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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
/ J1 I, i7 ]" k, a1 ? \$ q4 Uhttp://www.bbc.com/culture/story ... test-british-novels
* w4 Q" Q0 S( Z! h- D* y6 M惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
0 X: i- Z( E( B99. There but for the (Ali Smith, 2011)
. @- S' r' f5 }& _: ?: |2 {98. Under the Volcano (Malcolm Lowry,1947)$ Q( g6 g3 y0 ]2 b( Y
97. The Chronicles of Narnia (CS Lewis, 1949-1954)4 {3 V m" S* Y1 z9 e: Z, M
96. Memoirs of a Survivor (Doris Lessing, 1974)3 O4 D% @8 W* `
95. The Buddha of Suburbia (Hanif Kureishi, 1990)3 t% p0 Z; h1 H
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
+ \) E; Q' `% r: ~- n, k1 C93. Lord of the Flies (William Golding, 1954)4 @. x" N3 v' q: K6 ?
92. Cold Comfort Farm (Stella Gibbons, 1932)
9 ~7 n1 ^/ P; R. x91. The Forsyte Saga (John Galsworthy, 1922)
/ i9 b+ Y9 w- p* q; h( A90. The Woman in White (Wilkie Collins, 1859)
. R4 m- G& A, v89. The Horse’s Mouth (Joyce Cary, 1944)# I- j5 g' U% S5 E) @$ Z
88. The Death of the Heart (Elizabeth Bowen, 1938)
6 b- F8 m! K9 J: y3 s$ N& a& V0 s87. The Old Wives’ Tale (Arnold Bennett,1908)$ R2 H8 F% y9 m
86. A Legacy (Sybille Bedford, 1956)- s6 U' E) B8 P/ j# _
85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 v8 B! _1 r7 y84. Scoop (Evelyn Waugh, 1938)
6 F8 a0 p N2 i. U/ P' a, I83. Barchester Towers (Anthony Trollope, 1857)
j( C7 }* R6 o Q' [- b& k82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)' _. ~) q8 l) X' M* s& Q5 h; l4 g
81. The Jewel in the Crown (Paul Scott, 1966)+ J1 C3 P3 u) g
80. Excellent Women (Barbara Pym, 1952)- z- _: {" t- j' i1 i' f
79. His Dark Materials (Philip Pullman, 1995-2000)2 w v; V, W3 b. O! g% h' d( b
78. A House for Mr Biswas (VS Naipaul, 1961)
4 w: y7 Q% N) m3 }. J& z0 e' m77. Of Human Bondage (W Somerset Maugham, 1915); p. W4 K. }, o5 G9 u
76. Small Island (Andrea Levy, 2004)2 D8 |" X: i& ]2 S N# U9 r9 y2 F
75. Women in Love (DH Lawrence, 1920)
, B+ J( {: ]' ?! M5 [. c' i74. The Mayor of Casterbridge (Thomas Hardy, 1886)2 T* @) A' C2 P
73. The Blue Flower (Penelope Fitzgerald, 1995)3 }4 H7 \. ^8 W
72. The Heart of the Matter (Graham Greene, 1948)0 s1 k; O$ E6 t. b0 Q) y7 F
71. Old Filth (Jane Gardam, 2004)
: ?6 {4 f: q8 h4 e70. Daniel Deronda (George Eliot, 1876)
' _2 O3 Z2 z& `) W6 x/ S69. Nostromo (Joseph Conrad, 1904)" D+ C- T3 P7 v q9 H( G
68. A Clockwork Orange (Anthony Burgess, 1962)
9 H3 M/ P; W1 R8 r5 M- {. j67. Crash (JG Ballard 1973): k# b) v/ p; U
66. Sense and Sensibility (Jane Austen, 1811)1 B* n; a+ n1 K: p6 R* x
65. Orlando (Virginia Woolf, 1928)
7 G7 n- K1 z- s64. The Way We Live Now (Anthony Trollope, 1875)
8 D8 d2 V" h# L4 e( l* ^63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)$ G# R n: w% _
62. Animal Farm (George Orwell, 1945)
7 S$ X& V" a m M \61. The Sea, The Sea (Iris Murdoch, 1978)# b H5 h3 e+ n* \8 o6 ~: F
60. Sons and Lovers (DH Lawrence, 1913)* B; ]5 b, M1 b, w8 I
59. The Line of Beauty (Alan Hollinghurst, 2004)
* @! X! R4 L9 G2 O: e9 d58. Loving (Henry Green, 1945)6 z. y2 D9 D' Q4 N% J2 S
57. Parade’s End (Ford Madox Ford, 1924-1928), F8 X* [: x! I8 J$ r! x: g
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 k9 r$ \; Z, f& S8 d% P55. Gulliver’s Travels (Jonathan Swift, 1726)! i3 h. \" f; S% m; L0 ~0 J
54. NW (Zadie Smith, 2012): S5 `4 b4 w4 @8 u, G# _
53. Wide Sargasso Sea (Jean Rhys, 1966)$ n; t* g0 }2 {+ @4 h5 T9 n
52. New Grub Street (George Gissing, 1891)
* c0 I, m3 M! M( V51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
# l9 ]( p+ C! b& p. ^% O50. A Passage to India (EM Forster, 1924)
' K. O) g, q, J49. Possession (AS Byatt, 1990)
, \/ J6 ? `0 s48. Lucky Jim (Kingsley Amis, 1954): X7 q. Z' u) J/ x/ \. @2 l
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
8 j G, q; i7 }8 v1 Q. Z: b U: u, c46. Midnight’s Children (Salman Rushdie, 1981)
# I" t2 g) N. B P3 |4 g( H' K45. The Little Stranger (Sarah Waters, 2009)9 H( t8 D! T# X; I9 L- ^
44. Wolf Hall (Hilary Mantel, 2009)
. M" c% q7 U% J; t" n5 n43. The Swimming Pool Library (Alan Hollinghurst, 1988)
) y- z! r$ w, z( b- J# Z X42. Brighton Rock (Graham Greene, 1938)) l0 U9 K# y' X9 c9 p
41. Dombey and Son (Charles Dickens, 1848)9 r: Y( Y6 f. J3 H3 x
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ u' `6 a8 z/ ?9 v4 }39. The Sense of an Ending (Julian Barnes, 2011)" e3 S. F& J: a. t$ D$ |
38. The Passion (Jeanette Winterson, 1987)5 H+ m7 M7 Y. W' b8 V8 N' p
37. Decline and Fall (Evelyn Waugh, 1928)
9 C3 b( U+ ~# a. N36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 Z, A. b' \/ [8 w. i r
35. Remainder (Tom McCarthy, 2005)4 d# V% g$ ~. n# q0 m4 i
34. Never Let Me Go (Kazuo Ishiguro, 2005)
4 e6 b! b, d* T' {9 _( f# c33. The Wind in the Willows (Kenneth Grahame, 1908)3 n; w. Y' j/ R
32. A Room with a View (EM Forster, 1908)
" V4 o' s* I; T5 p. i31. The End of the Affair (Graham Greene, 1951)
8 G4 R, {! {# n% K! g5 ^& q30. Moll Flanders (Daniel Defoe, 1722)4 i- m5 o @8 A$ _1 X
29. Brick Lane (Monica Ali, 2003)
4 F8 E2 {" C- h: ^. |4 e# Z$ X- v3 l28. Villette (Charlotte Brontë, 1853)4 g0 G* X+ \9 f% {
27. Robinson Crusoe (Daniel Defoe, 1719)! {, R, u+ k4 S" ]# h4 ?# a; V$ M
26. The Lord of the Rings (JRR Tolkien, 1954)* H7 x5 F" a$ h/ S+ |( k
25. White Teeth (Zadie Smith, 2000)
( \ L' w* F5 M, C8 h24. The Golden Notebook (Doris Lessing, 1962)
$ C7 c ?4 S% x6 g3 J23. Jude the Obscure (Thomas Hardy, 1895)
( k! P! C3 C$ Q8 X- T+ [22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. M. g% X+ ?$ n1 ^21. Heart of Darkness (Joseph Conrad, 1899)
2 M' ~) p/ u3 @( s( U" y: J2 `20. Persuasion (Jane Austen, 1817)
, F- _4 I8 k) q$ E$ O. q2 j j19. Emma (Jane Austen, 1815)* B: ~; Z& a q+ [( [- I
18. Remains of the Day (Kazuo Ishiguro, 1989)3 m; s# O" R$ u6 P& [3 J
17. Howards End (EM Forster, 1910)
+ r3 ? ?! C0 v16. The Waves (Virginia Woolf, 1931)
! r7 E/ H' _; `/ P15. Atonement (Ian McEwan, 2001)
: ^; A+ n e0 p& R/ R. S14. Clarissa (Samuel Richardson,1748)
- H' |! V5 B/ u/ ^. |13. The Good Soldier (Ford Madox Ford, 1915)+ z$ d l/ B, Y/ M' K S
12. Nineteen Eighty-Four (George Orwell, 1949)
9 ~8 I& y, i% L* @11. Pride and Prejudice (Jane Austen, 1813)
8 m! i Q) l8 n# f% I10. Vanity Fair (William Makepeace Thackeray, 1848)
% K- t- n1 J- [ {( c7 u9 |( n9. Frankenstein (Mary Shelley, 1818)3 l# t; q: M \* R" R; K3 V' u( w
8. David Copperfield (Charles Dickens, 1850)" I- w1 O" J$ `5 a5 l& L- M; a
7. Wuthering Heights (Emily Brontë, 1847)
& y3 S0 d. l8 u6. Bleak House (Charles Dickens, 1853)
6 v8 ?6 i, E5 x" {* M6 ?5. Jane Eyre (Charlotte Brontë, 1847)3 Q; H$ O4 @- Z6 V. o6 ^
4. Great Expectations (Charles Dickens, 1861)' S2 c+ O2 z7 q) y: R( B/ H
3. Mrs. Dalloway (Virginia Woolf, 1925)& l- }' N& J' C5 u
2. To the Lighthouse (Virginia Woolf, 1927)
/ |; O& |% O1 k2 b% @9 r2 d7 Q3 o2 s1. Middlemarch (George Eliot, 1874)0 h9 ^8 ^& u% E% t# k
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。$ _7 ?& Z! |, R9 v/ t. c
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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