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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! o9 E* Y$ m: W" [5 N# H. A0 T
. V- s4 A- \9 I' J& m% q" @/ R1 D! wBBC评出100大英国文学名著: P! p8 W+ ^' P0 z/ s. a
http://www.bbc.com/culture/story ... test-british-novels% ~' X l" ?5 t2 ]2 R% X9 Y
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。/ P% |% H( v Q( G; R$ `
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100. The Code of the Woosters (PG Wodehouse, 1938)4 g* _2 F) s8 y# z6 f
99. There but for the (Ali Smith, 2011)
; b! x: K' t* {9 L% q98. Under the Volcano (Malcolm Lowry,1947)* @& [: l8 n7 i; f
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
$ T; K( l3 _# D96. Memoirs of a Survivor (Doris Lessing, 1974)
4 W0 F/ @2 t- e% j( s. v3 _95. The Buddha of Suburbia (Hanif Kureishi, 1990)
8 b* w% N, c$ [9 A: s$ N) B94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! M; W* {: g, i; d! [9 u. v6 p93. Lord of the Flies (William Golding, 1954)% K% x* J% k& L7 t' O2 A
92. Cold Comfort Farm (Stella Gibbons, 1932)5 t* F3 H, d5 w
91. The Forsyte Saga (John Galsworthy, 1922)
- R- r: N1 Y1 P# y, W* v90. The Woman in White (Wilkie Collins, 1859)
# G: t/ _+ r+ P3 Q0 B4 t! q89. The Horse’s Mouth (Joyce Cary, 1944)
) |4 Z' R; L, R, Y88. The Death of the Heart (Elizabeth Bowen, 1938)
" ]3 D7 c7 L; S! }5 }5 I$ s87. The Old Wives’ Tale (Arnold Bennett,1908)" {$ x @) Y. \0 }& C! b
86. A Legacy (Sybille Bedford, 1956)
# R3 s2 i1 f$ ~6 @% ^* f85. Regeneration Trilogy (Pat Barker, 1991-1995)# J& a: M7 ], u
84. Scoop (Evelyn Waugh, 1938)) z5 t3 u# q6 ] s, J
83. Barchester Towers (Anthony Trollope, 1857)7 q: n. z$ v5 F: @7 S" @' _ T+ t( |
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ L2 n& U# {8 @% K6 I
81. The Jewel in the Crown (Paul Scott, 1966)
* L3 t& N# l/ C: E% l80. Excellent Women (Barbara Pym, 1952)# ^7 x. P+ i) ]! Y+ Z, t: b2 [1 n
79. His Dark Materials (Philip Pullman, 1995-2000)
' |$ l# m$ }, }; h+ H" t N78. A House for Mr Biswas (VS Naipaul, 1961)- s, X6 y$ H! q& ^, X9 U& R$ R$ Y
77. Of Human Bondage (W Somerset Maugham, 1915)
. w( ~* a3 ^- E( g76. Small Island (Andrea Levy, 2004)2 b# y( J2 G( h% s6 c
75. Women in Love (DH Lawrence, 1920)
& _) a& f$ H# g, U$ H. v, [3 E74. The Mayor of Casterbridge (Thomas Hardy, 1886)9 c9 V, }1 S8 Q- D6 t' F
73. The Blue Flower (Penelope Fitzgerald, 1995)
% [( q s+ c. W4 n. G72. The Heart of the Matter (Graham Greene, 1948); E- o3 h8 N1 p8 `6 H" g; U
71. Old Filth (Jane Gardam, 2004)
4 j5 t* j& |4 C- Z2 t }70. Daniel Deronda (George Eliot, 1876)/ q' U4 f, M/ g9 ]) y7 w
69. Nostromo (Joseph Conrad, 1904)! r: M: s$ t/ h: Q6 S# b
68. A Clockwork Orange (Anthony Burgess, 1962)
/ m. t4 e4 N i67. Crash (JG Ballard 1973)1 Q: ~" w6 k- c4 w6 r. u/ y
66. Sense and Sensibility (Jane Austen, 1811)
6 _- D9 P9 m+ j, F1 L( H' Q& }65. Orlando (Virginia Woolf, 1928)
; I8 }" b# Y) |: N# ~" {/ c64. The Way We Live Now (Anthony Trollope, 1875)
b6 W: b4 M5 ~" }% P; ]63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). J. d" K \! Y
62. Animal Farm (George Orwell, 1945)) B3 B" D3 ?$ N
61. The Sea, The Sea (Iris Murdoch, 1978)* }& k3 Q! w3 b# y
60. Sons and Lovers (DH Lawrence, 1913)
2 d( ?% f2 m: [1 A& H4 z+ T59. The Line of Beauty (Alan Hollinghurst, 2004)
' K2 J1 k2 [( b$ |9 \% u9 i* V58. Loving (Henry Green, 1945)6 G; `( F0 q0 T& \ T; N6 L
57. Parade’s End (Ford Madox Ford, 1924-1928)
- A$ M/ ]# i4 e56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 m4 C7 x& C7 T9 d' i7 w7 l- S- u
55. Gulliver’s Travels (Jonathan Swift, 1726)- x1 [' }* `" g: e( P
54. NW (Zadie Smith, 2012)
% s2 c- r: |, }% Z+ h1 v# x# h53. Wide Sargasso Sea (Jean Rhys, 1966)" v5 `! Z) \2 A/ v! L$ W
52. New Grub Street (George Gissing, 1891)2 e% U0 P% n5 a+ K, [5 s8 }
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
, @8 D4 ] T* `/ F) U8 W. R; T$ n50. A Passage to India (EM Forster, 1924)( _/ F" _3 X3 T8 i K+ `' ?9 V- C% E
49. Possession (AS Byatt, 1990)) x2 j8 j/ X) y* z. E6 F& S
48. Lucky Jim (Kingsley Amis, 1954)
- `" U5 K5 O |' `; T% X47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 Z0 k I. ?9 j" `. s, \- x46. Midnight’s Children (Salman Rushdie, 1981)
9 d" m: E9 r( o J, S1 Z8 f& q45. The Little Stranger (Sarah Waters, 2009)" I( E' B7 W7 |! f* q! U
44. Wolf Hall (Hilary Mantel, 2009); e) p; E3 O( M* X
43. The Swimming Pool Library (Alan Hollinghurst, 1988)4 b7 t& ?4 i6 L$ ^
42. Brighton Rock (Graham Greene, 1938)) h( `3 q- G c4 {
41. Dombey and Son (Charles Dickens, 1848). x# h& D6 r4 `9 p+ ?. ^) e
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! D6 Z. m1 k5 u" o3 W/ n( S39. The Sense of an Ending (Julian Barnes, 2011). U/ N7 f; }) s) u
38. The Passion (Jeanette Winterson, 1987)
( X. h1 |" k0 ?- ]37. Decline and Fall (Evelyn Waugh, 1928)9 m0 R/ p b4 }+ h$ I
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ E z& ?* x! \# i# o
35. Remainder (Tom McCarthy, 2005)4 N! a- ]/ a* Q* e) y7 M1 K% s+ h
34. Never Let Me Go (Kazuo Ishiguro, 2005)
0 j( f& r9 H T! O- W33. The Wind in the Willows (Kenneth Grahame, 1908)
" Y: q' T% T7 g/ l32. A Room with a View (EM Forster, 1908)
; v2 U( m! }. J4 l+ b4 n31. The End of the Affair (Graham Greene, 1951)/ m5 U Z! P) I8 q
30. Moll Flanders (Daniel Defoe, 1722)
; t. V( h9 L3 G4 Z; @8 R' K29. Brick Lane (Monica Ali, 2003)
, T$ D a* i( S A8 z6 x28. Villette (Charlotte Brontë, 1853)' c n& C, G2 F- c+ J# P# E
27. Robinson Crusoe (Daniel Defoe, 1719)8 o$ ]/ N9 X L# f" ^5 y8 C; x
26. The Lord of the Rings (JRR Tolkien, 1954)* Q5 v$ N6 J' Z- g2 r
25. White Teeth (Zadie Smith, 2000)6 P0 I; [& [9 \: i4 _
24. The Golden Notebook (Doris Lessing, 1962)
+ u3 G3 x4 G$ H7 m23. Jude the Obscure (Thomas Hardy, 1895), w* p. i/ |9 b7 T. U
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; j" y& O& ~' c, ^) Z21. Heart of Darkness (Joseph Conrad, 1899)
& x/ p. y9 q2 M- m20. Persuasion (Jane Austen, 1817)' w3 n8 q8 `6 Z2 ~0 p% R3 k4 l
19. Emma (Jane Austen, 1815)
8 K1 ` R# L4 m5 L18. Remains of the Day (Kazuo Ishiguro, 1989)
2 l( {. x2 M2 @: V+ h: }! U* U7 N17. Howards End (EM Forster, 1910)
! Y( _: C* _* {* f16. The Waves (Virginia Woolf, 1931), |4 P, F1 `$ A* C
15. Atonement (Ian McEwan, 2001). l4 o, N. e3 J" a: q B3 G/ a
14. Clarissa (Samuel Richardson,1748)
3 x& ?2 i+ P, {! O7 S! g13. The Good Soldier (Ford Madox Ford, 1915); D1 b( y' d" Z+ D1 I$ x
12. Nineteen Eighty-Four (George Orwell, 1949)
5 V; m; L; [ u4 {) g% r11. Pride and Prejudice (Jane Austen, 1813)2 O% h0 Q) k$ s) h: S8 ?# u
10. Vanity Fair (William Makepeace Thackeray, 1848)$ h) u: E% C+ }8 G# y
9. Frankenstein (Mary Shelley, 1818)' M: h: M6 f, K0 D
8. David Copperfield (Charles Dickens, 1850): [5 o4 Q( f' p) X5 i
7. Wuthering Heights (Emily Brontë, 1847)
+ Q& d+ T2 g( e/ I' Q6. Bleak House (Charles Dickens, 1853)' b, T9 E8 R7 P
5. Jane Eyre (Charlotte Brontë, 1847)
1 T/ J& @. F0 u, @) P U" j- O d4. Great Expectations (Charles Dickens, 1861)
0 ?. M) h; @ h' m, z% V/ }/ r5 {3. Mrs. Dalloway (Virginia Woolf, 1925)
0 V0 S( T7 e# n+ v1 v7 R5 O2. To the Lighthouse (Virginia Woolf, 1927)! `, @- U* ~( ?7 `9 p
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。+ @$ q% m% r& f2 T" V
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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