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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / j o$ M/ `- n1 ?! j; s: A
! ?7 ?2 H0 i- K7 y% lBBC评出100大英国文学名著2 C2 Q' l4 [0 o& |' s% f7 S
http://www.bbc.com/culture/story ... test-british-novels
+ }' J5 L$ J: `, g" T惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。, X( k# ^; u7 a$ H. P: r$ f, `
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100. The Code of the Woosters (PG Wodehouse, 1938)
e* a2 a6 m, N0 Y; ^/ A* c& ~: h99. There but for the (Ali Smith, 2011)3 e. }. p% m$ N3 Z
98. Under the Volcano (Malcolm Lowry,1947)
# \2 D) X/ K; E; v% C# o+ h6 R97. The Chronicles of Narnia (CS Lewis, 1949-1954); I) J7 y- x* w4 y% q( {
96. Memoirs of a Survivor (Doris Lessing, 1974)5 m& N, z" y X
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 D5 i. n7 T. x" J& r94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
, [/ k) c h6 C" W# b+ w& T93. Lord of the Flies (William Golding, 1954)$ k! Z0 R2 c( ~( ? S$ w4 L2 m3 G
92. Cold Comfort Farm (Stella Gibbons, 1932). L6 B! N- O! k. `
91. The Forsyte Saga (John Galsworthy, 1922)
. z: Z) @2 `0 `90. The Woman in White (Wilkie Collins, 1859)
+ w v V. e) W( c. l% x8 t89. The Horse’s Mouth (Joyce Cary, 1944)6 a8 e! v! l4 k( |0 A
88. The Death of the Heart (Elizabeth Bowen, 1938)+ W( M- |$ W* L8 N# g& S7 m* c
87. The Old Wives’ Tale (Arnold Bennett,1908)
& y4 U8 _' j% G. M86. A Legacy (Sybille Bedford, 1956)2 g0 R' v7 ]+ ]% q! {
85. Regeneration Trilogy (Pat Barker, 1991-1995)+ {7 Z5 m3 Z8 i" ~' C
84. Scoop (Evelyn Waugh, 1938)( a3 }/ C r2 T/ m" r5 L4 C( L+ x3 \
83. Barchester Towers (Anthony Trollope, 1857)6 l3 A" B) R* s% m+ y$ L$ b! T
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 p4 j" W+ p( v% E& ?6 W: ?# W1 h: M
81. The Jewel in the Crown (Paul Scott, 1966)6 j. x% g( P* r# e0 [
80. Excellent Women (Barbara Pym, 1952)
8 t% u) v# ~$ n79. His Dark Materials (Philip Pullman, 1995-2000)
5 p) M1 ]/ [# f& a9 p78. A House for Mr Biswas (VS Naipaul, 1961): m4 {) r5 y0 v0 t' K) w
77. Of Human Bondage (W Somerset Maugham, 1915)- R4 x5 S2 U$ y# B' D
76. Small Island (Andrea Levy, 2004)
- \: a, Y9 _; Y' h7 W3 Q. M6 u5 r75. Women in Love (DH Lawrence, 1920)- C- L O/ l, X5 P- \6 m/ p8 |* g
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
: w1 D# }6 i* ~" n73. The Blue Flower (Penelope Fitzgerald, 1995). Y3 F- Y) b+ M
72. The Heart of the Matter (Graham Greene, 1948)
2 W( I P4 I% [71. Old Filth (Jane Gardam, 2004)
4 a% p+ {) o d C6 z/ K$ w70. Daniel Deronda (George Eliot, 1876)
5 p& s7 a0 @$ i6 ^$ Q69. Nostromo (Joseph Conrad, 1904)
9 Q; X: o8 q& {7 u; E68. A Clockwork Orange (Anthony Burgess, 1962). ^7 C- f% M/ K
67. Crash (JG Ballard 1973)
: C* L7 X0 p( J" J, A& r7 ?, |66. Sense and Sensibility (Jane Austen, 1811)
2 `, l9 k9 B6 v) k, f65. Orlando (Virginia Woolf, 1928)5 s, O4 f0 Z$ ]9 l* }
64. The Way We Live Now (Anthony Trollope, 1875)0 s. B1 D, I* x2 v, k
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: A) z( _5 k" L- W! d6 C5 ~6 F u# d62. Animal Farm (George Orwell, 1945); [, A$ Q8 t) I3 k. Z9 W
61. The Sea, The Sea (Iris Murdoch, 1978); ?* h7 u- s9 F: P. X) k o
60. Sons and Lovers (DH Lawrence, 1913)4 f: M% {% w. Q+ Q' h
59. The Line of Beauty (Alan Hollinghurst, 2004)
0 ~% Q# Q1 o7 Q7 m' q% K. \58. Loving (Henry Green, 1945)
, T. f8 y% F4 S6 V$ U5 k8 r57. Parade’s End (Ford Madox Ford, 1924-1928)! ?6 B* g5 L8 v
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ h4 r, K" |9 h" U) H+ W' ~ n
55. Gulliver’s Travels (Jonathan Swift, 1726)
3 G2 ^1 z+ U! U0 C8 `9 ]0 t! `" W54. NW (Zadie Smith, 2012)5 v6 R1 }7 J2 ?
53. Wide Sargasso Sea (Jean Rhys, 1966)
) G! h) ~! g% w- ^$ w6 s52. New Grub Street (George Gissing, 1891)
% D/ @* A+ }9 Q/ }51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
+ F# T# ~- {5 D d8 V" [% f0 d50. A Passage to India (EM Forster, 1924)
' R9 O P7 Y7 x4 B M" H; t49. Possession (AS Byatt, 1990)* V7 [" e0 o9 G: Z6 D7 g
48. Lucky Jim (Kingsley Amis, 1954)
8 ~3 r! G' y2 P, N; s47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 Z, @# J5 r) e' x: F46. Midnight’s Children (Salman Rushdie, 1981)( w* |. m" I/ j3 U% E
45. The Little Stranger (Sarah Waters, 2009)
3 @1 g! _# W& [8 G2 r- E: ]% p44. Wolf Hall (Hilary Mantel, 2009) n* g+ o2 M6 C+ b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)% p- U8 `: H2 X2 I
42. Brighton Rock (Graham Greene, 1938)0 `8 `1 | @4 [( l+ s( k
41. Dombey and Son (Charles Dickens, 1848)
- X" }4 e$ p" q( E40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)8 G* y( i6 P) Q4 f! A
39. The Sense of an Ending (Julian Barnes, 2011)5 Q. @" Q" [6 w0 F: p
38. The Passion (Jeanette Winterson, 1987)9 q' ]& l4 ?9 ~# r
37. Decline and Fall (Evelyn Waugh, 1928)
8 Z& i- @# U# q: f36. A Dance to the Music of Time (Anthony Powell, 1951-1975)0 o6 ^* S6 Q6 t! L
35. Remainder (Tom McCarthy, 2005): H9 s* e2 P! u) w5 Z6 P
34. Never Let Me Go (Kazuo Ishiguro, 2005)3 R4 k; g/ o) o0 B: | |+ T
33. The Wind in the Willows (Kenneth Grahame, 1908)
/ |1 f: F/ S. j* `) D32. A Room with a View (EM Forster, 1908)
/ ^; ]$ h, s% V# @2 ]* D H% q31. The End of the Affair (Graham Greene, 1951); S8 A+ X4 E4 Y2 Z* E
30. Moll Flanders (Daniel Defoe, 1722), X7 v2 V* H/ v4 M) C
29. Brick Lane (Monica Ali, 2003)8 b& b4 s. t& d3 ?
28. Villette (Charlotte Brontë, 1853)! y8 @. `6 D7 M$ T9 x" C
27. Robinson Crusoe (Daniel Defoe, 1719)
' U8 R; d N9 h% o; a1 ~6 x26. The Lord of the Rings (JRR Tolkien, 1954)
0 z2 N% h2 @. n+ w5 K" ^, F25. White Teeth (Zadie Smith, 2000)2 d+ f7 V# X/ ^8 w1 [) S7 h
24. The Golden Notebook (Doris Lessing, 1962)
4 N; T2 _8 X" L2 |23. Jude the Obscure (Thomas Hardy, 1895)8 B. D9 w( `( R4 r
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% F1 c; P, G3 J) h7 l( H( K
21. Heart of Darkness (Joseph Conrad, 1899)
' E# p) [" z0 \6 k i20. Persuasion (Jane Austen, 1817)- ^# ?7 L1 ^* e9 g
19. Emma (Jane Austen, 1815)
5 X2 ~$ b5 b) Q+ ^5 Q18. Remains of the Day (Kazuo Ishiguro, 1989)
# ]* `4 W' D( q1 c17. Howards End (EM Forster, 1910)
* G# j$ V m2 x" b4 a16. The Waves (Virginia Woolf, 1931)
, n0 f5 {; }3 J- j* L1 d4 ?15. Atonement (Ian McEwan, 2001)
* Z0 q; ~5 x" R/ ?3 }+ s14. Clarissa (Samuel Richardson,1748)
; X1 O& Y- N) m2 w3 b. H5 C13. The Good Soldier (Ford Madox Ford, 1915)+ q2 ~4 {5 G: y, [
12. Nineteen Eighty-Four (George Orwell, 1949)
6 g4 u, K" f3 L" m11. Pride and Prejudice (Jane Austen, 1813)
/ n. v1 g* V6 }" U1 X, w# I8 f. V6 X5 E10. Vanity Fair (William Makepeace Thackeray, 1848)% s6 a7 H* h+ \/ @; a
9. Frankenstein (Mary Shelley, 1818)
8 V7 h6 d4 z' l P* a8. David Copperfield (Charles Dickens, 1850)
" l# B! C' \8 f, m7. Wuthering Heights (Emily Brontë, 1847)3 Q$ ~7 Y4 f; P9 G% y
6. Bleak House (Charles Dickens, 1853)
% w, R# j' g9 y$ @6 I5. Jane Eyre (Charlotte Brontë, 1847)
( {, h+ [ M/ \; Y4 ]5 ?* E: O4. Great Expectations (Charles Dickens, 1861)! f& L" S% q- L; Z2 x2 R# ?
3. Mrs. Dalloway (Virginia Woolf, 1925)5 F6 r( q0 }' X" T7 }- ^
2. To the Lighthouse (Virginia Woolf, 1927)
# F3 |6 \( J/ z' o+ G1. Middlemarch (George Eliot, 1874)/ w1 q# S" {: c: s+ U. y9 e
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。8 G/ u" e' [6 o/ q+ O3 h, s
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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