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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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; F, b, Z$ R( x& eBBC评出100大英国文学名著
/ K! F3 Y- H+ K, d5 e1 v3 m- ]http://www.bbc.com/culture/story ... test-british-novels8 Y1 k1 f Y9 y8 D7 X) ^0 D
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 W B! o, y/ S9 O* B100. The Code of the Woosters (PG Wodehouse, 1938)
1 c; i9 o; ?. Y! _% ?# W99. There but for the (Ali Smith, 2011)
! y; s: m3 s( S2 n" n* c- W98. Under the Volcano (Malcolm Lowry,1947)
0 @6 \. ~& o, {1 P: ~97. The Chronicles of Narnia (CS Lewis, 1949-1954)
$ M/ U! P# e3 e0 H9 J96. Memoirs of a Survivor (Doris Lessing, 1974)/ X: w6 Y& |/ J- ]# l) a( k, _3 d5 E
95. The Buddha of Suburbia (Hanif Kureishi, 1990). i' D/ Q% }0 ]) u
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)# ~" D* i4 U, {2 @4 G$ L' W
93. Lord of the Flies (William Golding, 1954)
% | [ g) a' A5 n) y" s3 R92. Cold Comfort Farm (Stella Gibbons, 1932)6 ~3 v& H" P. x% z, M. m
91. The Forsyte Saga (John Galsworthy, 1922)) D5 q" M9 l# H5 g# u
90. The Woman in White (Wilkie Collins, 1859)/ b* _7 S1 O: h7 V
89. The Horse’s Mouth (Joyce Cary, 1944)8 v- F9 }" w R; p0 }" u) l) s
88. The Death of the Heart (Elizabeth Bowen, 1938)
8 c6 z! u! }9 U1 ~1 e- o6 M% Q/ e87. The Old Wives’ Tale (Arnold Bennett,1908)' K6 [- H a' b" l& e# n
86. A Legacy (Sybille Bedford, 1956)9 K% Y0 j9 Q5 W) j Y5 p; _
85. Regeneration Trilogy (Pat Barker, 1991-1995)$ U9 S2 q' d ^# z5 X% O% \
84. Scoop (Evelyn Waugh, 1938)
2 q# w5 c# k" y0 U, X( S; h% k" i83. Barchester Towers (Anthony Trollope, 1857)
; N8 _. O/ V& }, V# c+ g5 T82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ f; U* n& Y5 a. i- _9 S' D% e
81. The Jewel in the Crown (Paul Scott, 1966). i! g' } Q% e1 I& q; f7 D
80. Excellent Women (Barbara Pym, 1952)
: Z; L4 H* }/ Q1 e' Y3 n: q: A79. His Dark Materials (Philip Pullman, 1995-2000)
9 R5 a$ x7 ]# L/ F/ K2 g1 l9 Q78. A House for Mr Biswas (VS Naipaul, 1961)
3 H. F7 ?/ t1 w+ T& O) \ n77. Of Human Bondage (W Somerset Maugham, 1915)
: q9 ^/ j# u2 w( J76. Small Island (Andrea Levy, 2004)
& x( H% k9 s2 n5 D4 G75. Women in Love (DH Lawrence, 1920)
' y5 g% @$ c5 c, t6 k2 p6 S74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 p& p7 D. C! {4 O' b( h73. The Blue Flower (Penelope Fitzgerald, 1995); i8 [* M3 D4 e% }/ e' l
72. The Heart of the Matter (Graham Greene, 1948)6 M8 o( L: G, B6 @. r* G X) C7 g
71. Old Filth (Jane Gardam, 2004)* y4 E. p1 g3 r1 `6 i m" R$ ?
70. Daniel Deronda (George Eliot, 1876)
* f& l! D2 ~/ {- ^0 H. j69. Nostromo (Joseph Conrad, 1904)
. z, D: f$ O9 `" w68. A Clockwork Orange (Anthony Burgess, 1962)% Z; j6 o; n( ]! ~% n6 |3 j) d
67. Crash (JG Ballard 1973)5 g$ }" x2 ?; F/ g5 \! N8 W* h
66. Sense and Sensibility (Jane Austen, 1811)
- a3 a; u% w7 |9 S65. Orlando (Virginia Woolf, 1928)' R# `: N$ U+ M3 M. Y6 e- _
64. The Way We Live Now (Anthony Trollope, 1875)
# M' {. {: A1 \9 F$ k, ]63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ f. R( Y& x! |$ o- u0 ~62. Animal Farm (George Orwell, 1945)$ P) H0 W- }9 i
61. The Sea, The Sea (Iris Murdoch, 1978)
& `; H$ V, _$ [9 K3 G6 ~& i: K60. Sons and Lovers (DH Lawrence, 1913), k$ }: H4 \$ F8 S: |
59. The Line of Beauty (Alan Hollinghurst, 2004)1 F e' n8 @' ~4 O- B( [* C5 J2 ~
58. Loving (Henry Green, 1945)
6 I) S7 }+ A: D" d5 l1 N9 e57. Parade’s End (Ford Madox Ford, 1924-1928)
" B) I/ }, R: M; c9 B# K56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ C m' s% P8 @% ~" E55. Gulliver’s Travels (Jonathan Swift, 1726)9 U9 ?# \7 A+ F6 V1 a
54. NW (Zadie Smith, 2012)
; N$ Y. C" u9 y& o y) D( k( A* R53. Wide Sargasso Sea (Jean Rhys, 1966) s8 G" Y' m/ Z# ~- h
52. New Grub Street (George Gissing, 1891)
: R1 _9 |" R" R: \+ [( D [51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
7 u( U2 t+ ?1 j2 X50. A Passage to India (EM Forster, 1924); T6 F! a, g) O) P0 x6 J1 u% ]
49. Possession (AS Byatt, 1990)
/ d. j$ e) z X& y. {0 a48. Lucky Jim (Kingsley Amis, 1954)1 v% O1 O" f4 y5 b$ I/ F
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
9 Z2 F# Y! l/ o9 Z46. Midnight’s Children (Salman Rushdie, 1981)" r' C- z& U3 J6 R
45. The Little Stranger (Sarah Waters, 2009)0 k* }/ [" o2 j0 t) k& S' N
44. Wolf Hall (Hilary Mantel, 2009)4 S; R$ y- N& f* Y. x: z: T {
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
7 e) o9 Z5 ]! c, O$ O42. Brighton Rock (Graham Greene, 1938)
7 t9 C! m# N- f! @# n. Z41. Dombey and Son (Charles Dickens, 1848)
1 J* ^, `5 H+ F$ c B40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 B: n2 E8 w. L" G& r/ \
39. The Sense of an Ending (Julian Barnes, 2011)& N+ V( o( {8 Y2 o: z) I, N( l3 r
38. The Passion (Jeanette Winterson, 1987)
* L; v! k" w4 Z) ^37. Decline and Fall (Evelyn Waugh, 1928)" a- ~3 ?* B* g" L) s0 V0 j
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
5 b/ k4 Q9 H8 Z" s' o, \35. Remainder (Tom McCarthy, 2005)4 K) s" G( ^4 V
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 u8 [1 b* U5 X' h0 u
33. The Wind in the Willows (Kenneth Grahame, 1908)
3 r6 O$ P' v" x3 I2 g32. A Room with a View (EM Forster, 1908)( s; }6 j% W9 q3 L4 D
31. The End of the Affair (Graham Greene, 1951)
0 @5 @( v. ?5 ~$ c+ O8 x5 d30. Moll Flanders (Daniel Defoe, 1722)$ N, K7 r, d/ b7 P2 D
29. Brick Lane (Monica Ali, 2003)
9 |/ |" {9 H9 j3 ^5 Y& l& V28. Villette (Charlotte Brontë, 1853)) j* w& d6 a3 q' h9 t3 V, V6 [! ?
27. Robinson Crusoe (Daniel Defoe, 1719)5 U: l( k6 G9 w2 v' X+ c
26. The Lord of the Rings (JRR Tolkien, 1954) B% f: _# S( t$ B: `
25. White Teeth (Zadie Smith, 2000). I+ P# f. O2 v. A, a: U5 A
24. The Golden Notebook (Doris Lessing, 1962)0 D. q0 n; e0 v) D3 u
23. Jude the Obscure (Thomas Hardy, 1895)
2 U' m8 l, f( ^5 j" `4 z22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)' e3 I. E/ i. F
21. Heart of Darkness (Joseph Conrad, 1899)* T6 q: |3 `# q" j0 o
20. Persuasion (Jane Austen, 1817)3 B# ^* |; J) j8 j$ z% i: u
19. Emma (Jane Austen, 1815)* C- x' S1 K) U
18. Remains of the Day (Kazuo Ishiguro, 1989); x2 h: \; P5 X" G- Z f# H" G3 l
17. Howards End (EM Forster, 1910)1 n$ T1 f1 V4 n: v1 c/ F
16. The Waves (Virginia Woolf, 1931)
* N N+ j$ H7 }15. Atonement (Ian McEwan, 2001)& k* g/ {* I9 i' S* b5 } l
14. Clarissa (Samuel Richardson,1748), s( o, X9 b8 E+ r
13. The Good Soldier (Ford Madox Ford, 1915)" a0 ^' R+ ]7 L
12. Nineteen Eighty-Four (George Orwell, 1949)' r: H( ^! z8 U# F m U# q
11. Pride and Prejudice (Jane Austen, 1813)
; A) j1 k7 x: R; b8 l, A. A10. Vanity Fair (William Makepeace Thackeray, 1848)
; E& G& E. i; ~: K8 ~9. Frankenstein (Mary Shelley, 1818)1 Y1 r% k, y$ {
8. David Copperfield (Charles Dickens, 1850), ?; V/ t4 Q4 A
7. Wuthering Heights (Emily Brontë, 1847)
+ {" ^) `& J; @" |6. Bleak House (Charles Dickens, 1853); j: F& Y- m! Q* C v+ M8 ^7 l" @
5. Jane Eyre (Charlotte Brontë, 1847)
$ i4 j" ?' Y7 S4. Great Expectations (Charles Dickens, 1861)
/ d) p% {4 ]) U& l4 @" h; ~( t/ ]3. Mrs. Dalloway (Virginia Woolf, 1925). d$ n% R* l1 v: l
2. To the Lighthouse (Virginia Woolf, 1927)% e1 A' _2 Q2 S+ k
1. Middlemarch (George Eliot, 1874)+ |2 A# l2 T& r+ l' W# @2 [9 Q
6 v. [: R. f( d前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。* M% [) t' E% n, U
) l# ]; E, C% d8 P) _5 O呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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