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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
5 f7 ~3 l9 N& b) n. r$ u* dhttp://www.bbc.com/culture/story ... test-british-novels
: u) P" i9 u1 `) l5 S/ ]1 e惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。$ v& a# P' l( l( Y" o9 c0 [8 B9 l
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100. The Code of the Woosters (PG Wodehouse, 1938) W( O& l3 x; I, X. e# M1 g
99. There but for the (Ali Smith, 2011)
* V- O9 ?" V' q {7 j! v! A( w98. Under the Volcano (Malcolm Lowry,1947)
" k# ^+ L3 L$ t) ?2 b: i" o97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ A& F3 ^/ m: H/ o
96. Memoirs of a Survivor (Doris Lessing, 1974)
4 M7 T6 v9 W( H5 A95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 I, F- l% w& G; j3 \6 n0 l9 P" k
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; Z( R) Q( a: r# B' s, t93. Lord of the Flies (William Golding, 1954)
" \5 s0 p) {; ^- S7 k. ?92. Cold Comfort Farm (Stella Gibbons, 1932)
! @- L% U5 d+ L% a: J" ?91. The Forsyte Saga (John Galsworthy, 1922)
- E6 Q# B0 [8 J: D5 i. f- w: [/ _) v( G90. The Woman in White (Wilkie Collins, 1859): y- i2 {+ M" Y. y5 C
89. The Horse’s Mouth (Joyce Cary, 1944), m+ R5 S" n6 \! y8 P
88. The Death of the Heart (Elizabeth Bowen, 1938)/ p- ?/ S5 F8 @8 e/ e1 Z
87. The Old Wives’ Tale (Arnold Bennett,1908)! \5 j. }& Y8 o9 M! o6 S
86. A Legacy (Sybille Bedford, 1956)
: E. n2 `! ~8 Y8 A% v* Y+ P85. Regeneration Trilogy (Pat Barker, 1991-1995)
3 `2 T9 o/ ~7 v2 ~" ~84. Scoop (Evelyn Waugh, 1938)3 a1 o4 B0 I; e, a" Q- u
83. Barchester Towers (Anthony Trollope, 1857), t% K7 N& ~; x2 }: l8 ]
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 Q/ c$ O7 x' o% j2 W81. The Jewel in the Crown (Paul Scott, 1966)
! c8 K. G- k1 O" R4 H S80. Excellent Women (Barbara Pym, 1952)
& X8 w4 a% O! P# k2 v: A4 R79. His Dark Materials (Philip Pullman, 1995-2000)
0 f4 G; {* d; _# r4 g$ O4 f78. A House for Mr Biswas (VS Naipaul, 1961)
; @ r1 I4 A5 J- B( `& L- I. J" u: Z77. Of Human Bondage (W Somerset Maugham, 1915)
1 {: ]4 G1 a3 n0 i2 u. a76. Small Island (Andrea Levy, 2004)! A8 F5 R1 I; G3 Z& S: O i) B+ P
75. Women in Love (DH Lawrence, 1920)! V8 W) F* _+ L9 x8 \7 F
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
( J, Y& t6 y( H |73. The Blue Flower (Penelope Fitzgerald, 1995)7 C ~, Y$ T4 S* |3 Z6 M! B
72. The Heart of the Matter (Graham Greene, 1948)
' M4 J/ c# E* I3 W71. Old Filth (Jane Gardam, 2004)
. y. A6 w: A5 R. A) w70. Daniel Deronda (George Eliot, 1876)
$ }; t9 j* m& n/ v) Q1 ~69. Nostromo (Joseph Conrad, 1904)
a2 n/ q: M7 y& K6 R5 n68. A Clockwork Orange (Anthony Burgess, 1962)1 G) |* f+ L" m+ b
67. Crash (JG Ballard 1973), s* d- ]% v' U; }5 Y! ~9 S
66. Sense and Sensibility (Jane Austen, 1811)" ^' Y3 l) K* ^1 I. E
65. Orlando (Virginia Woolf, 1928)
2 y* G/ F5 R& q5 f) c* {& ~4 }8 R64. The Way We Live Now (Anthony Trollope, 1875)6 p1 s% O' I7 N& d
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% t, {# u7 t0 w) I. j3 X62. Animal Farm (George Orwell, 1945)
+ p" ]& v+ m M% p; G7 s! W& D# q( h61. The Sea, The Sea (Iris Murdoch, 1978)7 P" Y0 @+ o1 W; y. j+ g- w
60. Sons and Lovers (DH Lawrence, 1913)
+ a# Y7 {( y$ Q59. The Line of Beauty (Alan Hollinghurst, 2004)6 p3 g; f' Z1 ]( f. g
58. Loving (Henry Green, 1945)+ r( u1 O; |) m6 u% M9 w0 ^
57. Parade’s End (Ford Madox Ford, 1924-1928)0 `' _6 F4 p/ q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
' q2 B9 ~! ?' K# [2 E O: s55. Gulliver’s Travels (Jonathan Swift, 1726)5 ^8 e; \" h' n6 h
54. NW (Zadie Smith, 2012)
& t- ?; X9 @1 Y9 t C; m* f( R! z53. Wide Sargasso Sea (Jean Rhys, 1966): g3 ^ d a) U/ z
52. New Grub Street (George Gissing, 1891)
8 N4 e1 [; y& p" B2 C) c51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 O+ ?# `7 c6 G50. A Passage to India (EM Forster, 1924)
0 n, o' V- g: }$ k( c' [! Q. d49. Possession (AS Byatt, 1990)5 n! m, a! S) N; r- B8 o; E. E, }
48. Lucky Jim (Kingsley Amis, 1954)
6 @3 V0 Q8 c6 J8 l: P4 b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 |0 T* y8 i9 d* G3 w) _3 T
46. Midnight’s Children (Salman Rushdie, 1981)* P( o0 Z" Y# |( q
45. The Little Stranger (Sarah Waters, 2009)* U0 i( p% Y4 T+ K
44. Wolf Hall (Hilary Mantel, 2009)& g; R& E) I5 M4 g
43. The Swimming Pool Library (Alan Hollinghurst, 1988)7 _* `( i+ z+ G8 _$ [! t
42. Brighton Rock (Graham Greene, 1938)
^7 o4 v% n( g& Y- N: {3 _) g9 O41. Dombey and Son (Charles Dickens, 1848)
: d8 S) l5 H7 q: i* Z# p9 k2 D40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): p( P5 Q& r; g1 V% I
39. The Sense of an Ending (Julian Barnes, 2011)
9 R, C+ X* o: e0 w6 x. Z% w38. The Passion (Jeanette Winterson, 1987)( i' V: s- l( c' t% v6 ?
37. Decline and Fall (Evelyn Waugh, 1928), A4 B6 p" ?. t1 {/ U2 q, K+ s
36. A Dance to the Music of Time (Anthony Powell, 1951-1975), `! b6 p+ |, n" p# U
35. Remainder (Tom McCarthy, 2005)
' p9 w# |3 Q0 |( [. L34. Never Let Me Go (Kazuo Ishiguro, 2005)# u: F/ g- O, v2 r
33. The Wind in the Willows (Kenneth Grahame, 1908) e6 B; i8 Y- @! z- [5 H, [
32. A Room with a View (EM Forster, 1908). e6 C/ E- k4 p+ O
31. The End of the Affair (Graham Greene, 1951)
3 e, a6 E J9 w. X" ~9 N30. Moll Flanders (Daniel Defoe, 1722)5 d8 Z) G, Z9 [$ P5 C( l, |
29. Brick Lane (Monica Ali, 2003)$ S( I0 d) P" \5 l7 C( r
28. Villette (Charlotte Brontë, 1853)8 {9 a0 o0 h1 ^! S
27. Robinson Crusoe (Daniel Defoe, 1719)$ H2 Q9 ^. p8 H1 W9 F+ @
26. The Lord of the Rings (JRR Tolkien, 1954)9 B4 F1 _, |- ]9 Y% N# o
25. White Teeth (Zadie Smith, 2000)0 o7 z: Q' \- H9 s M S- {3 C
24. The Golden Notebook (Doris Lessing, 1962)
) q8 W* Z6 [2 J0 H" G: m8 Y23. Jude the Obscure (Thomas Hardy, 1895)' W7 h* H. j U. `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
0 E; m; V2 D7 h! B4 R' q21. Heart of Darkness (Joseph Conrad, 1899)3 c9 w: q8 T( S+ Y
20. Persuasion (Jane Austen, 1817)9 }) d- h) Q D+ s' ~; v/ Y6 v; {
19. Emma (Jane Austen, 1815)
( a8 F, a, r4 Z6 Z) p M9 d18. Remains of the Day (Kazuo Ishiguro, 1989)
! j R" e; p- l17. Howards End (EM Forster, 1910)
: ^' m' C" [6 F# t& }* j m0 z16. The Waves (Virginia Woolf, 1931)
. Q* Y+ T1 \) ]3 L3 ]5 s( W15. Atonement (Ian McEwan, 2001)
- l$ v+ E, K3 A6 w6 m14. Clarissa (Samuel Richardson,1748), m! c% f6 w$ V0 H
13. The Good Soldier (Ford Madox Ford, 1915)) d3 m! d8 m1 J2 M/ M
12. Nineteen Eighty-Four (George Orwell, 1949)
3 |8 b7 R# x, Z W) l11. Pride and Prejudice (Jane Austen, 1813)* r$ [0 r; t5 R+ z" f. _& V! U
10. Vanity Fair (William Makepeace Thackeray, 1848)) I4 l. z+ @2 u l* M& k# f& _% K( x/ e" h
9. Frankenstein (Mary Shelley, 1818)
/ m3 q2 g- z! x& V, H8. David Copperfield (Charles Dickens, 1850)
0 F* f( o& S" k8 i7. Wuthering Heights (Emily Brontë, 1847)
( i3 U' r, W& U O# j/ t$ A6. Bleak House (Charles Dickens, 1853)
. o# U$ x7 h! d2 W0 L4 V4 O" W5. Jane Eyre (Charlotte Brontë, 1847)
& H# B9 n' r8 u2 @# f$ y# |5 {: A4. Great Expectations (Charles Dickens, 1861)$ u6 t7 }( L k: H" ]5 `( r/ r4 ]
3. Mrs. Dalloway (Virginia Woolf, 1925)
) R. w4 N6 x% P( L1 c/ [( h: A2. To the Lighthouse (Virginia Woolf, 1927)
1 n& f; V1 W+ u J1. Middlemarch (George Eliot, 1874) l1 E ?# g/ |
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。, W+ q% m6 ?+ W# A
& T% N# F( \7 V6 p呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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