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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
) u" W8 I' n: F: L W4 ?http://www.bbc.com/culture/story ... test-british-novels7 F7 Z0 e( }5 X* S& L/ {
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 O. c6 r# B% ^. b6 t
! C# g8 [ O$ f6 G' ]8 w100. The Code of the Woosters (PG Wodehouse, 1938)
8 [/ ?1 j- c, A9 Y& A& p& C( l7 B# O) t99. There but for the (Ali Smith, 2011)# A: H$ P6 O6 y G! ~
98. Under the Volcano (Malcolm Lowry,1947)% u i) h7 t' T9 g0 U P
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
4 _' F- _6 r% l4 k1 f. \4 a96. Memoirs of a Survivor (Doris Lessing, 1974)$ d( [9 f0 X/ J- w% N
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
, A1 `3 O, V' [, x% ~94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& c# X" X5 f Q0 {# D! u93. Lord of the Flies (William Golding, 1954)% q0 F% [" }) i
92. Cold Comfort Farm (Stella Gibbons, 1932)
5 K: N) ]& r+ p91. The Forsyte Saga (John Galsworthy, 1922)" @# W5 c7 E" c# ~5 Z+ \$ n7 C* H- n- `
90. The Woman in White (Wilkie Collins, 1859)
; H0 x" M$ |& c. \89. The Horse’s Mouth (Joyce Cary, 1944)
9 l5 W/ [2 W. E6 C88. The Death of the Heart (Elizabeth Bowen, 1938)+ K' O9 a. S& I7 U( L0 l, h4 A; O# B7 A+ t
87. The Old Wives’ Tale (Arnold Bennett,1908)4 s3 y5 s+ d! R) O
86. A Legacy (Sybille Bedford, 1956)2 j- n k" H3 ^6 M5 {; u& I) d
85. Regeneration Trilogy (Pat Barker, 1991-1995)8 d# s3 H5 ?- i. A
84. Scoop (Evelyn Waugh, 1938)- g! r# y0 U3 a' G2 g0 X3 q. o' m! F
83. Barchester Towers (Anthony Trollope, 1857)
2 J: G( c3 T$ _8 `4 \82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
9 |* [* [% _8 }1 H- U81. The Jewel in the Crown (Paul Scott, 1966)
* U' a, @, ~- Y m! U80. Excellent Women (Barbara Pym, 1952)8 U8 k# I+ I1 i. l/ T( D/ k
79. His Dark Materials (Philip Pullman, 1995-2000)
' |) P6 [ u6 z' A78. A House for Mr Biswas (VS Naipaul, 1961)
1 o. |% l9 V- [. _8 R; k" [77. Of Human Bondage (W Somerset Maugham, 1915)
8 }3 x9 ]$ \8 I; l8 v76. Small Island (Andrea Levy, 2004)
% \& Q- O6 X' F75. Women in Love (DH Lawrence, 1920)
0 a. ]+ W7 Z. j74. The Mayor of Casterbridge (Thomas Hardy, 1886): x2 R, O* r, E6 ?2 n
73. The Blue Flower (Penelope Fitzgerald, 1995)
& g8 P" m& d; b& A! _72. The Heart of the Matter (Graham Greene, 1948)
" `) ], P: U, m9 r& I71. Old Filth (Jane Gardam, 2004)
9 d. F# z6 w. ^, d" \7 m70. Daniel Deronda (George Eliot, 1876)
+ H( K9 R- D+ F" Z5 d; h69. Nostromo (Joseph Conrad, 1904)
5 K/ M* F. H# ?; |5 p68. A Clockwork Orange (Anthony Burgess, 1962)
, X" P0 I& z1 u n8 r2 |67. Crash (JG Ballard 1973)" `+ W5 p0 q$ S% y* N& F* D
66. Sense and Sensibility (Jane Austen, 1811)
& g0 A2 q& n0 K0 q$ W65. Orlando (Virginia Woolf, 1928)
' |, N3 M5 a7 {9 x" i1 f+ N. j64. The Way We Live Now (Anthony Trollope, 1875)
5 _7 D# ] O1 S- \4 L! v63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; o1 o( F# e& n62. Animal Farm (George Orwell, 1945)( e; n$ Q$ N- l; c3 F$ ]
61. The Sea, The Sea (Iris Murdoch, 1978)
% v5 e& X4 i2 j$ @% A V2 A60. Sons and Lovers (DH Lawrence, 1913)
# ?2 x. d4 m. X. t2 d1 c59. The Line of Beauty (Alan Hollinghurst, 2004)
' M# Q- x& Q/ r5 J8 {# N9 g58. Loving (Henry Green, 1945)
8 x, d' n0 L* P. S57. Parade’s End (Ford Madox Ford, 1924-1928)8 Q) n2 n& k1 t' p+ l7 P
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 l% p2 C1 d2 N9 C" O9 Y( X
55. Gulliver’s Travels (Jonathan Swift, 1726)
, ^' y$ s E) i- g2 I! ?54. NW (Zadie Smith, 2012)
3 O8 g5 D% C* [; X& l8 c' o53. Wide Sargasso Sea (Jean Rhys, 1966)) U* y( D! Z5 G/ R0 U, m @% F: g& S
52. New Grub Street (George Gissing, 1891)
]( `$ p8 m' A w51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ p% Y5 b; A# W: I( d6 M: N* M
50. A Passage to India (EM Forster, 1924)$ o8 {+ F8 A; u h3 E/ Y$ B, _
49. Possession (AS Byatt, 1990)
, u5 U. Y9 N( ~48. Lucky Jim (Kingsley Amis, 1954)" x e7 v5 F$ W; d ?% i+ |: T
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ I6 y# v5 q, R+ k46. Midnight’s Children (Salman Rushdie, 1981)
6 f- X( I/ Z6 \1 J9 y4 Q3 p f45. The Little Stranger (Sarah Waters, 2009)
# |- p: G' W4 P% A# N$ ^% V44. Wolf Hall (Hilary Mantel, 2009)8 `/ M% a# G# F4 c
43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 @" g; F7 h0 c3 w- m+ x" Q
42. Brighton Rock (Graham Greene, 1938)) C/ X f& E" U4 `. a
41. Dombey and Son (Charles Dickens, 1848)
3 m, j/ Y5 l% r1 `& O3 j40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ c5 n# q" ]/ C& @3 T39. The Sense of an Ending (Julian Barnes, 2011)
! V. W! h( s1 o3 U38. The Passion (Jeanette Winterson, 1987)
! Q) l$ ]$ Y9 v3 @/ e) S37. Decline and Fall (Evelyn Waugh, 1928)
' A/ L0 I4 V4 Z+ Q* O J0 E36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ a( }1 v5 ^8 `" N, k35. Remainder (Tom McCarthy, 2005)' U$ n! c* ^, T% h
34. Never Let Me Go (Kazuo Ishiguro, 2005)! S( q# K' N$ R7 h
33. The Wind in the Willows (Kenneth Grahame, 1908), Q$ N5 b3 n/ @; T7 o D9 W6 r
32. A Room with a View (EM Forster, 1908)9 X9 ^ H: d/ s" `( w/ [7 K
31. The End of the Affair (Graham Greene, 1951); V* }1 c6 n) n; Y4 _) U9 T V
30. Moll Flanders (Daniel Defoe, 1722)
- M1 G8 K! z: c- h0 C29. Brick Lane (Monica Ali, 2003)
8 ~& z( d- j2 S# U! _, `28. Villette (Charlotte Brontë, 1853)
: w2 O! a5 m- t' g6 a6 `5 V27. Robinson Crusoe (Daniel Defoe, 1719)
8 @: V R5 S) l4 Q9 G26. The Lord of the Rings (JRR Tolkien, 1954)2 G1 U/ |9 U) G% J* k1 M
25. White Teeth (Zadie Smith, 2000)" B3 [% c- F7 `+ H& I$ C
24. The Golden Notebook (Doris Lessing, 1962). N, s$ ^& f6 {0 k, d; o4 l
23. Jude the Obscure (Thomas Hardy, 1895)
2 R( b. a+ p! @9 M$ K) g3 S22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 q$ D( Z# w& E" W. F21. Heart of Darkness (Joseph Conrad, 1899)
+ r6 T) p$ i6 V' r20. Persuasion (Jane Austen, 1817)3 z3 V' Y* W3 N
19. Emma (Jane Austen, 1815)
7 J# k/ K7 C* j- |18. Remains of the Day (Kazuo Ishiguro, 1989)
q' @6 R$ o6 R' A+ ?, }17. Howards End (EM Forster, 1910)5 t$ ]* @7 z4 x
16. The Waves (Virginia Woolf, 1931)2 G7 G0 s3 ]1 M* @ O! } b
15. Atonement (Ian McEwan, 2001)' I+ @/ G3 V( V: c1 g5 b) e
14. Clarissa (Samuel Richardson,1748)
2 S+ S T- o! n/ H13. The Good Soldier (Ford Madox Ford, 1915)3 Y, d! J3 z( O
12. Nineteen Eighty-Four (George Orwell, 1949)# h* v! v3 Q; A/ V4 n) u0 F$ V3 c
11. Pride and Prejudice (Jane Austen, 1813)9 v0 W8 G1 t2 c" n% w. o0 C: X
10. Vanity Fair (William Makepeace Thackeray, 1848)
5 L: F r% I3 [. D2 B9. Frankenstein (Mary Shelley, 1818)7 ` o5 M! ^5 H
8. David Copperfield (Charles Dickens, 1850)
; I- B9 ^ r5 s" Y9 H* y4 A7. Wuthering Heights (Emily Brontë, 1847)# {1 I+ \5 S8 n# c: J: A2 f- _
6. Bleak House (Charles Dickens, 1853)
: X& c j4 Z' n2 g$ P5. Jane Eyre (Charlotte Brontë, 1847)
! h, r* m& l8 G$ Q# {3 F/ n+ \9 X4. Great Expectations (Charles Dickens, 1861)
, }2 Z4 E5 g( f7 x i3. Mrs. Dalloway (Virginia Woolf, 1925)& B4 N5 P. E# {0 p5 |) E
2. To the Lighthouse (Virginia Woolf, 1927)
) I9 Q3 h+ \1 P: Y# G6 n% l8 g1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。, A( q+ _0 k: H: l) N ?0 L/ U3 }
4 ]+ k4 d$ ^( \. x呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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