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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
# q" {3 C+ G( r9 g5 ~http://www.bbc.com/culture/story ... test-british-novels0 b/ D) F+ z' d* h- }3 d: \
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。3 a( f- r( d$ G4 P" s/ O
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100. The Code of the Woosters (PG Wodehouse, 1938)2 f: K1 n# _ \7 O# X
99. There but for the (Ali Smith, 2011)
* c# n! z# z" z. b6 T- g. X. H5 f98. Under the Volcano (Malcolm Lowry,1947)
' \( o5 f( {. z$ s% ]2 W97. The Chronicles of Narnia (CS Lewis, 1949-1954)0 \6 @9 I$ L2 S$ Z
96. Memoirs of a Survivor (Doris Lessing, 1974)8 `8 X0 k: }1 P: b: u' M
95. The Buddha of Suburbia (Hanif Kureishi, 1990) M& r6 H; G0 f( W3 Y5 ? T
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& z, _) O$ p. j# w2 P3 N, }1 O6 I
93. Lord of the Flies (William Golding, 1954)
" w$ n2 E- F& i) G8 P( ?92. Cold Comfort Farm (Stella Gibbons, 1932)
9 I+ w& e4 E( d# c9 P( W91. The Forsyte Saga (John Galsworthy, 1922)( a8 O+ v' D. e E$ x7 K+ u
90. The Woman in White (Wilkie Collins, 1859)
$ U5 a8 o' _3 _; f7 o( L89. The Horse’s Mouth (Joyce Cary, 1944)
* p+ ~9 m! e* m) b8 P88. The Death of the Heart (Elizabeth Bowen, 1938)
1 z# b* d. `( y" ~) I1 b87. The Old Wives’ Tale (Arnold Bennett,1908)
! I% q* t9 C1 X0 I86. A Legacy (Sybille Bedford, 1956)* u" t- Y0 O6 N' |6 Q+ B
85. Regeneration Trilogy (Pat Barker, 1991-1995)+ ^2 [4 V* d$ p9 ?9 z' P5 _8 V0 N+ d
84. Scoop (Evelyn Waugh, 1938)8 Y6 f* R H5 q# I: h* w# H
83. Barchester Towers (Anthony Trollope, 1857)
. I# f7 K% x( L8 y. C+ p2 ~7 D82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)7 \3 Q, u+ z( d( [
81. The Jewel in the Crown (Paul Scott, 1966) k1 @* u4 s4 e
80. Excellent Women (Barbara Pym, 1952)
& U+ z9 s" q& f4 |* j9 n79. His Dark Materials (Philip Pullman, 1995-2000)
1 W- F( t4 K$ d1 _+ N" U78. A House for Mr Biswas (VS Naipaul, 1961)( e# B! j3 j. h: y/ L( ^& `! `
77. Of Human Bondage (W Somerset Maugham, 1915) }: t) ^4 ~( P3 }, S F! R. m
76. Small Island (Andrea Levy, 2004)
" _# _! r1 A* b1 G: y. o75. Women in Love (DH Lawrence, 1920)' [" c0 R; P1 r( I
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) H$ o. J. j( Q- i73. The Blue Flower (Penelope Fitzgerald, 1995)
8 B7 E, @1 d7 s+ A! ]72. The Heart of the Matter (Graham Greene, 1948)
% M: O2 ?( Q" h s. x71. Old Filth (Jane Gardam, 2004)
' O8 [) U3 }' j70. Daniel Deronda (George Eliot, 1876)$ n z }0 G6 ~) N/ G# N+ f: u
69. Nostromo (Joseph Conrad, 1904)- }" W' w" F) X
68. A Clockwork Orange (Anthony Burgess, 1962)
; y- R4 T5 P4 W% V- W' E# Y67. Crash (JG Ballard 1973)& Z- u+ s. q! |0 ^ N
66. Sense and Sensibility (Jane Austen, 1811)7 K- w" H2 O. U4 f' h
65. Orlando (Virginia Woolf, 1928)
$ @1 o( Y" q9 G' w1 p64. The Way We Live Now (Anthony Trollope, 1875)
! d& H- n* Q' D0 p# D. [9 |63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
' X1 d( Z2 H; y% P" ~62. Animal Farm (George Orwell, 1945)
' R% Y0 V6 J' `: O61. The Sea, The Sea (Iris Murdoch, 1978)
, B" A/ w w! Z6 b5 F60. Sons and Lovers (DH Lawrence, 1913)- u1 S1 t# H5 Q' N! c2 {0 u. k7 D
59. The Line of Beauty (Alan Hollinghurst, 2004)# S0 E, U9 o( j& d
58. Loving (Henry Green, 1945): e: G, I9 c1 p5 M. j- f+ W
57. Parade’s End (Ford Madox Ford, 1924-1928)
2 u( _+ j# U/ F56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 P9 i' y) T* F4 ~ l% H+ \& n
55. Gulliver’s Travels (Jonathan Swift, 1726)
! u- G7 O# A! a- Z54. NW (Zadie Smith, 2012)/ `1 y! f0 u& ]9 D
53. Wide Sargasso Sea (Jean Rhys, 1966)3 W. d* b- }7 z/ ?! m. \
52. New Grub Street (George Gissing, 1891)( e$ C" p' @ x! I `+ Q5 R
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)2 ?/ D( R( C" \$ M: ]/ k1 r
50. A Passage to India (EM Forster, 1924)
8 u- r+ R, Y1 W! G$ T49. Possession (AS Byatt, 1990). t1 \5 M& X( f6 g
48. Lucky Jim (Kingsley Amis, 1954)
- k& ~/ e% L! D- c2 d47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
/ Z; D. j8 y8 x8 ]5 [8 y7 F46. Midnight’s Children (Salman Rushdie, 1981)! K. C# ?: w! F1 L$ B9 s* h7 |8 m
45. The Little Stranger (Sarah Waters, 2009)8 i) d I1 K7 ?
44. Wolf Hall (Hilary Mantel, 2009)! ?; P5 X7 X. o6 E. _8 y& z
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
+ E/ O+ q" Y" {42. Brighton Rock (Graham Greene, 1938)) O; y- y' y* ?: |( v" R! d: R
41. Dombey and Son (Charles Dickens, 1848)2 k2 p. Q; O) X, F$ [( F6 h, E
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
( \7 k- b/ }. ~( u$ [/ X39. The Sense of an Ending (Julian Barnes, 2011), A& r5 ?0 y* K" v4 ^- W. ~
38. The Passion (Jeanette Winterson, 1987)1 L1 D1 v: @, l4 t3 i% W
37. Decline and Fall (Evelyn Waugh, 1928)
5 w8 b: B4 O% M8 b36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
% S3 x0 k3 }, p0 a* `35. Remainder (Tom McCarthy, 2005)& P1 d0 v/ j2 j \) k
34. Never Let Me Go (Kazuo Ishiguro, 2005)6 _6 }1 R' x" D
33. The Wind in the Willows (Kenneth Grahame, 1908)6 E/ S! V ] D' O8 @9 L: f1 ~
32. A Room with a View (EM Forster, 1908)
6 C1 E$ b3 x. B" Y31. The End of the Affair (Graham Greene, 1951)
9 ` H4 L9 l6 b4 T' d30. Moll Flanders (Daniel Defoe, 1722)
. {/ n. d* R `& ~& o29. Brick Lane (Monica Ali, 2003)' @8 K4 {1 C \
28. Villette (Charlotte Brontë, 1853): P0 A. [: _- w) W/ Z( u
27. Robinson Crusoe (Daniel Defoe, 1719); u/ @7 a% c/ }$ I
26. The Lord of the Rings (JRR Tolkien, 1954)
( S8 C. n& S; s% ]( T& b. Q25. White Teeth (Zadie Smith, 2000)
9 w I# z1 z9 ]1 m24. The Golden Notebook (Doris Lessing, 1962)1 W4 Q, E# u. h3 K6 T/ c
23. Jude the Obscure (Thomas Hardy, 1895)
]' `* _6 @5 g* f3 C22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# o& x/ `) Y& {21. Heart of Darkness (Joseph Conrad, 1899)
) A3 l- e. n$ d: H20. Persuasion (Jane Austen, 1817)# J0 U6 P0 m& P5 s
19. Emma (Jane Austen, 1815)& F! R W+ v- q! f6 }
18. Remains of the Day (Kazuo Ishiguro, 1989)
7 }# n& h! j9 L# L, B17. Howards End (EM Forster, 1910)
/ J3 W0 p8 P- E" S# @7 K: L16. The Waves (Virginia Woolf, 1931)7 J/ E/ A6 Y' r0 T( Z% U& H& ^
15. Atonement (Ian McEwan, 2001)
" O k3 a7 i1 U- B& X8 o8 w14. Clarissa (Samuel Richardson,1748)
/ H- ]( x' j; M R7 ^13. The Good Soldier (Ford Madox Ford, 1915)7 H/ ]7 z2 r$ E4 T; X
12. Nineteen Eighty-Four (George Orwell, 1949)1 a$ A; H2 f' J5 l) I( F3 B
11. Pride and Prejudice (Jane Austen, 1813)
. a2 w' r9 |0 S0 D10. Vanity Fair (William Makepeace Thackeray, 1848)9 {9 i, y; C' X3 C6 i) Q# i
9. Frankenstein (Mary Shelley, 1818)
3 M3 @9 ^8 Q @- a8. David Copperfield (Charles Dickens, 1850)
7 u( \0 {9 ?3 j* F& l( ]7. Wuthering Heights (Emily Brontë, 1847)$ y0 Z: F n n$ j
6. Bleak House (Charles Dickens, 1853)
. I! z L( X( W. J5. Jane Eyre (Charlotte Brontë, 1847)
2 e7 X; K$ O& {1 f4. Great Expectations (Charles Dickens, 1861). e% m1 z: F. S& F
3. Mrs. Dalloway (Virginia Woolf, 1925)
* C' `+ E w3 j* q9 u+ b+ V6 u' i/ i2. To the Lighthouse (Virginia Woolf, 1927)
% V+ |% \0 a: C% g/ o1. Middlemarch (George Eliot, 1874)( k: x- B2 q8 g6 {1 R9 I% Z9 `
W6 q8 F n+ x8 h& Z前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。+ L3 _2 D2 o/ Q. H4 l0 M# a. }6 ^
) i( c: Z+ ~! v: e6 c2 ?- P) U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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