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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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, p4 H1 M' Y$ I2 {! X4 [; y, {BBC评出100大英国文学名著! f# ~, V" g1 o' `/ w
http://www.bbc.com/culture/story ... test-british-novels1 P) R2 |3 ^" ?0 o1 N1 G
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* R3 O( U- C! a9 `% r8 B' m
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100. The Code of the Woosters (PG Wodehouse, 1938)
# t0 B/ p0 g9 C0 H5 u6 A' D' Y2 o99. There but for the (Ali Smith, 2011)
6 U1 `" U' U( Y5 b98. Under the Volcano (Malcolm Lowry,1947)' ?) H- p Z) V9 ~, n
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
5 z+ H3 e6 f% E- [9 {* i96. Memoirs of a Survivor (Doris Lessing, 1974)
7 k' x* J, s- Y7 y4 F U7 G95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( `$ l+ y2 q3 k, e3 Y) m8 s, @, c- d94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 q6 i0 L: q; B# S% F E( H% `93. Lord of the Flies (William Golding, 1954)* @# n) Y8 c# V1 L) Z) R9 ]4 @8 Z
92. Cold Comfort Farm (Stella Gibbons, 1932)
! {6 P2 c9 n/ J8 H- u- v$ ?91. The Forsyte Saga (John Galsworthy, 1922)
- K( R6 ^9 [- z/ P+ k6 o90. The Woman in White (Wilkie Collins, 1859)
) T6 `$ c7 y6 r" l, p89. The Horse’s Mouth (Joyce Cary, 1944)
0 P2 U+ z% i$ m( y5 W88. The Death of the Heart (Elizabeth Bowen, 1938)% L* w6 F% z0 L0 w* n5 b
87. The Old Wives’ Tale (Arnold Bennett,1908)
) C% R4 |4 _& E7 q3 r6 @86. A Legacy (Sybille Bedford, 1956). s! s! ~/ [' M. r* B( {- a% O
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 D! q$ Z9 Y. g* L. o# b( x84. Scoop (Evelyn Waugh, 1938)5 m2 x: j: |( F6 |; E3 P% J- V/ X
83. Barchester Towers (Anthony Trollope, 1857)
' N8 M9 k) c K6 k82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ e0 z* F7 D8 s5 d. n9 D" }3 G
81. The Jewel in the Crown (Paul Scott, 1966)
9 o( U. t8 B% U80. Excellent Women (Barbara Pym, 1952)
5 C$ }* P, f3 Q7 ?( o9 P" W7 e# R! _79. His Dark Materials (Philip Pullman, 1995-2000)
0 T7 L) e' T. Q. f78. A House for Mr Biswas (VS Naipaul, 1961)
9 m1 A; E6 q' X" W6 B77. Of Human Bondage (W Somerset Maugham, 1915)2 m6 e z0 j. o) K1 O& o" b
76. Small Island (Andrea Levy, 2004)
3 Y3 x; n/ [4 H, C8 A$ i8 _ ^75. Women in Love (DH Lawrence, 1920); M) [, V1 k! Q% Q$ M3 @* k0 D
74. The Mayor of Casterbridge (Thomas Hardy, 1886)! p5 O1 `5 D) g4 H, m" m- c( | l
73. The Blue Flower (Penelope Fitzgerald, 1995)3 a* I9 [, ?% E- ^
72. The Heart of the Matter (Graham Greene, 1948)& ~( _: }3 K# K9 X
71. Old Filth (Jane Gardam, 2004)
- T. ]/ F* \% _* X M. H- y70. Daniel Deronda (George Eliot, 1876): m5 O( J* B! ~4 s' H
69. Nostromo (Joseph Conrad, 1904)
- ~0 X Y8 N) [( K! e68. A Clockwork Orange (Anthony Burgess, 1962)
/ w7 x1 f5 r/ P$ `5 P67. Crash (JG Ballard 1973)& M' n- F# n" Z5 C( k3 |$ W2 A
66. Sense and Sensibility (Jane Austen, 1811)
/ T$ [0 N4 m/ U3 c65. Orlando (Virginia Woolf, 1928). E/ _& |, [- w W* _7 d+ R
64. The Way We Live Now (Anthony Trollope, 1875)- T: U7 u' Q4 r" ?0 `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( i I$ ?/ R/ R) z, c$ T; u" g
62. Animal Farm (George Orwell, 1945)
7 r2 @4 _2 z5 D1 n! Z! M8 w61. The Sea, The Sea (Iris Murdoch, 1978)$ x- b' H1 I; m% R/ G: L
60. Sons and Lovers (DH Lawrence, 1913)
2 B! v" y6 y4 e4 }" o59. The Line of Beauty (Alan Hollinghurst, 2004)
$ [# d4 l b9 z* ]: B' x58. Loving (Henry Green, 1945)
% _0 J3 `6 i: p! Q57. Parade’s End (Ford Madox Ford, 1924-1928)
% w; q* C4 Y* d/ u f% n56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- c$ C! H! n) ~& j8 z% R) n% Y55. Gulliver’s Travels (Jonathan Swift, 1726)
' Z) |, }5 X6 v& P54. NW (Zadie Smith, 2012)
, A9 _4 C5 b; ?! ?% I) l53. Wide Sargasso Sea (Jean Rhys, 1966)
* T7 f6 }# g0 ]+ C$ y) K, F52. New Grub Street (George Gissing, 1891)) U7 C7 X+ u0 ]# _0 s: k
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
/ {% z5 v4 j0 I8 t50. A Passage to India (EM Forster, 1924)/ `" _$ X8 ~( L# L$ l R7 i6 @
49. Possession (AS Byatt, 1990); O* ~4 m0 P1 D5 n
48. Lucky Jim (Kingsley Amis, 1954)
/ m3 N' P/ y, t6 v& q( h3 G# P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
1 t4 |; U# P9 T, Z) T* d, u; @46. Midnight’s Children (Salman Rushdie, 1981)
( I9 _5 o2 y+ X- R' G45. The Little Stranger (Sarah Waters, 2009)2 P; u! V! s1 f
44. Wolf Hall (Hilary Mantel, 2009)
6 m' C x/ W# k43. The Swimming Pool Library (Alan Hollinghurst, 1988)9 P& C& t% {# o, D6 y
42. Brighton Rock (Graham Greene, 1938)
2 P4 _) d5 _$ c9 L$ l9 h' Z. \5 ^3 b41. Dombey and Son (Charles Dickens, 1848); f. g) ]% u4 p3 j, h3 m: x
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ _6 @; [& P* m* m8 ^5 s9 Z39. The Sense of an Ending (Julian Barnes, 2011)) }6 c. V! e! j9 J* p, x: r# ^
38. The Passion (Jeanette Winterson, 1987)$ e$ e0 Q( I1 S- h1 d5 r
37. Decline and Fall (Evelyn Waugh, 1928)& c. E" ^. A9 \$ Y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
) b3 b. N6 x9 `3 o. }3 k35. Remainder (Tom McCarthy, 2005)
( C$ y L+ x8 K0 v1 F$ }4 j2 h34. Never Let Me Go (Kazuo Ishiguro, 2005)
& U- \ H3 D- ~1 r4 y33. The Wind in the Willows (Kenneth Grahame, 1908)( }; \. h/ w" w* t! l" T
32. A Room with a View (EM Forster, 1908)( [" `$ V1 p. Z% p0 e
31. The End of the Affair (Graham Greene, 1951)! D# r6 S* m, x7 U1 H3 _0 J4 w+ ]
30. Moll Flanders (Daniel Defoe, 1722)6 p: E7 l( ?# y; k8 ^9 [5 _
29. Brick Lane (Monica Ali, 2003)
# `9 J/ _7 N2 k. s$ c28. Villette (Charlotte Brontë, 1853)1 C1 w! _+ Y* D7 B$ w5 ~4 F2 L
27. Robinson Crusoe (Daniel Defoe, 1719)! d2 i( y3 r# ?: m2 C0 _/ u
26. The Lord of the Rings (JRR Tolkien, 1954)
$ a7 ~' o: k. y- D" t+ `! r8 C25. White Teeth (Zadie Smith, 2000)6 a; v# T. P! W7 |; _6 V
24. The Golden Notebook (Doris Lessing, 1962)
1 x- J6 ^9 E- X! w5 _$ }5 G! W23. Jude the Obscure (Thomas Hardy, 1895)% |% V: v1 H8 F' b3 k0 K- O9 l
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ F5 @! d" D6 U+ @- s( |- n4 _
21. Heart of Darkness (Joseph Conrad, 1899)' c+ S7 [, `( B V/ @
20. Persuasion (Jane Austen, 1817)" z+ T/ m# N+ P1 F) D$ x4 Z. U
19. Emma (Jane Austen, 1815)# b" G: X2 g+ k0 e/ Y
18. Remains of the Day (Kazuo Ishiguro, 1989)/ A% a4 H4 H) M1 k5 N: ?0 \
17. Howards End (EM Forster, 1910)
" q4 m7 f, ^- ]; D4 }5 x16. The Waves (Virginia Woolf, 1931); ?( k$ U8 O3 K: h
15. Atonement (Ian McEwan, 2001)( J; |$ n/ J" Y. J. } x: M
14. Clarissa (Samuel Richardson,1748)
8 D- W t! d E13. The Good Soldier (Ford Madox Ford, 1915)
/ J% o" O$ t; J2 H- @12. Nineteen Eighty-Four (George Orwell, 1949)
2 e( M8 o4 }1 S9 J/ @11. Pride and Prejudice (Jane Austen, 1813)
3 O( v! o/ u3 F% |/ B10. Vanity Fair (William Makepeace Thackeray, 1848)
% Y( N( `: [1 c3 \! L: K+ a( c9. Frankenstein (Mary Shelley, 1818) s+ o Z2 V3 ?
8. David Copperfield (Charles Dickens, 1850)
3 z3 @/ R; b! U7 u7. Wuthering Heights (Emily Brontë, 1847)2 J7 P( x: \$ [# @
6. Bleak House (Charles Dickens, 1853)0 O( J+ ?% a3 _3 X
5. Jane Eyre (Charlotte Brontë, 1847)6 G+ C, a" v3 n% I$ F7 v, |
4. Great Expectations (Charles Dickens, 1861)
4 {; X; P" ^! Q% M( B$ W3. Mrs. Dalloway (Virginia Woolf, 1925)
' H4 J w1 n; |8 t0 w3 `2. To the Lighthouse (Virginia Woolf, 1927): t7 ~' f( p, i+ i n- \5 U
1. Middlemarch (George Eliot, 1874)+ h, H' g+ ^& F( H) s, I1 @, |! R: I
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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* |+ k( D2 \$ Q8 B3 r呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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