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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
1 @1 F( Y. p* Rhttp://www.bbc.com/culture/story ... test-british-novels
; ~3 C2 f0 {) Y9 \4 {3 [0 U惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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9 b a/ h# X( O100. The Code of the Woosters (PG Wodehouse, 1938)
7 v! t2 K9 L0 C5 m99. There but for the (Ali Smith, 2011)
) C& q0 d, s$ W98. Under the Volcano (Malcolm Lowry,1947); Z1 h# n# \& N7 q1 P8 ~) L* R
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; n+ W, n" L: i( W( T/ U3 d; c96. Memoirs of a Survivor (Doris Lessing, 1974)
4 o0 r- H* C( ~3 |95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 [) Z/ h# |. N$ Z# C
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824) n1 S3 ~ K* N7 h1 S% {
93. Lord of the Flies (William Golding, 1954)- d) p3 V* ^. N) X/ ?( S
92. Cold Comfort Farm (Stella Gibbons, 1932)/ K7 ~8 ?9 @1 w9 }" ]( j
91. The Forsyte Saga (John Galsworthy, 1922)" h) m( e7 d, B7 U* p7 M
90. The Woman in White (Wilkie Collins, 1859)* R' k6 W7 A6 b& j) q0 S
89. The Horse’s Mouth (Joyce Cary, 1944)9 y/ ` ^) _ m3 B+ _3 m% R( e
88. The Death of the Heart (Elizabeth Bowen, 1938)0 Y# g" M- g% F
87. The Old Wives’ Tale (Arnold Bennett,1908)
/ O6 {5 j/ W2 R86. A Legacy (Sybille Bedford, 1956). X4 N, A# M% V* [+ c
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 n6 M7 ^3 e; ^6 v! S) n \84. Scoop (Evelyn Waugh, 1938)
% t/ C; Y0 V/ Z. s: R: u9 D( w3 f83. Barchester Towers (Anthony Trollope, 1857)
" m* m d7 j' t% h9 o82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)8 U( e; n% n( }# D
81. The Jewel in the Crown (Paul Scott, 1966)& ^: l* P6 i& u
80. Excellent Women (Barbara Pym, 1952)
9 ?; \, b; ~: y7 E9 y D79. His Dark Materials (Philip Pullman, 1995-2000)5 A$ c9 U' H4 |; ~7 R) }# V; U
78. A House for Mr Biswas (VS Naipaul, 1961)
( b% r$ A( T) M$ f- x) _/ B/ p77. Of Human Bondage (W Somerset Maugham, 1915)* e, O* Q1 L. B. ?: O, Y+ X6 d
76. Small Island (Andrea Levy, 2004)
/ q7 w4 g2 Q' C, A3 S: s0 Y6 Z, b75. Women in Love (DH Lawrence, 1920)
6 ?8 U" ~# S3 [3 y* J3 x74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 o" O9 X8 p9 {3 l9 e73. The Blue Flower (Penelope Fitzgerald, 1995)* | x N1 w" Z. B+ R
72. The Heart of the Matter (Graham Greene, 1948). ~; ~: J1 O- m* O
71. Old Filth (Jane Gardam, 2004)
0 ?/ d F0 b3 X( o& E( I: D70. Daniel Deronda (George Eliot, 1876); \( ?9 g- w6 a& n* O5 M% k
69. Nostromo (Joseph Conrad, 1904)
# E0 y) ^# _- \/ K- l7 ?68. A Clockwork Orange (Anthony Burgess, 1962)
* j) c i% v, o+ ^67. Crash (JG Ballard 1973)# _% v$ S9 G# r4 x' L) J0 E/ i
66. Sense and Sensibility (Jane Austen, 1811)
' l' _1 F. K$ p1 _( P1 |' H65. Orlando (Virginia Woolf, 1928)6 X! _/ }5 ^) g% P4 v
64. The Way We Live Now (Anthony Trollope, 1875)
' U9 S4 e% A7 d9 X5 v+ q" w63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
- }1 q @, ~- v2 Q62. Animal Farm (George Orwell, 1945)
$ n* |4 u2 f$ L& J$ ~$ U' Y61. The Sea, The Sea (Iris Murdoch, 1978) v5 a0 m/ x: s( Z2 |5 H$ m
60. Sons and Lovers (DH Lawrence, 1913)$ l& p8 r0 H' _$ u# p6 N
59. The Line of Beauty (Alan Hollinghurst, 2004)9 ^. u3 r- I5 M+ T. g! G7 H& p
58. Loving (Henry Green, 1945)$ C4 }$ @ s- e# u( d. r! G1 P
57. Parade’s End (Ford Madox Ford, 1924-1928)2 T1 L" C7 m# J) W; U) e
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- d" T; V3 P& I: l3 D0 i& y2 D55. Gulliver’s Travels (Jonathan Swift, 1726) t1 u6 a5 m7 @2 D! {$ r( j8 Q
54. NW (Zadie Smith, 2012)2 x) q( M- G% @' E: c/ W" P
53. Wide Sargasso Sea (Jean Rhys, 1966). ^2 n$ z0 a4 Q/ B, ]* n7 V& A. w
52. New Grub Street (George Gissing, 1891)1 m2 R8 X0 x ^! c" A1 o
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 [) f B* O8 @% {; @+ G50. A Passage to India (EM Forster, 1924)
; h* [7 e3 P5 K7 a1 X$ p" z ?49. Possession (AS Byatt, 1990)6 O" _) V2 E9 @8 l4 Q
48. Lucky Jim (Kingsley Amis, 1954)2 x7 _1 R: `4 L
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ W9 _) Y1 B8 x' Y
46. Midnight’s Children (Salman Rushdie, 1981)
" z1 i0 Z0 T3 O9 w. [45. The Little Stranger (Sarah Waters, 2009)4 l# N* N. M" x: @4 d; c
44. Wolf Hall (Hilary Mantel, 2009)6 ?# Z3 w* E! b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
. X' p8 C1 c0 Z2 a42. Brighton Rock (Graham Greene, 1938) w' Z# W t9 M9 y( H7 K1 N
41. Dombey and Son (Charles Dickens, 1848)
0 c% Y5 c) P3 p2 _40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ }+ _0 z% ^( J+ G( s* Z5 }39. The Sense of an Ending (Julian Barnes, 2011)
3 P* M- N$ m; J2 a, y% T38. The Passion (Jeanette Winterson, 1987)5 X* [ D6 m8 h, v( f
37. Decline and Fall (Evelyn Waugh, 1928)5 M$ Q: u4 x( x" K, q
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
4 v# b' X- D" ]: Z) O2 |35. Remainder (Tom McCarthy, 2005)
( T, F0 R. V( t$ H6 k34. Never Let Me Go (Kazuo Ishiguro, 2005)) Q" F' ]' `7 T5 t" L7 k5 i
33. The Wind in the Willows (Kenneth Grahame, 1908)
5 j) t% m- v; {; G32. A Room with a View (EM Forster, 1908)
( u8 x& [' C# t3 G# w31. The End of the Affair (Graham Greene, 1951)
/ U8 _4 ^- z6 K9 C5 l& S+ z* k30. Moll Flanders (Daniel Defoe, 1722)
2 U" b: }1 }3 \& W# [2 }29. Brick Lane (Monica Ali, 2003)6 n9 C0 L- f/ W. c2 k$ f
28. Villette (Charlotte Brontë, 1853)
+ @& }6 C8 W4 \* R# H2 t6 B4 O27. Robinson Crusoe (Daniel Defoe, 1719)
8 E6 `. v* Q; G: V0 z8 e$ f26. The Lord of the Rings (JRR Tolkien, 1954). B3 g! e( ]$ ]' \* ^
25. White Teeth (Zadie Smith, 2000). ?! V* ]9 u7 q* m5 F2 V
24. The Golden Notebook (Doris Lessing, 1962)
- ^$ g7 W, c- C q; J23. Jude the Obscure (Thomas Hardy, 1895)
* ?0 G- e% ?# p- P- E22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 d* a- b; v+ C! }21. Heart of Darkness (Joseph Conrad, 1899)
0 _& J3 k: Z- `( ]/ ^2 b5 ~ z20. Persuasion (Jane Austen, 1817)
$ l# h& d+ q! i$ k+ y7 z4 [19. Emma (Jane Austen, 1815)1 D8 U" \/ @& t2 J
18. Remains of the Day (Kazuo Ishiguro, 1989)
% M( N# O+ o; R& r' f6 a1 I' O3 ^17. Howards End (EM Forster, 1910)
, I4 i/ n- H+ K9 u2 L/ D16. The Waves (Virginia Woolf, 1931)
) ^7 \' }$ K! q& @15. Atonement (Ian McEwan, 2001)
- w1 j |1 z% V( ~4 u% U14. Clarissa (Samuel Richardson,1748)
4 q6 a5 x; k( |; y' ?13. The Good Soldier (Ford Madox Ford, 1915)
0 v- m8 V o8 [) I0 ^$ _12. Nineteen Eighty-Four (George Orwell, 1949)$ i# O: ?$ M; o" R5 I3 {# I+ S- |6 {2 D
11. Pride and Prejudice (Jane Austen, 1813)6 c9 N3 K4 b, U/ f
10. Vanity Fair (William Makepeace Thackeray, 1848)
% V+ z8 l9 ^% y; V, N4 Y8 c2 }9. Frankenstein (Mary Shelley, 1818)
; I5 H. H" f- G: H8. David Copperfield (Charles Dickens, 1850). b8 h4 F8 v4 ~5 p
7. Wuthering Heights (Emily Brontë, 1847)9 ?; i: Z M# S+ n! U, K
6. Bleak House (Charles Dickens, 1853)
; B: m: g. r; K1 B- h5. Jane Eyre (Charlotte Brontë, 1847)! B, J' `$ f* y: k3 S; w, L$ x
4. Great Expectations (Charles Dickens, 1861)
' \ b: V- _6 H. I" [' Q3. Mrs. Dalloway (Virginia Woolf, 1925)7 z, @4 s7 A$ l2 d2 a5 \2 v
2. To the Lighthouse (Virginia Woolf, 1927)
+ s0 w" d4 j1 S6 S7 \; U3 O1. Middlemarch (George Eliot, 1874)+ l, a+ J2 R* q z% h
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. v3 {1 \5 |- ]! ~
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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