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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ) a/ \, q' B$ k, B+ L' S8 f" T
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BBC评出100大英国文学名著3 A- n+ i& H4 P) c! G# D
http://www.bbc.com/culture/story ... test-british-novels2 a9 H, P D S: y# E! U5 T) W8 N7 ^4 R
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 x' b: a' u5 {& Y) w- R! A2 A: ~
+ S# u, n: h9 o0 f9 b100. The Code of the Woosters (PG Wodehouse, 1938); t& c8 c/ z) A! O! ]
99. There but for the (Ali Smith, 2011)
" S& V! e. n; B* F. c, P# c) d98. Under the Volcano (Malcolm Lowry,1947)0 B8 H( m$ D; Y o8 p9 b
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
. D8 Q# H3 q, T% q7 A" X, B" m8 p96. Memoirs of a Survivor (Doris Lessing, 1974)
4 K1 d+ d' [" x; k j8 V2 g* {, L+ U95. The Buddha of Suburbia (Hanif Kureishi, 1990). I- [8 R! n; P
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" _6 ~% G7 m+ J# B9 S93. Lord of the Flies (William Golding, 1954)
5 }8 r0 H# ]- ], P$ l92. Cold Comfort Farm (Stella Gibbons, 1932)
) E! {( A# T0 t9 B& b0 m1 ]91. The Forsyte Saga (John Galsworthy, 1922)
- w6 B8 s1 V2 p' I1 V5 f90. The Woman in White (Wilkie Collins, 1859)6 |% f( W! a& |5 `0 ~6 }1 d. O, `
89. The Horse’s Mouth (Joyce Cary, 1944)9 e- I8 \4 T$ j( j, m+ c2 F
88. The Death of the Heart (Elizabeth Bowen, 1938)7 L( l0 G( K+ k& T8 }8 `$ [! \9 ]
87. The Old Wives’ Tale (Arnold Bennett,1908)4 \( U6 r% J! u F7 c* q
86. A Legacy (Sybille Bedford, 1956)
' X5 u% h% d" S# D0 o( o85. Regeneration Trilogy (Pat Barker, 1991-1995)
, P. w6 L! ]0 }84. Scoop (Evelyn Waugh, 1938)
) ^5 D/ E0 k U5 n; Q( c83. Barchester Towers (Anthony Trollope, 1857)
5 P6 i q) T0 L* t, J6 U82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)% W6 z. g4 t9 w
81. The Jewel in the Crown (Paul Scott, 1966)
7 T# i! M3 J& Z. j) R4 w, Y$ v80. Excellent Women (Barbara Pym, 1952), p. d4 g' n" G! a( Q! P
79. His Dark Materials (Philip Pullman, 1995-2000)
. K" _( |) i _2 T78. A House for Mr Biswas (VS Naipaul, 1961)
2 ]: |- Z: B+ u3 z. P9 b7 m77. Of Human Bondage (W Somerset Maugham, 1915)# w) H7 `9 q4 w$ P9 e6 ?- j
76. Small Island (Andrea Levy, 2004)# T, g( ?5 g# |8 J
75. Women in Love (DH Lawrence, 1920)5 |. y2 m$ S6 r$ V$ V
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; Q5 y/ n( N* ]. d' ~6 e73. The Blue Flower (Penelope Fitzgerald, 1995)
: K8 i/ p* h9 U, R/ z0 G72. The Heart of the Matter (Graham Greene, 1948)( S1 o' z ^% `: ~: z
71. Old Filth (Jane Gardam, 2004)
6 Z `7 R, V! o6 g4 f# f# }% k0 L70. Daniel Deronda (George Eliot, 1876)) ~8 T1 Y/ t E3 I/ l/ L% f
69. Nostromo (Joseph Conrad, 1904)
7 V& {$ p' h' x( K4 e68. A Clockwork Orange (Anthony Burgess, 1962)( r& y) I# s8 q
67. Crash (JG Ballard 1973)" q( ]) S$ Q9 l: |% F2 y7 r
66. Sense and Sensibility (Jane Austen, 1811)
9 x D: I5 P& H/ j( W' G65. Orlando (Virginia Woolf, 1928)
$ R/ `3 p2 O: P% L* V w64. The Way We Live Now (Anthony Trollope, 1875)
) h1 ^" b* R1 S3 o3 T, Z* E63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 g) z+ _9 t$ T' m
62. Animal Farm (George Orwell, 1945)# l# X( H8 A0 _ W, W% J
61. The Sea, The Sea (Iris Murdoch, 1978)
7 ?& ~1 b3 H4 r( \7 j6 C60. Sons and Lovers (DH Lawrence, 1913)
& ]) `( o% ~6 G# C" l+ j h59. The Line of Beauty (Alan Hollinghurst, 2004)
3 n% v: E0 ]( B/ [( p58. Loving (Henry Green, 1945)
4 X9 l$ o5 }+ B5 _3 t57. Parade’s End (Ford Madox Ford, 1924-1928)
1 w' W6 _- Z6 F r2 X56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
3 L' N) O! K: d' r55. Gulliver’s Travels (Jonathan Swift, 1726)
& n: }9 c8 I7 [* W* C1 a54. NW (Zadie Smith, 2012); h- B; t( `- z1 f& ~2 }
53. Wide Sargasso Sea (Jean Rhys, 1966)4 T) |3 f6 }1 b& h- b
52. New Grub Street (George Gissing, 1891)9 {4 O+ X4 H; g
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
/ D( Q' G" |- u; H' |9 l5 I50. A Passage to India (EM Forster, 1924), f" q# G% P2 j% V& j8 v' F+ a
49. Possession (AS Byatt, 1990)
& t+ S. f+ r; @9 f48. Lucky Jim (Kingsley Amis, 1954)
2 q' I) v, }0 S: j0 v- z% G4 z5 K47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ t7 U3 E% \6 p I: M, \+ _* [3 K4 m46. Midnight’s Children (Salman Rushdie, 1981)
" V7 S$ u* L- c0 ~3 _45. The Little Stranger (Sarah Waters, 2009)2 F& g. c7 N! \% j* ~ ~# [( [
44. Wolf Hall (Hilary Mantel, 2009)6 R) z1 f' `# h3 v
43. The Swimming Pool Library (Alan Hollinghurst, 1988)* U$ v! b9 U, c7 G# Q
42. Brighton Rock (Graham Greene, 1938)4 x. O& q8 o7 Y2 z
41. Dombey and Son (Charles Dickens, 1848), j; `* ~$ b& _2 u" x& D. [1 Q/ `
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
% W( r8 s6 K5 Y; D39. The Sense of an Ending (Julian Barnes, 2011)4 |/ P6 B. w9 [1 N
38. The Passion (Jeanette Winterson, 1987)" H' h0 {2 R8 z8 b( H* P j
37. Decline and Fall (Evelyn Waugh, 1928)! ~* H. f# `4 _! K/ \8 n! |
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% E6 d: f" P9 g5 g- f, R/ C
35. Remainder (Tom McCarthy, 2005)
5 P+ f m8 v" [& \9 {4 v34. Never Let Me Go (Kazuo Ishiguro, 2005): }5 A& X/ F) C
33. The Wind in the Willows (Kenneth Grahame, 1908)) R1 F" l5 |4 T) X0 b, @3 v
32. A Room with a View (EM Forster, 1908)" b2 z6 Q" Q. r* ?
31. The End of the Affair (Graham Greene, 1951)$ e9 k) m7 {9 H7 ^! p) D% J
30. Moll Flanders (Daniel Defoe, 1722)! I( A$ r( {! X* m# o
29. Brick Lane (Monica Ali, 2003); `0 b7 E; c( r1 b$ k& b& [/ k
28. Villette (Charlotte Brontë, 1853)! h4 z& E9 N8 a9 v( f
27. Robinson Crusoe (Daniel Defoe, 1719)) \& A/ L- F2 |1 f2 }1 d
26. The Lord of the Rings (JRR Tolkien, 1954)
/ \% Z% G: `8 D6 r P25. White Teeth (Zadie Smith, 2000)0 i8 k3 O b4 R2 G9 A r2 o1 U
24. The Golden Notebook (Doris Lessing, 1962)5 B5 x2 `/ g; @ X, E
23. Jude the Obscure (Thomas Hardy, 1895)
' w' V6 Q( P6 H22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
" U+ K9 |( S& ^21. Heart of Darkness (Joseph Conrad, 1899)% t8 s# s) m, U! _) g; e: Z3 [$ q/ i
20. Persuasion (Jane Austen, 1817)% E4 E/ F- ^% Y8 ^& Y0 F
19. Emma (Jane Austen, 1815)
5 D/ g% n4 t, u# m6 Z- X/ \# q- H18. Remains of the Day (Kazuo Ishiguro, 1989)- H* T' y5 @, _1 Y2 T7 r
17. Howards End (EM Forster, 1910)
# T6 A6 k* m( O. e7 m$ E$ ~16. The Waves (Virginia Woolf, 1931)
. U# z y5 L5 h5 H& G3 W7 I15. Atonement (Ian McEwan, 2001)0 i) y# Q6 H5 c. @) }2 f
14. Clarissa (Samuel Richardson,1748)0 C o7 Q- o) a! W5 U8 I: t4 s1 U+ ^! r( n
13. The Good Soldier (Ford Madox Ford, 1915)
, e( P$ Z; A p) }. [! ]- A. J12. Nineteen Eighty-Four (George Orwell, 1949)
4 C4 c, Q) C: v2 F11. Pride and Prejudice (Jane Austen, 1813)' s& F# N2 {4 M0 ^: ]
10. Vanity Fair (William Makepeace Thackeray, 1848)
2 Z4 k) l% ]) z& T9. Frankenstein (Mary Shelley, 1818)! K! j$ i; V, u* d: {. Z
8. David Copperfield (Charles Dickens, 1850)" ]8 K* d( d( m3 w" `; o& N K
7. Wuthering Heights (Emily Brontë, 1847)6 K) D. U& S2 j' e! r# t' b9 z5 N
6. Bleak House (Charles Dickens, 1853)
/ T$ g0 E- W3 ^* Z6 r: m5. Jane Eyre (Charlotte Brontë, 1847)
7 s2 s7 U. k8 i. _4. Great Expectations (Charles Dickens, 1861)/ X. i8 ~. |9 X3 c) Z8 b
3. Mrs. Dalloway (Virginia Woolf, 1925)
* g, N% v* Q6 t2. To the Lighthouse (Virginia Woolf, 1927)
, r4 @! E" q: k- ^" W1. Middlemarch (George Eliot, 1874)
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8 E$ Y) S; ?" s8 @前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ [6 i: Q& z9 W7 F
& U5 `4 V. z% U9 N; s$ }/ P呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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