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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 2 e- i6 i3 Z% z* u/ I) u: _& i3 D3 V
6 z( x6 J' }) ]0 K+ T$ h4 I$ GBBC评出100大英国文学名著# J, B4 Z" J8 R) `4 H
http://www.bbc.com/culture/story ... test-british-novels7 @+ t m6 R% W1 ]
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. s; d9 s' U h, U$ j0 l
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100. The Code of the Woosters (PG Wodehouse, 1938)
3 L: R! u) a3 |5 j" n7 K1 p; K6 T% H99. There but for the (Ali Smith, 2011)
9 K( r0 H# Y9 ]+ ?98. Under the Volcano (Malcolm Lowry,1947)
0 j! H+ A8 } O+ |4 U" t97. The Chronicles of Narnia (CS Lewis, 1949-1954)- X. l* J7 P- ?! B1 E7 z0 \
96. Memoirs of a Survivor (Doris Lessing, 1974)( ~$ {" s$ y& X& N
95. The Buddha of Suburbia (Hanif Kureishi, 1990)! ?% L, L/ `/ n7 j! }( g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' ?9 D2 S8 C; i
93. Lord of the Flies (William Golding, 1954)* v% D; _* g/ e& C
92. Cold Comfort Farm (Stella Gibbons, 1932)
. e$ h2 o7 \3 o! F8 r91. The Forsyte Saga (John Galsworthy, 1922)
* X" c$ u. B4 \8 l5 d6 v0 |" R90. The Woman in White (Wilkie Collins, 1859)
( D, O. ~; O& @6 s8 {) H* Z6 j! T89. The Horse’s Mouth (Joyce Cary, 1944)
* g4 J$ }2 t/ I8 A- X' A88. The Death of the Heart (Elizabeth Bowen, 1938)
0 s" X! e1 e! @ V' S" U& |( K' n87. The Old Wives’ Tale (Arnold Bennett,1908)# N4 C( Y. V D/ I5 R# S' g8 H
86. A Legacy (Sybille Bedford, 1956)
6 G. I' n( f+ ~! y; q85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ b o1 n, b7 }% Z) b84. Scoop (Evelyn Waugh, 1938)
; F9 g m9 J# D! h( @* c4 h2 {83. Barchester Towers (Anthony Trollope, 1857)
& I+ ~2 P% h/ E4 v; e/ a82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)% ]) F/ u+ F. o( w1 l7 d! }
81. The Jewel in the Crown (Paul Scott, 1966)
( e T+ H1 _* Q! o2 l9 E9 |80. Excellent Women (Barbara Pym, 1952)
7 s! h; q$ V: u& j79. His Dark Materials (Philip Pullman, 1995-2000)5 F8 b$ V) v/ r. x; o* Y9 S. h* J
78. A House for Mr Biswas (VS Naipaul, 1961)# s( c |; X# ]' f' o4 K
77. Of Human Bondage (W Somerset Maugham, 1915)7 y8 }% j' k" [
76. Small Island (Andrea Levy, 2004)6 C* T: }" U; Y) @) u
75. Women in Love (DH Lawrence, 1920)
1 E/ Z9 h% l7 {9 p74. The Mayor of Casterbridge (Thomas Hardy, 1886) U; s2 b0 {9 t5 s1 h( W
73. The Blue Flower (Penelope Fitzgerald, 1995)) m( t. o+ X5 ^: S- c' G
72. The Heart of the Matter (Graham Greene, 1948)2 h" t6 q# }9 z4 P8 [
71. Old Filth (Jane Gardam, 2004)& y1 ?. w5 f C2 o3 [! ~
70. Daniel Deronda (George Eliot, 1876)
) S0 z7 f0 t9 d4 S b2 K' b69. Nostromo (Joseph Conrad, 1904)
& k$ K$ [4 }* D( Q68. A Clockwork Orange (Anthony Burgess, 1962)
. x B2 v" w6 _5 f67. Crash (JG Ballard 1973)" I2 ^2 ]& ]3 ~5 z
66. Sense and Sensibility (Jane Austen, 1811)4 q/ Q+ U1 J: w
65. Orlando (Virginia Woolf, 1928)
! ?' z, B P/ y/ w64. The Way We Live Now (Anthony Trollope, 1875)2 m" v( k: l2 ~1 b& P+ y- p
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)# _. j% _* @( H9 {8 S
62. Animal Farm (George Orwell, 1945)
9 {$ ~9 ~, [$ G61. The Sea, The Sea (Iris Murdoch, 1978)( D% O* @7 Z! ?
60. Sons and Lovers (DH Lawrence, 1913)
) m' Z% A$ L* \59. The Line of Beauty (Alan Hollinghurst, 2004): w& J) L" O; N1 {$ Q8 A; C: Y
58. Loving (Henry Green, 1945)+ _/ X% u% V9 L8 M" w; F
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 H! o6 w" {. a/ S: V& s. T3 N: K56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): a3 u: y9 t/ n
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 f+ q6 h; C; Q5 h1 i7 J6 k- c9 A54. NW (Zadie Smith, 2012)7 E' [/ n. Z3 V+ ^1 c9 W) A
53. Wide Sargasso Sea (Jean Rhys, 1966)4 t6 `- A5 g2 N
52. New Grub Street (George Gissing, 1891)0 D0 s0 u, h' q; N2 m
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 Q- _# K O& i, E% k) t) l, o: z50. A Passage to India (EM Forster, 1924)
, I1 w: S) y: q49. Possession (AS Byatt, 1990)6 s# |0 k! y1 u% v; @
48. Lucky Jim (Kingsley Amis, 1954)
/ B( M8 R8 m, J+ @47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
3 u0 Y' `$ I& X0 x7 h. N46. Midnight’s Children (Salman Rushdie, 1981)
" q% U! Z4 a8 b$ u45. The Little Stranger (Sarah Waters, 2009)
Z F! u2 g' }' G3 v2 i* P44. Wolf Hall (Hilary Mantel, 2009)
+ s* d! c2 f( \" B3 a) ^43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! {4 ^6 A: t! T5 f/ {42. Brighton Rock (Graham Greene, 1938)! Q; ?9 W" k: p, t7 ?( N" y8 _
41. Dombey and Son (Charles Dickens, 1848)
! h6 n O2 ?& f, B1 v7 q8 g40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)' f9 k- v) X1 u
39. The Sense of an Ending (Julian Barnes, 2011)
" h3 l# P9 Y4 v38. The Passion (Jeanette Winterson, 1987)
$ c R, \/ s9 h, N37. Decline and Fall (Evelyn Waugh, 1928)
: D4 K5 J( B- i' b7 Z5 p36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. l8 U7 N- J/ T' ^- v35. Remainder (Tom McCarthy, 2005)
% O7 i# ?0 g* u6 v, y34. Never Let Me Go (Kazuo Ishiguro, 2005)
* M9 f" |5 p' c$ A; f% X33. The Wind in the Willows (Kenneth Grahame, 1908)* E3 @2 j* @/ |
32. A Room with a View (EM Forster, 1908)0 p' m5 }, p* X; x
31. The End of the Affair (Graham Greene, 1951)
5 Y# e, _ _; ~; p0 u2 P30. Moll Flanders (Daniel Defoe, 1722)( O w/ ^9 p2 L) m$ j) N
29. Brick Lane (Monica Ali, 2003)
7 m9 ^! C+ N- B$ h, L, b7 z( }28. Villette (Charlotte Brontë, 1853)7 S- Z& u& S4 U* \( [- T
27. Robinson Crusoe (Daniel Defoe, 1719)
/ O& v4 X& o1 {# x: E26. The Lord of the Rings (JRR Tolkien, 1954): G* i( p& I0 z. l) p! I1 `! ]& q
25. White Teeth (Zadie Smith, 2000), g3 m& U$ w( Z+ k
24. The Golden Notebook (Doris Lessing, 1962)
7 V3 @# C6 `9 Y. f1 K23. Jude the Obscure (Thomas Hardy, 1895)2 F$ X; }. _$ v9 x
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 B# Q$ B) b! l6 a( a* i21. Heart of Darkness (Joseph Conrad, 1899)
7 e2 Q% b$ Y$ Q0 x) b8 Z20. Persuasion (Jane Austen, 1817)
* r2 e0 }- b$ }% f+ J19. Emma (Jane Austen, 1815)
7 ~/ l$ f; q( h0 A# Z- ^18. Remains of the Day (Kazuo Ishiguro, 1989)
) t' W8 g( O' T0 f" J17. Howards End (EM Forster, 1910)% H, V; C4 K" ^( S' R( \ h
16. The Waves (Virginia Woolf, 1931)+ N" {. \. Z6 j) N/ |: `
15. Atonement (Ian McEwan, 2001)' J9 ~$ n. ^0 t# ?" b
14. Clarissa (Samuel Richardson,1748)
' Y5 A0 z0 U" ?& c7 W13. The Good Soldier (Ford Madox Ford, 1915)( k: L# `7 s6 B) ?/ Q M
12. Nineteen Eighty-Four (George Orwell, 1949)
# }3 C0 K, `! q+ f z: p11. Pride and Prejudice (Jane Austen, 1813)
0 E; D% Z% U' z. [10. Vanity Fair (William Makepeace Thackeray, 1848)
; Z0 s8 A9 H1 Y" |5 \9 T) O, @/ [% O9. Frankenstein (Mary Shelley, 1818)
" r$ y( a$ q0 c& B) g8. David Copperfield (Charles Dickens, 1850)7 O+ t0 X! \& L0 q# o
7. Wuthering Heights (Emily Brontë, 1847); w9 K0 g8 m9 q2 c$ }- J
6. Bleak House (Charles Dickens, 1853) C* G0 C- T" |5 \/ Y
5. Jane Eyre (Charlotte Brontë, 1847)
: {) V; H5 k" S( _/ ^) ~! b( J4. Great Expectations (Charles Dickens, 1861)
2 _. g; s0 M: G( N/ z3 i3. Mrs. Dalloway (Virginia Woolf, 1925)
+ g2 W) }! q3 e1 j2 U5 n% M9 O: ^1 W2. To the Lighthouse (Virginia Woolf, 1927)
; X: `- e( U" T$ z L/ J6 u4 S1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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