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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; S: J* i: O" |% ~2 o
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BBC评出100大英国文学名著) m8 A3 W2 [# G
http://www.bbc.com/culture/story ... test-british-novels0 c. X/ |9 E7 i$ j8 ^6 }. L! Q& T
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* D& U# z! U- \% B9 p4 v1 t
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100. The Code of the Woosters (PG Wodehouse, 1938)
9 m( g7 h S# C6 v99. There but for the (Ali Smith, 2011)6 b+ U# h( a" l- n6 Q* Q) m
98. Under the Volcano (Malcolm Lowry,1947)4 H3 [6 S. x! Y4 s' [$ L1 d/ h, _4 _. [
97. The Chronicles of Narnia (CS Lewis, 1949-1954)( B6 x4 Y8 G- R0 z
96. Memoirs of a Survivor (Doris Lessing, 1974)
/ b. O8 i G' P95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% Z" I7 ?; I; D. c. W* \94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% h& T7 x7 t# v3 k. k/ J% W
93. Lord of the Flies (William Golding, 1954)+ F# o' X9 v$ \ h+ r7 @
92. Cold Comfort Farm (Stella Gibbons, 1932). l U* H6 {& A: A; m0 S
91. The Forsyte Saga (John Galsworthy, 1922)9 y l) {' s) i5 R0 q9 S7 @' X
90. The Woman in White (Wilkie Collins, 1859)
6 a+ m- g- L* j. g+ I89. The Horse’s Mouth (Joyce Cary, 1944). {, I \. }, x7 I. F2 T
88. The Death of the Heart (Elizabeth Bowen, 1938)
7 u! w' K% \% C1 K6 x' _# B9 X87. The Old Wives’ Tale (Arnold Bennett,1908). |2 E; a' H& H) H9 F7 B4 G
86. A Legacy (Sybille Bedford, 1956) Y* ` c7 _$ L, ?. }4 v* H1 I4 V
85. Regeneration Trilogy (Pat Barker, 1991-1995)
: a/ D' z" h' C- v: D2 v( f84. Scoop (Evelyn Waugh, 1938)- ~0 \) u. _. |( P) S. O. W: I
83. Barchester Towers (Anthony Trollope, 1857)5 A9 ^1 b' Q2 G: [% P
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 a3 @ v7 P* G+ q
81. The Jewel in the Crown (Paul Scott, 1966). E1 D: R5 c- ]0 h g9 l
80. Excellent Women (Barbara Pym, 1952)
& T. |" g- d& _! A- M79. His Dark Materials (Philip Pullman, 1995-2000)
- Y4 S+ f6 k! E78. A House for Mr Biswas (VS Naipaul, 1961)- L' I! p, f }0 n6 a
77. Of Human Bondage (W Somerset Maugham, 1915)
" X7 {5 N( H/ j/ |76. Small Island (Andrea Levy, 2004) A, H% k+ a, L6 }* S( N8 y' \+ L3 c
75. Women in Love (DH Lawrence, 1920)
7 Z/ M/ u. R5 l) l& [0 e7 h74. The Mayor of Casterbridge (Thomas Hardy, 1886)
0 C9 h X% S5 h1 \, x& o# ]/ p73. The Blue Flower (Penelope Fitzgerald, 1995)
- W a9 F3 R/ t& c$ M2 a$ I72. The Heart of the Matter (Graham Greene, 1948)/ j/ z V. [+ b' e: H0 Z
71. Old Filth (Jane Gardam, 2004)
$ L8 u/ Z/ ?: |; N; T/ F/ ?* j7 m70. Daniel Deronda (George Eliot, 1876)
' B1 Q3 b3 d: W6 s/ g g69. Nostromo (Joseph Conrad, 1904)% V' i9 v+ y- }- v8 i1 b ]4 H
68. A Clockwork Orange (Anthony Burgess, 1962)
2 u5 {3 Y" g( f4 L7 |67. Crash (JG Ballard 1973)( d4 C# t& P, y6 T6 C) D
66. Sense and Sensibility (Jane Austen, 1811)5 p2 m, S3 v# @; {& }" h- |
65. Orlando (Virginia Woolf, 1928)4 F% q$ F: i8 f# U1 g
64. The Way We Live Now (Anthony Trollope, 1875)( x+ \7 c5 A1 O/ v
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)+ N' j" ~; Q( Y1 q
62. Animal Farm (George Orwell, 1945)
, G, D6 R6 T6 I# _* B61. The Sea, The Sea (Iris Murdoch, 1978)+ O; I; h& R+ \9 p- }
60. Sons and Lovers (DH Lawrence, 1913). q: e* t; K/ M2 e
59. The Line of Beauty (Alan Hollinghurst, 2004)
4 S* e3 X; \" V+ c9 G+ f' Y58. Loving (Henry Green, 1945)
( b/ N3 l8 f. m; J- n57. Parade’s End (Ford Madox Ford, 1924-1928)' T9 o* `# V$ S& a0 I6 h# n- n
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- S9 c' p6 R0 R- ~. G1 J9 }1 M
55. Gulliver’s Travels (Jonathan Swift, 1726)( S2 Z6 h( S! Q7 f
54. NW (Zadie Smith, 2012), e# }; r: E. v( C8 \: a9 n
53. Wide Sargasso Sea (Jean Rhys, 1966). c z1 ^( l4 d: G5 J
52. New Grub Street (George Gissing, 1891)
- k4 b, g% r( Q" \8 |/ _9 `: N$ A9 m51. Tess of the d’Urbervilles (Thomas Hardy, 1891)9 F& w$ |/ h2 }! D5 F. R7 @4 q4 I
50. A Passage to India (EM Forster, 1924)! V! a8 a& X" Z0 U
49. Possession (AS Byatt, 1990)5 K5 X* Z e; _# O, {7 K9 o
48. Lucky Jim (Kingsley Amis, 1954)) q' A: K1 p I# |) h4 L, ?
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)* |/ L0 k5 v9 X8 l4 _2 k
46. Midnight’s Children (Salman Rushdie, 1981)4 r: H. P& ] \3 Q, ~2 {3 l
45. The Little Stranger (Sarah Waters, 2009)8 |; r* |' Y* w3 k; Z- Y7 ~, v4 k
44. Wolf Hall (Hilary Mantel, 2009)
! e7 l" e( |, ^: P, U5 z, q8 I9 S* b% j43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 |* v5 q' I( j7 W42. Brighton Rock (Graham Greene, 1938)9 K) H: H: z) E% o& | \+ Q
41. Dombey and Son (Charles Dickens, 1848)5 b7 v! z1 a$ _2 r+ f0 b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865). p; g5 a0 X( }5 W- Q) V$ O
39. The Sense of an Ending (Julian Barnes, 2011)6 E5 z' ~* h- E- ~
38. The Passion (Jeanette Winterson, 1987)
4 Z9 k- P5 h' @* {6 Y n37. Decline and Fall (Evelyn Waugh, 1928)
' c* A9 B6 ~2 h% X) a36. A Dance to the Music of Time (Anthony Powell, 1951-1975). A4 P1 K2 }* _* I+ s
35. Remainder (Tom McCarthy, 2005)) R% ~6 |" A% P _1 A* i. u
34. Never Let Me Go (Kazuo Ishiguro, 2005)" L+ b" e3 ~5 ]# B& A$ C+ V
33. The Wind in the Willows (Kenneth Grahame, 1908): ~) Z G) e* `
32. A Room with a View (EM Forster, 1908)2 a9 P) F9 j% y
31. The End of the Affair (Graham Greene, 1951)
0 E; o2 U) Q7 p9 A3 N7 g30. Moll Flanders (Daniel Defoe, 1722)
6 q U( h( {6 \9 o& M0 [29. Brick Lane (Monica Ali, 2003)
; \# s6 w/ T/ [28. Villette (Charlotte Brontë, 1853)8 |. @5 i, j; S9 e( j2 |
27. Robinson Crusoe (Daniel Defoe, 1719)
. {" ` \4 e1 S3 A) H26. The Lord of the Rings (JRR Tolkien, 1954)6 W' T9 O; N/ |- S- q" X% R& h
25. White Teeth (Zadie Smith, 2000)
, D% T; ?+ E# p1 D8 `# p24. The Golden Notebook (Doris Lessing, 1962) @/ d0 L: ^1 }! M# j
23. Jude the Obscure (Thomas Hardy, 1895)" [3 ?5 w. P1 J( V+ n6 s4 J5 \$ b7 P
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 W6 u# U/ ?/ v
21. Heart of Darkness (Joseph Conrad, 1899)
# c9 a6 N& [6 ^- S20. Persuasion (Jane Austen, 1817)
0 Q' a. t3 r( O+ c& Q) D& X/ |/ s% G19. Emma (Jane Austen, 1815)& u5 Z1 y( [$ X7 o6 z9 o$ n: U% @
18. Remains of the Day (Kazuo Ishiguro, 1989)' s2 J, n3 y* H, k' X
17. Howards End (EM Forster, 1910)* B# C* ?& {) m0 H; v( p/ o8 D
16. The Waves (Virginia Woolf, 1931)5 [, }6 P# C3 Z# D9 F
15. Atonement (Ian McEwan, 2001)
: B' {# k2 f. w6 j H. e# N, D5 Y14. Clarissa (Samuel Richardson,1748)8 u; }$ p/ l. i1 `. n
13. The Good Soldier (Ford Madox Ford, 1915)9 M) ?/ ^6 ~+ v" w. s* f
12. Nineteen Eighty-Four (George Orwell, 1949)
2 q+ L; ^* A5 |, y' r- n4 d# S$ b: [11. Pride and Prejudice (Jane Austen, 1813)) T1 i5 R; m% z* E" Y- J5 ?0 W
10. Vanity Fair (William Makepeace Thackeray, 1848)
: ~8 Z( `- E% x2 v0 s9. Frankenstein (Mary Shelley, 1818)
' I9 R9 p/ Q0 P8 y. s0 d8. David Copperfield (Charles Dickens, 1850)
: V; L" ?2 C L/ R" v Z7. Wuthering Heights (Emily Brontë, 1847)6 K4 p$ v0 y b. V! c
6. Bleak House (Charles Dickens, 1853)+ ?/ b0 ]% ~$ S7 @' V+ T
5. Jane Eyre (Charlotte Brontë, 1847)
/ c- D. n( G) ]( [8 X( h4. Great Expectations (Charles Dickens, 1861)
8 m1 p2 `1 K+ a, z3. Mrs. Dalloway (Virginia Woolf, 1925)' s3 B5 S5 |5 S
2. To the Lighthouse (Virginia Woolf, 1927)
3 ?2 c& i) Y+ K5 v/ Y1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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: Z* Y9 y4 J2 v" `/ q0 s" L呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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