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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著9 A( G* b) \4 {) P7 e. w" A
http://www.bbc.com/culture/story ... test-british-novels/ Z4 R4 c7 O1 x! F: _" P" n* d, O
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 f9 z2 F% [4 I* J6 s1 ^( }
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100. The Code of the Woosters (PG Wodehouse, 1938)3 B- h! Y/ W4 b2 E4 ~
99. There but for the (Ali Smith, 2011)- e# @) s1 U% u1 c/ _9 t1 L7 x
98. Under the Volcano (Malcolm Lowry,1947)# t! |8 x+ M, q7 `
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
7 F0 `- |. Q& H, h! r96. Memoirs of a Survivor (Doris Lessing, 1974)
7 ^4 X. d" R) y) E1 n% ^( ]95. The Buddha of Suburbia (Hanif Kureishi, 1990)
, I4 }4 m% a0 ?7 ^8 k; C94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)* U" u) d6 T$ {6 t c. d
93. Lord of the Flies (William Golding, 1954)
, t; x7 |) \+ K92. Cold Comfort Farm (Stella Gibbons, 1932)# X. A3 ?4 o. M" S- S; W( o
91. The Forsyte Saga (John Galsworthy, 1922)
% a9 J5 o7 q( b1 t, K90. The Woman in White (Wilkie Collins, 1859)8 K+ b4 y* i' v2 W
89. The Horse’s Mouth (Joyce Cary, 1944)# N3 W$ V+ ]% O0 X5 N/ T
88. The Death of the Heart (Elizabeth Bowen, 1938)
$ _5 ?2 d9 b' W+ ~$ b3 S$ N87. The Old Wives’ Tale (Arnold Bennett,1908)
$ g- T6 m: m- W$ o( o6 B1 ?+ a86. A Legacy (Sybille Bedford, 1956)
% y! |# o) E/ @0 \6 @7 f5 A85. Regeneration Trilogy (Pat Barker, 1991-1995)
% O1 O) S3 ?& ~84. Scoop (Evelyn Waugh, 1938)" ~' u8 l: S# ?# T- c( E7 c
83. Barchester Towers (Anthony Trollope, 1857)* U" q. x# p% m& Z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ L: v) N2 [" w+ l2 |- K, R
81. The Jewel in the Crown (Paul Scott, 1966)7 M: y. |& ~3 u7 l
80. Excellent Women (Barbara Pym, 1952)$ O S% o' W* K/ K
79. His Dark Materials (Philip Pullman, 1995-2000)
6 h7 d: x' y! A, k5 t78. A House for Mr Biswas (VS Naipaul, 1961); i: C' E2 d; R% O! ]& I& }. J
77. Of Human Bondage (W Somerset Maugham, 1915)
8 o0 e2 h) }5 N9 `4 t76. Small Island (Andrea Levy, 2004)
9 m8 j) @% N9 I4 |9 ?! `75. Women in Love (DH Lawrence, 1920)
# p- q( o$ k; Q+ h3 ~! ]74. The Mayor of Casterbridge (Thomas Hardy, 1886)! Z/ p1 S# H8 E
73. The Blue Flower (Penelope Fitzgerald, 1995)
# h# M0 O% M7 U3 N: l( T! g72. The Heart of the Matter (Graham Greene, 1948)
. K& e4 V. x- z: |71. Old Filth (Jane Gardam, 2004)
8 V/ l4 z2 N8 f8 E70. Daniel Deronda (George Eliot, 1876)
4 e4 M' r1 H1 \1 T/ }3 X0 I69. Nostromo (Joseph Conrad, 1904)
, t- M/ G3 e2 e/ y1 a" u68. A Clockwork Orange (Anthony Burgess, 1962)! m6 |1 u% z& J- {+ Z2 `- L; P8 \
67. Crash (JG Ballard 1973)
* `' Q2 v0 V R/ R5 |66. Sense and Sensibility (Jane Austen, 1811)5 W* m5 P! R" ~" {
65. Orlando (Virginia Woolf, 1928)$ O' A3 I+ y+ h! m3 \% p! Q, y
64. The Way We Live Now (Anthony Trollope, 1875)
! B+ t0 A* f. V5 s5 x7 I* `63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)# ^2 V7 D1 H P$ b k% J# c, i
62. Animal Farm (George Orwell, 1945)% V5 Q) e" [/ g8 V
61. The Sea, The Sea (Iris Murdoch, 1978)
/ {$ B: x' w+ b6 ?7 r+ C60. Sons and Lovers (DH Lawrence, 1913)
" I& \; w! C5 \7 d! B/ N59. The Line of Beauty (Alan Hollinghurst, 2004)) J& r, |+ N2 X3 w
58. Loving (Henry Green, 1945)
. x, p" ?* h8 |% i' Q& J7 v57. Parade’s End (Ford Madox Ford, 1924-1928)
8 k2 c, }) o. F) Q$ c4 C$ N56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
9 [/ W+ D1 {* J3 Y9 w/ @9 @6 b) c55. Gulliver’s Travels (Jonathan Swift, 1726)# Z( I* p2 ]# Z7 n! l6 T
54. NW (Zadie Smith, 2012)3 p9 y k" c: I0 B
53. Wide Sargasso Sea (Jean Rhys, 1966)$ F" C9 Y: ~: Y U* {# [' ~! Y
52. New Grub Street (George Gissing, 1891), O" B6 F8 ^* y. l
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ o4 B: W8 A5 A" ~* H& p- |5 @( L
50. A Passage to India (EM Forster, 1924)
" O: s$ T2 {2 K6 ?6 z8 L5 g" S) [49. Possession (AS Byatt, 1990)
8 b H/ _/ Z. _/ `) w, s2 X" }' @* t48. Lucky Jim (Kingsley Amis, 1954)4 G# A: w3 q4 w9 i
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 I: W( y* d' V9 @1 x/ o0 i( c46. Midnight’s Children (Salman Rushdie, 1981)
. F" u1 q! M& ?2 c45. The Little Stranger (Sarah Waters, 2009)( f2 v4 ~ m- z2 _5 r8 N0 x0 J
44. Wolf Hall (Hilary Mantel, 2009)
5 s, U. {% I- l" R6 b1 W4 b43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- k( z' C" q. P- V4 e& \0 Y% a42. Brighton Rock (Graham Greene, 1938)
9 n1 |6 ~4 z+ J: z$ o- D6 Y41. Dombey and Son (Charles Dickens, 1848): M$ _0 V# A$ F4 h& K- D- b9 k* ~0 E
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)1 k# j6 I1 T1 H6 r4 r
39. The Sense of an Ending (Julian Barnes, 2011)
3 W8 r0 r' k7 e4 d0 ?* s38. The Passion (Jeanette Winterson, 1987)* W9 z2 L$ L/ l& X3 ]9 F
37. Decline and Fall (Evelyn Waugh, 1928)
1 c5 C# k2 b5 w ?9 Q1 ?: n36. A Dance to the Music of Time (Anthony Powell, 1951-1975)# s$ n3 \2 p, j& V8 ] x
35. Remainder (Tom McCarthy, 2005)
" d+ f: G# b2 Q& ^3 ~* u1 ~34. Never Let Me Go (Kazuo Ishiguro, 2005)' D& P+ g4 U4 v
33. The Wind in the Willows (Kenneth Grahame, 1908)1 H2 y1 l: w0 I$ I
32. A Room with a View (EM Forster, 1908)
" F7 F8 i( D% X2 H; M31. The End of the Affair (Graham Greene, 1951)! T. G' a7 G K3 e% e2 @) R
30. Moll Flanders (Daniel Defoe, 1722)+ u% T0 i* K8 v: l8 l. J, W) b
29. Brick Lane (Monica Ali, 2003) ` U: m# h5 z k$ X- A* b4 H# S/ K: W
28. Villette (Charlotte Brontë, 1853)
- f% u1 f. Z5 B' r( C27. Robinson Crusoe (Daniel Defoe, 1719)% k- p6 f" m3 m: H
26. The Lord of the Rings (JRR Tolkien, 1954)
" h5 L; E( e% T* x25. White Teeth (Zadie Smith, 2000)
) L2 E* q/ [$ _. r24. The Golden Notebook (Doris Lessing, 1962)
# q8 ~: {2 @2 D) m23. Jude the Obscure (Thomas Hardy, 1895)5 |6 V# y- U+ P, K/ e" t7 ]
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
9 T: s% A9 {6 L2 E8 i, N6 [21. Heart of Darkness (Joseph Conrad, 1899)' \4 V0 R* B8 n( N, C
20. Persuasion (Jane Austen, 1817). u5 `) y5 B( B9 i5 r. M: a4 e- z
19. Emma (Jane Austen, 1815)! }; I7 t% q: h# L
18. Remains of the Day (Kazuo Ishiguro, 1989)8 X1 z8 O) L$ }4 O
17. Howards End (EM Forster, 1910)+ Z1 t, d% k( T( m. d
16. The Waves (Virginia Woolf, 1931), E, W# T$ G" N) G- ?
15. Atonement (Ian McEwan, 2001)' C! D" K7 n2 b N6 x/ @( z
14. Clarissa (Samuel Richardson,1748)
6 T7 b8 E6 D7 `: v/ d13. The Good Soldier (Ford Madox Ford, 1915)
& _' ^3 N$ {/ Y1 p5 J. h12. Nineteen Eighty-Four (George Orwell, 1949)9 [# j) C! T4 V4 N; u3 O
11. Pride and Prejudice (Jane Austen, 1813)
% k: o4 \1 F: G* l" P# u& X" Y10. Vanity Fair (William Makepeace Thackeray, 1848)
6 I9 A; A' r+ f) E8 I$ G9. Frankenstein (Mary Shelley, 1818)
- a- [: Y t/ i8 m8. David Copperfield (Charles Dickens, 1850)1 u$ g2 g& v- P8 r: S
7. Wuthering Heights (Emily Brontë, 1847)
. k9 {2 x! b3 L/ w# h6. Bleak House (Charles Dickens, 1853)
5 v2 [# s0 O+ O! I5. Jane Eyre (Charlotte Brontë, 1847)4 H ^3 Z/ q" A4 L9 r1 S j
4. Great Expectations (Charles Dickens, 1861)
& b. d0 L; T$ p1 B! s9 V% z3. Mrs. Dalloway (Virginia Woolf, 1925)
4 u$ L+ W: T1 U0 D: _2. To the Lighthouse (Virginia Woolf, 1927)
, U/ t! [$ r- J% v8 N4 D- T3 t1. Middlemarch (George Eliot, 1874)
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% g$ P# }4 F! M前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 A! O' f' x W' R3 ] S* H
4 B: N+ F8 J" ]/ O0 @5 a呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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