|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
# E4 ?4 h* S4 c) o6 h9 T6 o1 A! L$ {& j6 F% q2 M3 q) d
BBC评出100大英国文学名著
2 y8 S. j. ~$ rhttp://www.bbc.com/culture/story ... test-british-novels5 A5 y7 A! W* I) b& p
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! l+ T: u, ?, h7 w( S% e
. u0 P' Y% ]: J* H, q- N
100. The Code of the Woosters (PG Wodehouse, 1938)
- M" `7 D \6 @+ j+ [4 N+ ]. X! b99. There but for the (Ali Smith, 2011)
% U3 L) F8 k" Q+ n; F6 ]) y98. Under the Volcano (Malcolm Lowry,1947)1 Q4 o7 \# j/ P( P! J
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 k0 K2 \4 e8 {9 m: c8 i7 I: A9 ]96. Memoirs of a Survivor (Doris Lessing, 1974)
# Y9 i4 b) w0 ~1 S. Y: N9 A95. The Buddha of Suburbia (Hanif Kureishi, 1990)3 u+ W6 C7 H/ D: r8 L0 _: U7 Z
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), [. \# v; P3 [$ R' i! A
93. Lord of the Flies (William Golding, 1954)/ E4 W4 s Y: J- Y
92. Cold Comfort Farm (Stella Gibbons, 1932)
$ g( k3 U) m! R' @+ N91. The Forsyte Saga (John Galsworthy, 1922)
- p4 V* x" e" w1 {/ L% J90. The Woman in White (Wilkie Collins, 1859), q+ N) \3 f* k$ |& d/ l
89. The Horse’s Mouth (Joyce Cary, 1944)
! _0 m# z, k2 W j8 ?! U& ]4 \/ S! U88. The Death of the Heart (Elizabeth Bowen, 1938)
- j9 |' C# J# T87. The Old Wives’ Tale (Arnold Bennett,1908)
0 O9 I; s/ \, }, I$ |7 @86. A Legacy (Sybille Bedford, 1956)2 y, L0 Q' I. H% V3 w
85. Regeneration Trilogy (Pat Barker, 1991-1995)
1 F; E$ k- ^- P) j% v) R2 l3 u& S84. Scoop (Evelyn Waugh, 1938). J( _% D# |( g2 I
83. Barchester Towers (Anthony Trollope, 1857)9 C. {3 |) b$ e" G) r& ?0 A# w# a8 W
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
; V1 c: {) L. T4 u5 F81. The Jewel in the Crown (Paul Scott, 1966)
8 k# @. I+ t, t8 F0 W8 Y/ v2 f* J80. Excellent Women (Barbara Pym, 1952)) {1 f- \" g( Q- x; h0 C! _" p
79. His Dark Materials (Philip Pullman, 1995-2000)$ P B; h( e1 H0 i, p; j. b' K" q
78. A House for Mr Biswas (VS Naipaul, 1961)
+ ?+ B& T( h/ M5 h. q) `. e4 k9 P3 x77. Of Human Bondage (W Somerset Maugham, 1915)8 i! p5 l- R6 |: o9 E
76. Small Island (Andrea Levy, 2004)
) e9 n' n- R. Z5 A. s& A4 c75. Women in Love (DH Lawrence, 1920)
[" c9 J- @; V! S2 \. N74. The Mayor of Casterbridge (Thomas Hardy, 1886)7 _; X; _! W$ ^5 U
73. The Blue Flower (Penelope Fitzgerald, 1995)
. X d/ H Q0 I9 o( C72. The Heart of the Matter (Graham Greene, 1948)5 z2 o0 B& |% B8 o5 q
71. Old Filth (Jane Gardam, 2004)7 R7 P4 m+ T, l( Z/ Z) c
70. Daniel Deronda (George Eliot, 1876)
, b- R5 e0 ?3 [, Q$ _69. Nostromo (Joseph Conrad, 1904)) a6 X. {8 T8 T. G0 H$ ^5 e
68. A Clockwork Orange (Anthony Burgess, 1962)
$ s7 A2 C# Y: S67. Crash (JG Ballard 1973)$ t# k5 T& R( w4 m
66. Sense and Sensibility (Jane Austen, 1811)
Y$ f9 p9 r6 d4 p/ ?65. Orlando (Virginia Woolf, 1928)
" m5 \: L$ S* ~4 S) L64. The Way We Live Now (Anthony Trollope, 1875)
6 V0 g# q; V+ [1 s63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
H7 ^3 V/ i7 N1 D+ J5 K62. Animal Farm (George Orwell, 1945)3 \( c$ g# h9 \' v, I& x
61. The Sea, The Sea (Iris Murdoch, 1978)
; W; [3 ?, H6 h, L z6 w60. Sons and Lovers (DH Lawrence, 1913)6 z1 t( U' `! Z( v' w2 b
59. The Line of Beauty (Alan Hollinghurst, 2004)" @! q# D1 B5 e, W+ _8 ~
58. Loving (Henry Green, 1945)
: Z3 m6 v! _, P( ?3 P3 w7 [) i57. Parade’s End (Ford Madox Ford, 1924-1928)
0 ?* Y( a6 E3 J8 q4 R6 z7 Z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985) k# g _; R: M
55. Gulliver’s Travels (Jonathan Swift, 1726) L+ Z% |. k/ w C' ^% K7 R; l
54. NW (Zadie Smith, 2012)/ u; w* L3 T7 k/ f) `
53. Wide Sargasso Sea (Jean Rhys, 1966)- O5 m8 @, y/ Y) j) v: t
52. New Grub Street (George Gissing, 1891)8 t3 c3 l) n2 `& Z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) \# @0 E f9 \/ l! J
50. A Passage to India (EM Forster, 1924) h( |: N+ p0 [% t5 B9 v
49. Possession (AS Byatt, 1990)& X1 Z* |, T9 ~) w
48. Lucky Jim (Kingsley Amis, 1954)
% F7 s/ A8 V6 z' w4 D4 N$ B+ i* x" P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- ?0 C/ O: r9 s$ y46. Midnight’s Children (Salman Rushdie, 1981)
1 x: J" a+ g& D45. The Little Stranger (Sarah Waters, 2009)
5 o Z. A# F- G7 U44. Wolf Hall (Hilary Mantel, 2009)
2 Y* e- C$ \) e$ M43. The Swimming Pool Library (Alan Hollinghurst, 1988)
' Z: i7 p4 A: G& I/ e42. Brighton Rock (Graham Greene, 1938)1 Q8 ^& A0 X4 B# h
41. Dombey and Son (Charles Dickens, 1848)
; M# E4 \# K; ^- [ L3 Z0 L, E1 S40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 W9 s" u$ c" j1 L" @39. The Sense of an Ending (Julian Barnes, 2011)
' k! } d! ]; M! q2 o8 `38. The Passion (Jeanette Winterson, 1987)) U% ?5 } M) s. P# o% A% |, E. n' T
37. Decline and Fall (Evelyn Waugh, 1928)4 m# n- }1 m) g- f* p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- f- ], O- v! S+ K# \) `3 f35. Remainder (Tom McCarthy, 2005)
9 u' C( Y& `! n: g2 S34. Never Let Me Go (Kazuo Ishiguro, 2005)9 ^- q+ w* T3 t+ _2 x- j. i
33. The Wind in the Willows (Kenneth Grahame, 1908)
7 {4 n+ c2 z9 _+ V, s$ a: X32. A Room with a View (EM Forster, 1908)
2 J: X; @) M! _$ T0 {9 J4 R" v31. The End of the Affair (Graham Greene, 1951)
) ~" C& E( W0 a) ?0 i) _30. Moll Flanders (Daniel Defoe, 1722)
1 n R' ~. m$ p& f+ i; ?29. Brick Lane (Monica Ali, 2003)* P# b$ E7 g, b) r3 e8 c6 @: v
28. Villette (Charlotte Brontë, 1853)
5 H3 n6 |* ^4 h9 G/ T |: Z27. Robinson Crusoe (Daniel Defoe, 1719)
+ C8 a% P3 i) T F m! `1 r26. The Lord of the Rings (JRR Tolkien, 1954): b; j/ T7 e, m
25. White Teeth (Zadie Smith, 2000)/ t4 ^& Q2 c; S, B( I, d
24. The Golden Notebook (Doris Lessing, 1962)5 D0 c% ^2 l9 Q5 V
23. Jude the Obscure (Thomas Hardy, 1895)7 i7 P) u8 P* W( _; }3 J" }6 T
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ U T* |; ]! k( ?+ `7 D
21. Heart of Darkness (Joseph Conrad, 1899)1 d& U, f1 @" _/ |$ j
20. Persuasion (Jane Austen, 1817) d! }0 X5 d# p3 ?
19. Emma (Jane Austen, 1815)) a/ ]! z3 t% C; B3 [- {/ [" m3 m, M) p
18. Remains of the Day (Kazuo Ishiguro, 1989)2 d- B, E% E5 j; K# Y
17. Howards End (EM Forster, 1910)
0 o) Z' c) D' W# B8 a# x16. The Waves (Virginia Woolf, 1931). L0 G/ d. ^- S6 T" h d; x
15. Atonement (Ian McEwan, 2001)
) a, v' O; s8 x( a( A14. Clarissa (Samuel Richardson,1748)
1 S5 v6 u' W m3 a- G2 _13. The Good Soldier (Ford Madox Ford, 1915)
6 ]3 v. C8 D# F6 k4 F12. Nineteen Eighty-Four (George Orwell, 1949)" t( F0 [2 m& O( D
11. Pride and Prejudice (Jane Austen, 1813)5 G8 U) T2 @' W% O8 P$ F
10. Vanity Fair (William Makepeace Thackeray, 1848)( ?! U1 P; L9 E# A; X C, l7 c
9. Frankenstein (Mary Shelley, 1818)& z! y& x R: |3 L* Q
8. David Copperfield (Charles Dickens, 1850)
' C! V- C3 `0 ~" i7 Z" f- R: Q7. Wuthering Heights (Emily Brontë, 1847)
7 W6 |" i* e$ L$ t* J- V- l( e6. Bleak House (Charles Dickens, 1853); Q0 A1 p* Q2 U4 L/ T; n* G: \1 E
5. Jane Eyre (Charlotte Brontë, 1847)1 |) \9 u8 d& [" d- K
4. Great Expectations (Charles Dickens, 1861)
4 R. f- D6 c# J9 G4 u* G. b3. Mrs. Dalloway (Virginia Woolf, 1925)& m2 n8 _4 d9 G( \ X9 Y3 X
2. To the Lighthouse (Virginia Woolf, 1927)/ C4 W, J9 n' m. H f
1. Middlemarch (George Eliot, 1874)
% n$ Q5 _* H9 p3 {. U4 M& A% E# I7 G* g9 {
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
! o: f& ?. V: w" ^0 j3 z
7 z# _1 X+ A" f9 A呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
" l! M/ P* L7 X h
