|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 * h1 |) i8 f( {! Q N' {
5 s+ M0 M, M- ?BBC评出100大英国文学名著
2 Y4 m0 c, Y6 s4 `; ^http://www.bbc.com/culture/story ... test-british-novels7 [3 r# O4 y; y" w
惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
3 b' c" O0 _% \
0 C' ^2 e0 K! s! w |! \ w9 H100. The Code of the Woosters (PG Wodehouse, 1938)
2 B% B8 d( R2 V99. There but for the (Ali Smith, 2011)6 U5 K4 Y6 k$ A) o
98. Under the Volcano (Malcolm Lowry,1947)/ } S2 P6 @0 x5 c8 j9 P4 j% G% _
97. The Chronicles of Narnia (CS Lewis, 1949-1954)# z" L; Z3 p# b$ Q, T
96. Memoirs of a Survivor (Doris Lessing, 1974)
$ b/ f+ | ~& h: G/ x j95. The Buddha of Suburbia (Hanif Kureishi, 1990)3 g" p8 V& [. p. b9 i
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)9 n, V+ o5 v" J7 d5 F
93. Lord of the Flies (William Golding, 1954)
# P# p* m2 ^7 }5 q/ V92. Cold Comfort Farm (Stella Gibbons, 1932)- O$ G! {6 U( w" r |; G& O* m. q
91. The Forsyte Saga (John Galsworthy, 1922)
: U! {: X" q# t) M90. The Woman in White (Wilkie Collins, 1859)7 g) R# E3 x$ y' n: \
89. The Horse’s Mouth (Joyce Cary, 1944)
3 a* `: n4 h" o }88. The Death of the Heart (Elizabeth Bowen, 1938)
& N6 p& w! z( S3 ~' x4 F8 _87. The Old Wives’ Tale (Arnold Bennett,1908)
: ]. I% S' G q9 q86. A Legacy (Sybille Bedford, 1956)
8 y2 `8 S+ H3 b85. Regeneration Trilogy (Pat Barker, 1991-1995). g1 e+ b* g% |1 I& t$ Y3 a
84. Scoop (Evelyn Waugh, 1938)
: Q' ~+ ~( y: T; C83. Barchester Towers (Anthony Trollope, 1857) g' P) T( ]! p5 O+ f: k
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ ]. ^! d! v k# h81. The Jewel in the Crown (Paul Scott, 1966)
4 a! j. k1 x% j* C8 [80. Excellent Women (Barbara Pym, 1952)
" k a2 C/ Y& f+ m79. His Dark Materials (Philip Pullman, 1995-2000)6 d9 H% J( J8 L. q" d
78. A House for Mr Biswas (VS Naipaul, 1961)! F* J! t2 H6 b, c6 U3 B2 L
77. Of Human Bondage (W Somerset Maugham, 1915)
0 X& _$ r7 F! c! W/ i' I. F$ v* g76. Small Island (Andrea Levy, 2004) N! T- E. S. B7 M- P
75. Women in Love (DH Lawrence, 1920)
3 ^ w) x7 ]% U4 w74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 @: `0 t+ U2 b- Y3 x& d73. The Blue Flower (Penelope Fitzgerald, 1995), w' O/ i! g% k( ^
72. The Heart of the Matter (Graham Greene, 1948)# A! v9 ?% x# H0 |' o4 I. o4 C/ Z
71. Old Filth (Jane Gardam, 2004)
6 T, Y/ P$ ]7 t7 N) u' L# @, }& ?70. Daniel Deronda (George Eliot, 1876). ]* t. L; H: ]: }) H. `7 O" _
69. Nostromo (Joseph Conrad, 1904)
' j* |. _" _6 D3 R4 K) s/ N68. A Clockwork Orange (Anthony Burgess, 1962)
1 k8 Q* G) t% t6 W: z! F0 d! D67. Crash (JG Ballard 1973)7 c |& A' a4 u+ f2 \* K/ g k9 w
66. Sense and Sensibility (Jane Austen, 1811)
8 | G z( g; G: K7 A7 E* X. \65. Orlando (Virginia Woolf, 1928)
Q) E& A3 y% Z2 ?3 j64. The Way We Live Now (Anthony Trollope, 1875)3 D, H5 b2 a# k# f
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
& g1 b3 A+ S: g2 E62. Animal Farm (George Orwell, 1945)
$ K2 ^( ?6 A) p/ \8 T) a4 b9 i61. The Sea, The Sea (Iris Murdoch, 1978)
6 B( u* a; L) x Q' v60. Sons and Lovers (DH Lawrence, 1913)8 t/ c3 H% k/ B4 g7 I
59. The Line of Beauty (Alan Hollinghurst, 2004)" y) P2 i6 b$ _9 s# b' v
58. Loving (Henry Green, 1945)
7 F: h- M9 y3 c. ]" X( }/ W) _, m57. Parade’s End (Ford Madox Ford, 1924-1928)
- o3 U( v* s6 S56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 d+ n( O7 ~& L9 ^2 b! k0 g/ V% X55. Gulliver’s Travels (Jonathan Swift, 1726)
" Q4 b, P5 {7 g+ j54. NW (Zadie Smith, 2012)2 P: S3 o/ a4 L: D
53. Wide Sargasso Sea (Jean Rhys, 1966), h q4 }8 ~( _/ Y* s
52. New Grub Street (George Gissing, 1891)2 i7 R4 |0 f. k; N: ~8 q+ V
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 v2 V9 W1 b& \ N! c! w9 Z" v2 o50. A Passage to India (EM Forster, 1924)3 V# q6 F3 K2 b) r
49. Possession (AS Byatt, 1990)
1 Z; e1 G% n8 I# c) D" W) H/ A48. Lucky Jim (Kingsley Amis, 1954); X" ~# v) q8 M+ e; r t6 F
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ |7 v3 `3 `) q1 x7 T$ E
46. Midnight’s Children (Salman Rushdie, 1981)+ w- t3 i5 b4 ?6 X, g
45. The Little Stranger (Sarah Waters, 2009)- [4 S* B! \% F c; N% X
44. Wolf Hall (Hilary Mantel, 2009)6 X6 I. x f$ n# h- s
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
% ~) q4 s: X. e6 j42. Brighton Rock (Graham Greene, 1938)
: G ~/ ~; i; D( t41. Dombey and Son (Charles Dickens, 1848)
* x0 W5 `. W* ]6 T9 i40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 h9 d6 g n" x! c' _+ g+ ^- |, r: M39. The Sense of an Ending (Julian Barnes, 2011)
4 O5 l& y) h( }2 |% B L38. The Passion (Jeanette Winterson, 1987)
3 ~4 s, y% \/ m( z8 l' H, U37. Decline and Fall (Evelyn Waugh, 1928)
3 m6 `! c8 u, f1 T0 Z36. A Dance to the Music of Time (Anthony Powell, 1951-1975)5 p4 C6 L, W9 z9 B$ W
35. Remainder (Tom McCarthy, 2005)
( l S# X5 D, ^% ?34. Never Let Me Go (Kazuo Ishiguro, 2005)9 V* l8 B- z( }% ?, r
33. The Wind in the Willows (Kenneth Grahame, 1908)
) M4 d0 u) Z( d5 G32. A Room with a View (EM Forster, 1908)
8 u( c) q$ t) w9 Q- ]31. The End of the Affair (Graham Greene, 1951). ?. ^& m. @$ r, }0 k+ u
30. Moll Flanders (Daniel Defoe, 1722)
& Z. k% V( @6 Z* V) M# q29. Brick Lane (Monica Ali, 2003)
$ c9 }+ u* h8 Q6 g28. Villette (Charlotte Brontë, 1853)
. E0 a0 R- ]& P0 V/ K27. Robinson Crusoe (Daniel Defoe, 1719)- ]) w; B L( r( Y
26. The Lord of the Rings (JRR Tolkien, 1954)' k E4 |) _# @+ b4 B; c9 U" e2 f
25. White Teeth (Zadie Smith, 2000)( G6 i l1 q- M5 B
24. The Golden Notebook (Doris Lessing, 1962)& t! R# c8 ]4 o7 H' w
23. Jude the Obscure (Thomas Hardy, 1895)( ]' w& N3 q* w' ~+ g9 X
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 |5 U: ^; L9 F. W
21. Heart of Darkness (Joseph Conrad, 1899) u( K3 A8 |8 {5 ^0 I: h
20. Persuasion (Jane Austen, 1817)
7 i" c M& V/ d3 ]4 D19. Emma (Jane Austen, 1815)& W; N6 {. S8 U/ h
18. Remains of the Day (Kazuo Ishiguro, 1989)
9 B2 Q4 J* K% A1 L8 N17. Howards End (EM Forster, 1910)3 S$ R0 R9 W8 g( u* M: n
16. The Waves (Virginia Woolf, 1931)2 t' _9 ~( ?/ p6 S# J2 Q' }
15. Atonement (Ian McEwan, 2001)+ |" s% K# o- }2 o
14. Clarissa (Samuel Richardson,1748)# s# W" z2 C5 O8 p6 W0 M
13. The Good Soldier (Ford Madox Ford, 1915)
) K$ Q' i0 w. [) A8 x$ ^1 |9 F12. Nineteen Eighty-Four (George Orwell, 1949)
& r! ?1 M. R' A4 q' L11. Pride and Prejudice (Jane Austen, 1813)
8 A+ I9 u/ _* _% v10. Vanity Fair (William Makepeace Thackeray, 1848)
. u; ]& Y' N& q) M1 ]% b) C, s9. Frankenstein (Mary Shelley, 1818)+ I8 S4 {9 u2 K9 q
8. David Copperfield (Charles Dickens, 1850)
3 ^7 _/ q5 U6 k/ j8 E7. Wuthering Heights (Emily Brontë, 1847)
" q" c$ j5 | j5 x" k6 f' f6. Bleak House (Charles Dickens, 1853)
; S. ?# w: g/ _5. Jane Eyre (Charlotte Brontë, 1847)$ D; y, j4 B" g {2 k% L" I
4. Great Expectations (Charles Dickens, 1861), u m0 D9 |5 {) _( a
3. Mrs. Dalloway (Virginia Woolf, 1925)1 J6 E2 @% ^1 ^4 ]& E/ F
2. To the Lighthouse (Virginia Woolf, 1927)
2 Z2 f+ N8 L4 I; h' e1. Middlemarch (George Eliot, 1874)
, J9 x# Y) Z" W ?8 `/ V8 W. n# Z' k$ E5 O6 r' F9 l0 `+ h
前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。
! Q" [5 G+ n5 s+ |3 A. Z, R+ e% {% M! M0 ^" M2 `+ h( c
呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|