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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 0 L5 m2 r& r& J8 ~7 o, t7 n
/ `$ ]4 | a0 O8 J: fBBC评出100大英国文学名著8 H& o$ t* [6 p4 D& D% x
http://www.bbc.com/culture/story ... test-british-novels! s' b+ f; B3 I' _) u5 C" i0 m
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)8 r$ I1 T# f ]- s# r/ ?: c
99. There but for the (Ali Smith, 2011)) S( f. Y- a5 B [9 r
98. Under the Volcano (Malcolm Lowry,1947)
9 t- P' ]. k" a! X% g1 E97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ a8 O& b, [( B5 `96. Memoirs of a Survivor (Doris Lessing, 1974)
* |3 }( T7 w) }. v8 A( Q. g95. The Buddha of Suburbia (Hanif Kureishi, 1990)6 j4 T5 l, l/ ^! r2 p$ l
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)# p8 B* l9 k: K) v F
93. Lord of the Flies (William Golding, 1954)7 Z6 U+ l- p7 k, _
92. Cold Comfort Farm (Stella Gibbons, 1932)
) R9 P- X! M, O# [91. The Forsyte Saga (John Galsworthy, 1922)- _- U' ^; `6 x! A( N, J. V" ]. d
90. The Woman in White (Wilkie Collins, 1859)
* _! G" m) v h4 l89. The Horse’s Mouth (Joyce Cary, 1944)# h+ c3 e& ^ X1 E
88. The Death of the Heart (Elizabeth Bowen, 1938)
0 j6 y; Z, G" |9 c' M$ M87. The Old Wives’ Tale (Arnold Bennett,1908)' Q% S1 Z$ `( } \' p% }
86. A Legacy (Sybille Bedford, 1956)4 [( F$ M" v3 E% \; o- }/ g
85. Regeneration Trilogy (Pat Barker, 1991-1995)3 i4 ~: J" x: \
84. Scoop (Evelyn Waugh, 1938)! {, t. n6 P# F% h9 b# [% x% L# w; Z
83. Barchester Towers (Anthony Trollope, 1857)7 E9 b! D( [( Y# X* ]! a* \
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012). K; r; y6 A) T% s+ a
81. The Jewel in the Crown (Paul Scott, 1966)
' \. Y3 G" l9 I, k& v2 |4 y80. Excellent Women (Barbara Pym, 1952)
7 X. N9 \0 ?; m4 h8 I& K79. His Dark Materials (Philip Pullman, 1995-2000)
/ n! t \# x. a7 t! P78. A House for Mr Biswas (VS Naipaul, 1961)% M* W: K5 o! d& N
77. Of Human Bondage (W Somerset Maugham, 1915)( [, V. k( G8 Z! _: \* n
76. Small Island (Andrea Levy, 2004). k& G! w% y& K! O# B2 u
75. Women in Love (DH Lawrence, 1920)
$ r4 l% x& N6 Z8 ]0 ^5 J. D' Q74. The Mayor of Casterbridge (Thomas Hardy, 1886), {# W: `9 I9 t) t% ~7 Z
73. The Blue Flower (Penelope Fitzgerald, 1995)" n2 @6 M0 y* p2 {$ v
72. The Heart of the Matter (Graham Greene, 1948)
" B; ^: h0 R, e8 V71. Old Filth (Jane Gardam, 2004)9 d$ D5 o z7 K1 m
70. Daniel Deronda (George Eliot, 1876)- _- O7 }: O! \) G+ ~
69. Nostromo (Joseph Conrad, 1904)4 C$ I% a# [7 j* {- z1 O& V
68. A Clockwork Orange (Anthony Burgess, 1962)
4 ?* W9 B1 L) k67. Crash (JG Ballard 1973), Q/ O: x" k" i% C6 d0 H& d1 i& L
66. Sense and Sensibility (Jane Austen, 1811)9 A2 Z0 m% }$ s) n. L
65. Orlando (Virginia Woolf, 1928)
+ A7 Q) k2 x! {7 t9 r* I- T64. The Way We Live Now (Anthony Trollope, 1875) E/ ]/ ^0 g* X6 y9 P3 `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 }% H h/ J/ p
62. Animal Farm (George Orwell, 1945)+ z6 d! e& ]& J7 C0 o
61. The Sea, The Sea (Iris Murdoch, 1978)
$ J5 }; O- }/ t, R' o60. Sons and Lovers (DH Lawrence, 1913) G, u9 h5 J+ ?( u
59. The Line of Beauty (Alan Hollinghurst, 2004)' t$ ?6 E' U: N p* a
58. Loving (Henry Green, 1945)
! h2 f% I! Z6 S! B57. Parade’s End (Ford Madox Ford, 1924-1928)7 ~7 `0 S$ U+ f u
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)% `0 b' K: C6 z0 a% C9 f$ e
55. Gulliver’s Travels (Jonathan Swift, 1726) O% I2 P. r8 d* |3 q
54. NW (Zadie Smith, 2012) @( h! O+ r6 m: l
53. Wide Sargasso Sea (Jean Rhys, 1966)$ B' {- {% S+ p7 R
52. New Grub Street (George Gissing, 1891)
& p7 ~" y' q( V% {. U& E51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
! x6 ~# ^' C5 `2 M3 o7 l& Z- i; d50. A Passage to India (EM Forster, 1924)' Y5 d% k- F2 S; ]& J+ Q8 c, _2 B' } p
49. Possession (AS Byatt, 1990)
0 g/ c7 q. t5 Q# @7 v48. Lucky Jim (Kingsley Amis, 1954)% W8 B+ B8 S( s- W {- `- o! o
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)* ~" a: L) f5 i+ U) F+ Q
46. Midnight’s Children (Salman Rushdie, 1981)
) k2 N. z3 y$ R9 r, ]45. The Little Stranger (Sarah Waters, 2009). e7 ~" ^ s- b6 Z) m! Z
44. Wolf Hall (Hilary Mantel, 2009)
" C* e* l# e+ y% E, o+ K, `, A( e43. The Swimming Pool Library (Alan Hollinghurst, 1988); r: R0 Q& q( }) n6 o* n( k2 r
42. Brighton Rock (Graham Greene, 1938); L, y; {* x' ]+ t/ ^" r
41. Dombey and Son (Charles Dickens, 1848)
7 g) V3 p) x+ {* V/ z0 D) j- j1 k" T40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865); p; h* [5 A3 o7 K: B- D
39. The Sense of an Ending (Julian Barnes, 2011)" Z7 D3 I4 T$ p5 O& F1 P" \
38. The Passion (Jeanette Winterson, 1987)
: m6 t, z9 l0 B* @# s37. Decline and Fall (Evelyn Waugh, 1928)
5 m7 |6 L* w! a" O J8 D+ v( f9 ?36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& A% C# p# a S35. Remainder (Tom McCarthy, 2005)$ X9 t2 E6 o& W5 m$ M
34. Never Let Me Go (Kazuo Ishiguro, 2005)
( p6 s1 ^8 |- K1 e- y' O33. The Wind in the Willows (Kenneth Grahame, 1908)
* n" C# f6 c, M' C/ u32. A Room with a View (EM Forster, 1908)
5 t6 { g6 p% `, R) n31. The End of the Affair (Graham Greene, 1951)9 M' V: q9 _: Q- o: }6 q
30. Moll Flanders (Daniel Defoe, 1722)- k, A0 v! ]7 Y. F3 Q' E) x$ x
29. Brick Lane (Monica Ali, 2003)
1 `1 k4 F+ D( q28. Villette (Charlotte Brontë, 1853)
% B7 K" W0 S) m/ f3 m6 `+ p" I# Z27. Robinson Crusoe (Daniel Defoe, 1719)
2 x3 W) a0 P" T9 D) U# k26. The Lord of the Rings (JRR Tolkien, 1954)
1 Q( p7 T8 C2 ~) `/ u25. White Teeth (Zadie Smith, 2000)5 G5 U+ a% E& q7 W+ S* P2 r+ `
24. The Golden Notebook (Doris Lessing, 1962)
- e7 H2 M0 Y# d( _& q, S23. Jude the Obscure (Thomas Hardy, 1895)8 t3 n- p* i) {( d0 i
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)9 ~- \5 | `0 j* `
21. Heart of Darkness (Joseph Conrad, 1899)5 e$ g( Z9 R! {
20. Persuasion (Jane Austen, 1817)2 @1 \$ B4 I( `9 H# s
19. Emma (Jane Austen, 1815)
6 F2 n& y# V( S' N9 k18. Remains of the Day (Kazuo Ishiguro, 1989), r% z- a( q6 @( e3 i, P, `% b; G& P
17. Howards End (EM Forster, 1910)0 J8 X, y( s9 J6 E8 b5 b
16. The Waves (Virginia Woolf, 1931)
2 S" V* {: _: a! f: }15. Atonement (Ian McEwan, 2001)
0 U* V V, L) H! F/ @/ t14. Clarissa (Samuel Richardson,1748)
) x3 Y) Z' f; s9 L( O Q+ @13. The Good Soldier (Ford Madox Ford, 1915)
6 b3 i+ M% \# X1 B6 J12. Nineteen Eighty-Four (George Orwell, 1949)
; u. H+ @/ f: _8 e& ]7 ]' E11. Pride and Prejudice (Jane Austen, 1813)5 l' r7 q6 e2 k# {
10. Vanity Fair (William Makepeace Thackeray, 1848)
- K% {+ O& C" [8 w& S- D9. Frankenstein (Mary Shelley, 1818)4 p" p* n! k9 I5 S" x& g C" U' v
8. David Copperfield (Charles Dickens, 1850)' u5 c- Q1 t! w. j# w% c+ g
7. Wuthering Heights (Emily Brontë, 1847), B* B- n4 N' l. Y2 u! b2 \
6. Bleak House (Charles Dickens, 1853)
3 W9 |% `+ H1 @) G' W" O o5. Jane Eyre (Charlotte Brontë, 1847)' j% d# ]4 m- N2 b U
4. Great Expectations (Charles Dickens, 1861)+ P, N" f, Z2 x% `" I& x
3. Mrs. Dalloway (Virginia Woolf, 1925)7 _2 [4 ^+ Z. \
2. To the Lighthouse (Virginia Woolf, 1927)" n x9 r N3 S" p0 F
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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