Byatt, 1990)
' A1 a6 O1 x4 S( j4 J& F48. Lucky Jim (Kingsley Amis, 1954)
8 n6 O$ c6 c5 q$ M47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)% A& h& ?$ R. C
46. Midnight’s Children (Salman Rushdie, 1981)6 x4 y- O$ u8 E- Y* l% W; @$ D
45. The Little Stranger (Sarah Waters, 2009)
) B" y5 }# r5 N9 R+ H; a44. Wolf Hall (Hilary Mantel, 2009)0 p3 ^ H" {9 U9 H- u- O
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
) ]0 ~' q7 H2 V+ a* S( W# u# P42. Brighton Rock (Graham Greene, 1938)
. R( b$ k' B N41. Dombey and Son (Charles Dickens, 1848)
4 N+ h0 m5 M: E% g, P# @" d40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 M4 W. R' C& n( ^39. The Sense of an Ending (Julian Barnes, 2011)4 T' P! T* A5 Q# V% O9 V
38. The Passion (Jeanette Winterson, 1987)
, ] t+ b; O- `37. Decline and Fall (Evelyn Waugh, 1928)
# J( L$ l C, Z5 ]6 P0 a) z36. A Dance to the Music of Time (Anthony Powell, 1951-1975)& s% o! _3 ?8 _$ H# S
35. Remainder (Tom McCarthy, 2005)
; V, ^7 \# C1 E( K' c9 t0 {34. Never Let Me Go (Kazuo Ishiguro, 2005)
: W3 V+ O- q c5 _; b33. The Wind in the Willows (Kenneth Grahame, 1908)
: K8 b+ h, x1 `32. A Room with a View (EM Forster, 1908)' P! G5 ~9 F4 F& G" d8 v
31. The End of the Affair (Graham Greene, 1951), |8 L' l: w' L( x0 M1 T
30. Moll Flanders (Daniel Defoe, 1722)
$ T- h! N! p, E3 m% q! l9 j29. Brick Lane (Monica Ali, 2003)
! C0 r8 u B8 B8 X( U9 |28. Villette (Charlotte Brontë, 1853); t7 |' s! u8 M$ w3 p$ k
27. Robinson Crusoe (Daniel Defoe, 1719): j' O" l5 i: J) g6 C4 j6 R# s
26. The Lord of the Rings (JRR Tolkien, 1954) M- t1 w+ n5 E! i) f7 A7 s/ h6 g2 b4 m S
25. White Teeth (Zadie Smith, 2000). Z9 S6 p# _; S3 {. \" m; ?
24. The Golden Notebook (Doris Lessing, 1962)
- T8 r `' F' N$ v$ S23. Jude the Obscure (Thomas Hardy, 1895): v# F. x& J( J3 K+ O
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 o2 F2 `5 P( D: w0 L' P0 o
21. Heart of Darkness (Joseph Conrad, 1899)" Z8 ` {8 P7 o
20. Persuasion (Jane Austen, 1817)0 Y& I4 P( j: e
19. Emma (Jane Austen, 1815)+ ` w+ R9 }) ^
18. Remains of the Day (Kazuo Ishiguro, 1989)
8 K0 K. M8 W3 @+ U17. Howards End (EM Forster, 1910)) q; R3 u' Q& G n( c
16. The Waves (Virginia Woolf, 1931)! _2 x6 ^9 F( s- g7 q1 m
15. Atonement (Ian McEwan, 2001)
" `; p3 N( ]6 w7 q8 H14. Clarissa (Samuel Richardson,1748)
7 y4 U' W' l9 H' ]1 O13. The Good Soldier (Ford Madox Ford, 1915)
9 p* l( r4 k, C7 K* K9 n12. Nineteen Eighty-Four (George Orwell, 1949)6 W+ \, w$ \: e8 K' I$ ?9 \
11. Pride and Prejudice (Jane Austen, 1813)
* A3 r4 u* n; M" P7 R( c& \10. Vanity Fair (William Makepeace Thackeray, 1848)
q- X2 l# a/ g' w5 i0 {9. Frankenstein (Mary Shelley, 1818)' T3 j( V$ C x3 O6 j& p
8. David Copperfield (Charles Dickens, 1850)2 b- X+ m. ?* h5 R$ t
7. Wuthering Heights (Emily Brontë, 1847)1 X' ~' O! _4 F. g, I0 b
6. Bleak House (Charles Dickens, 1853); M5 A2 D- m+ i$ S D
5. Jane Eyre (Charlotte Brontë, 1847)
/ G6 h1 O0 X( c& F" N$ l4. Great Expectations (Charles Dickens, 1861)" q7 w% H0 L c
3. Mrs. Dalloway (Virginia Woolf, 1925)0 @, N# M! m. ~5 o( `5 b( C! i
2. To the Lighthouse (Virginia Woolf, 1927)/ d" H( v. A8 ]; I# w! d
1. Middlemarch (George Eliot, 1874)- _+ f4 H7 ?: a4 L/ Y
6 h9 ~) C' V, t# ]# e- e9 k+ L1 A前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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