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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著. i: U" d* l. ^) u5 o
http://www.bbc.com/culture/story ... test-british-novels
/ z" q3 ~6 r5 Y4 a3 k: _+ n惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 a4 U& D8 P5 I/ R3 h
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100. The Code of the Woosters (PG Wodehouse, 1938)
h* p, B) g& m9 F3 E2 g99. There but for the (Ali Smith, 2011). z6 E) g3 ]. _: }8 I0 Q
98. Under the Volcano (Malcolm Lowry,1947)9 J+ _( t) C. u9 s2 F& O X
97. The Chronicles of Narnia (CS Lewis, 1949-1954)& v* w: h1 g/ P1 i6 n+ S
96. Memoirs of a Survivor (Doris Lessing, 1974)# {8 ?3 p5 C Y, k p% u7 E* c
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" @3 B- C, q9 |( N, M0 u8 U h94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
4 |3 Z2 J% E/ Q7 S93. Lord of the Flies (William Golding, 1954)
/ L1 U1 \) S$ h/ ^% n: Y- ^2 N+ i92. Cold Comfort Farm (Stella Gibbons, 1932)$ P: D( c- |' J6 |5 a1 n
91. The Forsyte Saga (John Galsworthy, 1922)7 y8 R9 Y1 ]# w% ^ R; D& }3 S* q
90. The Woman in White (Wilkie Collins, 1859)
( q2 @3 _" @7 l+ y7 l M89. The Horse’s Mouth (Joyce Cary, 1944)
% x2 H" r# O6 ^; y88. The Death of the Heart (Elizabeth Bowen, 1938)8 s4 V9 C' |8 i* A* A: y% x
87. The Old Wives’ Tale (Arnold Bennett,1908)- m/ Z8 N& x* }$ K: X
86. A Legacy (Sybille Bedford, 1956)
8 [# F2 U1 R9 C( A" {' G85. Regeneration Trilogy (Pat Barker, 1991-1995)
) ^8 z$ Y$ b0 {* P: J84. Scoop (Evelyn Waugh, 1938)+ b# k0 b9 e X$ W
83. Barchester Towers (Anthony Trollope, 1857)! m/ n$ c2 N8 ~, n) }! R2 M
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
) q' w/ u1 a, ~, _9 P9 ~3 R2 a+ T81. The Jewel in the Crown (Paul Scott, 1966)
0 j5 _3 G4 P, k- c. Y" H80. Excellent Women (Barbara Pym, 1952)
5 [* ?; T5 ~$ i8 O" A79. His Dark Materials (Philip Pullman, 1995-2000) \- e9 x: ~% k v1 M3 u
78. A House for Mr Biswas (VS Naipaul, 1961)
. \9 L+ J& s2 \/ W5 t: B3 ?77. Of Human Bondage (W Somerset Maugham, 1915), d& b4 T# ^, o P3 ^0 U% B9 F
76. Small Island (Andrea Levy, 2004)5 r$ ~ y e$ V2 t* T
75. Women in Love (DH Lawrence, 1920)
; H( E# M0 \- m, W' u74. The Mayor of Casterbridge (Thomas Hardy, 1886)) U3 f: A# s5 Q$ N1 K) A
73. The Blue Flower (Penelope Fitzgerald, 1995): t! g* }& Z9 b! @$ U
72. The Heart of the Matter (Graham Greene, 1948)
" D, i' a; Z8 b6 R& f& r71. Old Filth (Jane Gardam, 2004)
" K* k( c4 `0 K# k+ h70. Daniel Deronda (George Eliot, 1876)
$ j, Z) {3 V7 b69. Nostromo (Joseph Conrad, 1904)" U& Y$ \4 N0 V5 X
68. A Clockwork Orange (Anthony Burgess, 1962)
: p G+ x1 L7 }6 S! e0 e67. Crash (JG Ballard 1973)7 K' u8 P) S# ?% h
66. Sense and Sensibility (Jane Austen, 1811)6 G* z( [+ ~( m
65. Orlando (Virginia Woolf, 1928)
" z. u% W7 b. D7 P& t64. The Way We Live Now (Anthony Trollope, 1875)
- F$ w- r- O! P& }7 {2 Z63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)' U1 ?" h- M9 J5 H/ E6 v
62. Animal Farm (George Orwell, 1945)! v% Z$ Z& u( Z: I% s) _( t
61. The Sea, The Sea (Iris Murdoch, 1978)
0 d0 A# @: R. ^7 V- J60. Sons and Lovers (DH Lawrence, 1913), F. M( r; [, W
59. The Line of Beauty (Alan Hollinghurst, 2004)' l; z, L: u0 \. Y' l
58. Loving (Henry Green, 1945)
$ t; @% `& H( m57. Parade’s End (Ford Madox Ford, 1924-1928)+ l5 ]- Q7 I9 o {- K7 D- B2 z; e' a
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- c* E( c6 Q( _# C8 d55. Gulliver’s Travels (Jonathan Swift, 1726)4 [4 g- Z4 Y0 E
54. NW (Zadie Smith, 2012)# y6 [8 A& Y8 K S% N# z# R
53. Wide Sargasso Sea (Jean Rhys, 1966)$ L4 ^9 w! Z( I- x3 T* {
52. New Grub Street (George Gissing, 1891)
! R7 C. }" l# E& i0 w51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
* [( |+ o* L4 \. j50. A Passage to India (EM Forster, 1924)7 {+ p A4 H6 ^" R. B% d
49. Possession (AS Byatt, 1990): W1 N1 S" _: [) y; V
48. Lucky Jim (Kingsley Amis, 1954)) [8 v3 L; ]/ t- J5 J; o; V- g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ N" \+ ?9 n7 r' v( l0 C& t46. Midnight’s Children (Salman Rushdie, 1981)' V- { M0 z, @
45. The Little Stranger (Sarah Waters, 2009)
& ^8 r& h; p3 w' D44. Wolf Hall (Hilary Mantel, 2009)
, p9 E3 l @* O8 r8 f43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ J* M# }+ W& D; e# N
42. Brighton Rock (Graham Greene, 1938)7 ]0 u# w, Q4 ?) e! m
41. Dombey and Son (Charles Dickens, 1848)
$ D% j! r. T0 _" D% y) _5 m40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) S, I* w2 ^" D6 @" \; F1 T2 N39. The Sense of an Ending (Julian Barnes, 2011)1 f/ a5 o. G5 |
38. The Passion (Jeanette Winterson, 1987)
8 f. B5 D) ^0 b* Z8 D% C6 e37. Decline and Fall (Evelyn Waugh, 1928)
* A7 X- Q. U* |$ g- ^4 _36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ U, B8 O+ M3 G J) f2 n35. Remainder (Tom McCarthy, 2005)) W0 V# N0 o+ j9 f$ W
34. Never Let Me Go (Kazuo Ishiguro, 2005)
$ F: e# ]2 z, U7 Z33. The Wind in the Willows (Kenneth Grahame, 1908)6 Z3 v) o4 l& ~
32. A Room with a View (EM Forster, 1908)
; V) O4 H% h, W' l5 ?. \31. The End of the Affair (Graham Greene, 1951)
5 E V# D0 A! z! H30. Moll Flanders (Daniel Defoe, 1722)4 o. k# |& y9 l/ `
29. Brick Lane (Monica Ali, 2003)$ H( u' v1 }6 w# v. E
28. Villette (Charlotte Brontë, 1853)9 e8 c- s: M2 X% w6 S
27. Robinson Crusoe (Daniel Defoe, 1719)
( J) F2 W* {, {! G* A26. The Lord of the Rings (JRR Tolkien, 1954)
* Z8 M0 W, e- i/ p25. White Teeth (Zadie Smith, 2000)/ j) Z) j6 A% `
24. The Golden Notebook (Doris Lessing, 1962)
) p. q8 i, x" x; [" m23. Jude the Obscure (Thomas Hardy, 1895)+ f5 O3 D% F! Q1 F* S
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): b+ [3 [9 l1 @4 y* ]
21. Heart of Darkness (Joseph Conrad, 1899)
; f7 F& t' |' K* q7 W20. Persuasion (Jane Austen, 1817) z" O1 c. _1 O" P; s
19. Emma (Jane Austen, 1815)
8 w$ }7 v, z6 Y" v; ]2 U6 X* d1 u v18. Remains of the Day (Kazuo Ishiguro, 1989)/ ^. u5 u+ h. }' W6 A9 E H
17. Howards End (EM Forster, 1910)
2 Z, |) }; f$ w( F8 d# a$ B5 n16. The Waves (Virginia Woolf, 1931)7 L6 ]8 b1 K8 l; s! n& K u, u
15. Atonement (Ian McEwan, 2001)# _4 U5 s* ?1 l# |1 h
14. Clarissa (Samuel Richardson,1748)$ H, J# C$ M; n. K: K
13. The Good Soldier (Ford Madox Ford, 1915)
' T) ^$ H$ e$ [7 R3 [12. Nineteen Eighty-Four (George Orwell, 1949)
6 f$ B- K% u% Y4 S# ]7 t11. Pride and Prejudice (Jane Austen, 1813)# |6 {; Y$ O! @$ o
10. Vanity Fair (William Makepeace Thackeray, 1848)# r( ]0 r+ O2 l- T5 S: m
9. Frankenstein (Mary Shelley, 1818)* H( x; f, P7 L# @0 P
8. David Copperfield (Charles Dickens, 1850)/ I$ l0 \0 w/ k4 p2 g
7. Wuthering Heights (Emily Brontë, 1847)6 r8 y# _* I0 N `$ V- Q1 _9 _
6. Bleak House (Charles Dickens, 1853)
c2 O8 R. h+ n& _3 ?5. Jane Eyre (Charlotte Brontë, 1847)
8 ^1 ^' J1 G8 J) B: I9 Y4. Great Expectations (Charles Dickens, 1861)$ q6 r$ p% c- G/ {5 r# b1 c8 N; z
3. Mrs. Dalloway (Virginia Woolf, 1925)
' ~& Z- E. f( s; P7 d2. To the Lighthouse (Virginia Woolf, 1927); m$ ^- w+ o( P2 z9 n1 K
1. Middlemarch (George Eliot, 1874). |1 ]1 h1 o, E
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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v: Z9 Q! P6 e1 i+ D5 n2 x4 T呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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