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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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; O" U2 I G; L% u$ rBBC评出100大英国文学名著+ U8 ?% l. Y2 P/ ?$ K: `
http://www.bbc.com/culture/story ... test-british-novels
: s% v( Y: o/ O/ @( ?! A惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 u2 l0 V+ b2 g% j/ u# T- ]9 _2 k
8 [' j. b' o8 S( W/ M" Y' g" @100. The Code of the Woosters (PG Wodehouse, 1938)' W: u9 w8 s& E) i7 h
99. There but for the (Ali Smith, 2011)
/ [/ s% G- F7 Y" \) q3 t: V98. Under the Volcano (Malcolm Lowry,1947)
" j$ o8 z4 \+ ]' V97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 X2 ` |! d" u% ~4 a7 ]96. Memoirs of a Survivor (Doris Lessing, 1974)
9 _* x) {1 V4 t4 C' N5 f: p95. The Buddha of Suburbia (Hanif Kureishi, 1990)" }+ t- K2 T: g0 ?0 r- T$ Y
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! H) g1 b. r: b0 c4 J2 h8 |93. Lord of the Flies (William Golding, 1954)1 H4 V2 L- M8 |* c: ?/ |
92. Cold Comfort Farm (Stella Gibbons, 1932)
" `6 {. m' q( E" d91. The Forsyte Saga (John Galsworthy, 1922)* c: n1 q4 u) I7 D/ C+ Y8 L1 q
90. The Woman in White (Wilkie Collins, 1859)$ Q" y6 f* H& Z$ x* @
89. The Horse’s Mouth (Joyce Cary, 1944)' W5 ]" O: q6 d% @8 G! s0 I& ?
88. The Death of the Heart (Elizabeth Bowen, 1938)
5 g$ _$ v7 p) O; N87. The Old Wives’ Tale (Arnold Bennett,1908); Y$ r% U8 k$ x3 K6 X+ B
86. A Legacy (Sybille Bedford, 1956)6 }- x4 p: I ~7 E
85. Regeneration Trilogy (Pat Barker, 1991-1995)8 u% E$ H2 D3 U
84. Scoop (Evelyn Waugh, 1938)
( i4 M' T+ _: @& V) p' V( }83. Barchester Towers (Anthony Trollope, 1857)
' ]6 c( g7 M3 \# T82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012) v$ U I& e* ~: `7 H9 a3 a8 K. m
81. The Jewel in the Crown (Paul Scott, 1966)( V/ g" S2 @- y* w% u* l. n% ?5 d
80. Excellent Women (Barbara Pym, 1952)4 ~4 a8 L; B9 {/ U# n1 I- k4 }
79. His Dark Materials (Philip Pullman, 1995-2000)
* `$ T, g+ ]1 I78. A House for Mr Biswas (VS Naipaul, 1961)
1 x7 `% ^) Q$ n0 n' t77. Of Human Bondage (W Somerset Maugham, 1915)0 k% D2 N$ `$ j9 l9 Q
76. Small Island (Andrea Levy, 2004)% u F( o# P& O; k: G
75. Women in Love (DH Lawrence, 1920)
3 B5 m/ O( p6 b* G5 ?74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 P# Y- }- F9 W% I, `73. The Blue Flower (Penelope Fitzgerald, 1995)* t! Z, a+ n! s- B- Q' [4 {
72. The Heart of the Matter (Graham Greene, 1948)
4 U5 q. c* b4 f. [; p71. Old Filth (Jane Gardam, 2004)& R1 S5 ~, y9 K7 b9 R
70. Daniel Deronda (George Eliot, 1876)2 |( H8 r- l$ G6 J+ S& k
69. Nostromo (Joseph Conrad, 1904)
# U i* B- H5 G* y68. A Clockwork Orange (Anthony Burgess, 1962)( Q) t, c1 @0 v7 P) [
67. Crash (JG Ballard 1973)
3 W2 v& x1 M% `66. Sense and Sensibility (Jane Austen, 1811)
, S/ b% t( n6 e- l( I65. Orlando (Virginia Woolf, 1928)# v' ~1 ~% T0 _3 ^$ C- y7 C
64. The Way We Live Now (Anthony Trollope, 1875)' X8 ]- A6 v) P7 O. M( W% {
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 U p5 S" P0 [$ ^% @" F
62. Animal Farm (George Orwell, 1945)
: L0 @, j: w! i5 @/ T' a61. The Sea, The Sea (Iris Murdoch, 1978)
2 ~: @7 d6 P d7 [4 [& Q60. Sons and Lovers (DH Lawrence, 1913)7 e# O/ v, ~, G1 o' k& c; c
59. The Line of Beauty (Alan Hollinghurst, 2004)" a$ N! |) m, x$ ^+ @9 g% B! b! H
58. Loving (Henry Green, 1945). a# ^8 J8 b' Y' c+ [! L. ]
57. Parade’s End (Ford Madox Ford, 1924-1928)% Q' N/ ]8 W5 @/ k( O: ?( ?
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: }; K! S$ [7 i2 ^6 P Z55. Gulliver’s Travels (Jonathan Swift, 1726)! m5 V' |, {3 n: r' p4 a/ ?
54. NW (Zadie Smith, 2012)
. ~9 n& z) ~! d/ M53. Wide Sargasso Sea (Jean Rhys, 1966)1 ]6 c+ }: V5 o9 Z
52. New Grub Street (George Gissing, 1891)
V2 z# O! _! E4 `51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
+ L8 K' r3 x5 g: c50. A Passage to India (EM Forster, 1924)
+ C1 s2 P8 n& N' ?% P, K' v49. Possession (AS Byatt, 1990)/ {% k* C6 X' U
48. Lucky Jim (Kingsley Amis, 1954)
) t& p$ ~; d: l; ~/ P. ?47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
& V$ R W' a4 m& @, X46. Midnight’s Children (Salman Rushdie, 1981)+ P1 m7 {* t( F- `
45. The Little Stranger (Sarah Waters, 2009)
! J" z7 F* [! c/ P8 T5 h+ o7 S44. Wolf Hall (Hilary Mantel, 2009)
$ I& b2 L4 O# `# q( n1 r1 M" z43. The Swimming Pool Library (Alan Hollinghurst, 1988)0 {. c. j9 Z! X6 p
42. Brighton Rock (Graham Greene, 1938)) m+ q4 j D5 u A3 n- t
41. Dombey and Son (Charles Dickens, 1848)+ q/ z) }; F' X4 a
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)% g& w+ N9 F% C0 q
39. The Sense of an Ending (Julian Barnes, 2011)2 ^; w8 t0 S6 c: @$ ]. N
38. The Passion (Jeanette Winterson, 1987)& i' P6 Q. c4 {: }& \, e
37. Decline and Fall (Evelyn Waugh, 1928)
0 `6 Z* t( C" U# s. k& y' k& |36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
P5 \1 e2 R, T7 i35. Remainder (Tom McCarthy, 2005)
; X/ A2 F+ P! c: J4 I- q34. Never Let Me Go (Kazuo Ishiguro, 2005)" Z8 R2 S& A4 G
33. The Wind in the Willows (Kenneth Grahame, 1908)5 `0 x3 @1 p: l: c- u) B* j
32. A Room with a View (EM Forster, 1908)0 a+ y: S( o* o6 }' N
31. The End of the Affair (Graham Greene, 1951)
! w, G ? {: _30. Moll Flanders (Daniel Defoe, 1722)& a* i! U& O2 H+ n
29. Brick Lane (Monica Ali, 2003)8 q9 G7 ] w! i! j1 c! J8 y
28. Villette (Charlotte Brontë, 1853)
: z. U# e& e- E7 I# h27. Robinson Crusoe (Daniel Defoe, 1719)
) N* @- Y$ h8 H. [26. The Lord of the Rings (JRR Tolkien, 1954)
" n' k8 \* c( V% s5 p$ ?7 c9 D( A25. White Teeth (Zadie Smith, 2000)4 r# C: Y5 Y% K+ u3 r a7 V* z- X
24. The Golden Notebook (Doris Lessing, 1962)* l6 p( _6 C+ n
23. Jude the Obscure (Thomas Hardy, 1895)
2 |6 ]) W5 B# d; b5 @ @22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! _7 n; `" V6 M p, F9 F S! n! I0 G21. Heart of Darkness (Joseph Conrad, 1899)- K2 Z8 R, u2 F" u% v# B
20. Persuasion (Jane Austen, 1817)7 k, W; P: U7 d, X# _
19. Emma (Jane Austen, 1815)
) p4 z3 {( G) \* y" f4 Q) z8 y18. Remains of the Day (Kazuo Ishiguro, 1989)
; ?! ~4 ^1 P4 E7 ^3 G17. Howards End (EM Forster, 1910)
( W5 j3 |) W) I O; Y16. The Waves (Virginia Woolf, 1931)1 K' x1 f! V7 I5 S- w8 e$ v3 C
15. Atonement (Ian McEwan, 2001)
0 i8 L; L9 F8 ?$ z& Y1 r3 L14. Clarissa (Samuel Richardson,1748)
% @) q5 Q" D- u& m/ T3 _3 ^0 ?4 r13. The Good Soldier (Ford Madox Ford, 1915)
! L; d9 d7 g2 ^4 {12. Nineteen Eighty-Four (George Orwell, 1949): F# z/ f" n2 r; P: n) Q
11. Pride and Prejudice (Jane Austen, 1813)) H, t2 Z; }, s' y' m
10. Vanity Fair (William Makepeace Thackeray, 1848) r; @( b; t4 e$ E7 p8 _, j
9. Frankenstein (Mary Shelley, 1818)
6 a5 _3 a/ I' [5 V) G% X8. David Copperfield (Charles Dickens, 1850)
6 b3 z5 q( O: @! W* i7. Wuthering Heights (Emily Brontë, 1847)! B% f9 O8 \% a3 V# W+ B
6. Bleak House (Charles Dickens, 1853)+ R( G1 t4 c; `; [2 x
5. Jane Eyre (Charlotte Brontë, 1847)& o6 A# U9 N7 g- x
4. Great Expectations (Charles Dickens, 1861)
# U3 k9 s1 \! ^6 R3. Mrs. Dalloway (Virginia Woolf, 1925). p8 L: r' \7 p1 J5 h
2. To the Lighthouse (Virginia Woolf, 1927)) g9 u5 J f3 c% j0 M9 j4 z, A
1. Middlemarch (George Eliot, 1874)* {9 v) T" Z1 [ Y
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ A* F1 Z3 m, _# U
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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