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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - C" Y) f5 E- ^
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BBC评出100大英国文学名著
& O* [$ N0 F, L6 u- f( K9 R4 _http://www.bbc.com/culture/story ... test-british-novels- r f: |' K% M/ z$ `3 X, ~
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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% q( K, ]/ q6 r: ~2 \, I100. The Code of the Woosters (PG Wodehouse, 1938)
, P, Q+ L5 b6 U* U' G99. There but for the (Ali Smith, 2011)! y4 `- L( h9 B7 y2 ?
98. Under the Volcano (Malcolm Lowry,1947)
, Y z+ }3 D8 I4 ]: \97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 R& j0 J H* E( C
96. Memoirs of a Survivor (Doris Lessing, 1974)& y# a$ b9 y; x s
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 y4 S3 f s& ^+ Q) L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( Q5 d; G; P2 E) O% H93. Lord of the Flies (William Golding, 1954)
6 K% V% l& f9 m( A- u92. Cold Comfort Farm (Stella Gibbons, 1932)4 h7 A/ }" X1 e
91. The Forsyte Saga (John Galsworthy, 1922)9 y% C8 D& Q9 w
90. The Woman in White (Wilkie Collins, 1859)0 T J' A! ?7 a* L H) r1 e
89. The Horse’s Mouth (Joyce Cary, 1944)
* P! t" S# D' @0 h% }, o8 D9 \88. The Death of the Heart (Elizabeth Bowen, 1938) o' ]/ |% N. T7 [. ~
87. The Old Wives’ Tale (Arnold Bennett,1908); p6 c! v0 ^1 j) Q" {
86. A Legacy (Sybille Bedford, 1956)) j8 ~" b. J" B4 q
85. Regeneration Trilogy (Pat Barker, 1991-1995)0 H( Q* @. i6 v8 M9 [' n* q$ R" N
84. Scoop (Evelyn Waugh, 1938)
' u/ `, r5 N5 Z- _8 A8 U$ j83. Barchester Towers (Anthony Trollope, 1857)8 O, K4 F B4 q% o7 u
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& d4 i5 a* Y0 O) i/ J* ~/ g, m81. The Jewel in the Crown (Paul Scott, 1966)# X, j0 O7 v7 f4 I+ y
80. Excellent Women (Barbara Pym, 1952)
1 h+ W! x( w+ F8 r' W79. His Dark Materials (Philip Pullman, 1995-2000)( \1 F* l! s6 m" b, j, H6 h
78. A House for Mr Biswas (VS Naipaul, 1961)
, M) N+ ]8 D1 {77. Of Human Bondage (W Somerset Maugham, 1915)
4 }4 C0 \# _. J8 s ~76. Small Island (Andrea Levy, 2004), U* }! |4 N% H9 R
75. Women in Love (DH Lawrence, 1920)7 ^- b e" R: o/ s- X; B' Q
74. The Mayor of Casterbridge (Thomas Hardy, 1886)$ |8 B2 j: P* Z4 D1 v
73. The Blue Flower (Penelope Fitzgerald, 1995)7 K( ^2 B3 S* p/ R0 y, K
72. The Heart of the Matter (Graham Greene, 1948), L6 `. p! N- g5 U; ~: r! {
71. Old Filth (Jane Gardam, 2004)
* ^8 z1 _. O2 w- Q: e( e$ E70. Daniel Deronda (George Eliot, 1876)$ N3 [* U: S, r$ y
69. Nostromo (Joseph Conrad, 1904)
% Q5 L: T* G9 ^3 T68. A Clockwork Orange (Anthony Burgess, 1962)1 d( h: H$ j2 x' @, ?8 g3 Q
67. Crash (JG Ballard 1973)0 e# k5 N/ i2 d: h8 W- b5 j
66. Sense and Sensibility (Jane Austen, 1811)* ]& P$ V. ?( }* Q* x2 P
65. Orlando (Virginia Woolf, 1928)
& Q2 a9 g5 a" Y# v0 c: |64. The Way We Live Now (Anthony Trollope, 1875)
5 w+ K, z% W+ ^# i+ V: x63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
1 {, ]9 V* \2 C- V$ [; o62. Animal Farm (George Orwell, 1945)8 Q( \: b% b K7 j2 T* s8 V
61. The Sea, The Sea (Iris Murdoch, 1978)% F: E& R8 T% K2 A- b9 T1 {$ w U
60. Sons and Lovers (DH Lawrence, 1913)
& [& ?5 w, ]! s1 |$ _5 q59. The Line of Beauty (Alan Hollinghurst, 2004)
9 L. J# ]. [3 w1 ?9 c58. Loving (Henry Green, 1945)$ t6 g# k/ i3 O& | n* v! C0 C2 w6 q
57. Parade’s End (Ford Madox Ford, 1924-1928)
, Q% I% g3 n9 |% s6 x0 f f8 @' u56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: w/ z$ o) `4 k" S3 ]* X: c55. Gulliver’s Travels (Jonathan Swift, 1726)
% S# ?- T% a' k* X54. NW (Zadie Smith, 2012)5 z) U( S/ W; `1 P6 K4 U
53. Wide Sargasso Sea (Jean Rhys, 1966)
E0 o: o1 f" I1 O! r- s; ^, j! m52. New Grub Street (George Gissing, 1891)
) Q# j$ Q" T" @51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
3 d; ]/ ~( _: `! S. I$ |50. A Passage to India (EM Forster, 1924)
) D( z. f& r$ ~- z$ I49. Possession (AS Byatt, 1990)+ m8 T) f2 D- l5 `7 @9 E1 F
48. Lucky Jim (Kingsley Amis, 1954)
9 N9 b% p8 t# S8 n, T! V47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)' d; d) _4 \8 k \
46. Midnight’s Children (Salman Rushdie, 1981)
/ d6 _! F* Y. D: C45. The Little Stranger (Sarah Waters, 2009)! \4 i/ G8 N# p1 i% l7 e1 I
44. Wolf Hall (Hilary Mantel, 2009)/ V0 B3 P: O8 d: s1 ~' b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! x( r- t6 n: H( {% ~4 z" l42. Brighton Rock (Graham Greene, 1938)- X7 _# o0 ?& ]
41. Dombey and Son (Charles Dickens, 1848). v6 s$ _) [* k% s
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)8 G( M* y- V1 Y3 p- T
39. The Sense of an Ending (Julian Barnes, 2011)
) ^' ^' m) R) y( v8 w6 a" o* }& b4 R38. The Passion (Jeanette Winterson, 1987)
: Q: e1 u. M, j5 `1 ^# ]8 [; w0 ]37. Decline and Fall (Evelyn Waugh, 1928)# C- B+ Q, z5 I, O) H' n; E
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
8 q3 n5 R" G0 q! |% u) {4 I35. Remainder (Tom McCarthy, 2005)$ [- U( y: y4 j% B* z6 Y; [* R' S
34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 T, _" m; _7 a& i. i33. The Wind in the Willows (Kenneth Grahame, 1908)
9 q8 e/ v( a8 s5 |8 [32. A Room with a View (EM Forster, 1908)
! L6 u' g' m4 i% K3 K, f5 E, X31. The End of the Affair (Graham Greene, 1951)' a0 m8 y0 d! _4 Q
30. Moll Flanders (Daniel Defoe, 1722)
: y8 ~# c; E$ T9 F; A29. Brick Lane (Monica Ali, 2003)* f% w8 q H( c' b& c* @& e! l
28. Villette (Charlotte Brontë, 1853)
, i. B5 ?0 Y* N* B; v+ {27. Robinson Crusoe (Daniel Defoe, 1719)' d6 N+ p, C: J. C" a! u
26. The Lord of the Rings (JRR Tolkien, 1954)
) S i! _, ?( x2 x. f3 Q1 k9 b. G25. White Teeth (Zadie Smith, 2000)
* p) Z& u" H, L' C+ d) Q24. The Golden Notebook (Doris Lessing, 1962)
1 L# Z# w) x: x+ r; ^) ~5 o7 n* W# i23. Jude the Obscure (Thomas Hardy, 1895)
+ }* G0 e2 C6 d( a: p+ u2 d22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
s2 R6 }# v/ @4 p4 n7 p21. Heart of Darkness (Joseph Conrad, 1899)
$ x* w- z& U' d1 J' c# ^20. Persuasion (Jane Austen, 1817)
$ P* Z* g: C5 N, }! r$ ^0 S% Q8 S) V+ T19. Emma (Jane Austen, 1815)* G' B, p1 |; l \8 m
18. Remains of the Day (Kazuo Ishiguro, 1989)6 o6 f+ [! K4 d% r! b! W- B
17. Howards End (EM Forster, 1910)/ X& ~9 y4 A4 W- R8 H
16. The Waves (Virginia Woolf, 1931)9 y( X; ]0 D+ M! R; }, |) J
15. Atonement (Ian McEwan, 2001)& U4 {2 U9 ~/ v. m$ K' O
14. Clarissa (Samuel Richardson,1748) K% O; a/ c# y0 c3 _, t
13. The Good Soldier (Ford Madox Ford, 1915)) Y; p, O* X; J& Q
12. Nineteen Eighty-Four (George Orwell, 1949)
- _: W8 Q7 Y. K% T8 p# [11. Pride and Prejudice (Jane Austen, 1813)
# {/ ^7 L& \" M0 w+ I9 i2 t3 w% G10. Vanity Fair (William Makepeace Thackeray, 1848), l" T. W7 u( [+ h% e
9. Frankenstein (Mary Shelley, 1818)5 R0 [$ M- i* \& g7 M. C
8. David Copperfield (Charles Dickens, 1850)
' Q+ ?5 ?8 I9 t/ O9 I% _7. Wuthering Heights (Emily Brontë, 1847)# E( I' ^& W2 b4 A; G. g* A
6. Bleak House (Charles Dickens, 1853)1 l- \/ g; [' U$ N( w
5. Jane Eyre (Charlotte Brontë, 1847)
; Y6 h: A6 }4 }. @4. Great Expectations (Charles Dickens, 1861)
- X& N( [$ e# j/ _9 q- a, |+ i1 d$ v3. Mrs. Dalloway (Virginia Woolf, 1925)
- i/ w* i) s2 o2. To the Lighthouse (Virginia Woolf, 1927)# h2 y7 r3 E6 [
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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