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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ J& {* ]! T* dBBC评出100大英国文学名著4 l4 s0 ~9 F8 p
http://www.bbc.com/culture/story ... test-british-novels
* l/ ~% K9 ]5 d# ? B: _惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 V5 d: r, j! A
4 s* Z3 B: r( \3 H' h2 |* o100. The Code of the Woosters (PG Wodehouse, 1938)' c" y. v6 g9 h( k
99. There but for the (Ali Smith, 2011)
8 P# K% ?) L' L! J98. Under the Volcano (Malcolm Lowry,1947)$ F( a9 m& z) Z7 ]9 k
97. The Chronicles of Narnia (CS Lewis, 1949-1954)& j8 `8 s" W7 \) V0 O
96. Memoirs of a Survivor (Doris Lessing, 1974)) z+ C% ~5 e9 Y8 P
95. The Buddha of Suburbia (Hanif Kureishi, 1990)# V. }6 R8 P3 H* @5 ^
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! `& R% p3 Q" V8 X* L4 a3 `, ` Q0 H93. Lord of the Flies (William Golding, 1954)
+ k7 J [; Y; S% T( v92. Cold Comfort Farm (Stella Gibbons, 1932)6 P7 u0 w& r+ r _* A7 L' J
91. The Forsyte Saga (John Galsworthy, 1922). w# ^' r# K9 E
90. The Woman in White (Wilkie Collins, 1859)
( o9 o% n% x" }9 T- `" W89. The Horse’s Mouth (Joyce Cary, 1944)
7 j, X* ^3 `7 I88. The Death of the Heart (Elizabeth Bowen, 1938)
* Z! ]0 t7 n$ i4 [8 n. v87. The Old Wives’ Tale (Arnold Bennett,1908)
# n! \# V' s5 P- M. ~86. A Legacy (Sybille Bedford, 1956)
2 H: N7 r5 a+ s: ]9 T2 o/ s85. Regeneration Trilogy (Pat Barker, 1991-1995)
. |$ l# N- O4 A, D84. Scoop (Evelyn Waugh, 1938)' z: J- V# J& q' r, k: b1 d6 \1 _
83. Barchester Towers (Anthony Trollope, 1857)
$ [; ~1 l' m- @* X" M82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)% a' }0 m. p" y) p. W: c
81. The Jewel in the Crown (Paul Scott, 1966)/ _9 g4 u2 {0 |* U; Q- @
80. Excellent Women (Barbara Pym, 1952)
8 C/ j/ A9 ?+ D( V# E0 \& K( q79. His Dark Materials (Philip Pullman, 1995-2000): o: K$ x1 y C
78. A House for Mr Biswas (VS Naipaul, 1961)1 `7 A; ?& o+ t1 P* v9 R
77. Of Human Bondage (W Somerset Maugham, 1915)
$ M; m) t& m3 U76. Small Island (Andrea Levy, 2004)
5 M+ u) C9 ^; o75. Women in Love (DH Lawrence, 1920)
- G" ^! Y# d/ i$ z' k5 V1 j74. The Mayor of Casterbridge (Thomas Hardy, 1886)
8 W9 c& l8 j/ b* l4 F73. The Blue Flower (Penelope Fitzgerald, 1995)" Y: z# a4 q8 W0 I. R" W9 C; y+ K
72. The Heart of the Matter (Graham Greene, 1948)) \' [: z. o2 t* P% V3 [) c
71. Old Filth (Jane Gardam, 2004), g+ ^# m& [& C! q& s6 G" C
70. Daniel Deronda (George Eliot, 1876)
7 Q3 P* {3 d y6 L9 \$ [# X69. Nostromo (Joseph Conrad, 1904) D( N9 [3 Y5 m
68. A Clockwork Orange (Anthony Burgess, 1962)
7 O0 ?+ A% ^. R. J7 A67. Crash (JG Ballard 1973)
* G/ x7 i: s; S66. Sense and Sensibility (Jane Austen, 1811)
; w: G- v* n" o6 o$ ]% h* `* Q3 Y1 ?65. Orlando (Virginia Woolf, 1928)
' p* }' I* c; X- ]8 ~64. The Way We Live Now (Anthony Trollope, 1875)
9 G- H8 C6 D! S B& o1 \; t5 q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)7 j* R, n" G6 s5 T
62. Animal Farm (George Orwell, 1945)6 z4 f" V, e S7 f3 W- ^
61. The Sea, The Sea (Iris Murdoch, 1978)1 @% S! W1 R7 [9 |0 X
60. Sons and Lovers (DH Lawrence, 1913)$ y3 G3 ^; u1 j- v! g
59. The Line of Beauty (Alan Hollinghurst, 2004)% q- y2 G# D d1 X3 x, A
58. Loving (Henry Green, 1945)+ ]1 L& v6 ~# A6 F" H8 a: ?
57. Parade’s End (Ford Madox Ford, 1924-1928)
; c: X* ]6 U; U/ b56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 T* k# K/ d! {3 N3 ?) `
55. Gulliver’s Travels (Jonathan Swift, 1726): ~. V. G- `% p1 Z9 p
54. NW (Zadie Smith, 2012)8 E+ v+ S/ E2 o) e- L' }
53. Wide Sargasso Sea (Jean Rhys, 1966)
9 l; j3 ?" d, R' ~6 n! B52. New Grub Street (George Gissing, 1891)
& L& s, v- v ^0 t# S" f51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( Q8 q: a; C# Z j, y50. A Passage to India (EM Forster, 1924)
& s+ ~; S7 d2 Z5 U% M49. Possession (AS Byatt, 1990)
! \, z5 u) I6 n$ z% Q4 z: w48. Lucky Jim (Kingsley Amis, 1954)9 b& N2 X; ~8 O# @. c
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)" l, v( G( F% c' W; X: U$ s' ]
46. Midnight’s Children (Salman Rushdie, 1981)4 U# o. s2 A# t- |1 e% v* ]
45. The Little Stranger (Sarah Waters, 2009)) W; }8 i5 P: L1 j4 }( N
44. Wolf Hall (Hilary Mantel, 2009)9 y9 e3 h/ R7 J9 d
43. The Swimming Pool Library (Alan Hollinghurst, 1988), a0 K; r/ N' v$ g
42. Brighton Rock (Graham Greene, 1938)6 x6 N$ ?, @# ], f- @# P
41. Dombey and Son (Charles Dickens, 1848)
1 D+ n# @; }; M0 c40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! F3 p" k+ t+ U' F' @5 H+ ]# k' a39. The Sense of an Ending (Julian Barnes, 2011)# v6 | l f, C4 B5 v; [) U' g5 [/ U
38. The Passion (Jeanette Winterson, 1987)( p! c7 Z; u7 q1 G" y) l6 N
37. Decline and Fall (Evelyn Waugh, 1928)8 N. l" Y. ?5 C% F
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ p& p- _7 \. x, i2 `35. Remainder (Tom McCarthy, 2005)
: b) V4 m4 H, {2 |9 r% n$ I% j34. Never Let Me Go (Kazuo Ishiguro, 2005)! }+ z- q( h8 j- z. h
33. The Wind in the Willows (Kenneth Grahame, 1908)
2 d; ]) B, d/ p0 ]3 W8 M32. A Room with a View (EM Forster, 1908)' J0 ^9 @. ~& ?! e: `2 }, n
31. The End of the Affair (Graham Greene, 1951)
4 c5 D. d: ~# z/ z5 V6 L, k: V0 w30. Moll Flanders (Daniel Defoe, 1722)
9 ^) j$ O7 K2 J29. Brick Lane (Monica Ali, 2003)
( ]$ q/ u0 {6 V8 W v4 w28. Villette (Charlotte Brontë, 1853): m0 I6 J( A! a7 I* B1 i
27. Robinson Crusoe (Daniel Defoe, 1719)
7 t6 Y9 o4 b- i8 L. ?) }1 Q$ c26. The Lord of the Rings (JRR Tolkien, 1954) w) w) ?! I( Q. k: \4 C
25. White Teeth (Zadie Smith, 2000)* N( K- ^- A/ u1 i: l
24. The Golden Notebook (Doris Lessing, 1962)
# n6 x4 F! v% ?1 C7 _4 N23. Jude the Obscure (Thomas Hardy, 1895)3 B; z `# E6 n( H
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ D" W; M7 z) g- h
21. Heart of Darkness (Joseph Conrad, 1899)
8 [: Y7 H2 Z, d5 J20. Persuasion (Jane Austen, 1817)) f! `4 n( a8 w3 X' l/ J
19. Emma (Jane Austen, 1815)/ ~: p }4 c5 M
18. Remains of the Day (Kazuo Ishiguro, 1989)
) q4 a' q& h$ }. g17. Howards End (EM Forster, 1910)- O( R( Y6 n T/ T/ d0 f$ C
16. The Waves (Virginia Woolf, 1931)8 k' Q* T7 s* U# I" v. R8 s
15. Atonement (Ian McEwan, 2001)
: f0 w# c7 {& n3 K2 _7 W! C14. Clarissa (Samuel Richardson,1748)
; [! Z) i- `( z4 U/ R5 d13. The Good Soldier (Ford Madox Ford, 1915)
% L7 e( V, X( L% u12. Nineteen Eighty-Four (George Orwell, 1949)
. o4 \5 I( \4 w! h! K. l11. Pride and Prejudice (Jane Austen, 1813)
$ X( s6 ~. j- \8 o. ~+ w: }3 v/ \10. Vanity Fair (William Makepeace Thackeray, 1848)% k: |; _( T0 L. |; p+ o- c1 o
9. Frankenstein (Mary Shelley, 1818)! J( H5 p3 o6 N( j. p
8. David Copperfield (Charles Dickens, 1850)
5 z5 M" Q: M ~6 X9 v [$ {( S7. Wuthering Heights (Emily Brontë, 1847)
0 w: b- V$ x z* c9 H+ a3 M$ h6. Bleak House (Charles Dickens, 1853)/ O$ _) }! o: T6 S. C/ P
5. Jane Eyre (Charlotte Brontë, 1847)
+ T# S' r5 `! |& v- D c& m' S3 p' D4. Great Expectations (Charles Dickens, 1861)
$ k) N) h1 Z7 _- D8 e2 @$ n6 L3. Mrs. Dalloway (Virginia Woolf, 1925)( c' C0 l$ T" N3 S5 U1 Q/ j
2. To the Lighthouse (Virginia Woolf, 1927)
) Z; v( k7 o- ^4 f1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ y, I1 F: [( U0 W* p' v
: Q5 z+ h* x9 h: g+ @呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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