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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
/ p0 C( c! K& c: r1 }/ g T4 }% chttp://www.bbc.com/culture/story ... test-british-novels- A2 w5 t9 C" ?
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; \% a* o& @% E6 s8 b
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100. The Code of the Woosters (PG Wodehouse, 1938)& D3 l+ T1 }6 ~0 t
99. There but for the (Ali Smith, 2011)- w' b& f# R) j( f6 X# U
98. Under the Volcano (Malcolm Lowry,1947)
! y5 ~4 y$ c0 @% X3 L$ s* M97. The Chronicles of Narnia (CS Lewis, 1949-1954)
: K, A$ p) N) N5 k" |+ m96. Memoirs of a Survivor (Doris Lessing, 1974)
8 H9 t q6 x, i$ G+ E95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* X% V! d9 s* G# x2 j" C94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)4 {3 t+ E0 q% h- `4 A1 `
93. Lord of the Flies (William Golding, 1954)
' v' i" F, p" ]( H5 p% F92. Cold Comfort Farm (Stella Gibbons, 1932)
; g1 Q) B+ ]" q: m91. The Forsyte Saga (John Galsworthy, 1922)- {1 E M3 I0 x
90. The Woman in White (Wilkie Collins, 1859)
5 |2 }) j$ p* P9 q. s. D( v0 T89. The Horse’s Mouth (Joyce Cary, 1944)
6 v1 C8 l# t" w) s8 v88. The Death of the Heart (Elizabeth Bowen, 1938)
: e; J4 A: `0 M: C( J87. The Old Wives’ Tale (Arnold Bennett,1908)
! g- v- C, g5 l! M: D& ~86. A Legacy (Sybille Bedford, 1956) k1 S' J, b1 K2 P
85. Regeneration Trilogy (Pat Barker, 1991-1995)! O& i" H) I* D% v r4 P2 ?9 S
84. Scoop (Evelyn Waugh, 1938)* q' H- N! P4 G! u& ]3 z( e' c
83. Barchester Towers (Anthony Trollope, 1857), _+ V7 O, N& _' k8 z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% [% c# t& b% v* s3 d9 j4 Q81. The Jewel in the Crown (Paul Scott, 1966)
O# N( k2 l7 I0 L0 ^/ D' i- |9 Z h80. Excellent Women (Barbara Pym, 1952)
7 r N% S; Q. L" d79. His Dark Materials (Philip Pullman, 1995-2000)$ e ~/ P; K* y/ d: Q
78. A House for Mr Biswas (VS Naipaul, 1961)0 s% ` h- Z8 }7 i9 e: `
77. Of Human Bondage (W Somerset Maugham, 1915)
, H1 B: |! P; l5 l! R- w: j76. Small Island (Andrea Levy, 2004)
9 B. \2 E7 I0 h75. Women in Love (DH Lawrence, 1920): d5 V) n! k! U8 g+ j# k7 y
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" Y/ k# E& A' z2 o4 c& u* T73. The Blue Flower (Penelope Fitzgerald, 1995)1 t/ P- o7 L6 E
72. The Heart of the Matter (Graham Greene, 1948)
% Z% S% j3 Z9 A3 k# K, V71. Old Filth (Jane Gardam, 2004)
( U- w0 ?. y0 r% w) C# S5 W V1 P70. Daniel Deronda (George Eliot, 1876)/ m2 ?0 q2 d1 `: h4 m6 v- j5 y
69. Nostromo (Joseph Conrad, 1904)
0 s# j* |2 d4 C( u68. A Clockwork Orange (Anthony Burgess, 1962)
- z! `9 j0 h5 q) y( l3 H% G4 q2 ]67. Crash (JG Ballard 1973)
* ?! O4 v0 T5 c4 C3 S: a1 t66. Sense and Sensibility (Jane Austen, 1811). F7 u1 ]3 _8 V$ O7 }( j0 p
65. Orlando (Virginia Woolf, 1928)
; v, I) v0 V; b9 H; _! A9 Y6 T6 V/ J( m64. The Way We Live Now (Anthony Trollope, 1875)- u2 J" ]0 n5 q7 z( S7 g1 r7 O
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 Y. Z2 {+ H+ P
62. Animal Farm (George Orwell, 1945); V+ n( \& x5 q" Q# [8 Q
61. The Sea, The Sea (Iris Murdoch, 1978)
0 `' y% }7 Y* c1 K9 O8 H60. Sons and Lovers (DH Lawrence, 1913)
. y8 l K7 f7 N59. The Line of Beauty (Alan Hollinghurst, 2004)( _5 ^# \+ c5 u6 E
58. Loving (Henry Green, 1945)
/ ?2 _- s' \6 E E+ T) z57. Parade’s End (Ford Madox Ford, 1924-1928)' D2 P9 f7 v# A* Y
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( w/ \5 m1 |5 i
55. Gulliver’s Travels (Jonathan Swift, 1726)+ |6 [$ ^2 r% B& e3 r% p7 c( ~
54. NW (Zadie Smith, 2012). X8 P: Q b+ C
53. Wide Sargasso Sea (Jean Rhys, 1966)5 A5 e+ J5 Z0 W, i
52. New Grub Street (George Gissing, 1891)
/ j, {8 c4 p; e; u7 A- n51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
& C P2 W1 T0 z2 h- ~7 q50. A Passage to India (EM Forster, 1924)
9 ^7 z; e* ]$ [" Z7 T0 _49. Possession (AS Byatt, 1990)
, ~; U% ]# P+ M9 m) U& p+ {48. Lucky Jim (Kingsley Amis, 1954): d; |7 g& \8 a& @$ m, }& ~
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
: z$ Y/ H$ d; S: {$ `. o46. Midnight’s Children (Salman Rushdie, 1981)
1 t; C5 Z* @5 m! G# B2 I8 A3 r45. The Little Stranger (Sarah Waters, 2009), F; Q" S4 I2 V5 }2 n, s
44. Wolf Hall (Hilary Mantel, 2009)0 u- R& V/ ^3 S6 O& ]/ K9 b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ ^7 @! B s$ v3 G$ E7 N5 N; R42. Brighton Rock (Graham Greene, 1938)
; _4 K3 A2 s# q# s( u41. Dombey and Son (Charles Dickens, 1848)$ A0 A$ s9 c, W, e g- R4 G0 C
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( Y i/ X( Y3 x W6 \' M39. The Sense of an Ending (Julian Barnes, 2011)
- j6 x w" J" t# b9 S38. The Passion (Jeanette Winterson, 1987)
1 X4 m: Q% [7 u% s" h" K37. Decline and Fall (Evelyn Waugh, 1928)
& Q& @- S9 @7 Q; V& o36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
; `1 s1 M* S3 U# ?; ~35. Remainder (Tom McCarthy, 2005)! A; I5 t8 c4 N9 ~. e% Y7 C
34. Never Let Me Go (Kazuo Ishiguro, 2005)' G: I7 U& r8 w
33. The Wind in the Willows (Kenneth Grahame, 1908)% O0 P& [* h2 N% c Q1 c8 U+ q) z
32. A Room with a View (EM Forster, 1908)
- m5 m7 b7 }. P31. The End of the Affair (Graham Greene, 1951)
; i3 x( \8 [( B' W B1 M' t30. Moll Flanders (Daniel Defoe, 1722)- |" a P: V7 i. u2 B
29. Brick Lane (Monica Ali, 2003)( K' B( v; ]/ A
28. Villette (Charlotte Brontë, 1853)" n$ m/ D( [. c( [( D5 ?
27. Robinson Crusoe (Daniel Defoe, 1719)
' E: I+ x- C$ f- m26. The Lord of the Rings (JRR Tolkien, 1954)- ^' X; B3 Y( O+ p6 X a% I
25. White Teeth (Zadie Smith, 2000)% f5 Q% D6 K1 g
24. The Golden Notebook (Doris Lessing, 1962)
7 y6 C1 ^3 g7 S1 c23. Jude the Obscure (Thomas Hardy, 1895)9 X$ t! e) V, k
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 |) f) e5 ^( y: \* _ i
21. Heart of Darkness (Joseph Conrad, 1899) K# Q* n! G9 x3 M# L1 C% J# W# d0 C2 \
20. Persuasion (Jane Austen, 1817)
0 ?& a' _% t9 b: `$ j19. Emma (Jane Austen, 1815)" _- ]0 I( A. h" }
18. Remains of the Day (Kazuo Ishiguro, 1989)( f- |! ?4 b$ U$ Z1 S
17. Howards End (EM Forster, 1910)
) i5 _$ g3 r' F, g" @16. The Waves (Virginia Woolf, 1931)
' P/ A; t9 U2 k* J l8 P15. Atonement (Ian McEwan, 2001)
, b% A6 h! W$ c; E; o14. Clarissa (Samuel Richardson,1748)
H2 e2 p9 K5 K& G3 b7 q13. The Good Soldier (Ford Madox Ford, 1915)
1 T. G) _% Y' A' L3 d7 y& d9 m12. Nineteen Eighty-Four (George Orwell, 1949)
3 b# F2 W, d; f9 l* ^! `8 M. N11. Pride and Prejudice (Jane Austen, 1813)
5 C4 v" N6 j7 n10. Vanity Fair (William Makepeace Thackeray, 1848)
4 ^6 [6 h/ ?7 k+ p V8 d9. Frankenstein (Mary Shelley, 1818)" @/ d& S$ I4 K: a* e3 |7 n' _! P, Q4 s
8. David Copperfield (Charles Dickens, 1850)
: {% L, W1 Y. Y. O7. Wuthering Heights (Emily Brontë, 1847)
+ Q j* ^5 ^; N7 y# T6. Bleak House (Charles Dickens, 1853)8 g+ B# `7 e: [+ \
5. Jane Eyre (Charlotte Brontë, 1847)
: [) Q8 \% F: E% }: s' Z$ l4. Great Expectations (Charles Dickens, 1861)0 `1 g K4 s7 |2 p D" t$ _5 r
3. Mrs. Dalloway (Virginia Woolf, 1925)+ J; W; [/ O% b& E' H
2. To the Lighthouse (Virginia Woolf, 1927): X5 p! J+ Y$ ^9 F0 ^0 f6 W
1. Middlemarch (George Eliot, 1874)
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3 w1 t9 B3 r5 _/ V# E2 i前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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# ^$ N& J* n/ ~) q6 y: i' B: n4 r呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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