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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 J- E) J' h. i1 i( Q9 z: W! g7 a
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BBC评出100大英国文学名著
( R D( l2 ?6 s8 m9 Bhttp://www.bbc.com/culture/story ... test-british-novels/ [7 B0 L; b* H, A3 v) n
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; ^# {6 y1 d' E5 R: r5 v, a/ ^: c3 c; Q
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100. The Code of the Woosters (PG Wodehouse, 1938)
7 P- H4 A& }' g. S/ ^7 P: Z8 J99. There but for the (Ali Smith, 2011)
; c3 h5 a+ \5 ?! [3 k0 \! C98. Under the Volcano (Malcolm Lowry,1947)
, b9 D0 e+ `, j7 h5 E$ z7 B. l/ ~97. The Chronicles of Narnia (CS Lewis, 1949-1954)( R* F \; P6 M
96. Memoirs of a Survivor (Doris Lessing, 1974)8 @! g. h7 R U
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( [, G) W# p( o2 H* H* ]
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. J n. B' w/ H4 }! w- h2 V93. Lord of the Flies (William Golding, 1954)
0 d; d, G2 B4 T/ r- w0 D1 X6 s92. Cold Comfort Farm (Stella Gibbons, 1932)
& m1 j5 R/ m$ h1 u91. The Forsyte Saga (John Galsworthy, 1922)
# w; w' Y) c. }$ ]9 d/ E90. The Woman in White (Wilkie Collins, 1859)
/ T6 V: f* H/ b4 X89. The Horse’s Mouth (Joyce Cary, 1944)4 C# A9 ?# x0 N) t
88. The Death of the Heart (Elizabeth Bowen, 1938)
% c( @5 C% ~; v* {87. The Old Wives’ Tale (Arnold Bennett,1908)
+ F0 _- D" `( s6 }+ o* L% u86. A Legacy (Sybille Bedford, 1956)
! b& w' Z. J9 y' h85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ s9 [% U7 S# {3 ^; { w; q( K3 Z84. Scoop (Evelyn Waugh, 1938)
" u8 i" L7 h R/ n* Z5 t" g, \83. Barchester Towers (Anthony Trollope, 1857); {" [, E: ~! U+ d! d
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)6 c* G1 ]2 d+ r
81. The Jewel in the Crown (Paul Scott, 1966)
/ {; A7 G* G! M6 `+ b0 j* z" D& Q80. Excellent Women (Barbara Pym, 1952), H5 K" |( m$ u
79. His Dark Materials (Philip Pullman, 1995-2000)
1 u% ^* W( W. l1 w: Z* q( y78. A House for Mr Biswas (VS Naipaul, 1961)0 |" r1 v6 M* B6 [- R% T6 [* u
77. Of Human Bondage (W Somerset Maugham, 1915)2 `6 ^; X1 B# S ^
76. Small Island (Andrea Levy, 2004)
8 T/ m) w" G3 @/ k3 y* M6 U- H! l; g75. Women in Love (DH Lawrence, 1920)* s/ i( ?; Z7 V/ h1 o# U
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
Q7 z2 A6 N' o' X4 h4 _# C: V73. The Blue Flower (Penelope Fitzgerald, 1995)- w% [( o4 E: t" l! W8 \
72. The Heart of the Matter (Graham Greene, 1948)
d/ d' v* Z1 E1 N) Q* Y6 r71. Old Filth (Jane Gardam, 2004)
" D) h5 ^, u0 e* M' g, @0 D6 j70. Daniel Deronda (George Eliot, 1876)) R& T# |( C0 u% ]% X
69. Nostromo (Joseph Conrad, 1904)
( D7 N. m1 D5 [& U8 [/ C68. A Clockwork Orange (Anthony Burgess, 1962)
+ U8 _9 Q7 K' v6 s( Y T- c! P. D67. Crash (JG Ballard 1973)( k' G" [5 j; `# E0 U D
66. Sense and Sensibility (Jane Austen, 1811)9 E( j+ K3 I5 F5 J& q/ m5 w
65. Orlando (Virginia Woolf, 1928)/ g4 f* G) V$ h! x* b. V
64. The Way We Live Now (Anthony Trollope, 1875), q0 o( e. U# H5 l( ^1 @- V* \ c1 h
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 K0 A+ X0 \, N0 i& z6 G62. Animal Farm (George Orwell, 1945)
8 T, h8 h7 y9 `/ B6 G" I61. The Sea, The Sea (Iris Murdoch, 1978). W9 o) O/ b3 n" J4 Z9 ^
60. Sons and Lovers (DH Lawrence, 1913)5 ^3 p$ Z9 E. Z6 w% i
59. The Line of Beauty (Alan Hollinghurst, 2004)
+ u" M/ z9 e5 F: ]58. Loving (Henry Green, 1945)3 O( p0 X4 X x+ q7 G9 B( `
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 `, q5 A4 d3 Z8 [ h56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): g# i9 l9 `$ s5 y
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 T# q0 E, \8 k% D- [54. NW (Zadie Smith, 2012)1 P! ]! b2 _" T1 s4 P$ }' c
53. Wide Sargasso Sea (Jean Rhys, 1966)4 G& R( Z; n- @3 T
52. New Grub Street (George Gissing, 1891)5 P. ~7 E: t/ N# a+ V9 G
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% Z6 m5 d& f# w l* Y) M50. A Passage to India (EM Forster, 1924)
' \2 r% [& B5 c49. Possession (AS Byatt, 1990)
9 d# a8 \/ D: a7 q6 q- J/ _+ y48. Lucky Jim (Kingsley Amis, 1954); {& {- w- z4 R9 d8 F* p9 e) h! k) R. P
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
0 r" Q* q! j7 o. Q: Q, t46. Midnight’s Children (Salman Rushdie, 1981)9 p/ P* k1 \8 m6 o4 h5 a z; P
45. The Little Stranger (Sarah Waters, 2009)
. U* ?2 B3 S5 l/ p/ p44. Wolf Hall (Hilary Mantel, 2009). l7 ?* i" o3 V+ i3 R- c# E8 m
43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ {% X* W4 W; u2 D
42. Brighton Rock (Graham Greene, 1938)! c& {! u& `# ]# a- M9 \3 N8 ~
41. Dombey and Son (Charles Dickens, 1848)
( f# h' J. M; N- I40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" _# R: e# C c0 x! t6 M
39. The Sense of an Ending (Julian Barnes, 2011)
. u8 c/ a0 r9 v3 \5 A8 i# d' m5 n# U38. The Passion (Jeanette Winterson, 1987)
' Y0 `4 W5 q0 e; B37. Decline and Fall (Evelyn Waugh, 1928)
6 U q b: [: P# F: g36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
' q9 B R8 c. k# J* i, P35. Remainder (Tom McCarthy, 2005)
3 s* n% u# Q4 y: _1 V& J34. Never Let Me Go (Kazuo Ishiguro, 2005)
% w0 ~/ A7 L$ l/ m% M8 _33. The Wind in the Willows (Kenneth Grahame, 1908)
# {+ [; J2 a& H1 U32. A Room with a View (EM Forster, 1908)6 e/ `& n9 g9 w% Z" R3 p& L3 S2 l
31. The End of the Affair (Graham Greene, 1951)% y6 c9 W! o. A& V# d/ |
30. Moll Flanders (Daniel Defoe, 1722)9 Z- G6 c" Q2 ]& T
29. Brick Lane (Monica Ali, 2003)
. A/ Z" o5 ^1 e28. Villette (Charlotte Brontë, 1853). b2 e% o$ v1 I* v9 i
27. Robinson Crusoe (Daniel Defoe, 1719)8 w, w! m4 ^4 I9 h7 ?* N
26. The Lord of the Rings (JRR Tolkien, 1954)
" F( v. T* P- M4 t2 } Z25. White Teeth (Zadie Smith, 2000), D$ n4 ]6 j$ }1 N" g# N) ]; t+ ~
24. The Golden Notebook (Doris Lessing, 1962)
- W) E7 }* G2 B9 g5 I: f23. Jude the Obscure (Thomas Hardy, 1895)
1 o ?5 ^$ A8 W, x, l22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
- L3 C" Y* h8 b! h; ]: r21. Heart of Darkness (Joseph Conrad, 1899)8 x7 d( w" X. ]3 O q3 D. I4 f
20. Persuasion (Jane Austen, 1817)4 }3 Y2 _! B) ~0 g
19. Emma (Jane Austen, 1815)6 m" D; s! O/ t* Y8 J3 x
18. Remains of the Day (Kazuo Ishiguro, 1989)! J5 L" c( h9 A* Z
17. Howards End (EM Forster, 1910)
3 p* D$ g+ X, I$ Q" h- p16. The Waves (Virginia Woolf, 1931) G: X3 x. Q7 F4 F; W: z$ W
15. Atonement (Ian McEwan, 2001)
+ ^- O2 X) ^5 I5 P/ @14. Clarissa (Samuel Richardson,1748)
- }5 v" D4 x7 j$ s8 [' d2 c9 @) D13. The Good Soldier (Ford Madox Ford, 1915)
) V# |/ }1 F. n8 J7 I9 p6 n12. Nineteen Eighty-Four (George Orwell, 1949)
9 P# H0 y' O+ i11. Pride and Prejudice (Jane Austen, 1813)# ^7 R, V% x: X T
10. Vanity Fair (William Makepeace Thackeray, 1848)/ F/ M7 [6 [2 j
9. Frankenstein (Mary Shelley, 1818)
2 u- X0 b( x0 p, a( R7 u/ d8. David Copperfield (Charles Dickens, 1850)
- A( ]! I2 ^6 N. ?7. Wuthering Heights (Emily Brontë, 1847), k5 n: D7 \1 m$ A6 Y" L* ^; ?
6. Bleak House (Charles Dickens, 1853)
. X4 n& C, d3 _1 T8 o7 N6 S5. Jane Eyre (Charlotte Brontë, 1847)
8 ?" T% Z2 u! e7 \: S4. Great Expectations (Charles Dickens, 1861)
/ y) v! Q- N# O3. Mrs. Dalloway (Virginia Woolf, 1925)
; S, u8 F4 J& D4 P2. To the Lighthouse (Virginia Woolf, 1927), T/ K c2 A6 \) d
1. Middlemarch (George Eliot, 1874)3 x9 U* W' f0 C9 D
/ X; h$ V R6 m0 z a! n前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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