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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 % t/ g; l/ Y* I4 i+ Z
; [' C9 R7 f7 o4 g+ w) @0 rBBC评出100大英国文学名著
7 U6 H& x" q" Y9 w; y: W# Nhttp://www.bbc.com/culture/story ... test-british-novels% m& {. q/ Q$ R7 w3 L/ r0 N) K' r
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。9 \$ F* P: z' [5 p
( C( }+ O5 ~6 Q n+ d' j100. The Code of the Woosters (PG Wodehouse, 1938)
$ P/ ^# _ ~+ f4 K99. There but for the (Ali Smith, 2011)
8 I( X* p( Y( M) d- @98. Under the Volcano (Malcolm Lowry,1947)
* Q$ R# L: w! j* H/ A3 W97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 k* ~: G' s0 s. @96. Memoirs of a Survivor (Doris Lessing, 1974)
. D- B2 \0 f; x4 U: ]- k. m8 E95. The Buddha of Suburbia (Hanif Kureishi, 1990)- w5 V+ q \- u# ^& e
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
( ~) k" U( T) W4 y% K o7 V8 ?93. Lord of the Flies (William Golding, 1954)5 }" i8 ?. J4 A, f/ T
92. Cold Comfort Farm (Stella Gibbons, 1932)
0 t) m1 y3 _1 m$ a |5 Z6 E6 q91. The Forsyte Saga (John Galsworthy, 1922)
7 S' M" z/ N j+ O90. The Woman in White (Wilkie Collins, 1859)
# z' h3 O9 z7 U7 e1 K89. The Horse’s Mouth (Joyce Cary, 1944)
! Y! _1 L0 P8 s. {$ E% a88. The Death of the Heart (Elizabeth Bowen, 1938)# x3 T+ J0 A5 G
87. The Old Wives’ Tale (Arnold Bennett,1908)
2 B+ l/ q4 u. m* T86. A Legacy (Sybille Bedford, 1956)
. Q* V5 H" K$ m! i85. Regeneration Trilogy (Pat Barker, 1991-1995)2 G# O4 M' b2 M& @' G
84. Scoop (Evelyn Waugh, 1938)
1 I, g/ z7 E- U* I0 q+ m! T$ Q2 v# B( e83. Barchester Towers (Anthony Trollope, 1857)
# q x- V/ l1 M0 Y& I82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)- q8 V, ?& y8 }. H: z
81. The Jewel in the Crown (Paul Scott, 1966)
6 d9 I. z4 o$ d9 L, x9 t80. Excellent Women (Barbara Pym, 1952). _3 Q1 j& v% W/ K
79. His Dark Materials (Philip Pullman, 1995-2000)
0 x, k9 z2 v( H, R' p78. A House for Mr Biswas (VS Naipaul, 1961)% d/ k0 C) V# u6 M
77. Of Human Bondage (W Somerset Maugham, 1915)9 }( S# z+ ~8 x O0 \( _# ^, x0 Q
76. Small Island (Andrea Levy, 2004)
3 y/ q4 u) C3 f/ j& l- x75. Women in Love (DH Lawrence, 1920): p) p" @3 A5 F5 `0 P+ K
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
: _# a6 M# v1 n& U; d9 Z r4 m73. The Blue Flower (Penelope Fitzgerald, 1995)1 K* J; H: W' |% z
72. The Heart of the Matter (Graham Greene, 1948)
U3 O c$ _5 @; ?7 V$ ]71. Old Filth (Jane Gardam, 2004)
3 o0 ]! @: J; e# o2 S9 V+ D70. Daniel Deronda (George Eliot, 1876)
) P% Z* l j& H) C69. Nostromo (Joseph Conrad, 1904)* w! X; J5 j$ k3 F3 j9 E$ P- K
68. A Clockwork Orange (Anthony Burgess, 1962)
- i4 j) n6 q% A1 T5 t6 w: w: y67. Crash (JG Ballard 1973)2 s- n' x) L6 Z- O- C. Z, \
66. Sense and Sensibility (Jane Austen, 1811)
0 g* C" N- _- m! z' m. h% _6 o; s3 ]65. Orlando (Virginia Woolf, 1928)6 [6 I( p+ a1 i' p
64. The Way We Live Now (Anthony Trollope, 1875)3 V' f d5 o5 A7 k, O3 m
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
4 B) }5 T5 q/ q+ ~3 }62. Animal Farm (George Orwell, 1945)( b9 G6 _* e u9 \, X- X
61. The Sea, The Sea (Iris Murdoch, 1978)/ h0 ]4 J v; u+ q/ ]
60. Sons and Lovers (DH Lawrence, 1913)% Z+ w$ }) k0 y$ U! r
59. The Line of Beauty (Alan Hollinghurst, 2004)
+ k; j0 m5 w1 J1 b0 y58. Loving (Henry Green, 1945)
. N1 ~, c7 r+ Q* Z. }# t57. Parade’s End (Ford Madox Ford, 1924-1928)) C* m6 g: k- u9 ~; t
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. ?6 Y' v. Z ~" n+ `55. Gulliver’s Travels (Jonathan Swift, 1726)+ N/ e6 k' o7 h: M
54. NW (Zadie Smith, 2012)2 r: A% Q8 u3 t$ X% L
53. Wide Sargasso Sea (Jean Rhys, 1966)
5 `) V$ |& k( @( H. w* E/ e52. New Grub Street (George Gissing, 1891)
2 N2 |$ k& @- n9 ?% h51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 T1 f' I7 a M( x4 q2 s' `& B50. A Passage to India (EM Forster, 1924)
" H6 k) I6 {- m* T49. Possession (AS Byatt, 1990)+ }# ^- W3 g+ |5 o
48. Lucky Jim (Kingsley Amis, 1954): n, ]0 c: Q, _9 N) U V
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)& q+ V. w+ t& ?: \& u3 ^% t
46. Midnight’s Children (Salman Rushdie, 1981)
% e6 J \) T3 ~9 ^: j45. The Little Stranger (Sarah Waters, 2009)# [( K$ t1 o6 L* {% Y A
44. Wolf Hall (Hilary Mantel, 2009)
; K4 P5 n8 I! J" D* r43. The Swimming Pool Library (Alan Hollinghurst, 1988)
; x# Y: J' y. O. {42. Brighton Rock (Graham Greene, 1938)+ n4 ]9 c6 P% X& Z J' ?
41. Dombey and Son (Charles Dickens, 1848)* r' u' [7 f8 b- `% s3 O
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865); D1 D* N s5 e% h
39. The Sense of an Ending (Julian Barnes, 2011). F/ |# G; {& [4 g/ O
38. The Passion (Jeanette Winterson, 1987)
8 F% ~" p: L5 N8 b3 A2 Q+ Z" V, p, F37. Decline and Fall (Evelyn Waugh, 1928)
: K! Y6 i4 y6 K" {4 \2 U; |+ h( o36. A Dance to the Music of Time (Anthony Powell, 1951-1975)+ v n! e/ L) K; T" {! J; N
35. Remainder (Tom McCarthy, 2005)
2 }+ B% c& {- f, o/ n( t/ f34. Never Let Me Go (Kazuo Ishiguro, 2005)4 `$ X% j" I" `& Z3 J8 G7 g; g
33. The Wind in the Willows (Kenneth Grahame, 1908); }# s7 M2 s _* M; k3 v7 U: H
32. A Room with a View (EM Forster, 1908)
6 ^; A; \: H o- d31. The End of the Affair (Graham Greene, 1951)) M) g8 A Y7 y
30. Moll Flanders (Daniel Defoe, 1722)
7 h& n! b$ H! t9 d1 Y- m( v. O, n29. Brick Lane (Monica Ali, 2003)* x2 M8 B$ F; j" c& k
28. Villette (Charlotte Brontë, 1853)4 ~& O( |4 y0 X* J
27. Robinson Crusoe (Daniel Defoe, 1719)8 h+ F/ D I% i7 h8 b& X
26. The Lord of the Rings (JRR Tolkien, 1954)
$ y2 s5 s6 L y: p E25. White Teeth (Zadie Smith, 2000)- W1 k. m9 I1 [+ t7 `2 k |
24. The Golden Notebook (Doris Lessing, 1962)! u4 S. G6 u$ I
23. Jude the Obscure (Thomas Hardy, 1895)
z3 F( V6 B2 F5 O& h( F; Z22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; ?; {8 [/ a( L. o5 i7 u7 C0 \21. Heart of Darkness (Joseph Conrad, 1899)
Z' v+ E- Y& J" _" G20. Persuasion (Jane Austen, 1817)
2 T3 h9 r N" o, u# A19. Emma (Jane Austen, 1815)
& h t6 y; Y$ ?+ S. W3 E& P! u18. Remains of the Day (Kazuo Ishiguro, 1989)5 F, Y2 \2 { }/ b* D
17. Howards End (EM Forster, 1910) c+ _( z- j; s$ D
16. The Waves (Virginia Woolf, 1931) u/ G2 B# n$ s( v& e
15. Atonement (Ian McEwan, 2001)4 i+ M- X" M& J `# Q$ Q$ B
14. Clarissa (Samuel Richardson,1748)
$ _7 k6 X+ v& X13. The Good Soldier (Ford Madox Ford, 1915)( q. r! A+ _$ n
12. Nineteen Eighty-Four (George Orwell, 1949)' m c$ ?4 y& b9 i$ C
11. Pride and Prejudice (Jane Austen, 1813)0 p& {* ?" O' Y' n' b1 ]
10. Vanity Fair (William Makepeace Thackeray, 1848)
0 i8 K* w5 c/ r+ Y9 K9. Frankenstein (Mary Shelley, 1818)
0 C$ u% d( y y& d$ a- _. @4 d8. David Copperfield (Charles Dickens, 1850)
7 O8 ` s' I2 J3 U7. Wuthering Heights (Emily Brontë, 1847)2 K2 K8 C, ]4 o9 m
6. Bleak House (Charles Dickens, 1853)5 ~) E" Y, Z& _& L
5. Jane Eyre (Charlotte Brontë, 1847)
; N* G) P9 O# g) Y- _4. Great Expectations (Charles Dickens, 1861)& `2 P3 |, O. N7 U
3. Mrs. Dalloway (Virginia Woolf, 1925)8 C; [ U5 r: p N* I& @% t
2. To the Lighthouse (Virginia Woolf, 1927); A- n3 n9 |7 E) {) V" v* e
1. Middlemarch (George Eliot, 1874)
) ~# _8 l: V1 H2 [+ r0 r9 G
5 z. j: X1 O1 B前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
; U6 W7 Y4 m1 ~9 t% g7 k) n( P& U; j0 }- G x& o+ s4 T; l# H
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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