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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # h9 @) e2 |4 f% o# |
7 d: Q3 |" H2 o. `BBC评出100大英国文学名著6 C' U/ P- h5 i3 s8 Y( N, h
http://www.bbc.com/culture/story ... test-british-novels
/ X5 N5 u. e9 p$ z惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938), R/ `' U7 L) G/ V
99. There but for the (Ali Smith, 2011)
. S2 _" y8 L+ p! f5 x8 i; Y; y98. Under the Volcano (Malcolm Lowry,1947)0 K0 }& c5 E% ?& c; L0 v
97. The Chronicles of Narnia (CS Lewis, 1949-1954)3 J9 U1 u. u1 g* D
96. Memoirs of a Survivor (Doris Lessing, 1974)
. o0 J( N8 h5 Q" W95. The Buddha of Suburbia (Hanif Kureishi, 1990)0 P9 o+ f% U9 ?/ Z1 m% p
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 ]2 S" V# K; w' U+ J
93. Lord of the Flies (William Golding, 1954)) m; E- m2 h+ d- `* ~7 @
92. Cold Comfort Farm (Stella Gibbons, 1932)
- s% h) u: X3 y91. The Forsyte Saga (John Galsworthy, 1922)
; \8 g0 G. X5 K3 Y* Y, x3 G90. The Woman in White (Wilkie Collins, 1859)
( l2 q& p3 _0 b, J89. The Horse’s Mouth (Joyce Cary, 1944)& f' l9 r9 y9 z0 H; l
88. The Death of the Heart (Elizabeth Bowen, 1938)
; \) C5 [" b) _87. The Old Wives’ Tale (Arnold Bennett,1908)
9 k3 M9 Y2 \- E' ^86. A Legacy (Sybille Bedford, 1956)% g1 i! t3 U$ d. o2 h
85. Regeneration Trilogy (Pat Barker, 1991-1995)) ^; Z0 \( I% @% i8 P9 K- q; G- |
84. Scoop (Evelyn Waugh, 1938)' x, _5 u, K! G1 D7 A
83. Barchester Towers (Anthony Trollope, 1857)/ K# D) u4 a9 \% I U6 X% A) j @* q3 {, Z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
0 W% F/ I# G, m1 }81. The Jewel in the Crown (Paul Scott, 1966)8 M' b4 `# i' r: J+ Q) g" p
80. Excellent Women (Barbara Pym, 1952)7 a1 A! O; N( x7 n" f4 y% h7 w
79. His Dark Materials (Philip Pullman, 1995-2000)$ ]- F1 L F0 _0 p* g) p# u& Z
78. A House for Mr Biswas (VS Naipaul, 1961)
- |3 `2 }: l" k" h8 x# S77. Of Human Bondage (W Somerset Maugham, 1915)4 Q5 R/ q* B! w$ n# ?; V
76. Small Island (Andrea Levy, 2004)
9 B5 T9 |. J. G F! G75. Women in Love (DH Lawrence, 1920)
6 v; h) V, R Y/ n5 @; @74. The Mayor of Casterbridge (Thomas Hardy, 1886)8 F$ c8 v9 s" e
73. The Blue Flower (Penelope Fitzgerald, 1995)' y' P% x, Y) T6 j, v
72. The Heart of the Matter (Graham Greene, 1948)
/ J/ Y$ F! `5 c3 ^1 S71. Old Filth (Jane Gardam, 2004)
2 m2 G* i( ]. z, `# w% \- d; Y; @70. Daniel Deronda (George Eliot, 1876)
* E0 Q2 t. p# [. |5 I69. Nostromo (Joseph Conrad, 1904)2 U8 t% }: C/ [5 S$ |5 D; G- r
68. A Clockwork Orange (Anthony Burgess, 1962)
3 S! N) u8 M) N6 a3 ?5 i2 J' I1 W67. Crash (JG Ballard 1973)( ~! g: S/ I! {0 {: U1 T% ~
66. Sense and Sensibility (Jane Austen, 1811) ~$ P7 {- M S y i: L7 K
65. Orlando (Virginia Woolf, 1928)
2 D2 I! J- }+ P! m2 m2 M; [6 S64. The Way We Live Now (Anthony Trollope, 1875)
" @( c1 h; \: h/ [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" X; u- F6 @+ ~. ]
62. Animal Farm (George Orwell, 1945)$ S# Q' C' A4 \% z2 O, \- D
61. The Sea, The Sea (Iris Murdoch, 1978)
" W# ~2 q9 j1 U3 b1 s4 X60. Sons and Lovers (DH Lawrence, 1913)
* O1 H1 z7 f/ F. c* ~59. The Line of Beauty (Alan Hollinghurst, 2004)
, n; C' l9 F6 k. M- ?58. Loving (Henry Green, 1945)
7 ^- k* ^" k- g l7 p6 N57. Parade’s End (Ford Madox Ford, 1924-1928)
$ T. b* ]' O, S- N) Y* R" g56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 ?9 | Q% C; X3 }+ Z% y1 |$ m
55. Gulliver’s Travels (Jonathan Swift, 1726)0 s8 H1 C/ ?5 `7 a9 }* Q+ q5 _* A6 _
54. NW (Zadie Smith, 2012)
& n) }3 j6 }. Z& _, @2 Z53. Wide Sargasso Sea (Jean Rhys, 1966)( N" D7 S% s2 Y ~$ y0 R
52. New Grub Street (George Gissing, 1891)- }! Z a& E" u7 {* L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891). D! D! c }* R$ J# g
50. A Passage to India (EM Forster, 1924)/ E8 z4 P7 A" L) U/ M& C) d/ m! e5 ]
49. Possession (AS Byatt, 1990) C4 w ?/ g* a5 F. M1 U: a: k8 ?# g
48. Lucky Jim (Kingsley Amis, 1954)- T) x* d9 {6 \6 q! u. F
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)2 ~& ? ]# t8 R j1 R
46. Midnight’s Children (Salman Rushdie, 1981)5 H; T5 u1 A7 f. |" S
45. The Little Stranger (Sarah Waters, 2009)
& Z7 X* F! [4 V2 q( c! s) e44. Wolf Hall (Hilary Mantel, 2009)
8 w% u4 [) u6 Z2 Y5 r" |43. The Swimming Pool Library (Alan Hollinghurst, 1988)
% X$ f z' ^0 q, z6 v2 P Z42. Brighton Rock (Graham Greene, 1938)+ `" h6 x1 |/ g, P, U
41. Dombey and Son (Charles Dickens, 1848)
+ r$ I. ?- p- E3 T) F9 G40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& Z9 U9 M( w) \5 J; H/ O" K7 a' c" d
39. The Sense of an Ending (Julian Barnes, 2011)
. q% U1 T% I+ N38. The Passion (Jeanette Winterson, 1987)
7 b+ J; S" ` L37. Decline and Fall (Evelyn Waugh, 1928)3 r$ S5 O' x$ ^
36. A Dance to the Music of Time (Anthony Powell, 1951-1975); i9 G; \* Z# A) [' J5 M
35. Remainder (Tom McCarthy, 2005)
& s6 j$ l. I4 y' t% ?/ R) l34. Never Let Me Go (Kazuo Ishiguro, 2005)
, U1 B6 {, d" ], c! x4 U33. The Wind in the Willows (Kenneth Grahame, 1908)" G) {/ d. A. O8 ?6 m6 z6 _$ a
32. A Room with a View (EM Forster, 1908)
; O/ T9 S) ?+ S t/ R31. The End of the Affair (Graham Greene, 1951)
* ?* ~. b- X% Y+ {8 x% N) U! \30. Moll Flanders (Daniel Defoe, 1722)9 ~( _. q* a+ \& W
29. Brick Lane (Monica Ali, 2003)
1 y9 c0 D/ i* h" H4 P28. Villette (Charlotte Brontë, 1853)5 j/ @/ o( d+ P& p5 f0 b" x
27. Robinson Crusoe (Daniel Defoe, 1719)3 y: k" o0 [! _3 Q' g
26. The Lord of the Rings (JRR Tolkien, 1954)1 A' w% E/ ^9 K3 _ G( G5 e
25. White Teeth (Zadie Smith, 2000)
* i; \! F/ ]2 P! K! v( s24. The Golden Notebook (Doris Lessing, 1962)
* J' e9 t9 a2 }* s; @6 [( i" i23. Jude the Obscure (Thomas Hardy, 1895)$ T0 h4 z. b4 ~
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): d' F+ d- D2 q/ X& P
21. Heart of Darkness (Joseph Conrad, 1899)
3 j; u6 v* v- U+ E20. Persuasion (Jane Austen, 1817)
5 I& h1 }+ r$ t( P) ]19. Emma (Jane Austen, 1815)( T* }3 ^3 g; v5 e: r. R, J/ e
18. Remains of the Day (Kazuo Ishiguro, 1989)
9 z! w: ~, ^ [17. Howards End (EM Forster, 1910)
( n: y3 }8 _9 {* F6 }+ t16. The Waves (Virginia Woolf, 1931)
0 r* h( g- }" ^5 Q i6 q15. Atonement (Ian McEwan, 2001)
2 t( z4 U; l$ }9 r14. Clarissa (Samuel Richardson,1748)$ O2 M( J- p' h- p7 M
13. The Good Soldier (Ford Madox Ford, 1915)
+ A! f( N6 p) G. d+ x5 Z0 p12. Nineteen Eighty-Four (George Orwell, 1949)
9 Z+ c4 d9 ?' [% ?11. Pride and Prejudice (Jane Austen, 1813)( w, S5 U2 i% O" F5 q9 v0 |
10. Vanity Fair (William Makepeace Thackeray, 1848)1 y! G9 L/ e. X6 O* n
9. Frankenstein (Mary Shelley, 1818)
, @* i- B. m) Q0 d* Q# h8. David Copperfield (Charles Dickens, 1850)4 y- h& a$ O2 H! T B9 t" A- j- O- {
7. Wuthering Heights (Emily Brontë, 1847)
+ `9 q1 O; _% A0 T1 j/ @ e' d6. Bleak House (Charles Dickens, 1853)
; s% a" \ H3 R& g8 {5. Jane Eyre (Charlotte Brontë, 1847)
* `2 w: y) s, i. \* r: C3 _) r4. Great Expectations (Charles Dickens, 1861)7 `8 B8 B2 \0 s' N3 |
3. Mrs. Dalloway (Virginia Woolf, 1925)) Q" e) K, p1 A' F9 \0 @# z0 X3 J
2. To the Lighthouse (Virginia Woolf, 1927)' @5 o! e( Z- x; H6 ~* m/ c; I$ G
1. Middlemarch (George Eliot, 1874)0 j; F# B# L4 u) l& i
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。$ C, e" t& ?% _5 k7 W- F
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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