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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著8 I3 B# X* b! f! H
http://www.bbc.com/culture/story ... test-british-novels3 x0 u q( b$ |( ?- N
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。 V |. G, K) ]+ e/ X; `
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100. The Code of the Woosters (PG Wodehouse, 1938)( h4 ~( l7 S8 E9 j" M* t! H
99. There but for the (Ali Smith, 2011)
% v1 P4 L) S' K; g98. Under the Volcano (Malcolm Lowry,1947) A: J% e- I" o! m2 j
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
( l* X0 `" x v96. Memoirs of a Survivor (Doris Lessing, 1974)
# r' U/ w: K7 B95. The Buddha of Suburbia (Hanif Kureishi, 1990)6 `7 Z7 [, q& z( ?
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( m7 l. G+ `+ Y$ `& n J% n" G \93. Lord of the Flies (William Golding, 1954)
) d& T1 r( z) @- @0 ~& `92. Cold Comfort Farm (Stella Gibbons, 1932)( ~4 c8 I6 Z, c# v7 o* Q! U
91. The Forsyte Saga (John Galsworthy, 1922)" a; H& T+ J2 N& [8 Q
90. The Woman in White (Wilkie Collins, 1859)( I1 X& W. F$ m1 [
89. The Horse’s Mouth (Joyce Cary, 1944)
4 I S; l1 _* u t# V, s. E* @88. The Death of the Heart (Elizabeth Bowen, 1938)/ \3 B; u/ o' P3 ~9 W( b4 @! A* I
87. The Old Wives’ Tale (Arnold Bennett,1908)
" e M8 _3 x, }* X+ [' t2 E( S1 P86. A Legacy (Sybille Bedford, 1956)+ g" \& I% p- _: x: ]9 h
85. Regeneration Trilogy (Pat Barker, 1991-1995)
i- v* I. ^* G84. Scoop (Evelyn Waugh, 1938)
B# U' b& {, E' i; K7 p$ E' b83. Barchester Towers (Anthony Trollope, 1857)
; x6 H/ m: R, r X* ?82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 ~, Q! z! M$ B# x1 ~81. The Jewel in the Crown (Paul Scott, 1966) u" s f! k1 ]. o
80. Excellent Women (Barbara Pym, 1952)& T% S- `1 ?7 F0 ?0 C" k
79. His Dark Materials (Philip Pullman, 1995-2000)
$ L- D# v: n) p w0 _% \78. A House for Mr Biswas (VS Naipaul, 1961)9 e' B& |+ D) `9 v7 O
77. Of Human Bondage (W Somerset Maugham, 1915)
4 c9 Y9 U5 g% P! [76. Small Island (Andrea Levy, 2004)
3 J# {8 F0 ?* w! t8 p75. Women in Love (DH Lawrence, 1920)
- H4 S; e0 \' K1 M# O74. The Mayor of Casterbridge (Thomas Hardy, 1886)9 [- s0 D1 y: x y
73. The Blue Flower (Penelope Fitzgerald, 1995)9 J# f" A3 D- S8 ^+ K; O, ^ R
72. The Heart of the Matter (Graham Greene, 1948)
- s6 y4 H" N, ^" E$ s B' E71. Old Filth (Jane Gardam, 2004)
f( N! h+ ]7 |' v70. Daniel Deronda (George Eliot, 1876)
# H; T) ~ O* A$ N) K69. Nostromo (Joseph Conrad, 1904). c/ y# b% E% J a# W+ W' y1 D
68. A Clockwork Orange (Anthony Burgess, 1962)$ f7 W( K( G4 e" T
67. Crash (JG Ballard 1973)
- X* N' X5 {0 }8 n! H66. Sense and Sensibility (Jane Austen, 1811)
: Y' `9 d! }! @! v. U- ]6 x65. Orlando (Virginia Woolf, 1928)
! ^! A2 J( z4 z! L8 U! w64. The Way We Live Now (Anthony Trollope, 1875)1 S ~1 n. ~+ T' f
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 Y0 m% `: Q. @5 o3 Y% ~
62. Animal Farm (George Orwell, 1945)
1 M) C, }6 B9 m61. The Sea, The Sea (Iris Murdoch, 1978)" F5 i* G5 L; E8 B
60. Sons and Lovers (DH Lawrence, 1913)
1 p. }9 L* R7 P# n7 \59. The Line of Beauty (Alan Hollinghurst, 2004)& T; j8 k4 R3 p3 i5 \
58. Loving (Henry Green, 1945)% m# u& E: O2 k1 J' L O4 o+ w
57. Parade’s End (Ford Madox Ford, 1924-1928)
5 w& ]1 K4 I# ~0 j5 g3 j1 U56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 y3 L( Y7 c4 _55. Gulliver’s Travels (Jonathan Swift, 1726)
2 L ?0 M6 Q2 V6 K9 ^7 N c54. NW (Zadie Smith, 2012)
1 Z1 O0 s4 V) p) Y) R& I53. Wide Sargasso Sea (Jean Rhys, 1966). Q/ Z' Y& X7 Q# I! ]
52. New Grub Street (George Gissing, 1891)
6 Q% K( F/ R. N0 o( \; c0 W51. Tess of the d’Urbervilles (Thomas Hardy, 1891)& k/ D: {" r6 @' a' H
50. A Passage to India (EM Forster, 1924)/ T) A1 n. K( @5 W: W- \
49. Possession (AS Byatt, 1990)/ }' N; q, ^- g& B
48. Lucky Jim (Kingsley Amis, 1954). b5 G8 i# Y; T1 y) f, Z8 z- V4 V
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ P1 u) C/ z' B5 p: j# X
46. Midnight’s Children (Salman Rushdie, 1981)
+ V7 d `1 r& a k6 i45. The Little Stranger (Sarah Waters, 2009)& S4 f0 }, N% _' q, x& D" t
44. Wolf Hall (Hilary Mantel, 2009)4 `( h9 H( @* Y7 o) c5 F! r# J
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 a {$ A6 `/ P m42. Brighton Rock (Graham Greene, 1938)8 K/ a& y3 k8 J# Y0 @
41. Dombey and Son (Charles Dickens, 1848)
, Z8 r9 K4 Q: J% n9 c40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# [& o v& P4 I3 ^39. The Sense of an Ending (Julian Barnes, 2011)
7 J/ H+ S; \+ E6 a0 V38. The Passion (Jeanette Winterson, 1987)
( d+ @+ I# M8 m37. Decline and Fall (Evelyn Waugh, 1928)# A2 a! j. h& n* v6 Y/ G6 E
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( H' w' D( L$ ? w) f# [1 R* N9 n) H
35. Remainder (Tom McCarthy, 2005)9 |2 I+ g! p; h+ i( A
34. Never Let Me Go (Kazuo Ishiguro, 2005)0 a3 r6 m) D; a& v
33. The Wind in the Willows (Kenneth Grahame, 1908)7 ?8 s4 U) ^" x! w( y# _) ]+ w& D* U
32. A Room with a View (EM Forster, 1908)/ v- |+ H+ k. {1 C/ A" s' g
31. The End of the Affair (Graham Greene, 1951)
8 H3 R4 V8 w1 ^9 W% k30. Moll Flanders (Daniel Defoe, 1722)
$ s9 j: {+ n6 j$ E29. Brick Lane (Monica Ali, 2003)
6 W5 ]2 O) P! g, M1 c$ h- X28. Villette (Charlotte Brontë, 1853)+ P$ \, c! N! l5 B8 e, q
27. Robinson Crusoe (Daniel Defoe, 1719)' f* O6 ?% R2 L' F# j4 I* b! s
26. The Lord of the Rings (JRR Tolkien, 1954)
3 ^/ F- F0 y- A! x9 W$ n4 }5 p25. White Teeth (Zadie Smith, 2000)" n4 Q% }( n5 E
24. The Golden Notebook (Doris Lessing, 1962)
/ R& ^ p& x, F' }& @3 Q" q23. Jude the Obscure (Thomas Hardy, 1895)* i2 o0 @, P) d9 E2 Z3 d
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. F' ^. G0 I' c V0 ?8 _: F) P3 _21. Heart of Darkness (Joseph Conrad, 1899)
; b/ ]6 R5 b' |- B& J, F# O$ Y' |20. Persuasion (Jane Austen, 1817)5 W! _/ m6 k$ O# V; t4 @
19. Emma (Jane Austen, 1815)- k: a2 M/ s/ `) t& A1 Z, U
18. Remains of the Day (Kazuo Ishiguro, 1989)
J# ^3 u) W9 k4 w0 Q17. Howards End (EM Forster, 1910)" c/ Y7 z) A! m5 I# H
16. The Waves (Virginia Woolf, 1931)
4 g% D: t/ a6 H$ p% T+ |! q( V15. Atonement (Ian McEwan, 2001)) A4 ~8 m$ o( c/ I/ ?& [
14. Clarissa (Samuel Richardson,1748)
& Z/ y6 D- A2 e! W' @13. The Good Soldier (Ford Madox Ford, 1915), p5 _1 L7 y& |3 V: L2 E1 C
12. Nineteen Eighty-Four (George Orwell, 1949)
. e1 d! x% b; Y" m5 N11. Pride and Prejudice (Jane Austen, 1813)
0 N7 j4 \; ~7 x9 b10. Vanity Fair (William Makepeace Thackeray, 1848)
6 b2 I8 Z3 o3 D- D' a9. Frankenstein (Mary Shelley, 1818)
3 H& |, k: M6 u: K8. David Copperfield (Charles Dickens, 1850)7 l% i4 G4 E ?" U' ~
7. Wuthering Heights (Emily Brontë, 1847)
2 e [' Q- g6 _% M& W' [5 I6. Bleak House (Charles Dickens, 1853)3 Q4 `; ?2 v4 M8 R( C: D! B+ S
5. Jane Eyre (Charlotte Brontë, 1847)
5 F) H( n% B* C+ ^ B8 N* a% ?4. Great Expectations (Charles Dickens, 1861)
& R2 \1 l: H% E4 a4 k; U7 |3. Mrs. Dalloway (Virginia Woolf, 1925)
5 n' ~2 j4 a$ Z7 L! N; g2. To the Lighthouse (Virginia Woolf, 1927)
- i* V, v# Y0 y. {6 H+ g1. Middlemarch (George Eliot, 1874)
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. |, `% o+ H% e! v前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; G- _4 ]: g: ~, O
8 }% _& `1 n. Q: U1 f7 r呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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