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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著" G+ B3 x) ?0 P" q) ^6 \& v
http://www.bbc.com/culture/story ... test-british-novels
& L0 Y* B7 d1 U( `惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)4 X7 C1 U: R% D! g
99. There but for the (Ali Smith, 2011)' d5 d2 G; `- W3 q2 @4 M
98. Under the Volcano (Malcolm Lowry,1947)5 Z1 ]8 A# \$ m4 e
97. The Chronicles of Narnia (CS Lewis, 1949-1954)( [; _8 U2 J2 r2 v, @( D
96. Memoirs of a Survivor (Doris Lessing, 1974)1 e+ Y& |* I8 |, n
95. The Buddha of Suburbia (Hanif Kureishi, 1990); _4 Z4 j' B6 }; i) P1 u) k/ N
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)1 b2 [. k& g$ V4 |
93. Lord of the Flies (William Golding, 1954)" p& H: _' s3 D K
92. Cold Comfort Farm (Stella Gibbons, 1932)6 j' ] w( @& @" B
91. The Forsyte Saga (John Galsworthy, 1922)% w, ]3 @! {2 c% e/ D3 `" w4 p7 I
90. The Woman in White (Wilkie Collins, 1859)- n8 s, u+ p' i. K
89. The Horse’s Mouth (Joyce Cary, 1944)7 B) ^$ o+ E5 K `0 G+ G" a$ d+ }* t
88. The Death of the Heart (Elizabeth Bowen, 1938)
/ w; U4 q. d7 w; G4 b87. The Old Wives’ Tale (Arnold Bennett,1908)$ l0 L% }+ l' Q5 c2 T
86. A Legacy (Sybille Bedford, 1956)
- \- k1 K2 h2 S+ C% h85. Regeneration Trilogy (Pat Barker, 1991-1995)1 \6 d8 X; I# c7 C1 C) d
84. Scoop (Evelyn Waugh, 1938)
* A+ V3 p/ @% C8 n9 }7 B8 D6 E- v% X83. Barchester Towers (Anthony Trollope, 1857)
, V; M( g1 a* N# ` Y82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% H. X& h" ^# ^7 s: Z, t' _) B81. The Jewel in the Crown (Paul Scott, 1966)
* C2 K! _# M6 d d9 ?6 N2 L1 w6 C/ W80. Excellent Women (Barbara Pym, 1952)
X! R: x- _) O. a/ |3 Y4 m/ M5 p79. His Dark Materials (Philip Pullman, 1995-2000)
; ^: G# n0 T$ v" U, Y4 n, D78. A House for Mr Biswas (VS Naipaul, 1961)
$ @& j0 v! h( Z6 R6 _5 d77. Of Human Bondage (W Somerset Maugham, 1915)& Y1 ?4 h3 H3 N1 v
76. Small Island (Andrea Levy, 2004)! }# ~: k/ z7 }1 }$ l& h
75. Women in Love (DH Lawrence, 1920); Z! k- e. W8 j; {% v
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) Y; p- o: j0 ?3 A" j" i5 X73. The Blue Flower (Penelope Fitzgerald, 1995)
4 T. G6 r _4 f72. The Heart of the Matter (Graham Greene, 1948)1 y8 |: _1 h4 f* }! t' W. K/ ]
71. Old Filth (Jane Gardam, 2004)
5 o" z b" H# y) V70. Daniel Deronda (George Eliot, 1876)4 x9 d1 V+ w5 L1 u$ R( ?# a
69. Nostromo (Joseph Conrad, 1904)
; M. @: L2 h0 r `( s68. A Clockwork Orange (Anthony Burgess, 1962)- N* P6 ]- n$ b# L5 u& u) x
67. Crash (JG Ballard 1973)
' K$ p5 B, y) {& [( ~) l i66. Sense and Sensibility (Jane Austen, 1811)
: t# b- l; a8 t+ u$ G# y, @ G65. Orlando (Virginia Woolf, 1928)
9 f9 I- i0 E0 ?3 j; z% f/ y64. The Way We Live Now (Anthony Trollope, 1875)
: @- p) }7 c- ? O' o9 q8 ~6 X63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
) c3 y) p3 p$ K3 b4 e( v9 ?62. Animal Farm (George Orwell, 1945)
2 O- w+ C+ o6 K5 s" W7 N1 z61. The Sea, The Sea (Iris Murdoch, 1978)
) `- g+ q/ T" f( ^60. Sons and Lovers (DH Lawrence, 1913) `5 m+ j, c. y7 r7 j# d5 [9 l
59. The Line of Beauty (Alan Hollinghurst, 2004)* l! j# D5 F8 \
58. Loving (Henry Green, 1945)5 T0 \% f+ j- W- o( |
57. Parade’s End (Ford Madox Ford, 1924-1928)
: w& @# s+ D1 b. _- z7 L5 z# m56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: X! m! o) c, j" E6 B R55. Gulliver’s Travels (Jonathan Swift, 1726)6 i) Q$ I! O3 H! q: O& P0 G
54. NW (Zadie Smith, 2012)
; V; J1 i" K E, I* L2 W& o53. Wide Sargasso Sea (Jean Rhys, 1966)
3 f3 l- C- t" Y) s3 H52. New Grub Street (George Gissing, 1891)$ ~$ f U9 T# }# l; W
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( q8 e5 R, _3 m' P50. A Passage to India (EM Forster, 1924)$ T" ~8 K2 {+ G
49. Possession (AS Byatt, 1990) h B& M$ a( B0 X
48. Lucky Jim (Kingsley Amis, 1954). D' d) F2 S! f+ k) z# P
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 \8 C$ j/ J( e; c5 y& I46. Midnight’s Children (Salman Rushdie, 1981)( A! I* F+ u7 W" w* M' p4 c
45. The Little Stranger (Sarah Waters, 2009)6 s2 S+ ]7 \! A; S/ k1 J2 d
44. Wolf Hall (Hilary Mantel, 2009)
; _% \: `* e- K3 g" O; Y% }- x3 Q43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- u' s, f3 B% @& Y$ M42. Brighton Rock (Graham Greene, 1938)
) J O( \3 B! a2 b/ B41. Dombey and Son (Charles Dickens, 1848)
+ X: O+ r6 N. s6 X# T+ \40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)) b$ _7 @5 w; c: Y" n( }
39. The Sense of an Ending (Julian Barnes, 2011)& s! g/ e9 ?9 a
38. The Passion (Jeanette Winterson, 1987)5 k3 ^5 n) ^! E
37. Decline and Fall (Evelyn Waugh, 1928)
) \7 }5 V8 q/ `1 {5 H) u36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
! j& t- O9 `/ X" `* t6 q* |9 I0 Z- U35. Remainder (Tom McCarthy, 2005): E& o; e* ~9 F% z2 G9 W
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 H. d& i* q' L- I33. The Wind in the Willows (Kenneth Grahame, 1908)
5 ~, C( K# X3 C' u) Q, e) W1 d! M32. A Room with a View (EM Forster, 1908)
$ N* M# O/ S; o4 Q/ U/ R31. The End of the Affair (Graham Greene, 1951)
! L- T! ? u9 e4 ~/ E30. Moll Flanders (Daniel Defoe, 1722)7 C: f& [. ^- I3 T+ b- s( j
29. Brick Lane (Monica Ali, 2003)
5 w, K; X( Z9 n4 p6 \6 |$ ?( h3 l/ h28. Villette (Charlotte Brontë, 1853)( W4 b S9 _$ O$ m/ {
27. Robinson Crusoe (Daniel Defoe, 1719)8 W' G3 Y, c' P* h4 u: ]9 L
26. The Lord of the Rings (JRR Tolkien, 1954)8 ]. C4 Q4 [6 Z, G3 f% x2 j
25. White Teeth (Zadie Smith, 2000)
: q$ ]" K# z# }24. The Golden Notebook (Doris Lessing, 1962)
5 U% u7 y5 E. \0 h/ R6 Z i! L23. Jude the Obscure (Thomas Hardy, 1895)
6 Q( v; i; i9 c1 X$ ~22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& a: A$ \/ u: m0 w& f+ Q1 [
21. Heart of Darkness (Joseph Conrad, 1899)
0 E7 A% W) A I# x20. Persuasion (Jane Austen, 1817)# n% U+ E8 z8 v# i2 M
19. Emma (Jane Austen, 1815)
/ h2 S- J! @8 }# }( w18. Remains of the Day (Kazuo Ishiguro, 1989)& w$ q% i7 a( u
17. Howards End (EM Forster, 1910)5 l. e/ \/ f: E) [+ J
16. The Waves (Virginia Woolf, 1931)
% \6 l; n# V) H9 B15. Atonement (Ian McEwan, 2001)' e2 Q# ]. W& J1 R- W1 _
14. Clarissa (Samuel Richardson,1748)
3 d1 ~! X% { r& @0 z, R+ W4 O7 _13. The Good Soldier (Ford Madox Ford, 1915)& `8 @5 u. E0 D3 S6 }+ |) J1 d
12. Nineteen Eighty-Four (George Orwell, 1949)9 n9 I; y* Z) R/ ?8 `9 ~
11. Pride and Prejudice (Jane Austen, 1813)* @# \6 J0 i" q4 R. K
10. Vanity Fair (William Makepeace Thackeray, 1848)
- y6 V& f; S3 W% }* O9. Frankenstein (Mary Shelley, 1818)
k* \" |+ G! ?8. David Copperfield (Charles Dickens, 1850)$ O7 O0 R* q) r9 d- L ]
7. Wuthering Heights (Emily Brontë, 1847)6 c$ \* \* k- f) A" r0 J
6. Bleak House (Charles Dickens, 1853)
/ b/ ?4 C" j p/ J) L5. Jane Eyre (Charlotte Brontë, 1847)
. [( `3 H+ M5 Q8 ~6 v4. Great Expectations (Charles Dickens, 1861)4 F; }. i4 r! v& B
3. Mrs. Dalloway (Virginia Woolf, 1925)9 I% o) n& b# I8 e& V# Q: M! g% D& t3 L
2. To the Lighthouse (Virginia Woolf, 1927)
; T" {% y% P, D( Q8 D( F. m9 _1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。; a; w: o$ X& y3 X
1 a% r7 }, C0 X) C3 W: `# h呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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