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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 r1 u( c" \$ J3 L! K
5 f' j3 z7 u8 h1 T& d& [4 iBBC评出100大英国文学名著
8 r, ]8 E d2 \3 Hhttp://www.bbc.com/culture/story ... test-british-novels
$ @+ }# p% l$ h! W惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。, z9 `1 I9 }# L3 w
& R; }7 T2 w3 b- F, O) P100. The Code of the Woosters (PG Wodehouse, 1938)# l! n8 `2 ^- M% t5 j. f
99. There but for the (Ali Smith, 2011)3 `) ~; \8 b. N1 N: `6 ]& e& M
98. Under the Volcano (Malcolm Lowry,1947)
' {( O$ E7 n% D3 L$ [- l! p, ]97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 |# H: g) J8 s4 `! O) b& \) y7 Y% t+ G9 a5 g96. Memoirs of a Survivor (Doris Lessing, 1974)4 e! U* n. ?( R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
' [, @ \ h" d8 E6 e5 u9 [94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)- S0 |: c! Z* r* Z7 Y. R
93. Lord of the Flies (William Golding, 1954)" b! s! q9 x8 q' f% c
92. Cold Comfort Farm (Stella Gibbons, 1932), e2 o, A" H) e2 F4 x8 Z
91. The Forsyte Saga (John Galsworthy, 1922)( B6 J1 n% O+ B. r2 k
90. The Woman in White (Wilkie Collins, 1859)
( z$ w7 Q% I' C* B) d; }89. The Horse’s Mouth (Joyce Cary, 1944)
/ m! U" F* v; K' E7 h* Z7 k88. The Death of the Heart (Elizabeth Bowen, 1938)( j5 q: \( b; A
87. The Old Wives’ Tale (Arnold Bennett,1908)
/ H4 j( K& w5 ?: A86. A Legacy (Sybille Bedford, 1956)
: F, H }) ]% [8 V85. Regeneration Trilogy (Pat Barker, 1991-1995); P" u( G5 m; x0 Q) `/ v! ^
84. Scoop (Evelyn Waugh, 1938)5 D4 ~* i; w/ j; Q* U. A4 M
83. Barchester Towers (Anthony Trollope, 1857)
: S6 q) P, R2 s/ g6 m. B82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" L- C+ O: y8 ]! L- D: ~" T6 z- G
81. The Jewel in the Crown (Paul Scott, 1966), p# R* f y; u- S' i: G9 r t# A
80. Excellent Women (Barbara Pym, 1952)' C6 ]$ g# |. F- p- V
79. His Dark Materials (Philip Pullman, 1995-2000)1 E" p6 z: w ^( V* N3 M" P2 ~
78. A House for Mr Biswas (VS Naipaul, 1961)
% N% t/ J3 V. A" n' F" T77. Of Human Bondage (W Somerset Maugham, 1915)8 J' b$ X& B) b; c
76. Small Island (Andrea Levy, 2004)
3 n& Y$ R% h( B75. Women in Love (DH Lawrence, 1920)* H) ?& \% k* ^) f$ ^
74. The Mayor of Casterbridge (Thomas Hardy, 1886); ]6 u+ h1 o4 T: S, u% H( ? ^' f
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 q6 @2 M# {" ^ s' Z T72. The Heart of the Matter (Graham Greene, 1948)
+ z3 n6 O3 {6 y' s1 h3 O& s71. Old Filth (Jane Gardam, 2004)
3 O0 @8 w- g o& U: d2 A) C70. Daniel Deronda (George Eliot, 1876)
. }' t4 x- U7 q/ }2 M1 S69. Nostromo (Joseph Conrad, 1904) }* U0 C# I5 c3 [! `
68. A Clockwork Orange (Anthony Burgess, 1962)
5 Y: Y7 o7 [: p/ n' d3 @' G$ j67. Crash (JG Ballard 1973)
9 C* b& g) S* {8 T( [; y+ K66. Sense and Sensibility (Jane Austen, 1811)
8 V' Y8 X5 a+ F* d0 |6 v( F65. Orlando (Virginia Woolf, 1928)9 e% W" _' s1 U
64. The Way We Live Now (Anthony Trollope, 1875)
) w# T5 \. B" t3 t* w63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
L' T B( c V8 {62. Animal Farm (George Orwell, 1945)0 M! o- k0 M( S. R3 ^
61. The Sea, The Sea (Iris Murdoch, 1978)9 h4 J- L- u) m1 d/ b# K0 V6 s
60. Sons and Lovers (DH Lawrence, 1913)
9 Z$ t+ ^: |; A7 ?* W1 s/ M1 O59. The Line of Beauty (Alan Hollinghurst, 2004)
! C w4 C4 e1 b: x58. Loving (Henry Green, 1945)- X( K& \2 @3 i) k. c( B' n5 l& y
57. Parade’s End (Ford Madox Ford, 1924-1928): G/ F% `" s, b) y" Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& Z5 N; F" S' p& U" g5 g55. Gulliver’s Travels (Jonathan Swift, 1726)
' N' O1 U" j# z8 ?( W+ x5 `, `9 X54. NW (Zadie Smith, 2012)
, k# Q8 m- S; q' e& Q( R53. Wide Sargasso Sea (Jean Rhys, 1966)- X; n; [' K. D
52. New Grub Street (George Gissing, 1891)
- ~6 K9 y j/ L' y# [51. Tess of the d’Urbervilles (Thomas Hardy, 1891)/ @7 R$ X/ H+ b) W
50. A Passage to India (EM Forster, 1924)
" Z/ x8 v+ d ?; w0 |" ^49. Possession (AS Byatt, 1990); ~/ E) y' g9 W# \
48. Lucky Jim (Kingsley Amis, 1954)
8 p) U1 _; Q/ k0 G, W- W47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)6 g* g0 Q1 L7 c9 }
46. Midnight’s Children (Salman Rushdie, 1981)
# b+ `8 R7 u% x! h1 F45. The Little Stranger (Sarah Waters, 2009)- |3 U9 z% ~) {* B$ P8 m- @
44. Wolf Hall (Hilary Mantel, 2009)
1 `, ~) `# T& P3 _7 g( n43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* `, V/ H. p+ u A, }42. Brighton Rock (Graham Greene, 1938)9 b% N+ \1 v8 v" a
41. Dombey and Son (Charles Dickens, 1848)( H& R7 [: K5 Q" \) h8 E/ H3 i
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& X; S. q# m# h* ^: |; I D. k
39. The Sense of an Ending (Julian Barnes, 2011)
5 T+ o O2 D8 Q) m. w' A4 `1 Y38. The Passion (Jeanette Winterson, 1987)
2 T, u( f: O9 d) {1 X! S* q37. Decline and Fall (Evelyn Waugh, 1928)1 B. r# H2 u& \- n
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
# H6 T a) L) x& a35. Remainder (Tom McCarthy, 2005)" }& o0 w4 g7 Y" {9 R) W
34. Never Let Me Go (Kazuo Ishiguro, 2005)
* l6 _( g6 C* A6 }4 `33. The Wind in the Willows (Kenneth Grahame, 1908)/ K4 n; G: e. F$ g# h- a
32. A Room with a View (EM Forster, 1908)1 |4 J) X5 u1 Q. v
31. The End of the Affair (Graham Greene, 1951)
, m H3 C$ d! B7 \30. Moll Flanders (Daniel Defoe, 1722)+ Y% j& s9 ]0 Q/ f
29. Brick Lane (Monica Ali, 2003)
' B! @$ T% A/ Q5 f8 \7 k4 P- f3 y28. Villette (Charlotte Brontë, 1853)
! t( t+ _9 F8 R6 ^! j27. Robinson Crusoe (Daniel Defoe, 1719)
9 h% N1 s; R& u) g# B7 }# R. [26. The Lord of the Rings (JRR Tolkien, 1954)
4 H) C4 n/ X2 ^2 A; f25. White Teeth (Zadie Smith, 2000)$ q+ l! ]; w9 |! G6 a
24. The Golden Notebook (Doris Lessing, 1962)
) C% {; X, L7 F7 r23. Jude the Obscure (Thomas Hardy, 1895)3 s& |$ P" h% m" v4 X
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
: s( c3 i: n9 w21. Heart of Darkness (Joseph Conrad, 1899)
5 `4 z6 f4 H8 Y( R20. Persuasion (Jane Austen, 1817)
: W& N( \, M( e& Y6 x v19. Emma (Jane Austen, 1815)
$ d0 X5 E) A I# |) `18. Remains of the Day (Kazuo Ishiguro, 1989)
9 }, H2 [" X3 ? E4 l; j17. Howards End (EM Forster, 1910)
; o9 t, D7 D6 g v$ c16. The Waves (Virginia Woolf, 1931)
r7 A! Q& g Z( n0 t$ y: L4 a& u15. Atonement (Ian McEwan, 2001)" w4 T% M- H1 ^" o, p4 a
14. Clarissa (Samuel Richardson,1748)
- P. o9 q- C$ q4 V! e9 |3 i13. The Good Soldier (Ford Madox Ford, 1915)9 G% B" B# i! P' R3 e, j$ I8 c. J
12. Nineteen Eighty-Four (George Orwell, 1949)
& ?8 j- G! E$ l* y7 D$ Z11. Pride and Prejudice (Jane Austen, 1813)% ~6 j7 O( R5 w/ f' ~4 O
10. Vanity Fair (William Makepeace Thackeray, 1848)- F1 H2 m8 f' f* s# @
9. Frankenstein (Mary Shelley, 1818)
0 R. A6 `5 F( I8. David Copperfield (Charles Dickens, 1850)( _/ d3 w3 v& @6 \5 U3 E: I4 V+ I( l' t
7. Wuthering Heights (Emily Brontë, 1847)0 R, ]+ G/ d) D" o$ Y& j0 ]
6. Bleak House (Charles Dickens, 1853)+ M9 h3 \) p; |6 R# H
5. Jane Eyre (Charlotte Brontë, 1847)
# l9 A4 V6 A" u" n3 T4. Great Expectations (Charles Dickens, 1861)
' C2 r: k1 B/ L4 _0 X3. Mrs. Dalloway (Virginia Woolf, 1925)$ `2 [# y8 T. u$ ]- z7 F; K: O7 V
2. To the Lighthouse (Virginia Woolf, 1927)" Q X' S& N* K! g' R4 L2 C/ K
1. Middlemarch (George Eliot, 1874)6 b, ^+ c" ^: h% f4 [- ^- W0 K% o
8 C5 y; c q" g5 H( h z+ M前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! G4 v- E$ {4 L6 E
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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