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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著8 l" R, J# m. d# c! `' c$ N
http://www.bbc.com/culture/story ... test-british-novels
! K U/ @4 m9 t- m* g惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 {4 D: A2 E8 _8 E. J2 j5 C
0 ~/ F5 o& |1 w4 r/ ]) d100. The Code of the Woosters (PG Wodehouse, 1938)4 M0 D. _7 v* @+ c
99. There but for the (Ali Smith, 2011)& I2 a- I5 e/ u+ G5 V9 ?4 T% @6 e) ~
98. Under the Volcano (Malcolm Lowry,1947)* w& s! b* I/ {3 t
97. The Chronicles of Narnia (CS Lewis, 1949-1954)2 O4 `( ?( y! F; v8 U
96. Memoirs of a Survivor (Doris Lessing, 1974)
/ L2 R: Q; ~ }% P: V0 J& e95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 C/ `2 o& {: C# X2 K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 o, l; l4 v$ z0 n! P" R. p# s4 _93. Lord of the Flies (William Golding, 1954)4 O+ [2 s f# @6 Q9 a p
92. Cold Comfort Farm (Stella Gibbons, 1932)
% n8 O8 s' I8 E4 |91. The Forsyte Saga (John Galsworthy, 1922)
# [9 [8 `3 ^' T5 a2 a* |4 \90. The Woman in White (Wilkie Collins, 1859)
W3 `0 T: a4 i4 E' @89. The Horse’s Mouth (Joyce Cary, 1944)
i( n2 u/ Z; E# u4 v; ~1 e88. The Death of the Heart (Elizabeth Bowen, 1938)+ F. ?- q" o+ ^
87. The Old Wives’ Tale (Arnold Bennett,1908)
* X# @# T! r/ N5 E7 g; z% U86. A Legacy (Sybille Bedford, 1956)$ L$ U: R, L9 ?
85. Regeneration Trilogy (Pat Barker, 1991-1995)
e' A% d' y+ C' }$ C84. Scoop (Evelyn Waugh, 1938)8 t$ a) O( N8 B; O
83. Barchester Towers (Anthony Trollope, 1857)
, x+ w# K. s" W/ L- q; F4 P% a9 |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 o' u' G7 W0 ~6 P
81. The Jewel in the Crown (Paul Scott, 1966)8 q* X" v% E6 n8 \( P1 y* t
80. Excellent Women (Barbara Pym, 1952); }9 p5 S: o( T1 H; i( o, n
79. His Dark Materials (Philip Pullman, 1995-2000)
9 `1 g+ H; t; U' g8 F' U" x78. A House for Mr Biswas (VS Naipaul, 1961)1 T' C5 m. r! P; ]
77. Of Human Bondage (W Somerset Maugham, 1915)
" H7 Z0 w) M. w3 ^% y" L76. Small Island (Andrea Levy, 2004)
8 F6 y$ W. Z {+ G$ e) h( P75. Women in Love (DH Lawrence, 1920)
! H# Z$ O) I l. j! {$ i8 C74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 o7 R5 T2 R8 y& B& z
73. The Blue Flower (Penelope Fitzgerald, 1995), J+ S& o! O6 {% M8 E
72. The Heart of the Matter (Graham Greene, 1948)* P, O6 q3 u9 ]6 p3 w7 x
71. Old Filth (Jane Gardam, 2004)
2 C- {" z$ v1 t9 V70. Daniel Deronda (George Eliot, 1876)
) \+ A5 i: t+ g' `69. Nostromo (Joseph Conrad, 1904)
2 ^+ a3 [+ B6 N t0 A68. A Clockwork Orange (Anthony Burgess, 1962)3 U& Z, p# O& E8 y+ t
67. Crash (JG Ballard 1973)
, v2 O1 @) {8 M$ {/ F' B66. Sense and Sensibility (Jane Austen, 1811)
( x% D1 v* x) G7 U+ u; o65. Orlando (Virginia Woolf, 1928)
8 C, x1 O9 G: Y7 W64. The Way We Live Now (Anthony Trollope, 1875)
# Q4 j1 C% j0 q$ L9 [' s8 n$ ?63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' [' H* e' t; t% `" m
62. Animal Farm (George Orwell, 1945)
" I/ t% w) I0 n4 y# F [% @7 q7 \# g61. The Sea, The Sea (Iris Murdoch, 1978)3 H5 N) L3 Z; b1 J1 y: ~, V' I3 z
60. Sons and Lovers (DH Lawrence, 1913)
$ E+ c3 J( V" C4 Y/ ^59. The Line of Beauty (Alan Hollinghurst, 2004), \0 u! `) m; f/ @6 I, b5 I
58. Loving (Henry Green, 1945)4 r4 b9 ^- w" x" R4 z1 f v
57. Parade’s End (Ford Madox Ford, 1924-1928)
) P1 V0 v d( I- R. V. c; v; N3 z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985) x+ R" H1 \: p# @
55. Gulliver’s Travels (Jonathan Swift, 1726)
; ]: z3 d+ U1 a. e54. NW (Zadie Smith, 2012)* { G2 X. O5 ^# v
53. Wide Sargasso Sea (Jean Rhys, 1966)3 G# @* s$ i8 q: C k5 o$ @9 j
52. New Grub Street (George Gissing, 1891)" Y4 S5 `$ N, r
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)& A: k! P% o& d. v; O
50. A Passage to India (EM Forster, 1924)6 }' `1 N" F6 G3 T
49. Possession (AS Byatt, 1990)
4 f. G0 U! t4 X J. j3 C48. Lucky Jim (Kingsley Amis, 1954), A1 c1 r, ~" F
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ |1 M1 G! y" s4 z
46. Midnight’s Children (Salman Rushdie, 1981)8 V/ [3 _" e3 ]! b, ~
45. The Little Stranger (Sarah Waters, 2009)8 }3 n( ~* w6 `& Z w6 w! P. G9 B* o
44. Wolf Hall (Hilary Mantel, 2009)
0 |' R. t% _3 @% r1 L7 [5 V43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 I& B1 q1 R n2 ^3 N6 R3 K8 X
42. Brighton Rock (Graham Greene, 1938)
" m! e/ l0 J7 i( Y41. Dombey and Son (Charles Dickens, 1848)0 w+ p; m8 }. x' n/ ~& F2 @7 o% k
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
8 O+ b" c4 Q% A39. The Sense of an Ending (Julian Barnes, 2011)9 l. H1 I& b4 K1 B6 K- ^
38. The Passion (Jeanette Winterson, 1987)
5 g/ R r+ u) H37. Decline and Fall (Evelyn Waugh, 1928)2 e5 {: `- a$ l
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)# j6 R9 `% t* b9 n: e
35. Remainder (Tom McCarthy, 2005)- V! ]7 p1 X" Y _. k
34. Never Let Me Go (Kazuo Ishiguro, 2005)
0 s3 i1 }' [) O0 h33. The Wind in the Willows (Kenneth Grahame, 1908)
5 e2 P4 Q# O. x, i32. A Room with a View (EM Forster, 1908)
3 O# B0 P9 x3 ~# z g! z3 @( R31. The End of the Affair (Graham Greene, 1951)
9 x4 x/ [6 z& X: f4 {+ e2 r3 w30. Moll Flanders (Daniel Defoe, 1722)3 `; H# h$ l8 C# Z4 q2 D! _
29. Brick Lane (Monica Ali, 2003)
. [: U5 f) t8 v. Z/ q' ^6 U28. Villette (Charlotte Brontë, 1853)" e- w. i% E( y% M$ M
27. Robinson Crusoe (Daniel Defoe, 1719)
* a0 k% E/ p% A0 B/ @6 _26. The Lord of the Rings (JRR Tolkien, 1954). `) Z; k# F5 t. K' T
25. White Teeth (Zadie Smith, 2000)
; c2 ], Z2 F; b( J) C3 ?- {24. The Golden Notebook (Doris Lessing, 1962)4 S0 o/ z* N' {/ t% W5 ^3 o, t
23. Jude the Obscure (Thomas Hardy, 1895)8 D5 ~6 u% e I g9 ~
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
2 S( l/ j/ M9 N0 f: ^$ I21. Heart of Darkness (Joseph Conrad, 1899)
8 x: \2 j8 d# J+ n; f7 |+ Y$ ]20. Persuasion (Jane Austen, 1817)
( X* g% O! Y2 i A2 H C$ |19. Emma (Jane Austen, 1815)
* y/ ^" |, O9 g6 o) }% Q7 L18. Remains of the Day (Kazuo Ishiguro, 1989)
5 e2 q5 { Z. S$ W4 @17. Howards End (EM Forster, 1910)
5 A! z$ |' B" ]# O3 K9 E16. The Waves (Virginia Woolf, 1931)
# o' `8 L: [1 @( V% x$ A: D15. Atonement (Ian McEwan, 2001)
% T, y1 X" @/ W: I; P14. Clarissa (Samuel Richardson,1748)
% d) D; s! x k7 ]/ A: }) ?& Q: b13. The Good Soldier (Ford Madox Ford, 1915): i5 I( m, U: `; q* {2 _
12. Nineteen Eighty-Four (George Orwell, 1949) o* e) e! W! E7 {" V
11. Pride and Prejudice (Jane Austen, 1813)
# Q9 U- ?0 k! v# s" F10. Vanity Fair (William Makepeace Thackeray, 1848) \* U- i- s* {6 U9 P/ _, I: v
9. Frankenstein (Mary Shelley, 1818)$ H# S+ O9 L" d1 @. v
8. David Copperfield (Charles Dickens, 1850)
) ^% k0 Y8 [+ m# K0 ^% z; _7. Wuthering Heights (Emily Brontë, 1847)! w: ^$ \: W; [) p0 J1 x5 f
6. Bleak House (Charles Dickens, 1853)
5 |3 O) z; N' g( Q5 ]* v. O5. Jane Eyre (Charlotte Brontë, 1847)
' x, x) r& z* r, s; x- N3 |' I4 U4. Great Expectations (Charles Dickens, 1861) W0 E0 m% v, g8 o& g% [
3. Mrs. Dalloway (Virginia Woolf, 1925). x8 n2 h; B' R. I& I
2. To the Lighthouse (Virginia Woolf, 1927)
1 K- d8 ]( }4 z9 P1. Middlemarch (George Eliot, 1874)/ T* y2 `2 D% C; X% e; l
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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