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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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: b* [3 p' |8 b5 \/ P/ EBBC评出100大英国文学名著1 L5 q/ t: J" v) N+ C( [
http://www.bbc.com/culture/story ... test-british-novels
& E9 e* Z4 w0 M& @惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
- | j: s j& V' \/ y4 Z99. There but for the (Ali Smith, 2011)
0 {2 B, j- p' s98. Under the Volcano (Malcolm Lowry,1947)
" E `3 q$ w- r. t97. The Chronicles of Narnia (CS Lewis, 1949-1954)5 l1 A+ z1 w; J* F# c2 Y$ {5 a
96. Memoirs of a Survivor (Doris Lessing, 1974)& F) }6 L6 v. b4 N# G# ?
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 F* j2 ^: ?2 z# {( |' w5 g94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)8 i- d- u/ R* W" G) a: H
93. Lord of the Flies (William Golding, 1954)
& U' E5 r: i8 x; x; ?92. Cold Comfort Farm (Stella Gibbons, 1932)
" i5 B' b1 D) a$ z! X d91. The Forsyte Saga (John Galsworthy, 1922)' o, j! j/ y6 _9 e6 n# ]
90. The Woman in White (Wilkie Collins, 1859)
" e) A3 {9 [; k* {7 ` W89. The Horse’s Mouth (Joyce Cary, 1944)
4 z( d) o8 N/ t88. The Death of the Heart (Elizabeth Bowen, 1938)
% @1 ^5 `+ @/ j87. The Old Wives’ Tale (Arnold Bennett,1908)2 x- s: m% Q5 s2 F9 N! u( F; ^
86. A Legacy (Sybille Bedford, 1956)( W! M: g0 i/ C9 U( }7 t
85. Regeneration Trilogy (Pat Barker, 1991-1995)
: |6 Y9 e* N6 l$ Q; k6 I* r, U3 h84. Scoop (Evelyn Waugh, 1938); U0 H3 |4 I M- t$ F' y6 K
83. Barchester Towers (Anthony Trollope, 1857)5 m% j1 D. n' V! Q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
. @- z/ ^/ n2 S! V0 e# m9 a81. The Jewel in the Crown (Paul Scott, 1966)
7 w/ Z3 d6 k. L, a; n `0 o80. Excellent Women (Barbara Pym, 1952)( e: V/ _( ?0 D
79. His Dark Materials (Philip Pullman, 1995-2000)
, `, l( O( o) w8 F* L; z; C78. A House for Mr Biswas (VS Naipaul, 1961)
( h7 U" W4 H8 {: |( t7 f+ L77. Of Human Bondage (W Somerset Maugham, 1915)* j% p3 O* J. r; T/ A
76. Small Island (Andrea Levy, 2004), D+ O) I5 e* x. h- R3 j a
75. Women in Love (DH Lawrence, 1920)7 o3 u! I) O2 O# ^/ B
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
/ Z6 [; w4 E* |% W73. The Blue Flower (Penelope Fitzgerald, 1995)6 y) k6 u$ j6 L: n% _) h% c3 a
72. The Heart of the Matter (Graham Greene, 1948)" O% Y' }. m+ J: r
71. Old Filth (Jane Gardam, 2004) P" B- H- q# J$ X
70. Daniel Deronda (George Eliot, 1876)' y3 I. T% @6 z: f$ @3 m) \
69. Nostromo (Joseph Conrad, 1904) W# y4 Y2 @0 N
68. A Clockwork Orange (Anthony Burgess, 1962)
" ^" w' X s: ~; M67. Crash (JG Ballard 1973)7 q9 H7 o2 _+ a1 {0 {
66. Sense and Sensibility (Jane Austen, 1811)
- [1 _# v- A$ x: F65. Orlando (Virginia Woolf, 1928)
5 S5 K' m% T& b% G: `64. The Way We Live Now (Anthony Trollope, 1875)3 [/ O& ~" l) O; T% \' n& Z
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
8 o" w. P5 d5 L* k6 b" ~, K62. Animal Farm (George Orwell, 1945)
; N" k4 w( t% r; c. R( L61. The Sea, The Sea (Iris Murdoch, 1978), o; _' S2 q3 r& @' R1 k' X
60. Sons and Lovers (DH Lawrence, 1913)
* s' L" c5 N& @( R59. The Line of Beauty (Alan Hollinghurst, 2004)
9 M% ]- x& K K7 L58. Loving (Henry Green, 1945)
0 `& q: ?2 g o A/ @1 a- W57. Parade’s End (Ford Madox Ford, 1924-1928)3 N6 g1 g6 d, ^7 s) a% P: j
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
6 r5 h7 [* m3 C( w2 F/ s55. Gulliver’s Travels (Jonathan Swift, 1726)
7 r& U/ Y# L. M4 V: J54. NW (Zadie Smith, 2012)
F- d9 j0 T9 n6 Y& d4 Q9 E# p53. Wide Sargasso Sea (Jean Rhys, 1966)
% v3 I# j; l# f( b6 K i5 O52. New Grub Street (George Gissing, 1891)0 _, A a# t) b+ E" F
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
0 q! |2 K8 o: ]% f( |' I50. A Passage to India (EM Forster, 1924)
5 w0 F: m: m6 y5 q3 X49. Possession (AS Byatt, 1990)
2 Q6 x( J; d7 Y. w7 ], x+ G6 f48. Lucky Jim (Kingsley Amis, 1954)% A( b$ {* b6 u; H0 [. B7 J
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
7 j& }; i- F f+ M. S( Q% o; ?- H: D46. Midnight’s Children (Salman Rushdie, 1981)
% k0 {- D$ h. u6 y# w7 J; g45. The Little Stranger (Sarah Waters, 2009)2 c: G9 k' z! L
44. Wolf Hall (Hilary Mantel, 2009)
: ]0 i+ {- g1 d5 z1 o: z* X x8 V43. The Swimming Pool Library (Alan Hollinghurst, 1988)
; o4 w7 U6 Q) e. S42. Brighton Rock (Graham Greene, 1938)
* ~5 {7 d4 H. a' e0 p41. Dombey and Son (Charles Dickens, 1848)5 H0 U p8 W. S0 z; t4 V
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)3 b6 R5 `+ {+ {0 l! l5 C" G% X
39. The Sense of an Ending (Julian Barnes, 2011)3 r7 b( n1 ` ~ z; L9 _$ }1 C6 U* C
38. The Passion (Jeanette Winterson, 1987)4 r: Z Q5 E5 f8 F
37. Decline and Fall (Evelyn Waugh, 1928)
5 |+ j% c" y# z36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
/ O+ b. i6 \: {- R6 T35. Remainder (Tom McCarthy, 2005)
1 e5 j: i. f( d% m4 g. I34. Never Let Me Go (Kazuo Ishiguro, 2005)( |- V. X- d6 Q- a# I/ @
33. The Wind in the Willows (Kenneth Grahame, 1908)
2 }' N) A7 @$ Z1 {4 G32. A Room with a View (EM Forster, 1908)2 b2 ~" Q9 h0 r: M/ l* b! Z, n
31. The End of the Affair (Graham Greene, 1951)
$ ?( n- A# A" W8 R l n30. Moll Flanders (Daniel Defoe, 1722)
0 n3 F% m0 M4 |# O( J3 p4 j29. Brick Lane (Monica Ali, 2003)
: ?5 O e0 x6 D/ j$ o! T28. Villette (Charlotte Brontë, 1853)1 d" M' @' Z& ?; v8 | d1 a
27. Robinson Crusoe (Daniel Defoe, 1719)
9 l! h+ x: R; C( ?26. The Lord of the Rings (JRR Tolkien, 1954): j7 ]' B) n' D/ F+ ?9 w: _8 Z
25. White Teeth (Zadie Smith, 2000)
* U: s7 c }1 c- f. D24. The Golden Notebook (Doris Lessing, 1962)9 \9 R% I! ]1 ]" \
23. Jude the Obscure (Thomas Hardy, 1895)
) {0 \+ W {8 \9 q6 x( i- [, B22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): u- N" d: D4 W h7 Y. e
21. Heart of Darkness (Joseph Conrad, 1899)/ u2 [1 {9 y) N1 n$ ^
20. Persuasion (Jane Austen, 1817)
5 I" N2 P7 P* M0 a19. Emma (Jane Austen, 1815). ^* [# Y S7 F% q+ o+ P
18. Remains of the Day (Kazuo Ishiguro, 1989)
* @4 a& X+ e6 R! [: h% d! |. I17. Howards End (EM Forster, 1910)
7 |7 D! |+ S* v; Y, }16. The Waves (Virginia Woolf, 1931)" v6 ~1 ^, a+ n, \' X
15. Atonement (Ian McEwan, 2001)
9 |( V2 q5 x4 A* ?' z' I14. Clarissa (Samuel Richardson,1748)
7 J: C8 |3 Y& H- q8 z$ _13. The Good Soldier (Ford Madox Ford, 1915), L3 T% l- N7 k8 C" e; p- i
12. Nineteen Eighty-Four (George Orwell, 1949)5 o2 D# `8 l3 ?/ D9 i5 `
11. Pride and Prejudice (Jane Austen, 1813)& c8 ^6 Y$ C% A2 q
10. Vanity Fair (William Makepeace Thackeray, 1848)" m; b/ Z4 ^+ U
9. Frankenstein (Mary Shelley, 1818)1 Z- n; U; H* A6 ~$ J( ~2 Y) @, G: H
8. David Copperfield (Charles Dickens, 1850)
j: j7 b# `2 w% A% a; _ x% F$ g h( i7. Wuthering Heights (Emily Brontë, 1847)
+ y* X: ?- Z& Q6. Bleak House (Charles Dickens, 1853)& L$ D+ L1 e: b8 H
5. Jane Eyre (Charlotte Brontë, 1847)# w- v- c4 X2 S- D3 w2 M
4. Great Expectations (Charles Dickens, 1861)" k& e4 J2 x8 P7 n' N& Q% T0 k0 X5 `! W
3. Mrs. Dalloway (Virginia Woolf, 1925): e8 N# G1 B, J8 A
2. To the Lighthouse (Virginia Woolf, 1927)
/ w0 N" T5 Y" u1. Middlemarch (George Eliot, 1874), M/ ~ Y- W" a; Q
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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