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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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: q1 d1 `! \% p% l2 C! w0 YBBC评出100大英国文学名著: u2 T" K7 i2 K& `8 S6 C) v
http://www.bbc.com/culture/story ... test-british-novels
$ B1 {. I& q1 n$ u惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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R) V7 B, U2 ~" U+ _) |1 F100. The Code of the Woosters (PG Wodehouse, 1938)# w6 m& z. B+ P+ w
99. There but for the (Ali Smith, 2011)
/ l0 X: D5 d7 q3 N4 Q3 }: q$ {98. Under the Volcano (Malcolm Lowry,1947)
$ K7 D+ }& q: u& ]5 U3 F97. The Chronicles of Narnia (CS Lewis, 1949-1954): Z z' A$ N+ F# ?' _ J
96. Memoirs of a Survivor (Doris Lessing, 1974)$ @0 o+ m: J4 E+ G }
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
! C2 b9 `) h+ p94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)2 X5 s) G% O" x Y g4 U# R9 A" f
93. Lord of the Flies (William Golding, 1954)4 E; [# t _$ \6 x D
92. Cold Comfort Farm (Stella Gibbons, 1932)+ f7 _4 d: X& {+ F
91. The Forsyte Saga (John Galsworthy, 1922)
. Z; ~9 }' B# N' G) M2 w% `+ {3 z90. The Woman in White (Wilkie Collins, 1859)* y1 k/ c1 y! c. ]& W4 T! g+ s' h
89. The Horse’s Mouth (Joyce Cary, 1944)6 ]' v3 Y1 ^5 P% L
88. The Death of the Heart (Elizabeth Bowen, 1938)
4 ]. O6 W2 U: V+ V) A) ]3 B87. The Old Wives’ Tale (Arnold Bennett,1908)
1 x+ |* i' K' I6 J4 b0 {86. A Legacy (Sybille Bedford, 1956)
; d5 c; ?- x: M0 u# S85. Regeneration Trilogy (Pat Barker, 1991-1995)
- J( D% k5 [" ~* F1 T84. Scoop (Evelyn Waugh, 1938)4 O& d O2 c1 _9 |2 |
83. Barchester Towers (Anthony Trollope, 1857)
( V8 V4 Q/ a2 I* S82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" j' k( @7 [8 U3 V6 C0 B) }" \3 [ g
81. The Jewel in the Crown (Paul Scott, 1966)) R f; }9 X' M8 H
80. Excellent Women (Barbara Pym, 1952)' c) S4 i( {! \
79. His Dark Materials (Philip Pullman, 1995-2000)" o& d& k+ B4 k8 [% k( J4 [+ ^
78. A House for Mr Biswas (VS Naipaul, 1961)7 F% h& J3 i7 \
77. Of Human Bondage (W Somerset Maugham, 1915)
- z2 j( }5 W9 ` j+ l( K5 Q76. Small Island (Andrea Levy, 2004)
& I- l% S6 P3 E# X75. Women in Love (DH Lawrence, 1920)3 u; g" Q4 y4 i9 `# F
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
: j. p5 Q: H3 k7 P8 w6 }73. The Blue Flower (Penelope Fitzgerald, 1995)
- c$ [ r- J# {9 G9 S) f. u72. The Heart of the Matter (Graham Greene, 1948)
: D. K9 q5 i) Q% U4 A8 A71. Old Filth (Jane Gardam, 2004)
- s4 D' \* }6 g& k8 u, s70. Daniel Deronda (George Eliot, 1876), v# l, k0 B( o. B% y3 P' C
69. Nostromo (Joseph Conrad, 1904)
4 f1 M4 K( T/ N9 C2 F* y68. A Clockwork Orange (Anthony Burgess, 1962): o% @9 s7 L2 @4 p8 A
67. Crash (JG Ballard 1973)
# H$ v5 N0 d, e8 T& b- c* Y9 Z66. Sense and Sensibility (Jane Austen, 1811): l' q, o- a. |
65. Orlando (Virginia Woolf, 1928)6 B" A: L7 b3 r
64. The Way We Live Now (Anthony Trollope, 1875)/ u2 e2 U6 [& v- K6 g; d2 U
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 F* x8 y' Q. W3 r8 o5 v62. Animal Farm (George Orwell, 1945)
4 c$ J4 ?/ @* u61. The Sea, The Sea (Iris Murdoch, 1978)
, U* }) ]! m/ C2 ^3 s" O. R3 [, ~0 f. ?60. Sons and Lovers (DH Lawrence, 1913)
; S) m/ }: s5 s9 n0 T. f& d59. The Line of Beauty (Alan Hollinghurst, 2004)
" |4 {5 }0 }, R6 X58. Loving (Henry Green, 1945)' c( K B- a$ j
57. Parade’s End (Ford Madox Ford, 1924-1928)+ o' n$ n, Z" t$ z' @
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( c& r( `4 y' p; ~7 n
55. Gulliver’s Travels (Jonathan Swift, 1726)( {8 D1 ?8 J7 U4 Z7 H
54. NW (Zadie Smith, 2012)
* h T9 h! e2 p2 j; C7 m: p9 ?53. Wide Sargasso Sea (Jean Rhys, 1966)% K* `% V, o6 I
52. New Grub Street (George Gissing, 1891)
* ~; O- Q+ Z" W1 K0 k3 v51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 c% \ d2 d8 B2 y' L- V
50. A Passage to India (EM Forster, 1924)
- N, r, v( e: ?' ^3 |; B49. Possession (AS Byatt, 1990)
6 b# y4 j6 q# D7 O/ R2 z48. Lucky Jim (Kingsley Amis, 1954)
- V5 n$ U+ g# D. \# J) }" w47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
" @, _3 v, x# G: n3 a0 B- D, ]46. Midnight’s Children (Salman Rushdie, 1981)
9 V5 u! ~ T2 d1 V2 x5 v45. The Little Stranger (Sarah Waters, 2009)
" S! ^+ k1 f9 B# K! } O44. Wolf Hall (Hilary Mantel, 2009)
4 t' z5 G/ m4 g6 Q! k% x% ?2 P! `43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 n. g- r0 n9 w& m, e! L42. Brighton Rock (Graham Greene, 1938)
/ k, b; E- K! y6 e, _1 v; @: U41. Dombey and Son (Charles Dickens, 1848)" g/ s- i* b) Y- B. |6 F% P# ~7 E
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, q: [& _! |1 ?4 q; |2 {1 [: r& k! ~39. The Sense of an Ending (Julian Barnes, 2011)
5 v* K3 S1 M* Q; c38. The Passion (Jeanette Winterson, 1987)7 N7 j+ k8 z R
37. Decline and Fall (Evelyn Waugh, 1928)
( l' q+ I9 r4 @' F" j36. A Dance to the Music of Time (Anthony Powell, 1951-1975)/ J& N$ K% V$ Z6 E
35. Remainder (Tom McCarthy, 2005)
# X- ]2 p% _0 d34. Never Let Me Go (Kazuo Ishiguro, 2005)7 b7 E' q C8 J# V. k3 V+ v
33. The Wind in the Willows (Kenneth Grahame, 1908)5 H' H. Q% P2 J2 e
32. A Room with a View (EM Forster, 1908)
- w) t9 R$ ?: b7 l* I" S/ H. E31. The End of the Affair (Graham Greene, 1951)( @+ }7 _! N9 H6 Z
30. Moll Flanders (Daniel Defoe, 1722)6 w6 d f4 F4 \8 f
29. Brick Lane (Monica Ali, 2003)1 [9 V& R" G5 P0 W
28. Villette (Charlotte Brontë, 1853)
. k2 G; T% E0 T/ z7 v+ a27. Robinson Crusoe (Daniel Defoe, 1719)" f2 _: Y8 ~6 @( M+ Q7 h1 q9 Y* A
26. The Lord of the Rings (JRR Tolkien, 1954)' ~, v1 {9 M3 H0 f4 R6 }: k
25. White Teeth (Zadie Smith, 2000)
8 X2 B' N* j; @1 z7 M24. The Golden Notebook (Doris Lessing, 1962); s8 j' C/ v- U
23. Jude the Obscure (Thomas Hardy, 1895)' L9 i/ I6 g9 A, k( V
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)5 [; P7 W8 p+ `( } c& o0 N6 q
21. Heart of Darkness (Joseph Conrad, 1899)
4 z1 z- m- M5 c9 |$ R% w20. Persuasion (Jane Austen, 1817)7 S: b9 \ P4 a5 \* W8 T7 s
19. Emma (Jane Austen, 1815), P6 D6 T. @$ l, A$ M
18. Remains of the Day (Kazuo Ishiguro, 1989)
0 x* j1 Q: D9 w3 X17. Howards End (EM Forster, 1910)6 q; H" \) U# I7 v! Y
16. The Waves (Virginia Woolf, 1931)9 u; `% Z K: x+ i0 r+ X
15. Atonement (Ian McEwan, 2001)
% D2 q9 T- @, U14. Clarissa (Samuel Richardson,1748), e6 U" b' R y/ P
13. The Good Soldier (Ford Madox Ford, 1915)' Y: F2 p& T' r- s
12. Nineteen Eighty-Four (George Orwell, 1949)- P0 P8 O9 r* F% M4 W, f
11. Pride and Prejudice (Jane Austen, 1813)
6 F8 U4 S5 | G6 N! A$ Y10. Vanity Fair (William Makepeace Thackeray, 1848)
. U3 K+ ] }5 V0 A0 U" ?9. Frankenstein (Mary Shelley, 1818)* F( P& M; _+ p) R0 K
8. David Copperfield (Charles Dickens, 1850)4 Y; y( }* ]7 W2 H) Z
7. Wuthering Heights (Emily Brontë, 1847)
& s; \$ R$ G/ v9 _+ L4 }/ g6 A6. Bleak House (Charles Dickens, 1853)
' Q' ?* M7 \/ @5. Jane Eyre (Charlotte Brontë, 1847)
8 a+ V) `' k& o; j7 r R5 |4. Great Expectations (Charles Dickens, 1861)
* g1 \+ R6 i+ k3 ~$ t" O$ i3. Mrs. Dalloway (Virginia Woolf, 1925)
7 o0 @* I" I9 h2. To the Lighthouse (Virginia Woolf, 1927)) b6 v8 B: B+ e" U' ~
1. Middlemarch (George Eliot, 1874)6 N( n8 d; }6 G% Z! A$ i8 _
" v7 k* y" N5 W. i7 |- a3 i前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。, X/ K* V$ v- h& E% D" s
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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