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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 [* u5 @, `2 k2 |5 J
( n; c9 X+ ~9 o3 ?BBC评出100大英国文学名著
6 d$ X+ O9 D3 l* D- v: L; S$ K# P8 Fhttp://www.bbc.com/culture/story ... test-british-novels" S6 C2 T0 f; t0 I$ R6 g. c& G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& X+ c; V9 t" H3 {
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100. The Code of the Woosters (PG Wodehouse, 1938)/ |8 D% ^; \. G2 r. w6 p4 f
99. There but for the (Ali Smith, 2011)2 I. g5 u5 V* p! @
98. Under the Volcano (Malcolm Lowry,1947)
" A2 Q' P; |% _2 m97. The Chronicles of Narnia (CS Lewis, 1949-1954)
$ s* [& b; ^) H I- d; |0 {96. Memoirs of a Survivor (Doris Lessing, 1974), t0 K5 V: c+ f7 u: \) T e
95. The Buddha of Suburbia (Hanif Kureishi, 1990)( X; h0 G% a+ `2 x# g8 [" g. g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( e. Q0 O8 t& j$ k9 V# ?8 Q93. Lord of the Flies (William Golding, 1954)5 Y" T |5 T9 [1 y3 \
92. Cold Comfort Farm (Stella Gibbons, 1932)
: w9 x( J# k( r91. The Forsyte Saga (John Galsworthy, 1922)" f& C3 O4 K: R+ I6 {
90. The Woman in White (Wilkie Collins, 1859)% O+ U \$ N {* N
89. The Horse’s Mouth (Joyce Cary, 1944)
5 ~! I+ G9 B) K7 U88. The Death of the Heart (Elizabeth Bowen, 1938)
- L; g ?+ \( V" n; Y+ x+ k87. The Old Wives’ Tale (Arnold Bennett,1908)) Q- r9 D7 V1 k \/ c4 \7 t
86. A Legacy (Sybille Bedford, 1956)" }) h0 H$ H. P7 s9 J
85. Regeneration Trilogy (Pat Barker, 1991-1995)( x, e5 W! K9 s* I+ A6 c! I
84. Scoop (Evelyn Waugh, 1938)+ B+ U0 j) A7 o
83. Barchester Towers (Anthony Trollope, 1857)6 z3 [9 |* ]; ~0 R" M
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
! Z, n4 }4 s9 v0 ]- `+ o81. The Jewel in the Crown (Paul Scott, 1966)
# K0 a& D2 | \( l80. Excellent Women (Barbara Pym, 1952)
q+ @1 h$ h! ] l' f, z79. His Dark Materials (Philip Pullman, 1995-2000)- ]( H$ y; L* x& G
78. A House for Mr Biswas (VS Naipaul, 1961)
6 U5 f* Z: `) Z( Y, X7 V' {) ~77. Of Human Bondage (W Somerset Maugham, 1915)
q, b7 t& r/ w76. Small Island (Andrea Levy, 2004)
3 L0 j+ @' m1 f* J8 Z75. Women in Love (DH Lawrence, 1920)
! f/ `8 h- S: E8 i }74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 J/ n/ u2 o; r! I ], z, V73. The Blue Flower (Penelope Fitzgerald, 1995)
3 h% O6 u. n' C: x- J3 x72. The Heart of the Matter (Graham Greene, 1948): U2 r7 n" O: y( R( s" [1 r c0 B
71. Old Filth (Jane Gardam, 2004)1 |: g$ P5 ? P2 H( {8 O
70. Daniel Deronda (George Eliot, 1876)* h/ o( a E) h$ |
69. Nostromo (Joseph Conrad, 1904)
- O" f( H& z! ]$ f4 ?( \( Z68. A Clockwork Orange (Anthony Burgess, 1962)
' r8 ^# Q% b$ ~; |7 z8 ~67. Crash (JG Ballard 1973)
( ^! t, W% ^$ ^; j! Y* j66. Sense and Sensibility (Jane Austen, 1811)# Z4 |! h2 {" A% |2 k) f% V
65. Orlando (Virginia Woolf, 1928)
6 Z; ^, I1 z0 O4 M. Z64. The Way We Live Now (Anthony Trollope, 1875) b D9 J" p8 h. F- Y; l
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)6 l8 Q+ b( m* U2 d* s. z& ~9 L
62. Animal Farm (George Orwell, 1945)
( Y; a! B+ m- s" ~: h' K* w8 S61. The Sea, The Sea (Iris Murdoch, 1978)
$ k" i0 r& r2 T; c' ^/ ^ N. `60. Sons and Lovers (DH Lawrence, 1913)
$ [- [! |' W. G0 c. j59. The Line of Beauty (Alan Hollinghurst, 2004)
0 ~% U0 v* C; @% v: B. I! [58. Loving (Henry Green, 1945)
2 `( ^6 e9 x5 y* L1 y57. Parade’s End (Ford Madox Ford, 1924-1928)
7 Z. U9 y, a8 J: Y, g- v! h8 o56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& ?- h) Y; W% ?& A' z" f
55. Gulliver’s Travels (Jonathan Swift, 1726)# L5 C6 g) \( c4 s* V6 z4 z" N
54. NW (Zadie Smith, 2012) v- }' @+ |6 Q- L/ Y
53. Wide Sargasso Sea (Jean Rhys, 1966)/ Y- ~# ~+ I+ Y, }, t3 U4 o6 ~
52. New Grub Street (George Gissing, 1891)
" x, V, K9 y# L9 ]. n% _0 U z51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' m& U/ C( m, t5 N50. A Passage to India (EM Forster, 1924)
' D! j5 G5 w7 y# Y$ W9 q49. Possession (AS Byatt, 1990)
G0 o" w( }* G48. Lucky Jim (Kingsley Amis, 1954)' T0 p6 ]5 c9 R' c
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 O6 l) a1 C. y, l, Z) v% i$ L
46. Midnight’s Children (Salman Rushdie, 1981)' v3 ~8 p: k8 Z) N8 }$ a; ~5 Z
45. The Little Stranger (Sarah Waters, 2009): J6 _5 t9 A+ a s9 l; v
44. Wolf Hall (Hilary Mantel, 2009)
. |% s$ W4 R% Z- H! G43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 [! Y7 T( D5 ?0 w; N) U s42. Brighton Rock (Graham Greene, 1938)8 y9 o. {9 \0 P+ q5 T5 h
41. Dombey and Son (Charles Dickens, 1848)
8 }& h2 \ T6 B) D# H9 s/ E40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) x8 i+ y# Z! u39. The Sense of an Ending (Julian Barnes, 2011)
; T, }( P) Y( ~3 h5 ^& B38. The Passion (Jeanette Winterson, 1987)+ U3 K: J6 {( p& V( |) \% m
37. Decline and Fall (Evelyn Waugh, 1928)
/ J( a+ L) x9 t- M* X' o36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- `3 t$ r9 q3 Y& W0 l35. Remainder (Tom McCarthy, 2005)
* C* \3 g4 _ D& ?34. Never Let Me Go (Kazuo Ishiguro, 2005)5 {6 ?* q0 Z9 f! d. Q
33. The Wind in the Willows (Kenneth Grahame, 1908)
+ N: `; {# N% \8 @& e3 I32. A Room with a View (EM Forster, 1908) ]' l+ ]: u2 X b- A* _% ]
31. The End of the Affair (Graham Greene, 1951)
0 a' f; ~9 ^ W; s3 B30. Moll Flanders (Daniel Defoe, 1722)
1 G, W6 p: H0 A# ]2 I* o29. Brick Lane (Monica Ali, 2003)/ U- i" z) ]- v. w) l. l
28. Villette (Charlotte Brontë, 1853)
" |, E& ^& |% _2 w7 H5 f% }27. Robinson Crusoe (Daniel Defoe, 1719)7 u( g6 S6 W9 K5 Q# m& L3 a
26. The Lord of the Rings (JRR Tolkien, 1954)
) X! n# h5 [' p3 D25. White Teeth (Zadie Smith, 2000)
/ f7 T7 \+ B7 T' O0 M24. The Golden Notebook (Doris Lessing, 1962)
/ H4 e) D$ y! X9 z; L23. Jude the Obscure (Thomas Hardy, 1895)
: L' o6 {6 f. L22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
, t& V/ X0 T# _$ U1 |: p3 I, ]21. Heart of Darkness (Joseph Conrad, 1899)
0 V1 ]0 I5 M8 m, g( [20. Persuasion (Jane Austen, 1817)+ F' u, V4 r7 i4 J, ? s2 y& j
19. Emma (Jane Austen, 1815)
. U4 b& j% F/ r4 M0 c18. Remains of the Day (Kazuo Ishiguro, 1989)6 y @1 g3 B+ \! t$ {
17. Howards End (EM Forster, 1910)
0 p* O3 f \5 t16. The Waves (Virginia Woolf, 1931)
8 C' ]) Z/ }) F15. Atonement (Ian McEwan, 2001)' K; T" W3 D2 b* O" U/ c
14. Clarissa (Samuel Richardson,1748)/ B9 U0 B: S, Z+ }
13. The Good Soldier (Ford Madox Ford, 1915)7 m, `3 v1 z) `1 l. l! o" Q
12. Nineteen Eighty-Four (George Orwell, 1949)6 s0 w+ Y: A" K C" G6 \' L6 c
11. Pride and Prejudice (Jane Austen, 1813)/ H7 ~7 J2 b0 L5 ]6 K
10. Vanity Fair (William Makepeace Thackeray, 1848)9 P1 R2 K2 \( t7 B! z
9. Frankenstein (Mary Shelley, 1818): j x9 P/ v4 l1 b7 q7 T; b
8. David Copperfield (Charles Dickens, 1850)
Y2 [3 I, ]+ H, j7 t+ b7. Wuthering Heights (Emily Brontë, 1847)& K: n) Z" c4 b3 l* l( Y% L
6. Bleak House (Charles Dickens, 1853)+ I- n( d1 ^- C) _: c: U7 \
5. Jane Eyre (Charlotte Brontë, 1847)% ~$ _% i9 _3 B$ }7 p
4. Great Expectations (Charles Dickens, 1861)
* ~& H$ W, R' ~/ Q: g5 t% b- n1 a3. Mrs. Dalloway (Virginia Woolf, 1925)' [0 V% [6 `2 x+ @9 x0 s9 G
2. To the Lighthouse (Virginia Woolf, 1927). i! q. S# A$ u' t y4 L0 z
1. Middlemarch (George Eliot, 1874) z9 L' q: j6 r; [% Q2 V
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 ~5 H! j; O3 l8 e8 p3 A% Y
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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