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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ I- w0 c% {- m5 ? l, qBBC评出100大英国文学名著
3 f! [: `9 R, L1 r' t" fhttp://www.bbc.com/culture/story ... test-british-novels5 V$ P/ Z4 v \) S% u
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
+ C: W: N! w4 N7 e m( r4 Q99. There but for the (Ali Smith, 2011)/ J. z) L/ o& q" K4 a5 Q; u o6 d
98. Under the Volcano (Malcolm Lowry,1947)
) G7 b, h& G8 g6 }97. The Chronicles of Narnia (CS Lewis, 1949-1954)
0 r! W0 |! n7 t6 Z8 |96. Memoirs of a Survivor (Doris Lessing, 1974) _- Z# N R, q5 `4 Q& p
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
% o- \2 s* g' ]' M. X4 h94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 S1 D0 O* c n6 a/ N1 v93. Lord of the Flies (William Golding, 1954)
- a3 W5 g6 _( O92. Cold Comfort Farm (Stella Gibbons, 1932)6 y% L( E1 F8 V' n
91. The Forsyte Saga (John Galsworthy, 1922)# _& T+ D) u! v5 u
90. The Woman in White (Wilkie Collins, 1859)
, s( W) {+ h3 r5 ]* W% n89. The Horse’s Mouth (Joyce Cary, 1944)
! Z4 M; Z. _! i3 _6 i; K88. The Death of the Heart (Elizabeth Bowen, 1938)2 n- \8 n4 ~; I# N H
87. The Old Wives’ Tale (Arnold Bennett,1908)
% h* g, b2 z8 W& v; }) d86. A Legacy (Sybille Bedford, 1956)
/ _2 i: J7 g1 c' Y) W85. Regeneration Trilogy (Pat Barker, 1991-1995)4 J/ w, W @" S: _
84. Scoop (Evelyn Waugh, 1938)$ f; d3 a2 k$ R7 a( U
83. Barchester Towers (Anthony Trollope, 1857)& E5 C6 A% a) ?" D3 u/ I
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012), I* B- ^! x$ i! A% U, K1 D
81. The Jewel in the Crown (Paul Scott, 1966)! j8 J6 ?; |2 S1 _
80. Excellent Women (Barbara Pym, 1952)$ h1 V/ b3 L2 M. I3 o+ i( J7 M
79. His Dark Materials (Philip Pullman, 1995-2000)% ^4 p; d8 W% c6 f- c/ z0 x
78. A House for Mr Biswas (VS Naipaul, 1961)
4 J, o# f1 |8 E* K- ~77. Of Human Bondage (W Somerset Maugham, 1915)7 w- d6 T- r$ V0 @( W+ ]
76. Small Island (Andrea Levy, 2004)
$ n4 w9 J% g, I" M9 [: k8 I75. Women in Love (DH Lawrence, 1920)/ A- W# d% \- a+ g" C
74. The Mayor of Casterbridge (Thomas Hardy, 1886)% y# u% y9 S$ X; O
73. The Blue Flower (Penelope Fitzgerald, 1995)
; O, F0 e% m! Z! f+ h3 Q, _72. The Heart of the Matter (Graham Greene, 1948)
' `8 V1 h3 [) ~: J. V71. Old Filth (Jane Gardam, 2004)
7 ~7 b7 p/ g5 {3 e7 d70. Daniel Deronda (George Eliot, 1876)
' s" S' n0 s6 {% \# c! s69. Nostromo (Joseph Conrad, 1904)
! \5 i: s; M0 o* q a; Y68. A Clockwork Orange (Anthony Burgess, 1962)
. G9 c& p" G$ L: X67. Crash (JG Ballard 1973)
; Y) i7 G7 Z d$ h6 C v H a66. Sense and Sensibility (Jane Austen, 1811)) N: c. `, J" }1 o3 R6 }
65. Orlando (Virginia Woolf, 1928)% ] b% W) K( |7 B& y( j6 |
64. The Way We Live Now (Anthony Trollope, 1875)
0 P D7 S6 u) \9 g* f63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
4 E. W1 Q* I( G* X( D1 x( o62. Animal Farm (George Orwell, 1945)4 G! m3 m9 Y0 A9 i
61. The Sea, The Sea (Iris Murdoch, 1978)& v q0 ~6 V- m6 X. z7 d3 k7 V
60. Sons and Lovers (DH Lawrence, 1913)
2 Y" F! U3 I" q( B! `4 a- J59. The Line of Beauty (Alan Hollinghurst, 2004)5 O' ~5 Y5 l8 I% V! b3 [& P
58. Loving (Henry Green, 1945)
: I, N3 y* U4 I3 C+ I& F57. Parade’s End (Ford Madox Ford, 1924-1928)
9 P9 T# T3 m4 K+ |; ]6 e& S3 e% H56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
! E/ ~7 [9 W: t/ y55. Gulliver’s Travels (Jonathan Swift, 1726)* A1 E! w/ V; A6 B5 e
54. NW (Zadie Smith, 2012)- h2 j4 b* x# M8 |) F ]9 X
53. Wide Sargasso Sea (Jean Rhys, 1966)! y" @+ D9 C0 X0 T/ l9 G- ~! m6 d6 Q
52. New Grub Street (George Gissing, 1891): t. U0 M) r- N0 ?
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 v: P3 G, E. X0 V3 l1 B; n/ R
50. A Passage to India (EM Forster, 1924)
# u1 o' J' {7 `. D2 ~49. Possession (AS Byatt, 1990)# M( O; ]+ X/ q& x1 c/ D- k
48. Lucky Jim (Kingsley Amis, 1954)
; t! Y3 j3 v3 S5 r% x( x0 w' N/ K47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# V! ^0 f( T' p$ d3 p! j6 M5 L
46. Midnight’s Children (Salman Rushdie, 1981)* x1 Y6 \) {! t
45. The Little Stranger (Sarah Waters, 2009)
6 n9 s; d3 Y3 ]44. Wolf Hall (Hilary Mantel, 2009)
+ K9 o- h" ^# o y7 ?9 f+ ]43. The Swimming Pool Library (Alan Hollinghurst, 1988). o' [* z% p& a1 G; Z- l/ Z6 g
42. Brighton Rock (Graham Greene, 1938): t" d( H/ V' \4 q
41. Dombey and Son (Charles Dickens, 1848)
6 K& C! A0 R. o8 a) x I40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865) A5 D2 c/ n! g% Q3 q% j% f
39. The Sense of an Ending (Julian Barnes, 2011)
* t/ y- J) k* W8 o38. The Passion (Jeanette Winterson, 1987)1 I1 j0 T9 z: `% e9 E# U* I P) u' Q, j
37. Decline and Fall (Evelyn Waugh, 1928)
. l5 H. s$ c4 {9 a1 n' o; P' c36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
/ h9 U1 u1 t+ J0 s V35. Remainder (Tom McCarthy, 2005)! @* U! J) L( T) M
34. Never Let Me Go (Kazuo Ishiguro, 2005)
6 m( ]4 ~* O: V33. The Wind in the Willows (Kenneth Grahame, 1908)* ~ A- d3 G4 r2 S; o
32. A Room with a View (EM Forster, 1908)- {, T( y8 S5 k9 W s
31. The End of the Affair (Graham Greene, 1951)# {: `7 c* R0 O% G G7 g
30. Moll Flanders (Daniel Defoe, 1722)- |. a1 `6 @0 ?) T2 @: P
29. Brick Lane (Monica Ali, 2003)
1 Z% K4 U4 ?' v: E) r% {+ q28. Villette (Charlotte Brontë, 1853)
' K/ ^2 U( w4 z' ^* A5 w27. Robinson Crusoe (Daniel Defoe, 1719)
9 K$ p! a& q6 U; J: |26. The Lord of the Rings (JRR Tolkien, 1954)
! Y2 {; e+ k% q% O2 E, ?25. White Teeth (Zadie Smith, 2000) \7 b( V. Y7 M- D
24. The Golden Notebook (Doris Lessing, 1962)% Z. `8 x) X! s0 o! D1 s
23. Jude the Obscure (Thomas Hardy, 1895)
9 X3 L# W) O$ V6 q9 k1 D. f22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 `* F( g* i' S$ Z: M( H, X21. Heart of Darkness (Joseph Conrad, 1899)
+ t* ?( U H( y0 `7 d4 `1 Q20. Persuasion (Jane Austen, 1817)
7 A( m# O- f0 |4 K, y19. Emma (Jane Austen, 1815)
, P* Q( s$ s4 Z6 ^. G5 h18. Remains of the Day (Kazuo Ishiguro, 1989)/ {6 D0 f8 K5 D. d7 @% C
17. Howards End (EM Forster, 1910)8 e! h) X; t* c% b0 K/ i
16. The Waves (Virginia Woolf, 1931)
+ r! J4 T# |6 {* ~3 E, Z15. Atonement (Ian McEwan, 2001)
2 w/ G* H; c8 Y$ A14. Clarissa (Samuel Richardson,1748)6 ?; I. O; c* Y) O( E) ]9 x
13. The Good Soldier (Ford Madox Ford, 1915)
. s! m8 T) _/ s12. Nineteen Eighty-Four (George Orwell, 1949)% f5 a, f/ z9 ~2 @. o. `# F* G
11. Pride and Prejudice (Jane Austen, 1813)
- r# A6 v, x+ A" U# m4 n10. Vanity Fair (William Makepeace Thackeray, 1848)
* Z9 R: v5 d! J- g9. Frankenstein (Mary Shelley, 1818)
* g$ e5 {3 G8 f8. David Copperfield (Charles Dickens, 1850)7 r1 k6 Z8 o$ o
7. Wuthering Heights (Emily Brontë, 1847); z `1 U+ o/ J( x5 n: \* i+ n
6. Bleak House (Charles Dickens, 1853)' R% D" G! s1 R7 T' `7 x* ~% B6 t
5. Jane Eyre (Charlotte Brontë, 1847)
2 ~4 [, L' g' _' S& N3 c j) Q4. Great Expectations (Charles Dickens, 1861)! {( l) q6 N+ |$ L5 x7 O
3. Mrs. Dalloway (Virginia Woolf, 1925)- a" L. p+ v: f
2. To the Lighthouse (Virginia Woolf, 1927)
) ]" ~3 [5 s" Y! f( `) i7 `1. Middlemarch (George Eliot, 1874)
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: c9 C$ ]5 j( G. t( a$ ~/ J' b前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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5 v5 \3 h$ i. o7 _- X) e, S呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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