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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : g$ Z5 r) ]1 e2 \
" `4 y8 i+ j/ S( E1 Z8 J& d9 gBBC评出100大英国文学名著3 ^" Y9 Z: [5 J) N6 u+ T
http://www.bbc.com/culture/story ... test-british-novels9 M+ k# v9 i0 C" K# R
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)! S, L! u( y( ?, Y
99. There but for the (Ali Smith, 2011); g1 `* [6 T5 X
98. Under the Volcano (Malcolm Lowry,1947)$ V9 U% H/ J( H
97. The Chronicles of Narnia (CS Lewis, 1949-1954). ?4 w" g5 X+ ]* j+ q. d
96. Memoirs of a Survivor (Doris Lessing, 1974)4 `' ?/ S5 D* J8 s; o! ]
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 d/ `4 c2 C: m- v% ~94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)/ O% j$ c$ ^. c* z
93. Lord of the Flies (William Golding, 1954)
* ~0 D; m# d( {& t92. Cold Comfort Farm (Stella Gibbons, 1932)
- U1 Z3 L/ i \- t$ m1 X) G" W91. The Forsyte Saga (John Galsworthy, 1922)$ R* s1 J/ d/ E) s/ h! }
90. The Woman in White (Wilkie Collins, 1859)
% ~) a" }9 H' p2 B: l89. The Horse’s Mouth (Joyce Cary, 1944)
3 f; Q( k, R/ ^5 i+ V, a x88. The Death of the Heart (Elizabeth Bowen, 1938)
! n2 H8 `) ]" o/ w$ g87. The Old Wives’ Tale (Arnold Bennett,1908)- |0 g4 v a; C0 M
86. A Legacy (Sybille Bedford, 1956)
' q5 c: o4 @- K# h$ ~& s9 E( B85. Regeneration Trilogy (Pat Barker, 1991-1995)
1 n }( a' E$ p; o+ I84. Scoop (Evelyn Waugh, 1938)
( }/ g9 q* \ z( s83. Barchester Towers (Anthony Trollope, 1857)8 I% _6 l, E8 ?! b5 e, g" X) ]: ?
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
+ {" C0 _3 w$ l8 b0 k3 G0 J81. The Jewel in the Crown (Paul Scott, 1966) y1 y2 T( r, ~
80. Excellent Women (Barbara Pym, 1952), u2 i; p' D! e' i2 |6 `. t4 |
79. His Dark Materials (Philip Pullman, 1995-2000)9 R! j' u9 [5 v6 Y n0 T
78. A House for Mr Biswas (VS Naipaul, 1961)
6 |' ^+ \! { R: c( m. e77. Of Human Bondage (W Somerset Maugham, 1915) d, _* Z+ H! t3 V4 [
76. Small Island (Andrea Levy, 2004)0 _" j& j0 J; C& T, j2 c
75. Women in Love (DH Lawrence, 1920)
0 I7 Z2 R/ u: b1 g9 T74. The Mayor of Casterbridge (Thomas Hardy, 1886)* H O1 H6 b$ u
73. The Blue Flower (Penelope Fitzgerald, 1995)
; I' F* e+ K4 n; `* k72. The Heart of the Matter (Graham Greene, 1948)7 M4 w9 \3 g* @! A C: `
71. Old Filth (Jane Gardam, 2004)
- Q0 B' V& `, G+ A* w70. Daniel Deronda (George Eliot, 1876). _- M7 X# ~$ I, N
69. Nostromo (Joseph Conrad, 1904)) d1 ?5 s, S$ L2 i( ?) e- d0 D6 J
68. A Clockwork Orange (Anthony Burgess, 1962)
% Q" }& P4 U$ O67. Crash (JG Ballard 1973)" E7 F6 Y" w5 p6 c
66. Sense and Sensibility (Jane Austen, 1811)1 j( ^( h7 D& V D- F
65. Orlando (Virginia Woolf, 1928)' j6 y4 Z/ Q" I. B$ n9 x
64. The Way We Live Now (Anthony Trollope, 1875)
* v7 z0 J; m9 g; d r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 X7 \6 ?* A. {8 K) U1 g& D62. Animal Farm (George Orwell, 1945)
2 [# ]8 P" L5 A# v61. The Sea, The Sea (Iris Murdoch, 1978)
1 q( k) m( s) Z7 k2 u60. Sons and Lovers (DH Lawrence, 1913)
. H. g" Y% x$ M1 Y' n59. The Line of Beauty (Alan Hollinghurst, 2004)
) H2 `/ g" z- r2 l58. Loving (Henry Green, 1945)
4 B# p7 G# c r$ T57. Parade’s End (Ford Madox Ford, 1924-1928) y- c. Y! R' Q3 `
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 V e# R. r: U, J55. Gulliver’s Travels (Jonathan Swift, 1726)
3 t- r# {7 q: |0 w' p54. NW (Zadie Smith, 2012)
* F9 F" i" r' S3 o. j3 e$ F s53. Wide Sargasso Sea (Jean Rhys, 1966)" ~, F& J, v# J% M0 |, D! ~- d
52. New Grub Street (George Gissing, 1891)- n& Q, u) W8 r; W
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. D* w) f: U2 O7 @; K50. A Passage to India (EM Forster, 1924)
6 J. m. \2 ]+ c% s; O: x& t: B! I2 W49. Possession (AS Byatt, 1990): t# z& P$ @: Z: F! M. I
48. Lucky Jim (Kingsley Amis, 1954)* n( F2 _8 {0 x% B5 H' h* {3 ]# X
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 f$ |# M; r2 P7 Z% s
46. Midnight’s Children (Salman Rushdie, 1981)
) N7 m% ^% x; W+ `45. The Little Stranger (Sarah Waters, 2009)% f# M& M) }9 I4 G3 T3 s! [4 \
44. Wolf Hall (Hilary Mantel, 2009)& B8 i2 Q6 Z {8 v6 H* o" o' U
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- l# l% k8 G( _. s7 X) e' T42. Brighton Rock (Graham Greene, 1938)' P# W y6 l% ^* `3 J
41. Dombey and Son (Charles Dickens, 1848)) L5 v' f7 m) v$ W9 M1 G7 f
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# z5 @& _( F1 N' ]7 |8 m( j39. The Sense of an Ending (Julian Barnes, 2011)2 {8 q$ S ~! K* M$ `" d
38. The Passion (Jeanette Winterson, 1987)
" p1 c _1 z8 l: k. j37. Decline and Fall (Evelyn Waugh, 1928)
% l! b; A0 F/ ^, R k' k36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
' V7 v! G! C3 _0 w/ V1 B+ I. h6 z35. Remainder (Tom McCarthy, 2005)
; u3 Y; e' D L34. Never Let Me Go (Kazuo Ishiguro, 2005); f" o* b, K( ]) e7 @
33. The Wind in the Willows (Kenneth Grahame, 1908): X$ Y1 P4 Y @% l$ U0 h) B* L4 A
32. A Room with a View (EM Forster, 1908)
# [8 x& P4 P# C2 Z31. The End of the Affair (Graham Greene, 1951)
2 v4 f3 x( ` j30. Moll Flanders (Daniel Defoe, 1722)
$ X& q h# Z% O& s9 U( n29. Brick Lane (Monica Ali, 2003)) s/ @, G# x: b8 U7 ?2 ^+ S
28. Villette (Charlotte Brontë, 1853); U/ o6 C* G/ s$ g$ W
27. Robinson Crusoe (Daniel Defoe, 1719)9 \! L7 O# \+ h% s" [5 ^' S
26. The Lord of the Rings (JRR Tolkien, 1954)
, n( l7 Q' Z3 i* p( j25. White Teeth (Zadie Smith, 2000)0 Q$ |3 d5 n! D+ B( D4 Z% U! D
24. The Golden Notebook (Doris Lessing, 1962)1 k+ m$ a8 j. T* ]9 T
23. Jude the Obscure (Thomas Hardy, 1895)( t! v' U3 V( N0 A' f7 c5 {
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749), p( G0 U5 L2 y R
21. Heart of Darkness (Joseph Conrad, 1899)
+ R- j; D; _: `- ^20. Persuasion (Jane Austen, 1817)
. X- r; _% P) `6 H; R) o19. Emma (Jane Austen, 1815)
) E4 J' q3 w! t! Y' R18. Remains of the Day (Kazuo Ishiguro, 1989)
( i( e# w7 b# o# V, _0 e17. Howards End (EM Forster, 1910)
6 O# m3 m# ?! J( ~( j8 d; B+ M16. The Waves (Virginia Woolf, 1931)
* ]2 \+ p! Q9 Q" c5 m2 `0 c/ \4 e* r1 l15. Atonement (Ian McEwan, 2001)
: u p9 u+ H" q# C4 K14. Clarissa (Samuel Richardson,1748)* x. v3 O. |5 a0 W4 z) E+ V
13. The Good Soldier (Ford Madox Ford, 1915); t) [( L5 I2 t
12. Nineteen Eighty-Four (George Orwell, 1949)
. @0 x" b& Y) c4 c11. Pride and Prejudice (Jane Austen, 1813)( M- f9 M; w. l3 A% g9 C% T
10. Vanity Fair (William Makepeace Thackeray, 1848)/ a+ |6 u, _; a. M' @/ h, d( }
9. Frankenstein (Mary Shelley, 1818)) X' H8 o1 m% y+ F2 r+ L9 t
8. David Copperfield (Charles Dickens, 1850)8 W% ^6 p, l/ `; p
7. Wuthering Heights (Emily Brontë, 1847)4 y& p& w7 h0 p K2 q3 Z
6. Bleak House (Charles Dickens, 1853)
* e% t# r7 M" u& D5. Jane Eyre (Charlotte Brontë, 1847)0 A1 T: S) ] ~' S; W
4. Great Expectations (Charles Dickens, 1861)7 p) L/ ^, L9 a4 k1 I
3. Mrs. Dalloway (Virginia Woolf, 1925)& S# k/ }/ Z: Z! w, r
2. To the Lighthouse (Virginia Woolf, 1927)
; g' q( \$ `# q" r$ y* y7 @" P Q1. Middlemarch (George Eliot, 1874)
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! |$ f3 u+ ]7 `# ?* \, r前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- @2 y' A0 y! x" e; O
9 j" {9 L9 ?8 N7 [& t呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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