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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
2 G' i. k- _2 I& ? F( P* uhttp://www.bbc.com/culture/story ... test-british-novels
& k' X9 a; F2 t0 }* |' {惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)0 D [" Y' K/ s- P) w
99. There but for the (Ali Smith, 2011)
: r9 G- ^/ E ?7 D2 B; u; Q5 p98. Under the Volcano (Malcolm Lowry,1947)
- O+ b0 \% }& W0 d! z6 C2 d4 ~ {97. The Chronicles of Narnia (CS Lewis, 1949-1954)
( t4 R6 r4 a9 ]& C96. Memoirs of a Survivor (Doris Lessing, 1974)# h) E$ I, V* S& h% W7 b" l
95. The Buddha of Suburbia (Hanif Kureishi, 1990). H( ~# l, h2 ? @5 A3 l# P, s% ^& X
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)6 b" Z1 t2 u% @) I& J& l, o
93. Lord of the Flies (William Golding, 1954)8 M& p9 I0 `% P4 K4 T2 h+ Q8 {5 ?0 \
92. Cold Comfort Farm (Stella Gibbons, 1932): _& }- ]: ~: M# F: h! C# W: L5 j/ t: W
91. The Forsyte Saga (John Galsworthy, 1922)) K& g3 m+ H1 `+ X" w
90. The Woman in White (Wilkie Collins, 1859)
9 N- ]! C4 u& m5 z: d89. The Horse’s Mouth (Joyce Cary, 1944); g8 Z! u6 i* B: Y- a) t7 M& j
88. The Death of the Heart (Elizabeth Bowen, 1938)
# ]) N* M, N0 N: a& t87. The Old Wives’ Tale (Arnold Bennett,1908)
+ b9 s" z* r7 K$ N4 I' \* J; I86. A Legacy (Sybille Bedford, 1956)/ p+ [; x' p6 G# V
85. Regeneration Trilogy (Pat Barker, 1991-1995)' s+ [( {2 U& J+ l5 `6 n6 k7 K
84. Scoop (Evelyn Waugh, 1938)6 h( z7 H/ u8 T' i2 F% T2 q
83. Barchester Towers (Anthony Trollope, 1857)
- q2 J* S5 u4 ?4 X82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012); E; h; R" D5 e7 [1 F$ V
81. The Jewel in the Crown (Paul Scott, 1966)
* d [* F! O4 v, x S% a! N* y; _' H80. Excellent Women (Barbara Pym, 1952)
& y- L9 c' s! Q4 o79. His Dark Materials (Philip Pullman, 1995-2000)6 r) @; j) d& W& e, e, Q/ o* l
78. A House for Mr Biswas (VS Naipaul, 1961)/ K7 R/ w, \% z1 N4 r2 O
77. Of Human Bondage (W Somerset Maugham, 1915)
' B1 k. N* H6 }' h76. Small Island (Andrea Levy, 2004)
* ?7 W# X$ f. i# b75. Women in Love (DH Lawrence, 1920)! Q3 N& u, z3 Q \3 E
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
/ z7 h# e& K4 \0 ?73. The Blue Flower (Penelope Fitzgerald, 1995)% X$ @* Z4 Y+ x4 U
72. The Heart of the Matter (Graham Greene, 1948)3 r6 o, \! w. ?4 N
71. Old Filth (Jane Gardam, 2004)4 c3 I6 H# v/ P4 ~! Z; Y: k
70. Daniel Deronda (George Eliot, 1876), H, _! h0 V3 t E- {9 G
69. Nostromo (Joseph Conrad, 1904)
3 _: @: T+ }$ g9 q! Q1 x0 {' i68. A Clockwork Orange (Anthony Burgess, 1962)
, k. `/ q% h: V; A" y9 z4 w* _67. Crash (JG Ballard 1973)5 D6 u) }$ h4 p# d
66. Sense and Sensibility (Jane Austen, 1811)8 b& I" K" T* x% k
65. Orlando (Virginia Woolf, 1928)
1 n% h7 [/ D8 S$ e8 {0 R64. The Way We Live Now (Anthony Trollope, 1875)
6 n2 E; }6 S$ r7 C7 ~63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
& U7 w J. s2 G3 q: D. s' g2 ~62. Animal Farm (George Orwell, 1945)
& x" R( n$ q, x. ^1 x8 J% K$ n8 W61. The Sea, The Sea (Iris Murdoch, 1978)
5 O8 J5 r% ~ k- v- p, c60. Sons and Lovers (DH Lawrence, 1913)7 b; R' X5 x7 T. u
59. The Line of Beauty (Alan Hollinghurst, 2004) ~# Z% w, T' K t9 w2 @
58. Loving (Henry Green, 1945)2 d& |6 f* O6 C
57. Parade’s End (Ford Madox Ford, 1924-1928)- m( M% s8 }+ v; u2 ?
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 g3 @+ z3 @2 t9 w" K0 d
55. Gulliver’s Travels (Jonathan Swift, 1726)
3 M" n, w# I9 k& T9 L54. NW (Zadie Smith, 2012)
" l" z5 l* w$ c' z53. Wide Sargasso Sea (Jean Rhys, 1966)
! c; I, f! ^; ~+ H6 P52. New Grub Street (George Gissing, 1891)
3 }$ x5 K. b4 x$ m/ G51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
% G8 m: |! T3 D50. A Passage to India (EM Forster, 1924)9 _6 ~; O2 F& h E
49. Possession (AS Byatt, 1990)& o! g4 n8 m8 @0 z( T
48. Lucky Jim (Kingsley Amis, 1954) `% g2 S! e/ c* Q3 T/ Y0 J
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)9 ^/ S/ U" _- t% P0 ~
46. Midnight’s Children (Salman Rushdie, 1981)
. H" Q J% D d N+ b45. The Little Stranger (Sarah Waters, 2009)+ i1 F- }* p* f3 T- q! L: P- x- r
44. Wolf Hall (Hilary Mantel, 2009)
% v, k1 C+ y; p6 s. d* x# o, a43. The Swimming Pool Library (Alan Hollinghurst, 1988)* E# B. U) N6 a; h: N" E
42. Brighton Rock (Graham Greene, 1938)
* y3 P `/ x9 g0 w3 j41. Dombey and Son (Charles Dickens, 1848)3 Y% Z4 T' t* T# G8 k
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
' X) a. [8 U+ P! y% U7 j8 h$ k: x39. The Sense of an Ending (Julian Barnes, 2011)2 Y; ^' M8 I( M) W9 K$ [: l+ M3 f
38. The Passion (Jeanette Winterson, 1987)
4 ~6 T7 t) Q8 _3 k' m1 [37. Decline and Fall (Evelyn Waugh, 1928)5 G3 }3 e8 i( q0 |
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 F* Q! Z# n. R35. Remainder (Tom McCarthy, 2005)- v& C3 N: \8 } G
34. Never Let Me Go (Kazuo Ishiguro, 2005)$ \/ B, a1 _' \* E' i
33. The Wind in the Willows (Kenneth Grahame, 1908)' o# h# J! ~4 o: B r
32. A Room with a View (EM Forster, 1908)
! L% b6 x& a; J% m' J+ u$ v31. The End of the Affair (Graham Greene, 1951)! G' ^; T$ s" b
30. Moll Flanders (Daniel Defoe, 1722)% z5 K, R, V& j
29. Brick Lane (Monica Ali, 2003)$ ~0 e r3 ?2 {: T: g9 C
28. Villette (Charlotte Brontë, 1853)
# i, r. f3 d- F. f: D27. Robinson Crusoe (Daniel Defoe, 1719)- \$ n1 k* m+ J; h4 f+ ?
26. The Lord of the Rings (JRR Tolkien, 1954)2 u# S5 ~! k( c) j: n
25. White Teeth (Zadie Smith, 2000)
1 d( @2 n: {0 G& d2 \8 K, g* E; g0 o24. The Golden Notebook (Doris Lessing, 1962)5 r9 M: V, y6 |( b7 t* u
23. Jude the Obscure (Thomas Hardy, 1895)' J1 E! x# `/ }% x
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! A; x; W$ u# x( Y& R% D. W* \/ O21. Heart of Darkness (Joseph Conrad, 1899)
2 o, p$ P+ e# K3 ^$ ^9 W$ @20. Persuasion (Jane Austen, 1817)4 @; C& t6 N5 p6 K! I7 l% m
19. Emma (Jane Austen, 1815) j# g2 O9 u, l, [4 |4 G, v
18. Remains of the Day (Kazuo Ishiguro, 1989)3 n* }0 f5 Q6 {+ }
17. Howards End (EM Forster, 1910)
4 x- f1 K G* s16. The Waves (Virginia Woolf, 1931)
0 f$ g2 L6 a, N0 R- e; u, X15. Atonement (Ian McEwan, 2001)
6 P# @* D/ F& o5 M9 _9 Q+ T14. Clarissa (Samuel Richardson,1748)1 O+ `% m) @: S0 v8 ]/ S- J5 X+ ~ }
13. The Good Soldier (Ford Madox Ford, 1915)1 v s7 r9 a# w6 S+ C+ [! e
12. Nineteen Eighty-Four (George Orwell, 1949), e1 @4 [2 i }: K
11. Pride and Prejudice (Jane Austen, 1813)
9 u H$ @& g8 n, t! [6 f6 I- B: `10. Vanity Fair (William Makepeace Thackeray, 1848)
@, b2 t. c# _2 P. x% A9. Frankenstein (Mary Shelley, 1818)/ p \& E B5 u
8. David Copperfield (Charles Dickens, 1850) X! ~9 q1 }, @
7. Wuthering Heights (Emily Brontë, 1847)/ W) n0 Q2 m c3 ~# h; o8 i& U
6. Bleak House (Charles Dickens, 1853)
" |6 F) s/ k6 L. v; x$ e8 E5. Jane Eyre (Charlotte Brontë, 1847) E; k4 N- D0 @
4. Great Expectations (Charles Dickens, 1861)
+ h, Y6 S* X* r) M3. Mrs. Dalloway (Virginia Woolf, 1925), B9 M& v# x# g9 p& P
2. To the Lighthouse (Virginia Woolf, 1927)) o9 v9 K: i' \2 P' @/ b5 S
1. Middlemarch (George Eliot, 1874)/ h, U7 C" o/ S4 S% `5 G
0 A2 y$ B# E( v4 w C, O+ ?前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。+ d( K3 w# [ s, z1 g4 J
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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