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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; y! h* V; o$ k: G, p* L
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BBC评出100大英国文学名著
4 a/ O& U3 C" n4 \- Ahttp://www.bbc.com/culture/story ... test-british-novels
! N/ v! C+ a' r惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ Q- l8 r1 H2 X5 b
" g+ {- u+ T0 D0 ?1 u# _100. The Code of the Woosters (PG Wodehouse, 1938)
; s: N: l0 d0 P0 P99. There but for the (Ali Smith, 2011)" }5 D* i: P3 w# t
98. Under the Volcano (Malcolm Lowry,1947)" k1 c+ ]$ W t4 [2 r
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 [0 c3 ]4 `+ H3 R96. Memoirs of a Survivor (Doris Lessing, 1974)4 `/ m+ w9 r6 t9 P- @1 g1 ?
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
5 ~5 V# ~1 y. v3 ]% ?1 Q, E6 y5 B94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! D0 Z" Y+ T7 L8 x93. Lord of the Flies (William Golding, 1954)/ E, D0 B9 x9 L" f% C2 V6 Y
92. Cold Comfort Farm (Stella Gibbons, 1932)- [) W3 K1 d" i6 N F0 z9 D
91. The Forsyte Saga (John Galsworthy, 1922)
, X3 D% x. U1 } T$ m90. The Woman in White (Wilkie Collins, 1859)0 S6 ~/ |! b6 \: P6 Q
89. The Horse’s Mouth (Joyce Cary, 1944)
5 s# S8 L7 L% ], y$ @' x88. The Death of the Heart (Elizabeth Bowen, 1938)
8 q+ R/ S/ F& _* g87. The Old Wives’ Tale (Arnold Bennett,1908)
- Y3 u9 X, |, h86. A Legacy (Sybille Bedford, 1956)* Z# J# n M" T: B. Q
85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 y# P8 l( [2 n6 z* H2 Z' d& G! V84. Scoop (Evelyn Waugh, 1938)3 V- N6 _1 t8 y2 q, Q; [$ v @5 I
83. Barchester Towers (Anthony Trollope, 1857)/ a/ G/ u- N( w+ F0 d' ^+ A
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)1 r& K9 ?& z5 X/ N/ i: I9 ^( s9 N
81. The Jewel in the Crown (Paul Scott, 1966)- U9 v' J/ [' \4 D
80. Excellent Women (Barbara Pym, 1952)' q' m4 D; e: q& i% {7 ~- Z4 k
79. His Dark Materials (Philip Pullman, 1995-2000)) L7 ^: L) Z% K
78. A House for Mr Biswas (VS Naipaul, 1961)& b4 f1 x0 L" {9 u
77. Of Human Bondage (W Somerset Maugham, 1915)
' B# [9 j9 p" X+ B4 H# l76. Small Island (Andrea Levy, 2004)
" s6 l& j, T! f. l0 b3 S3 V; v75. Women in Love (DH Lawrence, 1920)8 C: N9 r! o* c+ `+ D, `
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; C% E- a8 g0 [1 z) D0 D73. The Blue Flower (Penelope Fitzgerald, 1995)
2 ]+ k! h3 B% Y$ Q6 z% C7 h72. The Heart of the Matter (Graham Greene, 1948)
( r1 C0 D9 T& \71. Old Filth (Jane Gardam, 2004)
4 Z) }5 Q/ v( ~2 }# y1 A70. Daniel Deronda (George Eliot, 1876)* f/ ~; O5 O/ Y2 a& O6 X+ K3 a
69. Nostromo (Joseph Conrad, 1904)+ b7 e" r) V. I. |4 ~
68. A Clockwork Orange (Anthony Burgess, 1962)9 i6 b0 G) |/ R! ~/ d
67. Crash (JG Ballard 1973)
& n. B% k! f( z- S0 t l4 Y6 f66. Sense and Sensibility (Jane Austen, 1811)5 T" O3 L R" y. h
65. Orlando (Virginia Woolf, 1928)
5 ^# e3 u: A$ _64. The Way We Live Now (Anthony Trollope, 1875): b. E2 D4 N4 I' J% n
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)% {7 F3 D2 T: n6 {2 I
62. Animal Farm (George Orwell, 1945)5 H2 h, [! ]" ]
61. The Sea, The Sea (Iris Murdoch, 1978)
$ x5 }0 C2 F" e5 [2 ], n' h* \60. Sons and Lovers (DH Lawrence, 1913)0 M! R, Z% A! L/ {( h
59. The Line of Beauty (Alan Hollinghurst, 2004)
: D0 L: q7 S5 ^58. Loving (Henry Green, 1945)* O3 I; D: Z9 A" K& l8 h# w* D
57. Parade’s End (Ford Madox Ford, 1924-1928)
* x' o, G$ o' q( E2 z6 z q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 h$ L( ]% b v7 o: B55. Gulliver’s Travels (Jonathan Swift, 1726)
3 g, Y2 b3 d8 i, q2 r% q54. NW (Zadie Smith, 2012)
) N2 B' m' K4 `8 |- q- H- P) p53. Wide Sargasso Sea (Jean Rhys, 1966)
+ n' u) `9 O: e1 s$ ~5 W1 O5 w% f52. New Grub Street (George Gissing, 1891): m$ W5 t9 A: @: M
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" m6 w+ ~5 a3 M
50. A Passage to India (EM Forster, 1924)1 X6 {1 ]; ~! e# I, v M# k
49. Possession (AS Byatt, 1990)
' l# }9 ? I* \2 s* j/ k+ m48. Lucky Jim (Kingsley Amis, 1954)
* T0 F! L: x/ T9 n: D47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)( h- ~- f* v. G! e) D) s7 R; f
46. Midnight’s Children (Salman Rushdie, 1981), b' P; v" R" l$ H/ u
45. The Little Stranger (Sarah Waters, 2009)7 @( P+ p4 M9 w% H5 C
44. Wolf Hall (Hilary Mantel, 2009)
" G; J R$ x$ V" f1 r# ?43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ ~3 S7 k7 F5 _( h l. C: a( C' a
42. Brighton Rock (Graham Greene, 1938)1 Z5 h$ d! w8 s- ]$ a
41. Dombey and Son (Charles Dickens, 1848)
1 T. ~) ?# s, E40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
- r4 ]/ K, `: L) @7 G! Q$ P- a2 f! a39. The Sense of an Ending (Julian Barnes, 2011)+ D' W0 c% z, P8 M
38. The Passion (Jeanette Winterson, 1987)
# N1 ?( X$ n' r- N8 v: V9 F37. Decline and Fall (Evelyn Waugh, 1928)" I# |6 n1 o8 q4 D& M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 j K+ u8 ^& ~ A/ |2 |
35. Remainder (Tom McCarthy, 2005)
2 v' v- I6 F8 J: a$ G4 |34. Never Let Me Go (Kazuo Ishiguro, 2005)* G. ~. L& x0 p% ~6 T2 L6 v
33. The Wind in the Willows (Kenneth Grahame, 1908): H* i; }7 c& F& K/ V5 T
32. A Room with a View (EM Forster, 1908)
+ e5 g1 Y! ]0 I& _* K31. The End of the Affair (Graham Greene, 1951)6 x3 C* Q' n6 p' |# U7 U
30. Moll Flanders (Daniel Defoe, 1722)
% q# I% w, Z8 _1 o+ h! o* S; D29. Brick Lane (Monica Ali, 2003)) k* ]4 ?# U9 a1 a7 w' U- c: n! N
28. Villette (Charlotte Brontë, 1853)
+ Z$ v( |: A/ L" Y27. Robinson Crusoe (Daniel Defoe, 1719)! @7 j3 _7 ]2 r! m- X1 K) m% F q
26. The Lord of the Rings (JRR Tolkien, 1954), r6 `1 C, u' E! ~! S
25. White Teeth (Zadie Smith, 2000)
/ z! o: o0 E+ z1 w. V% b24. The Golden Notebook (Doris Lessing, 1962)
7 ^: O. J. V6 |; C0 o23. Jude the Obscure (Thomas Hardy, 1895)8 B# ^1 ?- B$ h* Z/ K! T" l; x p
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. l+ v- m9 n. `9 P4 A* L/ ^21. Heart of Darkness (Joseph Conrad, 1899)
5 w R! N3 w7 ^" I9 a+ f20. Persuasion (Jane Austen, 1817)
1 k4 Z5 n, @8 g' A% L( h19. Emma (Jane Austen, 1815)
' ~2 }- p, f! g18. Remains of the Day (Kazuo Ishiguro, 1989)# }/ D$ X. x. l7 H j% p# V
17. Howards End (EM Forster, 1910)$ x1 v, m& E0 Y4 n$ d5 D
16. The Waves (Virginia Woolf, 1931)
2 K' O. |7 s2 o( ~' s: F+ g15. Atonement (Ian McEwan, 2001)0 i& d5 r! |! j6 ~ D1 T# P
14. Clarissa (Samuel Richardson,1748)! X5 e+ W7 T) T% @
13. The Good Soldier (Ford Madox Ford, 1915)
( ?, Z0 o" A* I H6 |12. Nineteen Eighty-Four (George Orwell, 1949)
; @: A/ B5 o& r- R! B8 ]11. Pride and Prejudice (Jane Austen, 1813)
: \" B) i5 W- x4 [" A( n8 B2 _3 }10. Vanity Fair (William Makepeace Thackeray, 1848)& l2 s! Z. ^- Z* ?' {2 e2 O
9. Frankenstein (Mary Shelley, 1818)
! c7 F# k# v& h1 R5 v8 k8. David Copperfield (Charles Dickens, 1850)7 b. h1 O( M) q
7. Wuthering Heights (Emily Brontë, 1847)& A6 F3 e3 {: H8 P/ J: z
6. Bleak House (Charles Dickens, 1853)$ @; w1 }# p* M- }% D U+ T; ]
5. Jane Eyre (Charlotte Brontë, 1847)8 C+ g3 q8 C: ]% u; T! o3 i; K$ A
4. Great Expectations (Charles Dickens, 1861)9 E7 B) d$ F6 t5 [3 N
3. Mrs. Dalloway (Virginia Woolf, 1925)2 E' d, L' t R' b8 p
2. To the Lighthouse (Virginia Woolf, 1927)
]2 n: d2 g. h% f8 c1. Middlemarch (George Eliot, 1874)2 i7 D9 p+ x+ C9 q: |; }$ Q
+ V9 _8 ]* q8 k3 S+ p
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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- P8 }4 D5 n1 d! w$ U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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