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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
5 Z5 L. x% D* G$ D |0 p! N1 O# Ihttp://www.bbc.com/culture/story ... test-british-novels, ?0 \: }' Q- f( O
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
' k2 z! K0 Y& @99. There but for the (Ali Smith, 2011)
) T0 [. M% N# E98. Under the Volcano (Malcolm Lowry,1947)
/ q( `' ?+ ^6 t$ G! O* U8 f- \97. The Chronicles of Narnia (CS Lewis, 1949-1954)5 e. [: E+ z) d( O s
96. Memoirs of a Survivor (Doris Lessing, 1974)5 r6 G: C( Q4 _, E( P; q
95. The Buddha of Suburbia (Hanif Kureishi, 1990)! ?' e3 ^( X2 I
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- X6 d! d9 R% w- \93. Lord of the Flies (William Golding, 1954). u8 V/ n. e4 c+ i& _: @. M5 a" K
92. Cold Comfort Farm (Stella Gibbons, 1932): L/ g% M) j) Z' ~' S1 K, j% m/ q
91. The Forsyte Saga (John Galsworthy, 1922)1 o$ f- V3 t) d, `( ?0 `: u( O% y
90. The Woman in White (Wilkie Collins, 1859), o2 j! }) {/ ~: o+ S
89. The Horse’s Mouth (Joyce Cary, 1944)
" s& L3 |. H- V, O3 j' e0 w* i88. The Death of the Heart (Elizabeth Bowen, 1938)$ @% Y; c% n0 t$ O" H- I) `
87. The Old Wives’ Tale (Arnold Bennett,1908)9 {, F! x* o* C/ I0 v
86. A Legacy (Sybille Bedford, 1956)
4 i0 b& [- A0 R0 C" f% P- G85. Regeneration Trilogy (Pat Barker, 1991-1995)
+ c# ~. j+ L0 {84. Scoop (Evelyn Waugh, 1938)
1 p, W* `% R; D4 V83. Barchester Towers (Anthony Trollope, 1857)5 ]& k0 T N b% o) g( S
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
; ^9 C2 \5 z% j( T$ Y& L81. The Jewel in the Crown (Paul Scott, 1966)
! d& B" O4 n/ U1 j- d80. Excellent Women (Barbara Pym, 1952)5 @$ V) r* v" L% L
79. His Dark Materials (Philip Pullman, 1995-2000)
, s0 B) P( }# V78. A House for Mr Biswas (VS Naipaul, 1961)
2 l2 T2 w" K9 @, A) b9 s* M77. Of Human Bondage (W Somerset Maugham, 1915)3 K1 Y' J$ T4 h, |: O% H
76. Small Island (Andrea Levy, 2004)
, V) m" G/ Z% b9 ]0 M4 t$ p$ j75. Women in Love (DH Lawrence, 1920)5 K8 O% W+ l; i% O B7 ?
74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 B4 B, {! T( E9 `( x* h
73. The Blue Flower (Penelope Fitzgerald, 1995)8 n' u* M1 m9 i( V
72. The Heart of the Matter (Graham Greene, 1948)- C/ M" [8 B7 d: ~1 _0 i( y& C0 X, X
71. Old Filth (Jane Gardam, 2004)& l' I$ A) A# s" j
70. Daniel Deronda (George Eliot, 1876)
& [; a1 v# m3 R# R8 M69. Nostromo (Joseph Conrad, 1904)
. ]5 ? ?/ A; `8 C7 K1 B68. A Clockwork Orange (Anthony Burgess, 1962)
, I$ a" ]3 s; y# D7 a67. Crash (JG Ballard 1973)
1 z' y% ~9 w2 }66. Sense and Sensibility (Jane Austen, 1811)" Y+ t& E3 @. l- Z/ D1 Z2 S ~
65. Orlando (Virginia Woolf, 1928)
- n) ?, Z4 E( V$ q! p, d64. The Way We Live Now (Anthony Trollope, 1875)" P* @8 Y& K% |
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
4 q) K+ ~ R; B# V3 O5 [- E) D5 B5 k62. Animal Farm (George Orwell, 1945)% v+ t7 h/ J) P+ p" s0 t% Y
61. The Sea, The Sea (Iris Murdoch, 1978)
" s( n+ h+ j0 s" p+ W! \ c60. Sons and Lovers (DH Lawrence, 1913)$ a6 V, N" }1 e
59. The Line of Beauty (Alan Hollinghurst, 2004)
/ C n! I' X$ U3 E) [% O6 w; S4 ~58. Loving (Henry Green, 1945)& ^/ b$ x0 y7 D
57. Parade’s End (Ford Madox Ford, 1924-1928)* ]9 p8 H2 O5 {
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( q j: ]% D `# M" ]
55. Gulliver’s Travels (Jonathan Swift, 1726)
: M+ o4 M* n3 l54. NW (Zadie Smith, 2012)
+ V/ C) Y- I5 ?53. Wide Sargasso Sea (Jean Rhys, 1966)
3 _( W9 W( R6 d0 B0 H; C" p52. New Grub Street (George Gissing, 1891)
: l9 y$ `' o2 j/ B/ z( y51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 `3 h( s% U6 ~
50. A Passage to India (EM Forster, 1924)' T. l+ F1 W" E: e" }" @7 V
49. Possession (AS Byatt, 1990)
5 H4 ^3 P) k5 Y- m$ c0 g! J: t48. Lucky Jim (Kingsley Amis, 1954)
. } y+ ~( e$ ~5 h9 _+ u47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- Q& _: h1 H1 Z, K46. Midnight’s Children (Salman Rushdie, 1981)
7 S0 r* i0 N5 s# f6 w1 B! g45. The Little Stranger (Sarah Waters, 2009)
1 ^2 l) x- g2 H1 k: S44. Wolf Hall (Hilary Mantel, 2009)
/ l. w- R& p k7 S2 j- ~* C43. The Swimming Pool Library (Alan Hollinghurst, 1988): p# q" ~9 |7 S3 a, X, A- ^7 O
42. Brighton Rock (Graham Greene, 1938)9 N$ a; _. C/ x3 y u# d
41. Dombey and Son (Charles Dickens, 1848)
' E# c5 v. o6 I( |40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! F: P5 i+ J3 {0 }9 |1 ~6 ~39. The Sense of an Ending (Julian Barnes, 2011)
& R& u% v2 L$ K0 N5 s38. The Passion (Jeanette Winterson, 1987)0 Y T& \ j l. J! `* _
37. Decline and Fall (Evelyn Waugh, 1928)3 @) i6 U6 P$ q$ x/ U
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
* x d% B6 ?, L# F$ m35. Remainder (Tom McCarthy, 2005)
- C+ m, _ }* i6 `3 T2 c. E34. Never Let Me Go (Kazuo Ishiguro, 2005)
; j$ F7 o' E' s/ ]4 {9 w: U1 H33. The Wind in the Willows (Kenneth Grahame, 1908) \) q8 _2 `" C! L8 U" ?
32. A Room with a View (EM Forster, 1908)# n* O9 q. |: u1 B
31. The End of the Affair (Graham Greene, 1951); @% j* x# g; M2 \
30. Moll Flanders (Daniel Defoe, 1722)
s* O4 Z' `% e! b; n! a29. Brick Lane (Monica Ali, 2003), V/ ^% {' t8 Z
28. Villette (Charlotte Brontë, 1853)) ~9 i) D9 t ]. b4 s4 b1 S
27. Robinson Crusoe (Daniel Defoe, 1719)
5 X4 g3 o, I/ P. N! G+ b" m) I26. The Lord of the Rings (JRR Tolkien, 1954)( w8 j/ @9 E; r5 n' O
25. White Teeth (Zadie Smith, 2000)
4 a' S$ ?. f+ z, O# R* E3 N24. The Golden Notebook (Doris Lessing, 1962)
/ G% p; \6 d( @. a0 A' o+ ]5 _2 U23. Jude the Obscure (Thomas Hardy, 1895)$ h7 I! G7 d) U
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ c" p1 u" S' g; c; t+ |+ [21. Heart of Darkness (Joseph Conrad, 1899)
; G/ e: ]# ^* \* E20. Persuasion (Jane Austen, 1817)
6 q. N H- T4 g& V19. Emma (Jane Austen, 1815)0 ]7 ?& w- z; z$ p' t! p) c! n# {
18. Remains of the Day (Kazuo Ishiguro, 1989)
5 a8 H/ P0 k! v6 q5 S. y$ r7 T7 {1 V17. Howards End (EM Forster, 1910)) N6 d% ^# E$ x
16. The Waves (Virginia Woolf, 1931)
) e5 u7 j( o" B15. Atonement (Ian McEwan, 2001)
5 R+ i/ J) g z2 g) ~0 M# k14. Clarissa (Samuel Richardson,1748)
- _0 j, Q5 }0 e7 y( @$ S13. The Good Soldier (Ford Madox Ford, 1915)9 r7 L- A2 g/ x% K
12. Nineteen Eighty-Four (George Orwell, 1949)
) X9 i: g- e) D11. Pride and Prejudice (Jane Austen, 1813)
0 u& u6 d' ]6 o- r% H1 r10. Vanity Fair (William Makepeace Thackeray, 1848)
' R1 u+ L- M* D5 }5 H6 h7 G( N9. Frankenstein (Mary Shelley, 1818): i# \0 z) B3 d0 ~$ C
8. David Copperfield (Charles Dickens, 1850)9 I7 [ Y, V D: D
7. Wuthering Heights (Emily Brontë, 1847)' f3 k' B7 L" t$ a: ~0 }0 ?
6. Bleak House (Charles Dickens, 1853)$ _$ l6 j7 V( j; `' u5 v! C. J; m
5. Jane Eyre (Charlotte Brontë, 1847)& m, |5 i( B; w0 h
4. Great Expectations (Charles Dickens, 1861)
# X0 R! ^1 ?9 o& v) T: X3. Mrs. Dalloway (Virginia Woolf, 1925)4 ^8 x+ ?' w; G" c5 \
2. To the Lighthouse (Virginia Woolf, 1927)
# Q1 ?7 f; k, E+ t4 n1. Middlemarch (George Eliot, 1874)
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9 G( S4 f) {) V/ _9 g: `前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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