|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
, P) ^- G3 O4 U. j% O
4 J0 s, {+ \/ X; [- K2 IBBC评出100大英国文学名著
! N5 u" |; A9 F2 [9 mhttp://www.bbc.com/culture/story ... test-british-novels, Q0 [. E, s9 O( P5 J) k2 n
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。, L9 D Z! p) ^( O2 U, B) A, H% v
W9 K" e+ f* y: h+ C, m* I100. The Code of the Woosters (PG Wodehouse, 1938)6 m5 Q/ f" y8 Y9 |2 G$ _- b: Q
99. There but for the (Ali Smith, 2011)7 r5 N4 S. z7 U& d% d* m; i
98. Under the Volcano (Malcolm Lowry,1947)2 s* @9 @: J. U
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
( r: r! ?# ?, O96. Memoirs of a Survivor (Doris Lessing, 1974)0 d3 n( n; k2 z2 P& a2 h0 @
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
& @ N8 J" X w% S+ K, O94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
; e# h8 F0 D" _- S( [93. Lord of the Flies (William Golding, 1954). o, h- S) o! E" R! {
92. Cold Comfort Farm (Stella Gibbons, 1932)
/ m8 w6 K9 ~2 C% n( i+ w" Y91. The Forsyte Saga (John Galsworthy, 1922), e4 o' C5 A+ O5 G A" g: u+ ?$ l
90. The Woman in White (Wilkie Collins, 1859)4 ~6 O3 e) Z2 Z; ?& A! v
89. The Horse’s Mouth (Joyce Cary, 1944)/ _0 N% K4 u* _9 U( q4 [
88. The Death of the Heart (Elizabeth Bowen, 1938)
- `3 w% y, q( K# j87. The Old Wives’ Tale (Arnold Bennett,1908)
4 B- R7 U m% _8 m+ r* M7 o86. A Legacy (Sybille Bedford, 1956)
) D+ f- |. J$ \, w: Y9 H! I; O& y85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ ~& F& @( }; g2 I; c84. Scoop (Evelyn Waugh, 1938)3 X0 ]" U' S1 ~$ M" P" y7 }* G- I8 ^
83. Barchester Towers (Anthony Trollope, 1857)
! V2 w0 A& i/ V82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
/ m5 L5 f. ^! ?+ o9 k% d, }, H81. The Jewel in the Crown (Paul Scott, 1966)
& Q9 G4 V3 w0 y( B80. Excellent Women (Barbara Pym, 1952)2 `7 S2 P' c. \# g, X- ]& S- N/ [
79. His Dark Materials (Philip Pullman, 1995-2000)
* ~2 m1 t1 p0 K y78. A House for Mr Biswas (VS Naipaul, 1961)
( f' q' P$ `8 M8 d& V" ^! x( k7 D77. Of Human Bondage (W Somerset Maugham, 1915)
9 o8 q' T6 `- b* F9 a. s/ v0 u76. Small Island (Andrea Levy, 2004)$ ]& K* Z" J$ z+ ]4 q
75. Women in Love (DH Lawrence, 1920)0 B$ N; f- n% p' x& a2 K6 m
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
* {7 u: ^6 I8 L5 s4 H73. The Blue Flower (Penelope Fitzgerald, 1995)3 Z3 y1 f/ H( r: [. b( b) k
72. The Heart of the Matter (Graham Greene, 1948) }- i! b0 ~4 r' L
71. Old Filth (Jane Gardam, 2004)
# N8 h% {" c; b! i9 }# f70. Daniel Deronda (George Eliot, 1876)( |5 |1 j( U( B$ @. ~0 `( t# E1 }# g
69. Nostromo (Joseph Conrad, 1904)
$ R# [& W3 o4 |7 s. A0 \68. A Clockwork Orange (Anthony Burgess, 1962)
0 e! \# M/ N! a1 R! N4 I67. Crash (JG Ballard 1973)
% v( H* U0 e, U4 Q: \, S y0 Y66. Sense and Sensibility (Jane Austen, 1811)* ]+ F/ x' P% Y! Y6 _8 \0 `) i
65. Orlando (Virginia Woolf, 1928)
1 E( h# E3 c2 W' E$ s64. The Way We Live Now (Anthony Trollope, 1875)
* z& O1 |% U& ?# U% K6 o. Y' ?; C m63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)7 A, N- g1 A4 {/ n) _+ B# S
62. Animal Farm (George Orwell, 1945)
* z$ }- Z/ P/ l ^3 m! L! E61. The Sea, The Sea (Iris Murdoch, 1978)
& z% W3 j; F! C- ?, C4 J- b60. Sons and Lovers (DH Lawrence, 1913)+ W! V \2 c. V
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 f6 [1 m7 m0 O58. Loving (Henry Green, 1945)& T3 e0 r" p* b% E1 O. f. Z7 k) X
57. Parade’s End (Ford Madox Ford, 1924-1928)- a+ d3 {% ]( o! H2 J) Q' e
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
; u2 x$ P+ I3 L: ?0 b* b% X55. Gulliver’s Travels (Jonathan Swift, 1726), K7 g% C O# n+ p
54. NW (Zadie Smith, 2012)6 [* L2 Q6 ~8 Y- A9 t
53. Wide Sargasso Sea (Jean Rhys, 1966), B8 o9 r3 |8 K: L
52. New Grub Street (George Gissing, 1891)- o5 y! p- d" r5 N5 D
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
3 d7 J8 ]% j; L! S1 i50. A Passage to India (EM Forster, 1924)
2 d& W& ?. P; K4 q4 X" \49. Possession (AS Byatt, 1990)
N' j9 X# `. W4 S7 e$ X48. Lucky Jim (Kingsley Amis, 1954), K7 T# U U* [4 u4 N' g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)% t, d& ^& t Z' f0 S
46. Midnight’s Children (Salman Rushdie, 1981); D: X/ ]% I- ^+ R- J
45. The Little Stranger (Sarah Waters, 2009)
- G1 l# @1 P0 Y. O0 K& @44. Wolf Hall (Hilary Mantel, 2009)
5 T2 I9 {: \4 b( `; Y5 }43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ L- C" k9 [7 m6 u! z: k% {; Z
42. Brighton Rock (Graham Greene, 1938)
: h7 |2 N. k0 K8 L41. Dombey and Son (Charles Dickens, 1848)7 t d+ Q B! q; X
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- s: i u: g4 q8 f }% @
39. The Sense of an Ending (Julian Barnes, 2011)
8 ^- t( J9 {* }) D4 r5 X' t3 i38. The Passion (Jeanette Winterson, 1987)
9 z4 o: r5 V( _$ q37. Decline and Fall (Evelyn Waugh, 1928)9 X- y# {) ~7 V0 b! o
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 n, Y" f/ R! s# e7 J35. Remainder (Tom McCarthy, 2005)
4 u5 Y% t8 O# ], |0 C' |6 ^. w* k4 S34. Never Let Me Go (Kazuo Ishiguro, 2005) C. z/ Q8 X7 z2 F
33. The Wind in the Willows (Kenneth Grahame, 1908): }0 X3 Z0 l3 ?6 `0 c" F$ [: i2 F
32. A Room with a View (EM Forster, 1908), a Y# p2 h' B& p& A5 I0 n
31. The End of the Affair (Graham Greene, 1951)
3 F5 d5 r0 a) k- ^5 a8 U30. Moll Flanders (Daniel Defoe, 1722)
/ n" `8 }0 ~, W6 L, J29. Brick Lane (Monica Ali, 2003)
9 s6 c+ Z% O+ W) m& K; C28. Villette (Charlotte Brontë, 1853)
& b7 X$ C8 K+ O, r1 Q0 ?3 s27. Robinson Crusoe (Daniel Defoe, 1719)
2 G1 m0 r4 y" [26. The Lord of the Rings (JRR Tolkien, 1954)' Y$ B* S: f1 N+ Q( B2 V- X& y
25. White Teeth (Zadie Smith, 2000)+ \! V3 `' N$ `; F
24. The Golden Notebook (Doris Lessing, 1962)
2 _3 A q! D0 j7 F- j) y8 e23. Jude the Obscure (Thomas Hardy, 1895)( R8 r/ R Y( a, b2 [1 a& \
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): L* [ j" g$ r
21. Heart of Darkness (Joseph Conrad, 1899)) `0 S, z' L; S/ p9 I" M
20. Persuasion (Jane Austen, 1817)
; ^( z; f1 g$ p" [19. Emma (Jane Austen, 1815)
$ P3 ^' K$ Y) S4 y18. Remains of the Day (Kazuo Ishiguro, 1989)
, m: ?2 g9 v- `. X0 R) n7 M17. Howards End (EM Forster, 1910)
; ~ p6 W# W1 {7 q9 A16. The Waves (Virginia Woolf, 1931)9 G( ?( r6 G) E, [2 F- [
15. Atonement (Ian McEwan, 2001)
' E0 R, X) K7 v r14. Clarissa (Samuel Richardson,1748)
`# l3 u3 }, o0 s1 V# I( P13. The Good Soldier (Ford Madox Ford, 1915)
8 R% ]7 {. Q$ |+ f' X) [8 W$ ?12. Nineteen Eighty-Four (George Orwell, 1949)
3 Y9 h {( V! |; j! S11. Pride and Prejudice (Jane Austen, 1813)2 B+ o$ i" F$ z1 q; k/ h
10. Vanity Fair (William Makepeace Thackeray, 1848)+ ~5 [' I# }8 Q* T5 K
9. Frankenstein (Mary Shelley, 1818): N9 O( o4 V0 k' y* W! H$ f7 c) f
8. David Copperfield (Charles Dickens, 1850)+ E' H# M; c& C. m
7. Wuthering Heights (Emily Brontë, 1847)
/ p# M/ Z0 m+ k6. Bleak House (Charles Dickens, 1853)8 y4 ~* E/ r6 [/ @9 p5 v% c$ ?/ l
5. Jane Eyre (Charlotte Brontë, 1847)
# J; n# |) k! _. l( v0 U4. Great Expectations (Charles Dickens, 1861). _8 b. l0 @; N1 _% s. d
3. Mrs. Dalloway (Virginia Woolf, 1925)
, @5 @" b6 v5 Y, r# o" E' S2. To the Lighthouse (Virginia Woolf, 1927)
7 I& [2 y. T+ S2 \1. Middlemarch (George Eliot, 1874)! I- S" y: r8 i. }( _6 M; ?% j8 n/ F! o
. B. x8 b/ B9 D) u: ^* I8 ~6 v
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* A, z& g* J# |0 m$ |
: A$ e0 ?, H5 E$ k; V. D/ P4 w# \. t
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
2 r& W8 [& F4 {
