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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 l }4 T7 Z. P% \7 S8 T
5 ~# ~; y, W9 Y- b0 @' e& G2 t5 MBBC评出100大英国文学名著
: ~/ K' |% ^2 m6 dhttp://www.bbc.com/culture/story ... test-british-novels
8 j" i' N" r% j& b& U惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. z# H" Q5 z% A! L& U3 O; Y
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100. The Code of the Woosters (PG Wodehouse, 1938)
" K+ f# ~2 U- J+ a: g' A( t, o8 {* u99. There but for the (Ali Smith, 2011)
) z8 d, P3 K7 W$ j2 I98. Under the Volcano (Malcolm Lowry,1947)0 @+ J2 O( S4 U/ x% v# N$ }
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
5 O6 Z/ H/ p* m! ~! l; J; v2 \96. Memoirs of a Survivor (Doris Lessing, 1974)
) L( h" W3 U2 C5 m95. The Buddha of Suburbia (Hanif Kureishi, 1990)
8 A4 Y- H7 {% ^* K# G* X94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& o, \4 E4 k9 B/ T: B93. Lord of the Flies (William Golding, 1954)9 r4 L4 ?5 t2 ?; C$ Z& W
92. Cold Comfort Farm (Stella Gibbons, 1932)* o3 ]! c* @% V
91. The Forsyte Saga (John Galsworthy, 1922)
3 G+ U! S7 E# w/ C9 J) K* [90. The Woman in White (Wilkie Collins, 1859)# F: g5 V2 ^% z+ D; _5 {2 N* O$ Z
89. The Horse’s Mouth (Joyce Cary, 1944)
0 A0 e) w# J1 O {88. The Death of the Heart (Elizabeth Bowen, 1938)
( X& t& `7 E- E( E k. W' Q5 K87. The Old Wives’ Tale (Arnold Bennett,1908)% q. o1 Z5 E1 o: L$ X1 i" u5 ~* C1 ?
86. A Legacy (Sybille Bedford, 1956)! i) O p8 K; ^$ C% v# Y6 y, v
85. Regeneration Trilogy (Pat Barker, 1991-1995)
: D* i' B, T( G; ^$ T) f! k, _3 U84. Scoop (Evelyn Waugh, 1938)( ~6 ?5 {1 u) {/ n$ O1 Z7 A
83. Barchester Towers (Anthony Trollope, 1857)
0 D' C2 l! _4 y1 |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 ~+ t0 M/ ]% R81. The Jewel in the Crown (Paul Scott, 1966)* x1 ~# y1 p% V
80. Excellent Women (Barbara Pym, 1952)3 l- I' T! s9 h7 i {/ i. E- r+ n
79. His Dark Materials (Philip Pullman, 1995-2000)4 O/ J, W9 q% e0 D$ q
78. A House for Mr Biswas (VS Naipaul, 1961)
/ P E5 \* T' k4 K+ v! C77. Of Human Bondage (W Somerset Maugham, 1915)4 I; P4 P5 p5 ^& E
76. Small Island (Andrea Levy, 2004)
! m7 W6 @% X& Q75. Women in Love (DH Lawrence, 1920)# |$ F$ \4 n% i8 U% T& L
74. The Mayor of Casterbridge (Thomas Hardy, 1886)8 D! i2 k7 @0 m7 x- \
73. The Blue Flower (Penelope Fitzgerald, 1995). t& y2 K- y9 ?
72. The Heart of the Matter (Graham Greene, 1948)
1 l1 a0 a8 ?- U1 F, t71. Old Filth (Jane Gardam, 2004)9 K. L9 t' l6 f, F* u
70. Daniel Deronda (George Eliot, 1876)8 q- p% J- H& x. x5 E
69. Nostromo (Joseph Conrad, 1904)
( e9 j; K: }' t( U- m68. A Clockwork Orange (Anthony Burgess, 1962)
! ^# z) ` h0 o3 _9 |67. Crash (JG Ballard 1973)
) W! P$ ~$ o$ Z) r4 R( L66. Sense and Sensibility (Jane Austen, 1811). i" B3 Q3 _4 p$ H
65. Orlando (Virginia Woolf, 1928)% J& n6 G$ O b' G0 }) ]$ @
64. The Way We Live Now (Anthony Trollope, 1875); c, k! I9 q* H( C* r
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
O1 G( k8 F# L) p" C+ p62. Animal Farm (George Orwell, 1945)8 b4 {" J/ @3 H1 o
61. The Sea, The Sea (Iris Murdoch, 1978). f$ e$ e: Z, {* E4 L# z; @4 F
60. Sons and Lovers (DH Lawrence, 1913)
+ u* p5 y7 S- _- _9 Z1 z59. The Line of Beauty (Alan Hollinghurst, 2004)
0 U2 |' \# p* k( o5 f m58. Loving (Henry Green, 1945)
/ X' ^7 x; p: t3 F4 r5 P7 d8 m57. Parade’s End (Ford Madox Ford, 1924-1928)
+ |! O( P3 [) }/ G( k* G56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
( n4 o+ M9 }0 H* a, Q% H# R, g55. Gulliver’s Travels (Jonathan Swift, 1726), r1 X4 w5 T; d4 _, R' L3 B+ P% z5 |
54. NW (Zadie Smith, 2012)& ~' x. p+ ^; c, ?! \- q
53. Wide Sargasso Sea (Jean Rhys, 1966). j# i: o8 K1 m: k
52. New Grub Street (George Gissing, 1891)
$ [; p3 p$ W" x' \51. Tess of the d’Urbervilles (Thomas Hardy, 1891): U9 s* F4 M7 G8 U" @
50. A Passage to India (EM Forster, 1924)
3 V6 e0 n2 {2 @8 n5 i49. Possession (AS Byatt, 1990)- @. P) b" r8 f% a; _/ O
48. Lucky Jim (Kingsley Amis, 1954)
- o) r# W" I9 v. R5 D47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! Q6 K. @+ [$ J' a8 z& G# ~ ^# b' e46. Midnight’s Children (Salman Rushdie, 1981)# m( J7 O8 o( A1 {3 f7 T: X
45. The Little Stranger (Sarah Waters, 2009)
4 M# P( ^) ^8 d44. Wolf Hall (Hilary Mantel, 2009)3 i+ _5 P, }) l- m# D9 W- N
43. The Swimming Pool Library (Alan Hollinghurst, 1988)7 c+ r! k: h V, G% x+ ]' H
42. Brighton Rock (Graham Greene, 1938)
@0 L. x, ^& {41. Dombey and Son (Charles Dickens, 1848)# N3 v" G$ z4 b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 O0 G9 Q" K0 V r39. The Sense of an Ending (Julian Barnes, 2011)
0 b- B8 n# d% L# [" b6 u5 ^- [38. The Passion (Jeanette Winterson, 1987)- P& g: d$ I) {# `. M
37. Decline and Fall (Evelyn Waugh, 1928)
8 P, X3 }9 ^ w% ?36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* {! U% H \) K& k3 B; p1 g% N4 B& F" Q
35. Remainder (Tom McCarthy, 2005)- }8 p, A7 }% ?( q* O
34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 C6 _, l6 W. l- M, Z: V3 q# `# v33. The Wind in the Willows (Kenneth Grahame, 1908)& e B& }) k% A" q" d8 u
32. A Room with a View (EM Forster, 1908)5 C- l) H6 N8 o1 Y4 |) a8 e% N
31. The End of the Affair (Graham Greene, 1951)
( h% E9 z, w; B: h2 c+ H, Y- @30. Moll Flanders (Daniel Defoe, 1722)
8 V3 q( E4 z5 o29. Brick Lane (Monica Ali, 2003)
8 S8 q) L+ m# `28. Villette (Charlotte Brontë, 1853)
, |1 ]% O' ~5 q- x27. Robinson Crusoe (Daniel Defoe, 1719)
; T2 @; n4 O9 T6 m4 S$ k/ i26. The Lord of the Rings (JRR Tolkien, 1954)
5 T! d% O2 E- x k: y9 V6 f25. White Teeth (Zadie Smith, 2000)4 j" i+ }8 {( m5 T6 F! r
24. The Golden Notebook (Doris Lessing, 1962)' V% ~4 j' R L
23. Jude the Obscure (Thomas Hardy, 1895)% T8 I0 }" j3 I* p
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749), r0 V2 k1 o7 C* P
21. Heart of Darkness (Joseph Conrad, 1899)( A! W* F! V z3 Z, w0 b. |5 Q, n
20. Persuasion (Jane Austen, 1817)
* T4 x/ } k( `6 \% u/ t19. Emma (Jane Austen, 1815); c' p. E& n7 G0 Q1 V
18. Remains of the Day (Kazuo Ishiguro, 1989)1 O& \) y, c* \! L) m, z
17. Howards End (EM Forster, 1910)
0 y k- Y* m' {; D3 L/ ~5 e16. The Waves (Virginia Woolf, 1931)- u# P, T9 Q& ^" u3 E
15. Atonement (Ian McEwan, 2001)
. z+ Z( C. D" i+ l5 c! v; o14. Clarissa (Samuel Richardson,1748)! L6 S, E* \$ b* [
13. The Good Soldier (Ford Madox Ford, 1915)
# q0 b; @" J8 ?( P! B12. Nineteen Eighty-Four (George Orwell, 1949)
& q0 e# k2 f8 P3 d4 W% l11. Pride and Prejudice (Jane Austen, 1813)
) J& K$ j# P% ~+ m10. Vanity Fair (William Makepeace Thackeray, 1848)
' o# D$ y7 o [8 V1 d5 B" W- j9. Frankenstein (Mary Shelley, 1818): D @+ l( X: |& M
8. David Copperfield (Charles Dickens, 1850)3 s- j' h8 u% ~% S, ~& h
7. Wuthering Heights (Emily Brontë, 1847)3 t; g6 y* U( r1 q# H! y
6. Bleak House (Charles Dickens, 1853)5 {( F% g$ R. M; \
5. Jane Eyre (Charlotte Brontë, 1847)
3 \5 v5 j+ S% N4 _9 Y4. Great Expectations (Charles Dickens, 1861)+ w# ^3 s7 j x4 V2 M H
3. Mrs. Dalloway (Virginia Woolf, 1925)
& F) m0 x$ `' z" x; C2. To the Lighthouse (Virginia Woolf, 1927)
2 M1 Q$ T1 N7 c! p- ~1. Middlemarch (George Eliot, 1874). n5 Z5 q# {8 w6 [. W+ Q$ b# O
7 n. n2 c. e; D前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。" W/ `# F% z' f+ Q" U# U! P' f
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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