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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + j" z$ a6 F# ]% h$ h$ ]: B2 R
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BBC评出100大英国文学名著
/ W3 Z$ }. \7 ^" H. W- shttp://www.bbc.com/culture/story ... test-british-novels
9 n+ o2 {! [5 d' J4 k惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)3 d4 ?2 F( p# R# ~* G4 Z. `
99. There but for the (Ali Smith, 2011)
; K. [3 |% o" l/ F b98. Under the Volcano (Malcolm Lowry,1947)
! |3 S) D+ @$ }( M3 F97. The Chronicles of Narnia (CS Lewis, 1949-1954)1 R. m! k5 Q" N
96. Memoirs of a Survivor (Doris Lessing, 1974)
* F& s; u; P2 `8 H" C0 v95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" v: ~9 f: d r6 Q94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: h, L+ D: {0 `2 B6 d. s. v$ v93. Lord of the Flies (William Golding, 1954)
3 F8 d4 T7 K" u1 x92. Cold Comfort Farm (Stella Gibbons, 1932)
5 z* `& s' O+ M" h/ ]91. The Forsyte Saga (John Galsworthy, 1922)
. J: P$ F8 ~$ G+ x- c90. The Woman in White (Wilkie Collins, 1859)& M1 h9 }# X3 q Y+ q
89. The Horse’s Mouth (Joyce Cary, 1944)
9 z8 u* w+ `" O5 |88. The Death of the Heart (Elizabeth Bowen, 1938)
8 s# L- {& x* a E2 ]% }7 {87. The Old Wives’ Tale (Arnold Bennett,1908)
" u* G9 T/ x( H0 G$ e! @86. A Legacy (Sybille Bedford, 1956)" `: s! y+ f) n8 G
85. Regeneration Trilogy (Pat Barker, 1991-1995)
( i2 {7 J/ X2 e; M8 h8 Y/ z84. Scoop (Evelyn Waugh, 1938)7 l4 _1 t$ W, {& z* |& V% M* [
83. Barchester Towers (Anthony Trollope, 1857)9 a0 W' _% D T3 q! l
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
4 Q. p5 k% @" {9 F; ?1 J81. The Jewel in the Crown (Paul Scott, 1966)4 q! T6 g0 z; P. _8 U% t
80. Excellent Women (Barbara Pym, 1952)
; Z. W0 A, T# a; q c5 d79. His Dark Materials (Philip Pullman, 1995-2000)
, I* E4 N* _$ s- A78. A House for Mr Biswas (VS Naipaul, 1961). k/ Q4 ~7 ?4 N& u
77. Of Human Bondage (W Somerset Maugham, 1915)
" [( k8 _: m9 `' j5 `. c76. Small Island (Andrea Levy, 2004)$ @, N: L6 `( p8 j
75. Women in Love (DH Lawrence, 1920)
! U# _3 G$ k) t9 z74. The Mayor of Casterbridge (Thomas Hardy, 1886)
% v+ Y# o- ]$ |# p$ z) j: ]/ U73. The Blue Flower (Penelope Fitzgerald, 1995)
a) ^4 o( D% u2 E6 M- u, ~72. The Heart of the Matter (Graham Greene, 1948)
9 Q8 G" u# {+ L/ O8 Q3 F3 s. ]$ c71. Old Filth (Jane Gardam, 2004)
+ X3 ]; b b* J70. Daniel Deronda (George Eliot, 1876)
, P! M/ P$ g" \69. Nostromo (Joseph Conrad, 1904)+ ~# [# y% Q1 F4 g
68. A Clockwork Orange (Anthony Burgess, 1962)
$ b' k: y: |. }' b, m) [; D67. Crash (JG Ballard 1973)
" w1 G7 B9 [3 l66. Sense and Sensibility (Jane Austen, 1811)
/ K$ D" c/ t( K# t! [65. Orlando (Virginia Woolf, 1928)
2 M: V" _9 T2 l9 x64. The Way We Live Now (Anthony Trollope, 1875)9 {4 z+ [: t$ T |: ?
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
|4 _/ A2 d2 E- W8 ^9 y62. Animal Farm (George Orwell, 1945)2 C. t* K6 J( l6 Z& }
61. The Sea, The Sea (Iris Murdoch, 1978)$ y" i$ t, j3 ~, {" P4 a! K* D+ O
60. Sons and Lovers (DH Lawrence, 1913)" u$ S; q A% |2 O) V# y$ e7 ]
59. The Line of Beauty (Alan Hollinghurst, 2004)# c) L$ u% V$ L; o9 t8 b4 s
58. Loving (Henry Green, 1945)
& H% k2 m. P: O% y; o* @9 B& d57. Parade’s End (Ford Madox Ford, 1924-1928)
1 h# x* r# m3 U6 P2 |56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& d. k& j" [; E# m# \9 q
55. Gulliver’s Travels (Jonathan Swift, 1726)7 e n! x0 g0 z8 {
54. NW (Zadie Smith, 2012)) e0 T# l' w# a$ Y6 e, `
53. Wide Sargasso Sea (Jean Rhys, 1966)5 B0 A+ y* J9 [, X+ |
52. New Grub Street (George Gissing, 1891)0 I, |! w$ H9 v2 [
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)* q$ w k+ z! w5 x5 s9 |
50. A Passage to India (EM Forster, 1924)
5 c0 j, C$ B# a9 Q9 l0 C6 h49. Possession (AS Byatt, 1990)/ I2 x2 H, X9 U& Z
48. Lucky Jim (Kingsley Amis, 1954)9 D9 s9 ~ e X, P& _0 R" d
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)* {# _- \ r- O7 Z
46. Midnight’s Children (Salman Rushdie, 1981)' D6 W5 N% G( m$ N
45. The Little Stranger (Sarah Waters, 2009)
9 b5 ?9 N+ Z Z2 _/ v/ I44. Wolf Hall (Hilary Mantel, 2009)
. a4 O$ e! Y& A( s43. The Swimming Pool Library (Alan Hollinghurst, 1988)# B: B9 n$ z) B1 l7 }" u
42. Brighton Rock (Graham Greene, 1938)
! L; d8 w* [0 c. ~5 _41. Dombey and Son (Charles Dickens, 1848)
+ p% z4 q6 F7 _6 b+ |2 E8 Q! P" n40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)' f# a+ ]- Q, Z L0 ^ ~7 Y3 N# @* q
39. The Sense of an Ending (Julian Barnes, 2011) \+ \4 }) v' x: l. _
38. The Passion (Jeanette Winterson, 1987)( m- R7 [+ Z) l$ |6 p- }, |
37. Decline and Fall (Evelyn Waugh, 1928)
+ q+ ]* [ c6 [' T36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- z) H$ H% A# S) L; x$ L35. Remainder (Tom McCarthy, 2005)' r' T3 d- k) l
34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ [7 R' ]5 o& [! u. l9 N33. The Wind in the Willows (Kenneth Grahame, 1908)
' X* g8 G) c- G. h) H V32. A Room with a View (EM Forster, 1908)! p' i; C- W& ?, z
31. The End of the Affair (Graham Greene, 1951)
6 y" t) v# K P5 f$ B7 @. b2 B7 @3 P30. Moll Flanders (Daniel Defoe, 1722)
! B+ V& [3 p/ f1 C4 x# D. U+ t/ h29. Brick Lane (Monica Ali, 2003)6 ?5 r M% p1 P+ N# F- U" @- [ p
28. Villette (Charlotte Brontë, 1853); S0 {1 _$ ^0 I; k0 G3 j
27. Robinson Crusoe (Daniel Defoe, 1719)
, |* V" H3 B3 d. o- i2 G5 G2 k26. The Lord of the Rings (JRR Tolkien, 1954)& X9 B) E' w, N3 v. y, M& A# N
25. White Teeth (Zadie Smith, 2000)
7 _' ^9 a) h c/ V24. The Golden Notebook (Doris Lessing, 1962)
& K W9 S) e6 g+ n& w5 V23. Jude the Obscure (Thomas Hardy, 1895)
: d6 ]& h: W( u( f7 U7 }0 W22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
" u( X( \* i9 K% q21. Heart of Darkness (Joseph Conrad, 1899)
4 k3 v* S; r: A8 Z. l: U! q. h- v20. Persuasion (Jane Austen, 1817)" g; b' f: i) ^/ S' G4 U# o
19. Emma (Jane Austen, 1815)
$ Z9 J9 f! O a3 {8 @! S$ h. C18. Remains of the Day (Kazuo Ishiguro, 1989)
) M4 l3 a, B$ L1 b% l& j% P3 j8 K5 D17. Howards End (EM Forster, 1910)
, p8 l2 c$ a2 U7 K2 j, J+ X7 c16. The Waves (Virginia Woolf, 1931) A3 T1 F/ ]( R
15. Atonement (Ian McEwan, 2001)
' d( Q2 d$ ?* ?) K14. Clarissa (Samuel Richardson,1748)& y/ s2 W& Z# L* I
13. The Good Soldier (Ford Madox Ford, 1915); S4 n6 p3 `& j
12. Nineteen Eighty-Four (George Orwell, 1949)
8 b! L/ n' Q0 x7 b+ N" B11. Pride and Prejudice (Jane Austen, 1813): j6 C6 o* e; \7 {
10. Vanity Fair (William Makepeace Thackeray, 1848)& x% B" w H; ?5 o* `
9. Frankenstein (Mary Shelley, 1818)
" \1 w" P- z7 K# A3 ]8. David Copperfield (Charles Dickens, 1850)
5 E) L z; f# e8 n% z/ x; `7. Wuthering Heights (Emily Brontë, 1847)% s4 N) ^4 F2 I1 w+ ]6 t$ x% p
6. Bleak House (Charles Dickens, 1853)
+ z; {+ q1 ^, x( o5. Jane Eyre (Charlotte Brontë, 1847)3 C6 C7 S; w8 G, r4 f
4. Great Expectations (Charles Dickens, 1861)
5 B. Q7 a8 F- [" i3. Mrs. Dalloway (Virginia Woolf, 1925)- u% x2 U, e4 w1 S! l# T' \
2. To the Lighthouse (Virginia Woolf, 1927)+ W$ Q0 Z6 Q8 ]
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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& K& z2 ^4 S- [/ c7 H. i呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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