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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ N% u9 ]$ \1 ^! Q/ d( D$ _BBC评出100大英国文学名著
: r$ F6 t% Q$ Y6 o" h3 Vhttp://www.bbc.com/culture/story ... test-british-novels5 I3 _! O+ L- b/ u+ \% Z
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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5 b! ]. a1 O3 _# l; `5 q& d8 _100. The Code of the Woosters (PG Wodehouse, 1938)
5 s/ F j) B- ^0 G) ?; D99. There but for the (Ali Smith, 2011)
+ J* [9 @ c& r2 T98. Under the Volcano (Malcolm Lowry,1947)
( }2 K: _" G* S( T/ X: S97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ Y t0 _* y6 U- J! U96. Memoirs of a Survivor (Doris Lessing, 1974)( g. B/ T. O- U- R+ z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 l4 e" v( v5 l; M) F
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
2 \% `; j4 m+ A& i" _# E2 a2 Z93. Lord of the Flies (William Golding, 1954)5 J/ \! @' o- P: ?) \
92. Cold Comfort Farm (Stella Gibbons, 1932)6 i O0 R4 Z) _
91. The Forsyte Saga (John Galsworthy, 1922)
. w# v- j! f$ ]$ W7 ?7 E* \+ t90. The Woman in White (Wilkie Collins, 1859)' H6 w, |$ ^ s+ S- N; V
89. The Horse’s Mouth (Joyce Cary, 1944)
5 z1 _/ N% {8 G' n0 _' @/ p, J* e2 R88. The Death of the Heart (Elizabeth Bowen, 1938)
" t q! s! A2 O! ~87. The Old Wives’ Tale (Arnold Bennett,1908)# S5 t4 | z) \" G& T
86. A Legacy (Sybille Bedford, 1956)) B8 N. _6 t) j; \% m" n
85. Regeneration Trilogy (Pat Barker, 1991-1995), b ], B. n1 B o
84. Scoop (Evelyn Waugh, 1938)& W! t6 ^ k) f9 G
83. Barchester Towers (Anthony Trollope, 1857)
+ ^( v, k0 R2 E82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 N3 E: Y6 G/ Y A4 |
81. The Jewel in the Crown (Paul Scott, 1966)/ J b! @8 Q/ Z7 B1 E1 h! X
80. Excellent Women (Barbara Pym, 1952)
3 d. y: m. @) T: p4 ?) b# T) g7 @79. His Dark Materials (Philip Pullman, 1995-2000)8 a$ Y; s2 n$ P5 ?! c
78. A House for Mr Biswas (VS Naipaul, 1961)
) H4 ?' G) j# _9 {) D77. Of Human Bondage (W Somerset Maugham, 1915)
6 T: ?* o" p6 k) a- e z76. Small Island (Andrea Levy, 2004)6 g1 q n, n% }4 P* Z
75. Women in Love (DH Lawrence, 1920)
3 W+ v6 p9 K! |: ~# Y- i& P74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 L- {7 z5 F+ G% I/ H [
73. The Blue Flower (Penelope Fitzgerald, 1995)
`; j! O8 R8 t2 h72. The Heart of the Matter (Graham Greene, 1948)
# O2 h f0 f3 q71. Old Filth (Jane Gardam, 2004)3 C7 p1 A \- w; l$ \
70. Daniel Deronda (George Eliot, 1876)
+ }" C: B/ }& m8 b/ x! H! b69. Nostromo (Joseph Conrad, 1904)
2 {& r; ?* v' U% [- H68. A Clockwork Orange (Anthony Burgess, 1962)
' b0 L2 n' G& a! m67. Crash (JG Ballard 1973)% D6 p/ p3 L% ^# r1 X; J. p
66. Sense and Sensibility (Jane Austen, 1811)
( {9 N8 `$ _( k) k0 P65. Orlando (Virginia Woolf, 1928)7 J$ j7 u) o+ o0 b; H
64. The Way We Live Now (Anthony Trollope, 1875)
% {2 c4 K) p! w6 W( {# q$ }6 _5 N5 [63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
3 h3 D" _& D. Y62. Animal Farm (George Orwell, 1945)
$ C" T: P* p% d/ ~4 U: e% V5 E61. The Sea, The Sea (Iris Murdoch, 1978)
! g+ l' k. P2 E6 T60. Sons and Lovers (DH Lawrence, 1913)
2 I' w- f9 D6 q, A% J( v. b59. The Line of Beauty (Alan Hollinghurst, 2004)
& F0 g( W. J, U8 _58. Loving (Henry Green, 1945)9 F4 y3 L( i& s) z; r, L/ L& x* p
57. Parade’s End (Ford Madox Ford, 1924-1928)
G/ Z D& [# p) q9 t1 Y3 }56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); G4 ]1 R: E4 M9 ?- h" S6 H' }: Q7 U
55. Gulliver’s Travels (Jonathan Swift, 1726)
! k1 _- u* w5 z3 a+ \54. NW (Zadie Smith, 2012)/ j9 I# ?) \5 m9 @0 q
53. Wide Sargasso Sea (Jean Rhys, 1966)* c8 D7 U1 E- n. Z
52. New Grub Street (George Gissing, 1891)8 }! z0 e& m$ y% L6 C; s9 l* d
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( h" P* b0 ?$ w' U2 G50. A Passage to India (EM Forster, 1924)
' N* Y! W2 A" U: Z; _49. Possession (AS Byatt, 1990)/ M9 t3 J9 K3 A3 N; J
48. Lucky Jim (Kingsley Amis, 1954)6 U4 a: f. j9 X6 ^
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
9 T. i o2 _, T2 K" e46. Midnight’s Children (Salman Rushdie, 1981), Y3 Z2 E. z1 x" N7 }
45. The Little Stranger (Sarah Waters, 2009)
0 S/ C( i% F! Q: B2 k44. Wolf Hall (Hilary Mantel, 2009)
2 `( [" ~. D4 Q43. The Swimming Pool Library (Alan Hollinghurst, 1988), y2 X; X' b( n2 b* |4 k
42. Brighton Rock (Graham Greene, 1938)
( h. V* Y: J$ Z$ R: y41. Dombey and Son (Charles Dickens, 1848)9 W1 Q% a+ i+ u
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
B9 o6 m) \( Q4 e/ \: s9 [* ]% V39. The Sense of an Ending (Julian Barnes, 2011)
5 \2 d) k+ {$ Q2 M4 q4 d1 I' v" \38. The Passion (Jeanette Winterson, 1987)
( l8 ?3 b0 H) N, x* n6 ?37. Decline and Fall (Evelyn Waugh, 1928)
1 z+ r8 X1 L5 D2 C* V3 J: x36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ F1 {8 X' F- ?; @, v1 Y% Y
35. Remainder (Tom McCarthy, 2005)
3 Z9 k9 d7 W% s5 X- |34. Never Let Me Go (Kazuo Ishiguro, 2005)4 g+ j! ~5 w9 f5 a1 k; z1 g% `) U9 Z) ]
33. The Wind in the Willows (Kenneth Grahame, 1908)
1 u+ F/ t: y6 u/ T" S) N0 p, p32. A Room with a View (EM Forster, 1908)
- S- \ M5 v: T& o9 r2 Z; R31. The End of the Affair (Graham Greene, 1951)( F8 W# R2 d. y
30. Moll Flanders (Daniel Defoe, 1722)
! l7 f: ^! R9 ?) p! k \6 r29. Brick Lane (Monica Ali, 2003), {: q- |4 R/ b& ]; q
28. Villette (Charlotte Brontë, 1853)
1 k4 c: P# b0 y; u( ]27. Robinson Crusoe (Daniel Defoe, 1719)- [8 d$ r) } _3 |. {* ^
26. The Lord of the Rings (JRR Tolkien, 1954)
2 x# T0 p% @5 F: i25. White Teeth (Zadie Smith, 2000)
7 j4 j3 C9 u! P1 C- e: c E5 Q24. The Golden Notebook (Doris Lessing, 1962)( L& a, j! g1 l/ B) j) }' R, R2 B
23. Jude the Obscure (Thomas Hardy, 1895)
9 V* n4 @) d& b2 d) r" m- a/ M$ u22. The History of Tom Jones, a Foundling (Henry Fielding, 1749); Z |. `" I* B. J# j
21. Heart of Darkness (Joseph Conrad, 1899)7 }. A$ o" J: J' G# F: U+ O; H' J
20. Persuasion (Jane Austen, 1817)
0 _& A# B8 k S3 A" p! H19. Emma (Jane Austen, 1815)5 g6 F- g* ? j5 N) i, {/ `
18. Remains of the Day (Kazuo Ishiguro, 1989)
2 a" w# H2 P1 u% M9 K* s4 ^17. Howards End (EM Forster, 1910)3 f) Q+ F# a" Z
16. The Waves (Virginia Woolf, 1931); f4 s4 C( E7 T
15. Atonement (Ian McEwan, 2001) _8 \; _# ^$ M0 `
14. Clarissa (Samuel Richardson,1748)
" {! Y% F9 R' Y/ P13. The Good Soldier (Ford Madox Ford, 1915)* D) K( I4 J! t) \
12. Nineteen Eighty-Four (George Orwell, 1949)
- I4 n& s+ k7 t4 h4 C/ ^# Z11. Pride and Prejudice (Jane Austen, 1813)3 U# O. A/ Q5 k( @- B! }
10. Vanity Fair (William Makepeace Thackeray, 1848)* L- C4 n: W9 h" a3 H( ~0 t% L
9. Frankenstein (Mary Shelley, 1818)
1 V7 D" R& C, U$ q* `. ^: R5 A7 o6 J: O8. David Copperfield (Charles Dickens, 1850)
6 F. y9 b8 q6 S: {7. Wuthering Heights (Emily Brontë, 1847)
6 @0 S) a+ ?1 {" _# I! w3 }( N6. Bleak House (Charles Dickens, 1853)( v5 u% h: u0 f
5. Jane Eyre (Charlotte Brontë, 1847)* u- C7 ~) r4 z; w6 T. Y
4. Great Expectations (Charles Dickens, 1861)0 n2 g4 f+ b6 T9 M5 b: X
3. Mrs. Dalloway (Virginia Woolf, 1925) k+ E$ c1 o+ d7 R' ^! \ I+ }
2. To the Lighthouse (Virginia Woolf, 1927)
, [/ @, I1 c, [. k1 _1. Middlemarch (George Eliot, 1874) N, u( v; t7 P1 S2 J# d/ o
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。- g( B% \& n1 v% ^/ m2 c
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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