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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 , b3 ?! p- a" i5 N5 D6 ~1 G! o, e
: ^1 h; }3 b) H! g" r$ ^BBC评出100大英国文学名著
) D; q0 G( ?' U* ]. y4 uhttp://www.bbc.com/culture/story ... test-british-novels4 C. ^0 ]3 \0 I+ R( n; c* [1 F
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
" M# G% M, z$ q4 x99. There but for the (Ali Smith, 2011)5 }8 Z4 i7 @5 e
98. Under the Volcano (Malcolm Lowry,1947)# J" ^, ~) ]- k8 d! N
97. The Chronicles of Narnia (CS Lewis, 1949-1954): o8 E# } P& q: e
96. Memoirs of a Survivor (Doris Lessing, 1974)4 Y- |. r- j% w6 d' [) Q& |
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
& y9 l9 I% p) s* I94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( {* p$ Z8 @; [3 K# ?$ H0 P- M( H93. Lord of the Flies (William Golding, 1954)% p& }0 @! x! o# K# A
92. Cold Comfort Farm (Stella Gibbons, 1932)
% C) L2 w2 h2 J0 c$ P! ~( b8 Y91. The Forsyte Saga (John Galsworthy, 1922)' n( Y6 _& v- x0 `
90. The Woman in White (Wilkie Collins, 1859)
8 l. P. V5 \# A. z89. The Horse’s Mouth (Joyce Cary, 1944)( i3 [1 W% F6 [( J! A ?* p" m
88. The Death of the Heart (Elizabeth Bowen, 1938)' ?* b4 [' `2 y0 k
87. The Old Wives’ Tale (Arnold Bennett,1908)
- j& s8 l, M& e86. A Legacy (Sybille Bedford, 1956)2 t; N5 h4 M6 q1 B
85. Regeneration Trilogy (Pat Barker, 1991-1995)
U9 m/ ~8 {! S0 J/ \+ A2 {84. Scoop (Evelyn Waugh, 1938)
7 s. m0 `8 _! |. N# {4 G9 P# P83. Barchester Towers (Anthony Trollope, 1857)$ C6 Z v4 e4 }# B Z \) }# |
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
# ~: M1 }/ Z. Y5 k7 ?7 a81. The Jewel in the Crown (Paul Scott, 1966)
, t( c! Q$ k$ ^80. Excellent Women (Barbara Pym, 1952)! ]6 |0 C O4 U+ {/ M6 j5 @
79. His Dark Materials (Philip Pullman, 1995-2000)3 }4 J' r2 l0 X, }. }( E
78. A House for Mr Biswas (VS Naipaul, 1961)1 ~% W. `5 e$ h% ~0 Z- f
77. Of Human Bondage (W Somerset Maugham, 1915)
1 S8 ^2 Z/ S4 }" @( [76. Small Island (Andrea Levy, 2004)0 d/ N' E- E/ Y3 N7 ?
75. Women in Love (DH Lawrence, 1920)( r7 o% N$ j8 D' h9 e* s* J
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
& C, @0 \( r9 O8 {73. The Blue Flower (Penelope Fitzgerald, 1995)% P2 J3 ~" ~) n
72. The Heart of the Matter (Graham Greene, 1948)
& V8 k5 O9 B- S2 k71. Old Filth (Jane Gardam, 2004)
9 a* d- k4 c7 R1 N$ i6 V3 l2 C8 M70. Daniel Deronda (George Eliot, 1876)
/ Z L# u9 s) M& w ^/ Y69. Nostromo (Joseph Conrad, 1904)
" p- G& n$ ~- J- I' z* X# d68. A Clockwork Orange (Anthony Burgess, 1962)
" C3 K& `( c! H; j; f67. Crash (JG Ballard 1973)9 i" j: g% _6 L$ d, m/ v! g8 e
66. Sense and Sensibility (Jane Austen, 1811)5 H, Z; B0 d5 j* M
65. Orlando (Virginia Woolf, 1928)
4 f2 Z; m3 u/ o) ^* d% s64. The Way We Live Now (Anthony Trollope, 1875)+ @; n1 X- R) t }
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)1 ~4 @2 t, G( h" W( ?5 ?* L
62. Animal Farm (George Orwell, 1945). D v$ `4 I. C7 J6 s# f8 O4 a
61. The Sea, The Sea (Iris Murdoch, 1978); @5 k; |+ m. ?7 G# E |+ z6 W
60. Sons and Lovers (DH Lawrence, 1913)
3 m2 S# {5 e* ?( C8 c59. The Line of Beauty (Alan Hollinghurst, 2004)) `( Z5 b |' g9 n# ] Y0 ?" n
58. Loving (Henry Green, 1945)
0 C3 g4 }7 Z J3 v( v# ^9 f6 N57. Parade’s End (Ford Madox Ford, 1924-1928)3 Z5 \( |3 f8 r3 _4 j* X
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
! u6 y ^$ u0 }$ u% k55. Gulliver’s Travels (Jonathan Swift, 1726)9 w( P. S- y" l8 I( u. B ?$ i
54. NW (Zadie Smith, 2012)
! a7 K+ x5 w2 y, t2 p9 c# L53. Wide Sargasso Sea (Jean Rhys, 1966)9 M. L2 Y# f, H$ _
52. New Grub Street (George Gissing, 1891)* I3 f, @9 y: m/ H
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
: h4 L! F/ |3 ^+ d+ c50. A Passage to India (EM Forster, 1924)
$ S1 N6 y+ U! L$ E6 |49. Possession (AS Byatt, 1990)
8 C5 Z7 g- W+ E) L48. Lucky Jim (Kingsley Amis, 1954)
& M9 R; H2 y% C47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
# p9 e6 h3 T6 x) E% V9 `5 Q46. Midnight’s Children (Salman Rushdie, 1981)
. I8 C8 \5 m* ^- P' Y" H# w1 G45. The Little Stranger (Sarah Waters, 2009)6 d% y( j' M+ l+ G+ q9 h/ e$ f, u
44. Wolf Hall (Hilary Mantel, 2009)
, I( q( x1 I) s( u2 H3 T43. The Swimming Pool Library (Alan Hollinghurst, 1988)% j0 q) ~/ L1 y: _/ B4 M
42. Brighton Rock (Graham Greene, 1938). o) t5 Y3 @! s1 ]" W5 h
41. Dombey and Son (Charles Dickens, 1848)
/ C+ r% i9 o! V7 x9 o0 `& M# T. l40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)9 G# m% I% W1 \4 }7 ?
39. The Sense of an Ending (Julian Barnes, 2011)+ H: t7 r- h ?' [' c2 f$ r' i5 |
38. The Passion (Jeanette Winterson, 1987)
% } h4 `, c: ~1 a- h4 `37. Decline and Fall (Evelyn Waugh, 1928)
& D1 O- Q* O/ l: v* Z$ @36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ x1 \* k$ q. @8 H35. Remainder (Tom McCarthy, 2005)7 H8 F8 H% D( o6 a% p# V+ T7 w7 q
34. Never Let Me Go (Kazuo Ishiguro, 2005) z: j! j i: R' v: ]( x5 W
33. The Wind in the Willows (Kenneth Grahame, 1908)
9 q/ a0 M& B1 |: h6 h32. A Room with a View (EM Forster, 1908)
' k2 @7 B/ n! X; K31. The End of the Affair (Graham Greene, 1951)
: R' E+ _5 a3 N7 w6 ]3 `30. Moll Flanders (Daniel Defoe, 1722). O) ~% _) j" f2 _/ F; k9 a3 G3 O1 c& r
29. Brick Lane (Monica Ali, 2003)
L/ G. B2 b6 S: P/ d- ?) p28. Villette (Charlotte Brontë, 1853)
0 n4 F, `7 ^* H% B27. Robinson Crusoe (Daniel Defoe, 1719)* r& n, C& \0 L& }% m+ C
26. The Lord of the Rings (JRR Tolkien, 1954)
! D7 ?& S9 T% M/ `+ M- |5 L% L25. White Teeth (Zadie Smith, 2000)% w/ v. g1 a) J. w; ~
24. The Golden Notebook (Doris Lessing, 1962)
8 \- L, u6 L1 I# g: o23. Jude the Obscure (Thomas Hardy, 1895)
* y0 b3 l7 t% o* h/ I) b, v22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
) r# s& k6 a8 ?9 D8 c' f4 S+ b0 p21. Heart of Darkness (Joseph Conrad, 1899)& A: \; n. U N
20. Persuasion (Jane Austen, 1817)+ f1 X# Y5 H$ h( W: K. q
19. Emma (Jane Austen, 1815)
! I# X8 r, W! e18. Remains of the Day (Kazuo Ishiguro, 1989)' ?/ k* X8 Z$ Z* |5 B- y
17. Howards End (EM Forster, 1910)# Q! w" R& {4 o- p4 B; B9 G
16. The Waves (Virginia Woolf, 1931)
4 o+ d) @1 z6 V1 H" ]15. Atonement (Ian McEwan, 2001)
) {5 C) H+ n! X) N1 M9 R7 \14. Clarissa (Samuel Richardson,1748)
, O, j$ Z! ~# b p13. The Good Soldier (Ford Madox Ford, 1915)3 X/ H# r+ E( {, a" C5 Z! V
12. Nineteen Eighty-Four (George Orwell, 1949): W2 ^* p9 b, {6 x% \! x
11. Pride and Prejudice (Jane Austen, 1813)
9 c1 ]6 Y2 c" i! q) q$ P8 ~10. Vanity Fair (William Makepeace Thackeray, 1848)7 _# g7 n1 {$ I; x
9. Frankenstein (Mary Shelley, 1818)1 m* x, ?9 p4 A5 M- [7 e6 m
8. David Copperfield (Charles Dickens, 1850)
( B4 a1 H- {8 Z* N V7 O/ X- Q4 l7. Wuthering Heights (Emily Brontë, 1847)
" B" u, d$ g* ^, }( |6. Bleak House (Charles Dickens, 1853)! D* @! _2 F5 @. @
5. Jane Eyre (Charlotte Brontë, 1847). A& Y* G+ N# a6 Z3 n) o
4. Great Expectations (Charles Dickens, 1861)
0 X( L# d- u1 J" s& N0 `# Z7 z3. Mrs. Dalloway (Virginia Woolf, 1925)
3 n$ ]5 e2 P( T2 A2. To the Lighthouse (Virginia Woolf, 1927)
# g5 k* w5 ^7 V7 ^1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。, A: j- C0 y5 Z% Q: A+ e
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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