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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : x, h0 a7 l- e/ Q
6 m. T7 R; @: c+ I- \% J/ o: |' S) UBBC评出100大英国文学名著8 Z$ m1 o' ^/ j3 U/ P
http://www.bbc.com/culture/story ... test-british-novels
$ @, p9 Z" z* f8 n4 H" z% n. Q# q惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)$ ?1 `: B% B/ c' ~/ T0 h
99. There but for the (Ali Smith, 2011)
' W& o- I; E% J98. Under the Volcano (Malcolm Lowry,1947)% F/ X+ J7 v( k5 T# S. j5 r
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 U$ s$ B+ l) m$ N. Q5 E4 n96. Memoirs of a Survivor (Doris Lessing, 1974)
, z* W j2 y; l/ b; H1 ^( X95. The Buddha of Suburbia (Hanif Kureishi, 1990)
@) F8 F3 p7 W! L9 l94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
7 ]0 e, X2 A: j93. Lord of the Flies (William Golding, 1954)- c* \) \% V* h+ @3 D6 q8 L9 e
92. Cold Comfort Farm (Stella Gibbons, 1932)
* _: v# e$ h! g l! @( T91. The Forsyte Saga (John Galsworthy, 1922)
7 s' l/ ~9 w" A90. The Woman in White (Wilkie Collins, 1859)
9 _* V& b3 J+ S! x5 F$ P89. The Horse’s Mouth (Joyce Cary, 1944)" y/ W3 U& U* V- y6 H" A
88. The Death of the Heart (Elizabeth Bowen, 1938)+ ?* j" b, i! U: W0 \& c
87. The Old Wives’ Tale (Arnold Bennett,1908)
1 g4 Q% R5 w7 t7 u86. A Legacy (Sybille Bedford, 1956)
+ a# ]9 R Y! ]# @85. Regeneration Trilogy (Pat Barker, 1991-1995)0 ?+ Z( `3 Y1 f' b: k& }& ^
84. Scoop (Evelyn Waugh, 1938)0 n! Q. f0 [; y2 h
83. Barchester Towers (Anthony Trollope, 1857); I* N9 L" F% a- ~) F' }
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# h2 k; U, p% V( A
81. The Jewel in the Crown (Paul Scott, 1966)
& s0 I5 F4 B( S" X* S+ b80. Excellent Women (Barbara Pym, 1952)
! S' A& H, d! N' S4 u# |: [79. His Dark Materials (Philip Pullman, 1995-2000)0 _' z1 q, R6 y: K7 R( M) @4 j, A
78. A House for Mr Biswas (VS Naipaul, 1961)8 z; l# L4 J% x9 G$ ]7 i. U
77. Of Human Bondage (W Somerset Maugham, 1915)
( D; \7 C) r3 G' C& t76. Small Island (Andrea Levy, 2004)
; i0 K4 N. }; ?! y( Q8 `8 j% u75. Women in Love (DH Lawrence, 1920)
" |# Q( M9 z. `' N* S% Y74. The Mayor of Casterbridge (Thomas Hardy, 1886)- L! _" d7 Y+ W& _" J( D& i
73. The Blue Flower (Penelope Fitzgerald, 1995)
+ e4 `6 Y L. M$ R: T6 D( Q72. The Heart of the Matter (Graham Greene, 1948)
" F8 B' f/ {( A71. Old Filth (Jane Gardam, 2004)
4 O" h# A( r9 K* v; I70. Daniel Deronda (George Eliot, 1876)
- C; v% h, [* V2 y( U+ s+ p- O69. Nostromo (Joseph Conrad, 1904)
" W8 p" k: H7 F( o* E0 D68. A Clockwork Orange (Anthony Burgess, 1962)
/ n' ?+ M7 k% H67. Crash (JG Ballard 1973)
2 _& r- o9 ^% }3 P7 x- l, j66. Sense and Sensibility (Jane Austen, 1811)$ n8 T6 i+ R2 r5 G8 v
65. Orlando (Virginia Woolf, 1928)+ Y6 Q+ M `$ e' Q# ~
64. The Way We Live Now (Anthony Trollope, 1875)
- x& H+ s9 K' x' M8 Y. {+ K63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)3 Q" R$ D8 K6 g) E! P* s7 R
62. Animal Farm (George Orwell, 1945)7 X8 I0 |7 `! h. f/ k' l+ h
61. The Sea, The Sea (Iris Murdoch, 1978)" b3 u7 g( S! U6 {& U4 o
60. Sons and Lovers (DH Lawrence, 1913)' [1 {, u2 C2 e5 x' K/ A6 a/ R
59. The Line of Beauty (Alan Hollinghurst, 2004)! E" k1 ~7 c/ ]' V% }$ K0 G
58. Loving (Henry Green, 1945): }% s: e1 H! P& R; u4 O e7 ?
57. Parade’s End (Ford Madox Ford, 1924-1928)
5 [4 R0 Z- _4 ]2 R4 m56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
5 G4 Q+ I- |' |7 d4 c0 f55. Gulliver’s Travels (Jonathan Swift, 1726)
. m0 {" x/ C& D/ J; R! W a$ u3 T54. NW (Zadie Smith, 2012)
* c" r* w6 O0 l3 l7 s. n% Q53. Wide Sargasso Sea (Jean Rhys, 1966)' M1 S: D, K8 c \2 {9 P1 t
52. New Grub Street (George Gissing, 1891)
+ [6 g4 B9 I3 h3 c- \/ U; k% [51. Tess of the d’Urbervilles (Thomas Hardy, 1891). H% O) R, E9 w4 ^. G4 U
50. A Passage to India (EM Forster, 1924)
& y% m5 V0 }0 l49. Possession (AS Byatt, 1990)
8 K1 V, g$ a! D48. Lucky Jim (Kingsley Amis, 1954)& S! Q4 @# b8 ]' B& c. P2 P
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* S) w" a# F- P! A$ u6 r; i. _1 x46. Midnight’s Children (Salman Rushdie, 1981)
5 g1 M; S! ^" c( _45. The Little Stranger (Sarah Waters, 2009)
) P. @3 b: D* Q1 {9 A P44. Wolf Hall (Hilary Mantel, 2009)
# r- g" L* Y( B a43. The Swimming Pool Library (Alan Hollinghurst, 1988)
) Y* y2 j% R# r+ R42. Brighton Rock (Graham Greene, 1938)
# k( G1 i, y1 X) v' i41. Dombey and Son (Charles Dickens, 1848)
+ E& u5 ]2 u5 s40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 v5 t$ W J3 s3 l39. The Sense of an Ending (Julian Barnes, 2011)
" h$ a- _7 c3 {5 G5 v6 E, k6 L38. The Passion (Jeanette Winterson, 1987)' I" H, q! G0 l3 T
37. Decline and Fall (Evelyn Waugh, 1928)
! N* g+ d: t9 [) \( p36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 z+ l3 x3 z* U$ g
35. Remainder (Tom McCarthy, 2005)* j; W% l5 W' K( @) D8 U. l' p
34. Never Let Me Go (Kazuo Ishiguro, 2005)
6 Y: o- _1 E6 k# U3 y33. The Wind in the Willows (Kenneth Grahame, 1908)
2 f4 {- X' I0 X7 J32. A Room with a View (EM Forster, 1908)5 u. D7 j# i# S/ _( o% w
31. The End of the Affair (Graham Greene, 1951)0 u" C+ B% ]+ t* V( D: f! C
30. Moll Flanders (Daniel Defoe, 1722), X) g( `7 k' m5 |) I
29. Brick Lane (Monica Ali, 2003)- @1 H* B ?% X4 a/ m
28. Villette (Charlotte Brontë, 1853)' a& d9 J2 s/ a' w
27. Robinson Crusoe (Daniel Defoe, 1719)+ p5 \7 G* {( a4 f X$ I
26. The Lord of the Rings (JRR Tolkien, 1954)% D4 }* s( E. ^1 w- |3 ~7 [
25. White Teeth (Zadie Smith, 2000)
5 t, K# r: q h: ^ t3 V: k24. The Golden Notebook (Doris Lessing, 1962)
/ j. q, v, C+ l# K! q* N23. Jude the Obscure (Thomas Hardy, 1895)* q2 c+ q% }7 F
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
8 u) i \9 q" Q. O. P) s3 P21. Heart of Darkness (Joseph Conrad, 1899)
! k/ R- g+ `5 }! f% } d+ O: [! b" d20. Persuasion (Jane Austen, 1817)
5 @- Z: N) P/ T8 O7 t9 ~2 }19. Emma (Jane Austen, 1815)
5 n; ?$ ~- V$ o5 u, E18. Remains of the Day (Kazuo Ishiguro, 1989), h5 m# K: q2 D
17. Howards End (EM Forster, 1910)
+ J. r3 j6 Z& N- |( H, i% w. |16. The Waves (Virginia Woolf, 1931)% v* ]4 k" ?. }, A: f( D
15. Atonement (Ian McEwan, 2001)9 J; K5 E7 W2 S& b8 {) e; J1 T
14. Clarissa (Samuel Richardson,1748)* `, R3 C& u9 R' }
13. The Good Soldier (Ford Madox Ford, 1915)
$ |1 P4 Z( G- t$ B( z" Z12. Nineteen Eighty-Four (George Orwell, 1949)7 n( @& A$ W, d" M% w
11. Pride and Prejudice (Jane Austen, 1813)
: u& K/ e* |; o4 u" u( I10. Vanity Fair (William Makepeace Thackeray, 1848)7 y! _8 [+ H. T2 m$ Y% Z' G, R
9. Frankenstein (Mary Shelley, 1818)1 R% V- e7 ?) o
8. David Copperfield (Charles Dickens, 1850)! ~7 _7 @( S% ~( D! b
7. Wuthering Heights (Emily Brontë, 1847)
( @2 t8 B& a: x! ~0 S1 `6. Bleak House (Charles Dickens, 1853)
8 A& k, G" b% q. `5. Jane Eyre (Charlotte Brontë, 1847)
: c- c' e6 r9 s1 j% x4 h6 I& X4. Great Expectations (Charles Dickens, 1861)2 s- B, S% a3 c( u2 T
3. Mrs. Dalloway (Virginia Woolf, 1925)
. g. @* _! ~0 A2. To the Lighthouse (Virginia Woolf, 1927)
4 k3 n" Q/ e" h6 s$ y1. Middlemarch (George Eliot, 1874) A' H1 }6 o6 m( M& P
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。3 y: l( a& f) T/ ?8 ?/ T
8 t. [6 p4 @# U( ~1 _$ S% P: j呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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