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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著0 A$ x: R9 @( R* T" F; o
http://www.bbc.com/culture/story ... test-british-novels
% M* T& y: C/ O2 u8 {惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。% b, F. Q$ R+ Z, C; z
6 ^+ r/ \8 Z; Q; i5 _100. The Code of the Woosters (PG Wodehouse, 1938)
/ l, H2 d' I5 w3 R" ^99. There but for the (Ali Smith, 2011)
6 q" i7 U- W: V& d# `98. Under the Volcano (Malcolm Lowry,1947)
4 R% ~2 T: ^+ X97. The Chronicles of Narnia (CS Lewis, 1949-1954)! ^ f; s* g3 F2 _. t
96. Memoirs of a Survivor (Doris Lessing, 1974)
# v4 w9 K6 y9 l9 G9 {; _4 O' T7 r, h( L95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 H1 v" w0 l2 \, F1 @9 @1 ]
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)5 v t% j( r; u, t/ S; V
93. Lord of the Flies (William Golding, 1954)8 B% _3 I! {# [
92. Cold Comfort Farm (Stella Gibbons, 1932)
# }7 ?. _: X4 B7 _" J& w$ C9 M; X91. The Forsyte Saga (John Galsworthy, 1922)+ _8 I9 W; e8 v1 d, R, r
90. The Woman in White (Wilkie Collins, 1859)
/ l' q% a; p1 t# e9 G7 w89. The Horse’s Mouth (Joyce Cary, 1944)+ O$ K. J7 L; O3 r3 O
88. The Death of the Heart (Elizabeth Bowen, 1938)
f5 f- {8 p. Q2 C& Z5 T87. The Old Wives’ Tale (Arnold Bennett,1908)
0 P9 k& o* z, w1 x* q/ x86. A Legacy (Sybille Bedford, 1956)
! `) t8 T& r2 C' h7 o( d3 X85. Regeneration Trilogy (Pat Barker, 1991-1995): P9 q; v) x) R" @( ]8 J: C, s$ s
84. Scoop (Evelyn Waugh, 1938)- i4 o4 h' I6 k: ^7 X
83. Barchester Towers (Anthony Trollope, 1857): I0 `7 q9 r: G$ |" I$ [
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ s! y$ j. ?! @6 k
81. The Jewel in the Crown (Paul Scott, 1966)
. r$ h- N8 `3 R+ I" [- y80. Excellent Women (Barbara Pym, 1952)
) N7 e* o" J4 p+ }0 ^, N% L! R# A79. His Dark Materials (Philip Pullman, 1995-2000)
& u( J, w" h: s$ K9 B, L) Z% t78. A House for Mr Biswas (VS Naipaul, 1961), @$ k- D: _) U
77. Of Human Bondage (W Somerset Maugham, 1915)
6 Y, A r2 [' }/ ], {76. Small Island (Andrea Levy, 2004)$ Q8 k! u1 P# |4 {2 B! e
75. Women in Love (DH Lawrence, 1920): @8 L% \( p0 |' V8 u3 ^, V# T
74. The Mayor of Casterbridge (Thomas Hardy, 1886); z: R+ {, D. L
73. The Blue Flower (Penelope Fitzgerald, 1995)
, P6 Y+ S2 w6 E( F; V! s; b72. The Heart of the Matter (Graham Greene, 1948)" K2 i5 H( x2 r* H' w i1 P
71. Old Filth (Jane Gardam, 2004)
( ? x. Z5 L( R, v; a" w: n" H70. Daniel Deronda (George Eliot, 1876)
! r" S0 x8 j: Z: N% Y69. Nostromo (Joseph Conrad, 1904)( E, |, p: A- S
68. A Clockwork Orange (Anthony Burgess, 1962)! [' B0 ^+ T5 a' U; I! R9 [
67. Crash (JG Ballard 1973)
0 b& M- q# j1 S% p66. Sense and Sensibility (Jane Austen, 1811)
' J8 g- Q% M/ R s% ]% ?( G) \: [65. Orlando (Virginia Woolf, 1928)$ ~5 T6 J. w3 F: @7 f. ^# _
64. The Way We Live Now (Anthony Trollope, 1875)) `$ @& r9 j& E
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
! B" @* b) y5 P62. Animal Farm (George Orwell, 1945)
6 Q2 U# u3 R* l61. The Sea, The Sea (Iris Murdoch, 1978)& Q; w) c/ c: L1 K1 S+ f- {
60. Sons and Lovers (DH Lawrence, 1913)& _0 _# B. Q2 r7 H" k/ w( _
59. The Line of Beauty (Alan Hollinghurst, 2004)
: G% m+ j; O( T+ c/ `5 f58. Loving (Henry Green, 1945)
$ _! {3 k7 r) z: z& S57. Parade’s End (Ford Madox Ford, 1924-1928)
7 G5 F, c/ |! \' Y( P56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
7 Y5 U' J" p' h! ~/ N3 E55. Gulliver’s Travels (Jonathan Swift, 1726); N' ?' W9 r9 [
54. NW (Zadie Smith, 2012)4 G6 I4 _; {; j! [6 z- ^; z" E
53. Wide Sargasso Sea (Jean Rhys, 1966)
9 [; T! L2 C! Z' l5 h: ?52. New Grub Street (George Gissing, 1891)+ j2 h; l5 y( a7 D" f5 O8 Z# H1 z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 Z/ l/ V) p+ b# [& s& E50. A Passage to India (EM Forster, 1924), _# S* ]8 l3 V# h$ D$ [
49. Possession (AS Byatt, 1990)
9 v2 R+ D2 b8 G. e1 d% b& i48. Lucky Jim (Kingsley Amis, 1954)8 ?1 o/ {7 d6 N3 Y1 l! G0 o
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
6 C& h' y1 w$ M1 `) q46. Midnight’s Children (Salman Rushdie, 1981)
" j, d d( m6 K9 u2 O! d! C( |45. The Little Stranger (Sarah Waters, 2009)
2 E0 @( M8 C1 S6 r! J2 s, j# o44. Wolf Hall (Hilary Mantel, 2009)
9 P( J. }# t- a4 a9 v- U43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 j: }& m6 W0 Z* m3 y
42. Brighton Rock (Graham Greene, 1938)& H6 o- z# A' F! k2 H* l3 {
41. Dombey and Son (Charles Dickens, 1848)$ t; _' C( H0 {& J
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 F8 a+ u) I* d0 T
39. The Sense of an Ending (Julian Barnes, 2011); b( w: b. z/ u5 z- X0 ]
38. The Passion (Jeanette Winterson, 1987)
/ j$ _. Y5 A6 D& i: k37. Decline and Fall (Evelyn Waugh, 1928)
2 W3 f& p; ~7 \8 O36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
: f7 w3 C0 _: e1 J8 Z& v35. Remainder (Tom McCarthy, 2005)
2 E/ u# ?! h; j3 s6 B4 }( q34. Never Let Me Go (Kazuo Ishiguro, 2005)* \2 k5 ~2 O. ]1 ?. c& |. I
33. The Wind in the Willows (Kenneth Grahame, 1908), ?- P* g4 x" @% |* I: P
32. A Room with a View (EM Forster, 1908)
4 x/ ~; l- f7 F2 v+ a31. The End of the Affair (Graham Greene, 1951)7 t/ ]; f7 G- s; V+ _- n! z
30. Moll Flanders (Daniel Defoe, 1722): d% M! W( R# y$ C; q
29. Brick Lane (Monica Ali, 2003)
4 M' {4 ?( t2 Z28. Villette (Charlotte Brontë, 1853)* S, s+ c5 w1 U. |1 r% S
27. Robinson Crusoe (Daniel Defoe, 1719): T% C. ]2 G3 U: _ D9 [6 h
26. The Lord of the Rings (JRR Tolkien, 1954)" J2 E a5 k) V# j
25. White Teeth (Zadie Smith, 2000)
) i- Q: `" |" ?$ K+ @1 d7 D24. The Golden Notebook (Doris Lessing, 1962)% Z, \4 x, s# l5 u
23. Jude the Obscure (Thomas Hardy, 1895)
& B+ c2 x) @ E, o: v22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
' P# c" u! s; _0 l" p$ M21. Heart of Darkness (Joseph Conrad, 1899)
7 Z- `9 Q9 ]) g! k, j20. Persuasion (Jane Austen, 1817)! @+ H* M2 ?1 K2 u' Y: h9 d
19. Emma (Jane Austen, 1815)
: {: _: c. w }4 c! U18. Remains of the Day (Kazuo Ishiguro, 1989)
$ a& ~! j( v3 q17. Howards End (EM Forster, 1910)% `4 l7 D$ R7 G% n
16. The Waves (Virginia Woolf, 1931)
% C2 `7 G: I% h15. Atonement (Ian McEwan, 2001)
1 Q/ _, {7 m8 K; t14. Clarissa (Samuel Richardson,1748)$ S1 q1 Y6 ]3 O8 h7 d
13. The Good Soldier (Ford Madox Ford, 1915)
9 `6 S5 K+ W+ U; L9 m12. Nineteen Eighty-Four (George Orwell, 1949)
Y" I6 R9 Q; b/ l. l' d11. Pride and Prejudice (Jane Austen, 1813)
+ Q, C& Q& o1 L) Q! j" X7 p9 ? X) j10. Vanity Fair (William Makepeace Thackeray, 1848)0 s+ h' T& a. c4 O
9. Frankenstein (Mary Shelley, 1818)
& e' U5 d% G! ?. m/ g; s0 n' r0 M8. David Copperfield (Charles Dickens, 1850) v3 r* L2 u" x! B
7. Wuthering Heights (Emily Brontë, 1847)
* P, V, W( u0 Q% e: f/ R6. Bleak House (Charles Dickens, 1853)9 ^( j6 M j2 K0 P. S, k
5. Jane Eyre (Charlotte Brontë, 1847)# s. W1 K- [$ J& Q- D y4 q+ v4 d
4. Great Expectations (Charles Dickens, 1861)# [# w3 N- Q1 f) Y, e1 g
3. Mrs. Dalloway (Virginia Woolf, 1925)
+ z, ]& K) ^9 q! L4 H- q: u6 [1 k2. To the Lighthouse (Virginia Woolf, 1927)
0 j; M! d! }7 {( R; A1. Middlemarch (George Eliot, 1874)
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1 F$ w, N V+ z3 g/ V% K6 ]前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 t. a6 c- Q2 e
) G& N% S$ {7 V4 a+ r, A6 Y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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