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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ( e1 j9 I4 Y2 U7 S/ G& E5 z$ s5 `
+ B) ^# N# j) hBBC评出100大英国文学名著
/ f& D+ w) W5 {4 i/ O) ghttp://www.bbc.com/culture/story ... test-british-novels
3 ?& p3 C# ~8 c. e' h惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; g2 Y& {' W" b6 s0 r' D! {
: a5 x2 D& [# Z! S3 f( n$ l. C100. The Code of the Woosters (PG Wodehouse, 1938); `5 v9 }( H3 m" Z M
99. There but for the (Ali Smith, 2011)
/ A O0 X* }9 R% X! t/ k98. Under the Volcano (Malcolm Lowry,1947)6 H. e) q( W- {/ f" d$ N
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
# a# r/ [- T7 h6 E: `$ k: G96. Memoirs of a Survivor (Doris Lessing, 1974)7 ]6 A5 _, Z. \; {1 A
95. The Buddha of Suburbia (Hanif Kureishi, 1990) o" z9 c6 l" b" S8 F) @
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
0 e1 U0 B2 z7 y% G* u5 P0 K93. Lord of the Flies (William Golding, 1954)
9 G) Z, ?5 k5 a8 Z92. Cold Comfort Farm (Stella Gibbons, 1932)9 E5 c$ C" o9 R; |- j) f4 c
91. The Forsyte Saga (John Galsworthy, 1922)
% ^6 a) v$ I' `8 w7 J90. The Woman in White (Wilkie Collins, 1859)
6 n. r% F( g, L% t" a# a) f89. The Horse’s Mouth (Joyce Cary, 1944)
7 l3 t9 \9 o8 H' J$ T' ~88. The Death of the Heart (Elizabeth Bowen, 1938)7 ~* r J. l. }9 H( G
87. The Old Wives’ Tale (Arnold Bennett,1908)5 A8 E6 R" ~: \7 z, m$ e% W
86. A Legacy (Sybille Bedford, 1956)
6 r# t/ f+ W5 L8 e7 y9 \$ L$ w85. Regeneration Trilogy (Pat Barker, 1991-1995)
" X \5 A, p2 ` w. S X84. Scoop (Evelyn Waugh, 1938)( X: H; A* I, d
83. Barchester Towers (Anthony Trollope, 1857)8 v( O, @! U* L. y2 s; l V0 N# \
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* ]+ K L1 H; M. a! {
81. The Jewel in the Crown (Paul Scott, 1966). B; g# a# j; Z1 {: d& |
80. Excellent Women (Barbara Pym, 1952)- y- z* A3 ?' I0 A$ Y
79. His Dark Materials (Philip Pullman, 1995-2000)1 Z1 H+ b/ V. D$ D
78. A House for Mr Biswas (VS Naipaul, 1961)! i/ O) ]' v" V+ U; [
77. Of Human Bondage (W Somerset Maugham, 1915)* z# z$ M. N' {. R' ]
76. Small Island (Andrea Levy, 2004), c1 Q! b" U1 q! R/ e! a+ i
75. Women in Love (DH Lawrence, 1920)/ H5 q) C& u; V2 d; J/ b! l
74. The Mayor of Casterbridge (Thomas Hardy, 1886): ^) h) g9 u7 a) d# L
73. The Blue Flower (Penelope Fitzgerald, 1995)
2 Q& {$ i( k* q72. The Heart of the Matter (Graham Greene, 1948)8 b D, s+ M/ I; Z% X f" \' J4 k
71. Old Filth (Jane Gardam, 2004)
$ f! z8 z! M- e9 V$ ^/ z70. Daniel Deronda (George Eliot, 1876)
8 }/ A& N' j% u, x1 {69. Nostromo (Joseph Conrad, 1904)
, w, }' i6 o" a0 X5 A68. A Clockwork Orange (Anthony Burgess, 1962)1 D- Z( z" K' N( p; R5 t1 v2 U
67. Crash (JG Ballard 1973)
( F! g' h* L; @9 S7 o5 k66. Sense and Sensibility (Jane Austen, 1811)
# ?5 O) @, X: u n! ~6 @65. Orlando (Virginia Woolf, 1928)9 T5 M6 c) {6 i; z& w( R
64. The Way We Live Now (Anthony Trollope, 1875)! O# h0 O( Q3 Y+ D1 C
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
( U1 F" P- O' m" l9 U* L62. Animal Farm (George Orwell, 1945)! ]( m4 F% i8 A( m
61. The Sea, The Sea (Iris Murdoch, 1978), C2 S9 B0 n' S' n" M: Q2 [
60. Sons and Lovers (DH Lawrence, 1913)
! l s: O- E' }+ V* p59. The Line of Beauty (Alan Hollinghurst, 2004)
7 Y& ^/ A9 k B; {. M4 X# Y58. Loving (Henry Green, 1945)
) G7 B4 w; C8 S1 N57. Parade’s End (Ford Madox Ford, 1924-1928)9 J9 O* |' |, K- n5 D$ {; J/ D
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
; ^( r6 u% S0 r, m. e4 @6 Z! D55. Gulliver’s Travels (Jonathan Swift, 1726)2 E& ~( W: |4 p' j# }
54. NW (Zadie Smith, 2012)
/ w3 W* |5 A6 X6 K: {53. Wide Sargasso Sea (Jean Rhys, 1966)6 {: H. o; E! T9 j
52. New Grub Street (George Gissing, 1891) u5 V# c& c, L# @
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)3 G; v, z3 R! ?2 U, ~( k4 D" F9 y
50. A Passage to India (EM Forster, 1924)
% X0 n- g: j( K49. Possession (AS Byatt, 1990)
% M) K" J* n; I7 F) x48. Lucky Jim (Kingsley Amis, 1954)( ] e ~; g' X* S
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" `: A3 a" H' v% r: Q46. Midnight’s Children (Salman Rushdie, 1981). v5 P+ D0 F. _: N6 ~9 Z0 v
45. The Little Stranger (Sarah Waters, 2009)
9 c- J9 _, ?6 J. ]) N44. Wolf Hall (Hilary Mantel, 2009)
3 y* P2 c8 h3 V43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 L7 b' c, e4 d42. Brighton Rock (Graham Greene, 1938)6 y) A9 A3 W. U
41. Dombey and Son (Charles Dickens, 1848)
: [& h" T5 ?0 S+ P5 V' I40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)% @$ S- q. _9 _7 S; q+ W0 n5 y% v
39. The Sense of an Ending (Julian Barnes, 2011)
- J. k' o" w6 U: u5 [# g38. The Passion (Jeanette Winterson, 1987)
' o* c' ?5 V ?# Q2 u37. Decline and Fall (Evelyn Waugh, 1928)
2 B$ V; k J* A36. A Dance to the Music of Time (Anthony Powell, 1951-1975)4 g0 D6 {1 L5 r2 K
35. Remainder (Tom McCarthy, 2005)
1 J# Y) W& y, Z' P t: p/ J34. Never Let Me Go (Kazuo Ishiguro, 2005)/ Y6 \, ]8 T) b# {8 h% [, V y# k
33. The Wind in the Willows (Kenneth Grahame, 1908)
1 [+ h, B. D: }0 o7 l7 r. {32. A Room with a View (EM Forster, 1908)' ?5 X' p! n8 k! ?
31. The End of the Affair (Graham Greene, 1951)- ?$ V# F" G. z. L& V
30. Moll Flanders (Daniel Defoe, 1722)
/ Z9 q" s; R1 C, F: G29. Brick Lane (Monica Ali, 2003)
, D: ^4 P7 I6 j" E; f28. Villette (Charlotte Brontë, 1853)
j9 f# M$ X' t27. Robinson Crusoe (Daniel Defoe, 1719)( [; p! X' \4 R2 L, T- M
26. The Lord of the Rings (JRR Tolkien, 1954)
5 C. e* _3 P% S, V25. White Teeth (Zadie Smith, 2000)
1 G+ A5 r1 ?( g7 |! M5 k24. The Golden Notebook (Doris Lessing, 1962)
k. V& t$ {6 I# b& m2 D) X; z23. Jude the Obscure (Thomas Hardy, 1895)& |- i& @( y& ?& i: K
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)3 t- [5 _# J% q
21. Heart of Darkness (Joseph Conrad, 1899)
1 ]* Z8 i& \3 T) Z' ]20. Persuasion (Jane Austen, 1817)
; T& s7 I" A' D6 r19. Emma (Jane Austen, 1815)
4 k+ I! W: [1 B% d% U' t18. Remains of the Day (Kazuo Ishiguro, 1989)' U8 y6 o! p: M3 k7 I* a) W
17. Howards End (EM Forster, 1910)
. J6 w8 y4 t% S" u) W2 U+ j16. The Waves (Virginia Woolf, 1931)
8 |9 ?2 g; s( E+ f# ` V15. Atonement (Ian McEwan, 2001)2 Z0 D1 R8 F& p# y" C' Z
14. Clarissa (Samuel Richardson,1748)+ t4 @# s4 L# l) b) f* y# q
13. The Good Soldier (Ford Madox Ford, 1915) t/ ]1 ?8 G5 z- V9 v
12. Nineteen Eighty-Four (George Orwell, 1949)( w7 R8 ^( O- i2 Y8 a
11. Pride and Prejudice (Jane Austen, 1813)0 q# y; k7 Z C& F0 S. L5 u
10. Vanity Fair (William Makepeace Thackeray, 1848)( k# g7 A5 @( Q1 u7 l
9. Frankenstein (Mary Shelley, 1818); Q) J- U3 Y: W0 h$ f- i% g, Y
8. David Copperfield (Charles Dickens, 1850) o* F2 {, f) J$ \, N
7. Wuthering Heights (Emily Brontë, 1847)
; N6 j5 w% n2 ^6. Bleak House (Charles Dickens, 1853)
/ y3 n E3 A( Q5 ~. t5. Jane Eyre (Charlotte Brontë, 1847); t+ e8 k( Q8 v
4. Great Expectations (Charles Dickens, 1861)
/ z* L# M+ A3 [% Q; O! R3. Mrs. Dalloway (Virginia Woolf, 1925)( w( y s; _0 ^' o
2. To the Lighthouse (Virginia Woolf, 1927)
& q8 h o+ v) T. B: }1. Middlemarch (George Eliot, 1874)
/ l) a% {' }3 X) q2 s& R; X1 Z4 {# `
" k" A$ v' N5 O* z# Y7 K前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
; X2 C. \( s7 \- _9 T, R
- H9 n% r. X& w( [3 ~$ M4 R呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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