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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 z2 ]6 O/ V1 h0 ~9 I# O1 a; R
. q, K( c3 w+ v# T2 y6 C8 y- FBBC评出100大英国文学名著
: L% }! O3 `6 Q* Z* f% nhttp://www.bbc.com/culture/story ... test-british-novels
' m9 F; A' ^, G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 i: p5 h1 L! V
" Q4 L6 _6 f1 Y7 G6 _8 @! Y100. The Code of the Woosters (PG Wodehouse, 1938)) X$ h3 W* @2 R" k* J! G
99. There but for the (Ali Smith, 2011)$ l/ A4 w/ `6 K, y
98. Under the Volcano (Malcolm Lowry,1947)
2 Y& E" W1 f9 m. H97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 Y! J* i0 ~5 N0 f; E96. Memoirs of a Survivor (Doris Lessing, 1974)3 ?* X; N# e' I$ g: R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
' @0 H( T. x+ }; {& W: L! g- n94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824): \7 U% W/ ~: C1 v2 L
93. Lord of the Flies (William Golding, 1954)
, L4 N' D$ F, `7 ?) b2 q# P7 S' |92. Cold Comfort Farm (Stella Gibbons, 1932)8 O8 E: o8 E4 w+ \
91. The Forsyte Saga (John Galsworthy, 1922)6 m8 V( E6 i* p' e2 r/ r
90. The Woman in White (Wilkie Collins, 1859)- y1 P& b5 r' B: C; S
89. The Horse’s Mouth (Joyce Cary, 1944)
1 ^& v. u" B3 y' l88. The Death of the Heart (Elizabeth Bowen, 1938)5 N) v: Y1 d* U+ z
87. The Old Wives’ Tale (Arnold Bennett,1908)9 H7 e; q2 k8 q# N
86. A Legacy (Sybille Bedford, 1956)- ?2 l( a7 t5 t$ [' Y5 h
85. Regeneration Trilogy (Pat Barker, 1991-1995)
- k$ w" ?) u& F84. Scoop (Evelyn Waugh, 1938)
% N: T! i& `& a83. Barchester Towers (Anthony Trollope, 1857)
' `0 \7 b. ~- R. \. E, Y# t82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) g. Y9 |0 o2 G) s
81. The Jewel in the Crown (Paul Scott, 1966)
! `* @. W' j! p* `80. Excellent Women (Barbara Pym, 1952)
6 a) j+ P0 h' W% g; i1 @) t79. His Dark Materials (Philip Pullman, 1995-2000)
: c. O8 f$ ~# G% _+ q+ {1 k: ~% f78. A House for Mr Biswas (VS Naipaul, 1961)0 {0 `( @* o; d% {8 t. b" t
77. Of Human Bondage (W Somerset Maugham, 1915)
; W: V3 A: M& l$ A! X76. Small Island (Andrea Levy, 2004), V& M3 |8 y" @7 U2 v
75. Women in Love (DH Lawrence, 1920)
$ K' u4 u) u& `& W9 u3 g6 [: r74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" u4 `; D$ B4 G9 j6 }4 e73. The Blue Flower (Penelope Fitzgerald, 1995)# L9 F1 w+ k, ^5 Y: w( c
72. The Heart of the Matter (Graham Greene, 1948)
% A: C( T* s7 e0 G# b# O' F( E9 C# B v71. Old Filth (Jane Gardam, 2004)6 N! q9 t/ p* b. J h z
70. Daniel Deronda (George Eliot, 1876)& H0 U& [& R, A) c6 H. ~9 ?# h) U
69. Nostromo (Joseph Conrad, 1904)
9 l" b, k$ k7 ^% g w% d' r68. A Clockwork Orange (Anthony Burgess, 1962)
3 I$ k- U e1 e+ m& N2 \ _+ H+ _4 x67. Crash (JG Ballard 1973)
! c' l/ S% z8 @2 }0 z66. Sense and Sensibility (Jane Austen, 1811)
0 t3 j3 J$ q! @1 ?65. Orlando (Virginia Woolf, 1928)
4 K+ C! ^# ]8 R. D( x7 y/ o64. The Way We Live Now (Anthony Trollope, 1875)
+ z ?8 j1 r. a8 i) R9 V8 E+ d- i% P* a63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). h M& l* } s4 w6 y7 f$ ?/ @: O
62. Animal Farm (George Orwell, 1945)
- v6 b3 {6 M; K" Q9 h6 j0 F61. The Sea, The Sea (Iris Murdoch, 1978)
{: f I9 T! V* m& N- l' S. c60. Sons and Lovers (DH Lawrence, 1913)3 \( j* r7 G! r+ k( v9 q
59. The Line of Beauty (Alan Hollinghurst, 2004)% U+ k1 r% \% `9 ^7 O
58. Loving (Henry Green, 1945)6 z, x) |3 b2 x1 @' E& p
57. Parade’s End (Ford Madox Ford, 1924-1928)
. l, {3 I; c) y* U56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 ?2 F0 V. i1 W. X' t8 u% h2 B$ |
55. Gulliver’s Travels (Jonathan Swift, 1726) F1 H+ \6 \( ^0 X! K
54. NW (Zadie Smith, 2012)
9 m2 ~$ d9 `* m5 V# L/ f53. Wide Sargasso Sea (Jean Rhys, 1966)
6 E2 ?# F+ C8 A* a52. New Grub Street (George Gissing, 1891)
* Y" w+ i2 [2 i6 O51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. I& `2 _6 \ F50. A Passage to India (EM Forster, 1924)0 Y; h( e4 d" K' ]
49. Possession (AS Byatt, 1990)4 q" i w3 K- j+ |+ q2 z; I
48. Lucky Jim (Kingsley Amis, 1954)
; p1 c. L9 \3 c6 H: y; `! B; b47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)4 M' |# q6 r0 o& i- K" l% z
46. Midnight’s Children (Salman Rushdie, 1981)/ _, J6 t+ l1 F7 \7 A5 s) u) I n
45. The Little Stranger (Sarah Waters, 2009)9 }/ ^, e7 x" I0 d t T# d
44. Wolf Hall (Hilary Mantel, 2009)$ s$ X8 N: f6 s) K+ d1 J
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
" d: B) F' R: z5 y8 o' E42. Brighton Rock (Graham Greene, 1938)6 z H! x1 D- O2 [; z1 Z6 c" e
41. Dombey and Son (Charles Dickens, 1848)
/ {0 y1 g6 x9 C* l) {40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865) N* b: m$ x- w) a8 A
39. The Sense of an Ending (Julian Barnes, 2011)2 {0 k6 [* j+ X/ b* ^2 P
38. The Passion (Jeanette Winterson, 1987)$ \2 h' o6 k- V) k0 Q( B
37. Decline and Fall (Evelyn Waugh, 1928)
8 z8 z! X8 _' A. v36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 p9 b) J2 P+ g- \
35. Remainder (Tom McCarthy, 2005)" n$ `4 q! s; [6 r% k
34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ M. V+ v- G+ X M6 W9 U6 I# s33. The Wind in the Willows (Kenneth Grahame, 1908)' W( o" p; h! A( c( C" J% |7 R
32. A Room with a View (EM Forster, 1908)
- d) V8 Y2 `1 p# a31. The End of the Affair (Graham Greene, 1951). P1 Y) v0 ~, m$ L! r* W& T) c
30. Moll Flanders (Daniel Defoe, 1722)
6 N/ }- S+ c% ~9 j( h2 Y8 Y* E29. Brick Lane (Monica Ali, 2003)
% P# o Q2 o) c3 v7 p28. Villette (Charlotte Brontë, 1853)
* }& E$ G8 z2 Z, H27. Robinson Crusoe (Daniel Defoe, 1719)
2 H5 @5 Z( W; J% L; i& I26. The Lord of the Rings (JRR Tolkien, 1954)/ V) V: D, R, }; \4 E
25. White Teeth (Zadie Smith, 2000)+ t$ F: p W. c& J
24. The Golden Notebook (Doris Lessing, 1962)
" J8 n' I& _! [( [$ E1 l0 y23. Jude the Obscure (Thomas Hardy, 1895)6 _5 t4 u/ l& |* ?8 p( e5 k
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& I# |- l3 }* A7 z! _6 \0 A21. Heart of Darkness (Joseph Conrad, 1899)
! ?( R$ A! [% Y. A/ U20. Persuasion (Jane Austen, 1817)5 P1 [. y- p" R8 m& C0 l7 `1 O9 w
19. Emma (Jane Austen, 1815)8 N/ p$ r5 F! j; }- o3 Z7 C9 e8 x
18. Remains of the Day (Kazuo Ishiguro, 1989)
2 }# J3 k$ h; Q- m: H17. Howards End (EM Forster, 1910)
' }: d' Y5 |& w; d1 P% M) z16. The Waves (Virginia Woolf, 1931)
, J/ `0 Q3 f$ g8 ^15. Atonement (Ian McEwan, 2001)
0 I( H! s: Z" W" g8 \% v7 x14. Clarissa (Samuel Richardson,1748)" l2 y- v+ l5 T6 ^: i
13. The Good Soldier (Ford Madox Ford, 1915)2 U) _7 X! N; w9 \7 R o; l
12. Nineteen Eighty-Four (George Orwell, 1949)1 E- c* Y. @+ F
11. Pride and Prejudice (Jane Austen, 1813)9 o+ B$ w- \9 m) e# }; }
10. Vanity Fair (William Makepeace Thackeray, 1848)6 \" @( ?* j, T
9. Frankenstein (Mary Shelley, 1818)" @ T+ y( b; k1 s0 I
8. David Copperfield (Charles Dickens, 1850)
9 S) Q6 @- _' m8 w7. Wuthering Heights (Emily Brontë, 1847)
0 g7 @1 ^+ K1 j2 {( H7 \2 t" |6. Bleak House (Charles Dickens, 1853)# z; g& Q+ G. k; o- Q" | I
5. Jane Eyre (Charlotte Brontë, 1847)5 b0 g" K. r, r- N
4. Great Expectations (Charles Dickens, 1861)4 C- c1 X+ I8 _7 q* X/ b9 e
3. Mrs. Dalloway (Virginia Woolf, 1925)
) A5 |' f6 `7 ~, K! `2. To the Lighthouse (Virginia Woolf, 1927)
6 I' g: J( T" q6 G, f1. Middlemarch (George Eliot, 1874). {7 O: B* A) ^4 V0 \
* ] R2 O W0 o* ]' Z9 ^* u: f( f5 e前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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. ]; j& S; C) t' S$ M; `呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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