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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
' Y. T: o/ E' K$ S2 bhttp://www.bbc.com/culture/story ... test-british-novels& |( M5 d3 c/ L" m6 Q9 { N
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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( b# i& Q5 `3 x6 }4 p( G100. The Code of the Woosters (PG Wodehouse, 1938)7 ]9 T; x2 G- \" [. {" K/ k7 |
99. There but for the (Ali Smith, 2011)3 R' E- T1 O- |2 o/ d$ Q
98. Under the Volcano (Malcolm Lowry,1947)
$ U; x; w+ f3 \1 l' L" r97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: `; q! t9 S5 C) Q96. Memoirs of a Survivor (Doris Lessing, 1974)
1 x8 r2 E9 H6 T" h7 c; o95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 p; f5 G0 m( s* | o4 E1 P94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: n% p/ C% _/ Z0 E7 V( W6 w! J93. Lord of the Flies (William Golding, 1954)6 p) b' h+ d7 r( V9 \) C3 B1 `
92. Cold Comfort Farm (Stella Gibbons, 1932)& c4 d/ ?+ \7 D" q
91. The Forsyte Saga (John Galsworthy, 1922)( g$ _, v) z$ _. Y: X1 R+ l
90. The Woman in White (Wilkie Collins, 1859)0 A9 q0 @1 w! \. a$ h- q
89. The Horse’s Mouth (Joyce Cary, 1944)
0 ?0 i+ t' s: i4 z1 ^88. The Death of the Heart (Elizabeth Bowen, 1938)
* V4 J- o+ q5 N, f; {/ P+ t. f: \; R87. The Old Wives’ Tale (Arnold Bennett,1908)/ t* d, m, O, s; T. w, S( R
86. A Legacy (Sybille Bedford, 1956)4 c( V+ R* o+ Z; J. y
85. Regeneration Trilogy (Pat Barker, 1991-1995)% n# c" w7 \+ r" T
84. Scoop (Evelyn Waugh, 1938)6 M D" l ^9 L+ z1 @
83. Barchester Towers (Anthony Trollope, 1857)1 [# c F3 h' i" T0 V9 J
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)8 [3 @* y. m* v( ]7 L: y
81. The Jewel in the Crown (Paul Scott, 1966)
/ t# Y( r# K& }3 ^3 ]80. Excellent Women (Barbara Pym, 1952)5 ?2 J# S; _1 p+ B( ~
79. His Dark Materials (Philip Pullman, 1995-2000)
: \( b( a$ Q0 h78. A House for Mr Biswas (VS Naipaul, 1961)
& `; | V7 l3 s6 o77. Of Human Bondage (W Somerset Maugham, 1915)4 I) t8 A* _5 z, n% t9 A6 J
76. Small Island (Andrea Levy, 2004)6 ^* T' M9 z- l
75. Women in Love (DH Lawrence, 1920)
: r$ i! v7 C3 v6 x) n% ~74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 c0 G+ j2 t2 h
73. The Blue Flower (Penelope Fitzgerald, 1995)* A, i" M3 k& Y+ O1 }
72. The Heart of the Matter (Graham Greene, 1948)
9 s6 j! l' | n6 G7 C3 _71. Old Filth (Jane Gardam, 2004)' M% i( Z. L9 z2 K
70. Daniel Deronda (George Eliot, 1876)
5 o1 A! A; w1 L0 O5 R! D, u9 E69. Nostromo (Joseph Conrad, 1904)
8 c( }/ Q d9 K9 O68. A Clockwork Orange (Anthony Burgess, 1962)
0 C! {- e1 p( w: b3 J67. Crash (JG Ballard 1973)8 A) N# U8 G2 b1 [- V& q" X
66. Sense and Sensibility (Jane Austen, 1811)/ R# g- _( X: X0 ~; \/ f h
65. Orlando (Virginia Woolf, 1928)* _/ {' @6 v7 D* _4 p: z
64. The Way We Live Now (Anthony Trollope, 1875)
. s6 i5 C) n2 U, b" H) Y0 @3 `8 {63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). G4 u2 ]) ]7 x2 Q- w* S2 R
62. Animal Farm (George Orwell, 1945)/ H* u4 }& A1 ^8 ?
61. The Sea, The Sea (Iris Murdoch, 1978)& b4 ^1 q. c2 r2 X
60. Sons and Lovers (DH Lawrence, 1913)7 S X" x$ _, Y
59. The Line of Beauty (Alan Hollinghurst, 2004)* H4 d9 h: l/ g
58. Loving (Henry Green, 1945)
1 E# E! O0 m) u$ l3 O8 @+ ?- g57. Parade’s End (Ford Madox Ford, 1924-1928)
9 a2 d$ P8 ?! H9 ^( J/ j56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)6 P! X$ X- u, ^# [- C
55. Gulliver’s Travels (Jonathan Swift, 1726)) ~/ a' Y" L( K+ q: J1 C/ P" Q* A
54. NW (Zadie Smith, 2012)
) _1 T; j( o% M53. Wide Sargasso Sea (Jean Rhys, 1966)( `% c" M0 Q1 J% H! \* j
52. New Grub Street (George Gissing, 1891)% O$ b) O8 Q h3 @
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
, Z3 n5 c1 g$ ?7 A# `50. A Passage to India (EM Forster, 1924)
9 ]2 C5 E' f+ I- N+ L49. Possession (AS Byatt, 1990)
6 B# j' ~# w* s; C* ~48. Lucky Jim (Kingsley Amis, 1954)8 |' e) t; q# @; [, f" u) c5 O
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 E4 A' Y$ A2 H, U& n. M+ h46. Midnight’s Children (Salman Rushdie, 1981)
7 H/ L; P' K2 v9 ^0 E# G- ~45. The Little Stranger (Sarah Waters, 2009)
: d& G' C9 j+ i. G$ p44. Wolf Hall (Hilary Mantel, 2009)) v8 g6 A* c7 j' @; S
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* p% |4 P4 ?9 b42. Brighton Rock (Graham Greene, 1938)8 A5 n9 o) S! w
41. Dombey and Son (Charles Dickens, 1848)# P2 y+ }5 z- ~9 b* _
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
r4 f; l2 O; x+ V$ C x" r39. The Sense of an Ending (Julian Barnes, 2011)
" m- Z# b7 O! r38. The Passion (Jeanette Winterson, 1987)& f9 F6 b1 u* ~5 v% g F! }' b
37. Decline and Fall (Evelyn Waugh, 1928)4 `5 o7 r8 r5 d) O; ]
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
I9 ^/ u7 f6 h. X1 k* l T {, t4 [35. Remainder (Tom McCarthy, 2005)* P7 @' C4 T5 b& W, {- _
34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 ~1 ~- J) E. R+ K33. The Wind in the Willows (Kenneth Grahame, 1908)
6 ~: j9 U% i6 C0 J0 U1 \$ w+ B z( b32. A Room with a View (EM Forster, 1908). X# v8 t* @( d" y6 v6 ^
31. The End of the Affair (Graham Greene, 1951)* M3 D1 e8 K8 _) q% w' _% c
30. Moll Flanders (Daniel Defoe, 1722)( y4 o; o# f+ W9 ^5 v5 c
29. Brick Lane (Monica Ali, 2003)
5 ~8 J+ ]) t e% C) L; L2 j28. Villette (Charlotte Brontë, 1853). W! o# P; e& t
27. Robinson Crusoe (Daniel Defoe, 1719)) J$ y3 z9 y7 \
26. The Lord of the Rings (JRR Tolkien, 1954)
3 ^ P" j" l* n2 J! v& ]; k% w6 A25. White Teeth (Zadie Smith, 2000)
. _; U8 s" F7 s1 m, f4 ~24. The Golden Notebook (Doris Lessing, 1962)
$ \( M5 q$ k' x23. Jude the Obscure (Thomas Hardy, 1895)
* F6 m9 M! d2 ]$ S$ k4 d) Q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)2 c6 E- [% f [; ^& c/ d! D( x
21. Heart of Darkness (Joseph Conrad, 1899)
: C! D5 \& H" y8 L% M20. Persuasion (Jane Austen, 1817)
' V# U* e, c m. I8 g3 ^19. Emma (Jane Austen, 1815)
[, L$ r- v# m% t' ?+ `; {* y! |4 J18. Remains of the Day (Kazuo Ishiguro, 1989)/ e/ x0 E% C/ D( c+ X
17. Howards End (EM Forster, 1910)" G: Q4 ?' s7 ?6 } z f
16. The Waves (Virginia Woolf, 1931)1 C, [+ U, \. I* {
15. Atonement (Ian McEwan, 2001)
7 ] m1 q1 @# |14. Clarissa (Samuel Richardson,1748)$ c3 d2 c3 Y; y2 \ h# y
13. The Good Soldier (Ford Madox Ford, 1915)
* |& \( _% T3 @ H12. Nineteen Eighty-Four (George Orwell, 1949)
; l; v/ \5 J; H* M. |6 ^11. Pride and Prejudice (Jane Austen, 1813): V# t+ `0 A- T4 P9 p
10. Vanity Fair (William Makepeace Thackeray, 1848)$ D# d' G0 K6 K* ?
9. Frankenstein (Mary Shelley, 1818)- W& K" M- l# h* l1 S8 _4 d
8. David Copperfield (Charles Dickens, 1850)8 I: b0 s E& H
7. Wuthering Heights (Emily Brontë, 1847)' C) U" |& f0 \. v1 x
6. Bleak House (Charles Dickens, 1853)
( ]* f. @1 l+ f$ W5. Jane Eyre (Charlotte Brontë, 1847)+ I' y2 U( W4 X% R( a K+ d. D
4. Great Expectations (Charles Dickens, 1861)0 k0 K r* I9 Y$ f
3. Mrs. Dalloway (Virginia Woolf, 1925), b1 V6 N& Y4 I+ }+ Z) s& b5 @
2. To the Lighthouse (Virginia Woolf, 1927)
+ n) u: @& r5 s0 c) s0 I5 Y1. Middlemarch (George Eliot, 1874)
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: U1 m' a q# ]8 _: p" ^7 ^6 x前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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" w5 V: B1 R& I( `( q9 q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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