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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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7 F2 P1 W( u$ J6 q; s4 ]6 JBBC评出100大英国文学名著
3 o' U' p* q4 E5 lhttp://www.bbc.com/culture/story ... test-british-novels7 _+ s: P6 A# Z$ A, n
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。; W7 j: N. B+ C+ q
8 V# m7 x: p% C8 W100. The Code of the Woosters (PG Wodehouse, 1938) R3 Q6 Y y, b+ \4 R1 v
99. There but for the (Ali Smith, 2011)
+ ~3 G! f( s! Q- Y" a9 @/ z* ^98. Under the Volcano (Malcolm Lowry,1947)
% k+ b _! M3 Z0 P) Z' Y& f% B9 R97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; ^5 {$ O- z$ J96. Memoirs of a Survivor (Doris Lessing, 1974); G7 ]( N- v9 d$ A4 e y
95. The Buddha of Suburbia (Hanif Kureishi, 1990)0 T; b x+ O. d3 O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
6 \: {% O0 {' q K2 w- H/ Z93. Lord of the Flies (William Golding, 1954)
% {8 d+ D! K9 M92. Cold Comfort Farm (Stella Gibbons, 1932)
. Z' s% ^7 S& V Z* j91. The Forsyte Saga (John Galsworthy, 1922)
$ a! k2 O8 k4 j3 [. ]; Z9 G) g90. The Woman in White (Wilkie Collins, 1859) w4 q0 E" T5 p5 u- Z5 u
89. The Horse’s Mouth (Joyce Cary, 1944)
z/ A* O* ^6 A* A+ R( |" ~88. The Death of the Heart (Elizabeth Bowen, 1938)
5 N$ [1 W' n: T& [87. The Old Wives’ Tale (Arnold Bennett,1908)
. Z0 q) g* }# I$ s86. A Legacy (Sybille Bedford, 1956)
) p! A+ d3 d% [* |7 ]# T* t85. Regeneration Trilogy (Pat Barker, 1991-1995)
: F7 m9 x9 p0 X$ j4 T+ K! P# {+ C84. Scoop (Evelyn Waugh, 1938), W' j! R: i, H5 Q6 i q
83. Barchester Towers (Anthony Trollope, 1857)
& Z9 `* O' r" P; e: }, ]82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# m* y3 q: A1 w
81. The Jewel in the Crown (Paul Scott, 1966)4 h Z# t# g4 L( r6 @( V/ M: j! i$ K
80. Excellent Women (Barbara Pym, 1952)
- v! Y3 X9 V; X79. His Dark Materials (Philip Pullman, 1995-2000)
9 e, e% n7 a5 h- `1 t78. A House for Mr Biswas (VS Naipaul, 1961)
. u& W5 t' @ \77. Of Human Bondage (W Somerset Maugham, 1915)
% z; d8 C; D' m; b9 I* Y) k4 A76. Small Island (Andrea Levy, 2004)* W5 e. n2 I& q% ^2 I$ l, |
75. Women in Love (DH Lawrence, 1920)# x, u# @5 F$ @7 z+ N% C- F7 ^
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
- r- N- \1 O) y/ d- h: T73. The Blue Flower (Penelope Fitzgerald, 1995)0 _1 ]* {" Y) e3 X
72. The Heart of the Matter (Graham Greene, 1948)# f# r; z4 w4 s# J" |
71. Old Filth (Jane Gardam, 2004)0 K4 c/ y5 R4 \ B# _: \
70. Daniel Deronda (George Eliot, 1876)% Q' N8 i4 A0 j8 c( U
69. Nostromo (Joseph Conrad, 1904)* ?3 j) L( H6 D5 |. v; g$ L
68. A Clockwork Orange (Anthony Burgess, 1962)
" ^/ ]% O* l4 B3 k: C67. Crash (JG Ballard 1973)6 u2 n5 [ z4 {0 @, m3 J6 e
66. Sense and Sensibility (Jane Austen, 1811)
% n3 _- Y( P- `" B! N65. Orlando (Virginia Woolf, 1928)
$ n0 T+ `+ r5 R* Q; ^6 c# A9 M64. The Way We Live Now (Anthony Trollope, 1875)
6 L, z' S$ `, }# [/ `' @63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 U# ^+ V- \8 F' \* d3 X. H
62. Animal Farm (George Orwell, 1945), ^1 E# K+ {) Q# b1 ~& A' N i
61. The Sea, The Sea (Iris Murdoch, 1978)
6 t3 L! q9 P/ q% }) j60. Sons and Lovers (DH Lawrence, 1913), `- |$ B/ B* J0 s7 p
59. The Line of Beauty (Alan Hollinghurst, 2004)
* V, M( R F9 \* l' N; [( x. O/ X58. Loving (Henry Green, 1945): N! |8 Q* B: O9 L% I
57. Parade’s End (Ford Madox Ford, 1924-1928)
$ H8 y* K: Q7 `9 ~3 {56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
8 [9 k8 J0 i. L2 S" C5 }+ P55. Gulliver’s Travels (Jonathan Swift, 1726)+ D( K0 |# x. K7 Q9 i3 [; N$ ?
54. NW (Zadie Smith, 2012)) U2 X+ D! k5 N
53. Wide Sargasso Sea (Jean Rhys, 1966)
1 |' h* g3 m3 Z7 G! t# M' Z52. New Grub Street (George Gissing, 1891)
' m) J( e$ Q' j h6 H8 C7 H6 }6 W51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( h; c/ R [# C, S! d+ `% R, x$ F
50. A Passage to India (EM Forster, 1924)
) l M, r# w+ {0 d+ u49. Possession (AS Byatt, 1990): s' L. j! j$ |& m' l4 r
48. Lucky Jim (Kingsley Amis, 1954)9 v$ J/ f; @9 A c
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" C8 M% O0 B+ R o/ j2 O1 M- l46. Midnight’s Children (Salman Rushdie, 1981)* g" ^/ l( v0 z. \, a' K* \% e6 M
45. The Little Stranger (Sarah Waters, 2009)
) A! Q) A5 Y' F+ X44. Wolf Hall (Hilary Mantel, 2009) C& ?7 u% ?) ^+ Z0 ^. _! B; d
43. The Swimming Pool Library (Alan Hollinghurst, 1988)/ b$ V! p2 e% r9 d
42. Brighton Rock (Graham Greene, 1938)6 I$ W( e& `: N8 I$ s! r
41. Dombey and Son (Charles Dickens, 1848)" T9 s1 Q5 P: x' f% c, X
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 Z9 Y- k0 g- ]0 B$ D- q2 q3 k
39. The Sense of an Ending (Julian Barnes, 2011)( q2 L; V% e1 \0 U5 n ~
38. The Passion (Jeanette Winterson, 1987)3 x; n: l, m& V! C# [
37. Decline and Fall (Evelyn Waugh, 1928)2 K, I' m+ p6 b$ e) d: _0 U
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)6 I0 H; P G# _2 h- m) L
35. Remainder (Tom McCarthy, 2005)8 v& `( @! V2 j* [
34. Never Let Me Go (Kazuo Ishiguro, 2005)
* i7 O; b4 K' Y; H" g+ s$ o33. The Wind in the Willows (Kenneth Grahame, 1908)
6 d( _, a! C' Z4 `6 S# l32. A Room with a View (EM Forster, 1908)% o9 ?8 r6 }4 {- l+ o; e/ k
31. The End of the Affair (Graham Greene, 1951)
i" h$ f, B# w8 o, J7 g30. Moll Flanders (Daniel Defoe, 1722)8 m% n" U8 q8 f/ {% V, k3 O
29. Brick Lane (Monica Ali, 2003)
2 s9 K& x9 _1 d5 S28. Villette (Charlotte Brontë, 1853)
$ N/ W1 j# ?2 ] \1 i; F7 u27. Robinson Crusoe (Daniel Defoe, 1719)
. E4 T) M0 [0 T- z6 @9 p! ]26. The Lord of the Rings (JRR Tolkien, 1954)
3 F# [/ I+ P$ u# X25. White Teeth (Zadie Smith, 2000)6 ~6 O; Y. _6 b
24. The Golden Notebook (Doris Lessing, 1962)4 w4 @- \# F; L0 b3 \ v2 E% \* l
23. Jude the Obscure (Thomas Hardy, 1895)
) Q$ M9 a0 _ O4 j22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)8 t' ]3 m' u' r
21. Heart of Darkness (Joseph Conrad, 1899)0 I% m5 X+ d% ?2 E
20. Persuasion (Jane Austen, 1817)
( v" o* Q/ I1 Z/ O5 K4 _' Q7 l: C19. Emma (Jane Austen, 1815)! p( f: i/ [+ J3 s: w: B
18. Remains of the Day (Kazuo Ishiguro, 1989)4 R7 Q4 s/ w* ]: P* D2 ?& q
17. Howards End (EM Forster, 1910)
) k; v% y0 e6 J: K) Z% @+ ^16. The Waves (Virginia Woolf, 1931)( w& E X3 `4 ~, @
15. Atonement (Ian McEwan, 2001)
- H" T+ ~" b& K |, l! k8 R14. Clarissa (Samuel Richardson,1748)7 j1 U6 g' a3 ^, |# k1 J- H5 c
13. The Good Soldier (Ford Madox Ford, 1915)
2 X5 m6 w+ Z0 n- M: r6 ], V12. Nineteen Eighty-Four (George Orwell, 1949); y/ a- |, G& }* {# l
11. Pride and Prejudice (Jane Austen, 1813)
1 A B+ x( v9 c2 x" c2 _. F+ V10. Vanity Fair (William Makepeace Thackeray, 1848)
1 R, q' G: t$ U; z9. Frankenstein (Mary Shelley, 1818)8 ^7 V% W' U# ^! {6 S
8. David Copperfield (Charles Dickens, 1850)
9 I3 o# ]: o5 H1 b7. Wuthering Heights (Emily Brontë, 1847)1 J ~, w5 p- H t! Z+ K+ u1 p. y
6. Bleak House (Charles Dickens, 1853)4 B! U/ Z# h4 U! A# @; {
5. Jane Eyre (Charlotte Brontë, 1847)! |+ ]4 e* k& H0 p! \5 D' o: y* v
4. Great Expectations (Charles Dickens, 1861)9 y- d7 w: {$ `2 Z
3. Mrs. Dalloway (Virginia Woolf, 1925)
( o+ o5 {! C; B+ O: |0 j0 H) b! `+ @2. To the Lighthouse (Virginia Woolf, 1927)
' e; D6 i6 [) T- d) [' w/ e1. Middlemarch (George Eliot, 1874)$ q" W& v( W' S8 _3 p
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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