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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 1 g& a$ y, U. ^- l+ t% J
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BBC评出100大英国文学名著- B/ e9 S. w6 f
http://www.bbc.com/culture/story ... test-british-novels
7 a, E% u" Q% u4 n& b9 Q8 ]惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. D: |2 X$ x6 m3 @# c1 q: L
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100. The Code of the Woosters (PG Wodehouse, 1938)
& G/ p$ |) C1 Q4 a99. There but for the (Ali Smith, 2011)
. V& ^/ f. w6 H1 v3 _$ i0 W! y" T" S98. Under the Volcano (Malcolm Lowry,1947), d. H' h/ m, ^' B
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! g; Y( q" f. f/ w! J) A96. Memoirs of a Survivor (Doris Lessing, 1974)
, R9 v* J( k* J95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 {, o* D& r5 J" E8 g1 E% \
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)4 G0 K% }$ i1 O4 w1 B7 r! l
93. Lord of the Flies (William Golding, 1954)
& M6 I: M& Z9 H) I; A% f7 F92. Cold Comfort Farm (Stella Gibbons, 1932)
! w& ~* K0 T" o+ B! u2 v0 \6 L91. The Forsyte Saga (John Galsworthy, 1922)
$ A; {% u3 K3 V: W' T: i1 V$ w90. The Woman in White (Wilkie Collins, 1859)
3 b! i |, [6 C3 J/ Y- \89. The Horse’s Mouth (Joyce Cary, 1944)
% K2 t/ N5 d- _2 x88. The Death of the Heart (Elizabeth Bowen, 1938)
/ J) J& A3 _6 M3 Q, {87. The Old Wives’ Tale (Arnold Bennett,1908)
/ R: h! m$ O V! j: O* \ ]) ?* x86. A Legacy (Sybille Bedford, 1956)) j& ?2 u# ]3 A
85. Regeneration Trilogy (Pat Barker, 1991-1995)' v1 b& E9 Z2 h7 t2 S
84. Scoop (Evelyn Waugh, 1938)
% G6 f! W2 W- m' A+ b9 N+ w K83. Barchester Towers (Anthony Trollope, 1857)
# f- L, l7 A" {" M8 o82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)! o; E T0 v6 a7 X' f
81. The Jewel in the Crown (Paul Scott, 1966)+ Y' s( O5 w: T: u2 r1 v- j
80. Excellent Women (Barbara Pym, 1952)4 P4 V {, y& L5 T
79. His Dark Materials (Philip Pullman, 1995-2000): v# _- q/ ]3 h# I& z0 o( j
78. A House for Mr Biswas (VS Naipaul, 1961)
" H: B8 E- s U1 B3 q0 W$ `+ V, X77. Of Human Bondage (W Somerset Maugham, 1915)
0 F2 Z2 R) A- _# ?76. Small Island (Andrea Levy, 2004)! R. [/ j( R+ l6 w3 y# q
75. Women in Love (DH Lawrence, 1920)) y$ R; g4 U2 c" W6 r
74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ k+ f/ [6 ^- P6 E! }7 B
73. The Blue Flower (Penelope Fitzgerald, 1995)
. [: ^' H, J0 x9 V3 l# F+ j72. The Heart of the Matter (Graham Greene, 1948)
$ s2 m& u* ]! Z. E' v4 d" m71. Old Filth (Jane Gardam, 2004)
- H1 B0 K+ r% s. t/ L J70. Daniel Deronda (George Eliot, 1876)% r* ]" V( w7 Z. m; f0 k; l: L
69. Nostromo (Joseph Conrad, 1904)
( v& w% ]- t$ |8 N& h68. A Clockwork Orange (Anthony Burgess, 1962)
5 Q M- O3 [! V$ G" i6 J+ b67. Crash (JG Ballard 1973)' Q; H8 K. h& T' V. I
66. Sense and Sensibility (Jane Austen, 1811)0 `) R- U' x) Q# G- G6 D. W3 c1 G
65. Orlando (Virginia Woolf, 1928)
4 m2 X: o2 u1 E- F: M64. The Way We Live Now (Anthony Trollope, 1875)! j& C* A& ~; C# B6 j
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)* Z# u, `- P7 c3 S! }9 a" a2 X
62. Animal Farm (George Orwell, 1945), z+ q2 i. o3 d4 e1 X' y. P
61. The Sea, The Sea (Iris Murdoch, 1978)+ N& x5 W/ \' \/ P0 `4 Q1 _! d
60. Sons and Lovers (DH Lawrence, 1913)
& R" c$ X0 b& T3 D$ q59. The Line of Beauty (Alan Hollinghurst, 2004)
! T6 a2 Z( p# H/ B* V0 e58. Loving (Henry Green, 1945)" u i$ f& K$ r
57. Parade’s End (Ford Madox Ford, 1924-1928)" g. W, j3 v+ f, _* z" R$ A9 {
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& ?' m# j2 R# ]55. Gulliver’s Travels (Jonathan Swift, 1726)- n1 H+ y: w- q
54. NW (Zadie Smith, 2012)% F' r' c! `7 d- d& Z1 y
53. Wide Sargasso Sea (Jean Rhys, 1966)0 h& M$ v2 E: ]- I5 |
52. New Grub Street (George Gissing, 1891)
8 O9 r) U8 S5 ]6 ^' L, i5 F% }6 @4 g51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ s: H# U* c* R/ @0 j/ Q1 C& X
50. A Passage to India (EM Forster, 1924)
- n% H5 L7 a3 x+ ?49. Possession (AS Byatt, 1990)
# P9 |/ `( K/ o( K0 Y48. Lucky Jim (Kingsley Amis, 1954)+ Y7 G3 w6 ^+ B5 R _6 t' q5 s
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
( S9 u3 U' S3 @1 J0 u0 Y46. Midnight’s Children (Salman Rushdie, 1981)1 K* ]3 q, E$ t! S. \
45. The Little Stranger (Sarah Waters, 2009) G; h3 V! ~8 l e& ~ Q
44. Wolf Hall (Hilary Mantel, 2009)
) P6 ^& M8 |: I0 J+ e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- B i+ E: ]& E$ n8 l42. Brighton Rock (Graham Greene, 1938)
. G# J+ ^9 Z, K41. Dombey and Son (Charles Dickens, 1848)
1 ^1 h* a6 ^8 K8 T40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) G! ~8 j9 |1 |6 m. N* E3 ?& P/ z39. The Sense of an Ending (Julian Barnes, 2011) \& I, B/ G. d9 I8 n* X9 p
38. The Passion (Jeanette Winterson, 1987)
: S' q9 ~: d! @7 j37. Decline and Fall (Evelyn Waugh, 1928)
( ~. K9 F$ _- m) m: b. }( _36. A Dance to the Music of Time (Anthony Powell, 1951-1975), @- N+ Z" i4 V8 p! b% ]3 H( e
35. Remainder (Tom McCarthy, 2005)9 U$ z6 g: y3 f
34. Never Let Me Go (Kazuo Ishiguro, 2005)4 M* l+ v8 K* l. ]
33. The Wind in the Willows (Kenneth Grahame, 1908)& v r+ g1 Q3 R+ H. P9 X9 Y! m
32. A Room with a View (EM Forster, 1908)
# R S2 t* N% F- V+ G31. The End of the Affair (Graham Greene, 1951)" g9 r4 p1 x1 T3 F% f8 y2 \7 w
30. Moll Flanders (Daniel Defoe, 1722)( t9 q1 L: I0 ~0 c2 _* U$ y/ [$ n1 q
29. Brick Lane (Monica Ali, 2003)
* M4 ^6 c- Y$ t; i' Q( h28. Villette (Charlotte Brontë, 1853)
/ a/ I* n7 e8 [! r) Z+ G1 f6 b27. Robinson Crusoe (Daniel Defoe, 1719)- _5 p7 r' Q/ g" H0 L! i
26. The Lord of the Rings (JRR Tolkien, 1954); K$ v) p; v% k- b0 Y0 s
25. White Teeth (Zadie Smith, 2000)' ]) O7 o. d1 Q
24. The Golden Notebook (Doris Lessing, 1962)
! Y. |: K3 k6 Z, M% E9 X23. Jude the Obscure (Thomas Hardy, 1895)3 F+ c: f+ H- @, }
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)& x& ~; c4 a6 d: x+ x
21. Heart of Darkness (Joseph Conrad, 1899)
/ [3 b9 d+ Y4 e) K0 ?20. Persuasion (Jane Austen, 1817)# q5 ^: X5 e) X3 c
19. Emma (Jane Austen, 1815)1 j3 G2 C1 N s) J8 K
18. Remains of the Day (Kazuo Ishiguro, 1989)8 Y; K E/ @& \- C b
17. Howards End (EM Forster, 1910)
9 {$ n3 }; y! Y& J+ F16. The Waves (Virginia Woolf, 1931)
: |. D. l- e: o; ^' k: R! L15. Atonement (Ian McEwan, 2001)0 ?' N; q! S0 ^
14. Clarissa (Samuel Richardson,1748), G6 x* ?/ b K. g1 A$ O7 m
13. The Good Soldier (Ford Madox Ford, 1915)
+ ^) U- p3 R# z8 Q- @6 \- v2 C12. Nineteen Eighty-Four (George Orwell, 1949)
3 O; i) I* V/ k$ ~3 `! G& S- J11. Pride and Prejudice (Jane Austen, 1813)
3 e5 N+ X' w2 @* _/ [0 G" T3 ~10. Vanity Fair (William Makepeace Thackeray, 1848)0 A' \: q7 y& h
9. Frankenstein (Mary Shelley, 1818)
+ N: n$ q& m3 k! b) R8. David Copperfield (Charles Dickens, 1850)% v. b0 |- ^+ J1 W& M
7. Wuthering Heights (Emily Brontë, 1847)
9 {/ }5 V0 _" T. Q- i8 q/ i6. Bleak House (Charles Dickens, 1853)' j! p' k% j/ `0 x9 V8 H' D6 `8 K
5. Jane Eyre (Charlotte Brontë, 1847)
- x/ S# i3 t" ~- E4. Great Expectations (Charles Dickens, 1861). g2 Q5 A! Q) K$ X9 ~
3. Mrs. Dalloway (Virginia Woolf, 1925)$ p) M6 [. K% _( Q
2. To the Lighthouse (Virginia Woolf, 1927)( U$ W" o1 h% b8 H9 g; h3 L
1. Middlemarch (George Eliot, 1874)
: {( K& n0 t& ^! |$ b e( M: |" l9 I1 s4 Y/ c/ E0 q; j0 r: @
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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9 n* V+ N- p2 Y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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