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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - A0 r, i! X! X: Z6 f8 `9 T+ d1 L6 j
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BBC评出100大英国文学名著* h$ J, l" I( q6 ]1 k, d# A
http://www.bbc.com/culture/story ... test-british-novels
2 S& i2 p4 q: s( w" A惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! r) g0 ? V0 e. F
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100. The Code of the Woosters (PG Wodehouse, 1938)0 Q1 N7 @3 i) i; R: N% T( W
99. There but for the (Ali Smith, 2011)
3 Q7 U: i& u6 ~5 |0 T5 U Y98. Under the Volcano (Malcolm Lowry,1947)
* Y' n" R% s) c) ~; V97. The Chronicles of Narnia (CS Lewis, 1949-1954). @& s6 U& J6 ]5 k' j) I* @
96. Memoirs of a Survivor (Doris Lessing, 1974)' h2 r) `6 j4 U3 A B# x( U
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. n9 O) G+ a; f* j$ |% i94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 n/ Y }, C4 ?# x8 I93. Lord of the Flies (William Golding, 1954)! U3 I% C$ m# a5 L" s6 d: c
92. Cold Comfort Farm (Stella Gibbons, 1932)
/ V" Y7 [( M8 m5 v$ b' i, d91. The Forsyte Saga (John Galsworthy, 1922)
% |8 l# a9 z9 j& z0 ], a. n' L- X. S90. The Woman in White (Wilkie Collins, 1859)0 X- e/ j% H" [: k
89. The Horse’s Mouth (Joyce Cary, 1944). K- p- U1 ^; g# x( |. d
88. The Death of the Heart (Elizabeth Bowen, 1938)
* P( H( M& q! k: C( v87. The Old Wives’ Tale (Arnold Bennett,1908)
# ?/ X/ Z1 C8 D" r86. A Legacy (Sybille Bedford, 1956)6 Q5 D4 N s! T( x( P/ g& u
85. Regeneration Trilogy (Pat Barker, 1991-1995)% x% n/ a8 G" M; T1 |7 Q
84. Scoop (Evelyn Waugh, 1938)
- L8 _% v& |8 |) ]# L83. Barchester Towers (Anthony Trollope, 1857)6 i+ Z$ e- h+ G( H' o
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
' M8 _/ g6 ]) `81. The Jewel in the Crown (Paul Scott, 1966)1 j, e0 q! c: A; z
80. Excellent Women (Barbara Pym, 1952)! E% L$ B5 m [+ F8 ]
79. His Dark Materials (Philip Pullman, 1995-2000)+ x/ b2 _( }+ ?. W) {, a
78. A House for Mr Biswas (VS Naipaul, 1961)
$ d" j2 H* d) L$ y; \7 {: i) W77. Of Human Bondage (W Somerset Maugham, 1915): M) i/ l$ Y$ l% L
76. Small Island (Andrea Levy, 2004)7 N H* T$ |$ }3 p3 c; s* Z
75. Women in Love (DH Lawrence, 1920)
" h; u* w ]1 N4 B* e9 e: D/ ]74. The Mayor of Casterbridge (Thomas Hardy, 1886)6 [9 s& e6 e5 i2 M
73. The Blue Flower (Penelope Fitzgerald, 1995)# W9 ^5 O7 x3 I% `3 E' R
72. The Heart of the Matter (Graham Greene, 1948)
) s5 l# L; J' g( I s* L9 q3 G; m71. Old Filth (Jane Gardam, 2004)& ?4 E! j6 f: s9 x/ v0 `) g
70. Daniel Deronda (George Eliot, 1876)
% G- S% Z9 Q) h9 Y# F- ?69. Nostromo (Joseph Conrad, 1904)
. V2 u; H* G- I68. A Clockwork Orange (Anthony Burgess, 1962)
- b, h5 V5 z! I) k ?! T1 \67. Crash (JG Ballard 1973)
9 \7 }7 W$ h7 S, {66. Sense and Sensibility (Jane Austen, 1811)3 y+ ~# R3 t8 g' i* e, ^7 @
65. Orlando (Virginia Woolf, 1928)
3 K) E$ l W# U2 m) r, K64. The Way We Live Now (Anthony Trollope, 1875): c6 t. P" S$ P9 H; t5 s
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
. z, o- }: K; L! P6 O5 {5 @62. Animal Farm (George Orwell, 1945)
3 o) N( `' z6 w" s1 M61. The Sea, The Sea (Iris Murdoch, 1978)4 _7 b1 V+ I0 y: ?* k. \! J" \
60. Sons and Lovers (DH Lawrence, 1913)
; S: c* X, [7 l59. The Line of Beauty (Alan Hollinghurst, 2004)- \, b) d2 T+ N. t: i) d h
58. Loving (Henry Green, 1945)
5 g3 i" i! i! V w* w5 l1 L4 K0 e57. Parade’s End (Ford Madox Ford, 1924-1928)' }. j( M8 C: g; c5 B3 ^
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)* J/ {" L& z# m5 j1 @
55. Gulliver’s Travels (Jonathan Swift, 1726)
8 x& K/ p. J* u. [* S54. NW (Zadie Smith, 2012)& H) k( Y8 \; K; U8 ]; s) `
53. Wide Sargasso Sea (Jean Rhys, 1966)$ \6 |3 I6 L y- s1 B' h6 ? G+ c
52. New Grub Street (George Gissing, 1891)7 l( I5 o, _. w4 w; v0 Y% `
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 i, V! Q8 @9 S% F
50. A Passage to India (EM Forster, 1924)
8 p' {) x3 E! W* D: Z8 n$ y49. Possession (AS Byatt, 1990)% i' o [3 ^& _
48. Lucky Jim (Kingsley Amis, 1954)( S3 s/ D# \0 f, z! z
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
3 v9 g" L! i5 V" j: r' v- c9 ~- s( J46. Midnight’s Children (Salman Rushdie, 1981)7 n, }$ p4 p- G. K9 U. ^
45. The Little Stranger (Sarah Waters, 2009)
5 Q' o7 B- d/ g44. Wolf Hall (Hilary Mantel, 2009)
/ z- o# p; z6 A9 a _43. The Swimming Pool Library (Alan Hollinghurst, 1988)
1 ?" @4 b, b+ B2 b+ Z& p. Y4 w42. Brighton Rock (Graham Greene, 1938). y9 a" I$ n5 _2 t# }- @" u
41. Dombey and Son (Charles Dickens, 1848)1 d, {2 l5 C1 u1 [6 b% p
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865): {- \' x& u4 @, N
39. The Sense of an Ending (Julian Barnes, 2011)( y0 E$ b6 K, ^1 Y8 |+ H# G- B, q- {
38. The Passion (Jeanette Winterson, 1987)
. ]. x% _8 R8 e, J, |, o: O37. Decline and Fall (Evelyn Waugh, 1928); q' B: D, H8 b2 `; [, b9 K
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 [1 z* j$ A% S- v% [9 O& n2 q, ^35. Remainder (Tom McCarthy, 2005)
! Q! o6 b& ]% @6 g34. Never Let Me Go (Kazuo Ishiguro, 2005)
& D% [9 R V* @: y7 |& g8 e33. The Wind in the Willows (Kenneth Grahame, 1908)
, m. S# h( h/ Q c( q6 }- {32. A Room with a View (EM Forster, 1908)0 t* r+ p8 |7 K4 D- b _
31. The End of the Affair (Graham Greene, 1951)
- k$ Q9 c$ T/ i V5 @, n- V30. Moll Flanders (Daniel Defoe, 1722). k- q" T$ T3 ^0 G- K5 A% c
29. Brick Lane (Monica Ali, 2003)
) y$ S9 R! R" [$ Q: M" f28. Villette (Charlotte Brontë, 1853)
+ ~$ s, Q% y5 Q. E* l$ a27. Robinson Crusoe (Daniel Defoe, 1719)
- U; s. |/ _ q4 l26. The Lord of the Rings (JRR Tolkien, 1954)! j$ v: F, l! l" ~2 M; g
25. White Teeth (Zadie Smith, 2000)
0 d6 `4 U+ A% t3 ^4 j24. The Golden Notebook (Doris Lessing, 1962)
0 v' n3 d7 `* ?! z3 r8 U6 m23. Jude the Obscure (Thomas Hardy, 1895)
% e& p7 m( C6 H5 j8 l3 V$ y3 g( G22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 g# e8 S- v3 y5 Z1 o3 D# f
21. Heart of Darkness (Joseph Conrad, 1899)& s5 O M( Y" S1 [- p/ k; d
20. Persuasion (Jane Austen, 1817)) l( ^6 \2 B" M6 W0 D o
19. Emma (Jane Austen, 1815)0 [) x) @! C* E- j
18. Remains of the Day (Kazuo Ishiguro, 1989)
' }* A% d- x* b( F17. Howards End (EM Forster, 1910)" G0 ^% J" \$ A- o
16. The Waves (Virginia Woolf, 1931)% O: Y' A- d3 E, w7 u
15. Atonement (Ian McEwan, 2001)+ N7 w2 s" R# B
14. Clarissa (Samuel Richardson,1748): y5 x) T5 ^( S2 F! A9 |
13. The Good Soldier (Ford Madox Ford, 1915)
) Y& ~, T3 n$ b, T8 w* i9 @9 R12. Nineteen Eighty-Four (George Orwell, 1949)7 [2 F( w& q# y5 z
11. Pride and Prejudice (Jane Austen, 1813)! h8 m q3 _0 X" |9 _- Z
10. Vanity Fair (William Makepeace Thackeray, 1848)
9 v& x! F0 v* J7 B% ~9. Frankenstein (Mary Shelley, 1818)
( X7 a# u: O; W' ]( ?0 S& u+ P8. David Copperfield (Charles Dickens, 1850)
; @1 N0 J9 Z0 g' r$ ?0 D7. Wuthering Heights (Emily Brontë, 1847)! l2 |2 ~2 M. z5 B h* P4 e
6. Bleak House (Charles Dickens, 1853)7 D3 f, F5 b+ [6 f" G( M8 G8 y9 O
5. Jane Eyre (Charlotte Brontë, 1847)2 n0 u6 b, U7 E7 D( |. t0 J4 U
4. Great Expectations (Charles Dickens, 1861). K5 d. k7 }7 y" T# D7 N9 C
3. Mrs. Dalloway (Virginia Woolf, 1925)5 C, H* `) }9 b- S2 c9 D
2. To the Lighthouse (Virginia Woolf, 1927)
! X( c+ f. X% a, _2 m. H0 c1. Middlemarch (George Eliot, 1874); T: T& [" @) M( c! d7 G9 P
* W( `* L5 w; B% Z9 `前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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