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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 M5 {8 k! H6 ]6 A& q
6 \( |& M$ S' t; J+ aBBC评出100大英国文学名著
3 [; N! T$ \4 U4 }3 }% q7 Qhttp://www.bbc.com/culture/story ... test-british-novels
, \: |* x4 U4 j% H惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。3 n# Z; B. I7 x3 l* y: v+ |& R
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100. The Code of the Woosters (PG Wodehouse, 1938)' O& }8 W \: P; s6 k. K
99. There but for the (Ali Smith, 2011)
5 u l8 J/ i% @; k! t1 |1 @98. Under the Volcano (Malcolm Lowry,1947)
$ Y! \# Y' O$ L9 J97. The Chronicles of Narnia (CS Lewis, 1949-1954)
8 B' A( w5 @0 a! r3 Q: s96. Memoirs of a Survivor (Doris Lessing, 1974)
. y Q9 D# s" {' D8 q {/ c8 w95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 ? X8 m; w) Y8 l' q& z% S
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824), h0 |" A( X+ {2 c$ V! H2 b9 W
93. Lord of the Flies (William Golding, 1954)* {7 ]3 E! [1 L1 D
92. Cold Comfort Farm (Stella Gibbons, 1932)
! I+ |( ]9 {, K1 h; t, ]3 F d1 n91. The Forsyte Saga (John Galsworthy, 1922)3 S3 F) B% Y% b* K( L& }" u
90. The Woman in White (Wilkie Collins, 1859)7 J# ?: v( H% n( P
89. The Horse’s Mouth (Joyce Cary, 1944)* b: Y/ X; t# p+ o6 _: ?, l
88. The Death of the Heart (Elizabeth Bowen, 1938)+ u2 W# C! m. }: w Z* o/ ~
87. The Old Wives’ Tale (Arnold Bennett,1908)
3 D$ j" N- v" `% |86. A Legacy (Sybille Bedford, 1956)
+ u* u4 i3 }# \5 M$ ^" R1 n85. Regeneration Trilogy (Pat Barker, 1991-1995)0 b7 W7 n! u# Y- a! \( O
84. Scoop (Evelyn Waugh, 1938)
% T7 O, F& B8 K' w H( @! y4 {83. Barchester Towers (Anthony Trollope, 1857)
0 T: M4 \/ |4 P9 s- A* h8 }3 I' J0 b82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% P5 u' O( X7 [: T+ S& i. l/ t8 W81. The Jewel in the Crown (Paul Scott, 1966)
% j9 K2 r6 [, ?; Y9 Z3 R* b80. Excellent Women (Barbara Pym, 1952)
- [6 X2 b# g: y* Z7 N79. His Dark Materials (Philip Pullman, 1995-2000)8 ^0 U0 X u1 a, G. l
78. A House for Mr Biswas (VS Naipaul, 1961)0 m8 K5 D* |# q' Y
77. Of Human Bondage (W Somerset Maugham, 1915)* I1 U6 k, u; Y! b
76. Small Island (Andrea Levy, 2004)8 E! P$ |/ J& _5 M d
75. Women in Love (DH Lawrence, 1920)
1 h/ {3 u4 q' q74. The Mayor of Casterbridge (Thomas Hardy, 1886)
p/ M$ \' @+ R+ S, P- S# ?73. The Blue Flower (Penelope Fitzgerald, 1995)2 B4 K3 j9 b: R. r# T, R2 B. ^
72. The Heart of the Matter (Graham Greene, 1948)
& f y9 t$ ]8 T' s I0 {2 i71. Old Filth (Jane Gardam, 2004)& Y( Z( A/ d. _0 r$ R d t6 @+ l
70. Daniel Deronda (George Eliot, 1876)/ x+ X$ Y, J' r8 N2 X4 w- x7 w% G8 v
69. Nostromo (Joseph Conrad, 1904)
8 |8 j o6 _( r! H' I- _$ }68. A Clockwork Orange (Anthony Burgess, 1962)1 o- \ ?3 I. j: h- m% Y- I O
67. Crash (JG Ballard 1973)2 j. |0 ]" ]! c R/ Q! _
66. Sense and Sensibility (Jane Austen, 1811)/ f a/ ~% a+ L! Y" x) o9 x- g) ~
65. Orlando (Virginia Woolf, 1928)
: V5 N m" N1 K' N64. The Way We Live Now (Anthony Trollope, 1875)
, W6 F5 `) ^2 v8 s0 q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: S2 W' _( i, R) h5 E62. Animal Farm (George Orwell, 1945)
9 R! F* ^" q2 a( y7 Y/ ]8 S61. The Sea, The Sea (Iris Murdoch, 1978)& u) W" a* a0 J' D
60. Sons and Lovers (DH Lawrence, 1913)
$ o5 v1 @+ y- A h" m- T4 L59. The Line of Beauty (Alan Hollinghurst, 2004)
7 z3 v* w9 S( Q. o+ j58. Loving (Henry Green, 1945)+ h0 z' }$ q8 S3 M/ ~0 b, y. a
57. Parade’s End (Ford Madox Ford, 1924-1928) d( \4 G" n/ R# P. ~
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); h% W4 d/ n) ]* T
55. Gulliver’s Travels (Jonathan Swift, 1726)2 o: C. ~$ V; v+ E- U
54. NW (Zadie Smith, 2012)0 q% ^- m+ h$ X I4 {% J& ~0 m+ U
53. Wide Sargasso Sea (Jean Rhys, 1966)/ [+ [. W. {6 f) w
52. New Grub Street (George Gissing, 1891)
9 m8 w! m' v' C" G! F+ t51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) w% w8 l' P7 U; \- F$ u$ X
50. A Passage to India (EM Forster, 1924)
7 { p4 S* @5 T, Z% x0 O! S49. Possession (AS Byatt, 1990)
4 C5 k/ b: N5 l' h3 v/ O+ T: N48. Lucky Jim (Kingsley Amis, 1954)! b2 J B9 \; O' x
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ ]$ i# k. f! }0 Z
46. Midnight’s Children (Salman Rushdie, 1981)
; g: u4 H1 J* a* z7 }+ N3 n45. The Little Stranger (Sarah Waters, 2009) e" N) U$ p3 _. n$ A' C& {2 ]
44. Wolf Hall (Hilary Mantel, 2009)
. v. r8 u5 r9 ~$ n) H43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: i* U3 T6 J: p3 K! }7 Z0 S42. Brighton Rock (Graham Greene, 1938)
6 b$ Q5 f, B- v; O1 k5 w! M41. Dombey and Son (Charles Dickens, 1848)! q0 w7 Q7 G o+ Y2 f
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)( z! W! `0 }" N7 L% V
39. The Sense of an Ending (Julian Barnes, 2011)
& U g( X( `. U o( u v6 E38. The Passion (Jeanette Winterson, 1987)
6 A. _; F8 p1 o* x$ m* N37. Decline and Fall (Evelyn Waugh, 1928)9 _7 j8 Q/ C+ J F
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 k z( M3 i- b' [( t
35. Remainder (Tom McCarthy, 2005)
[& A0 Q0 b# I% F34. Never Let Me Go (Kazuo Ishiguro, 2005)
5 m; s+ J; A' X- d33. The Wind in the Willows (Kenneth Grahame, 1908)9 p9 a- }: f R' N$ O
32. A Room with a View (EM Forster, 1908)
1 ~- I |4 O3 m& H31. The End of the Affair (Graham Greene, 1951)3 P" h* a5 ~* o9 c9 {) v5 _. M
30. Moll Flanders (Daniel Defoe, 1722)6 E5 \( U9 @4 N
29. Brick Lane (Monica Ali, 2003)0 o$ f0 R6 f8 A
28. Villette (Charlotte Brontë, 1853)$ l p+ W: W+ K6 P
27. Robinson Crusoe (Daniel Defoe, 1719)( x% @; I) }$ e& P. A0 @ y
26. The Lord of the Rings (JRR Tolkien, 1954)4 O7 b' p8 x' }; [4 I+ o7 G
25. White Teeth (Zadie Smith, 2000)$ Q3 t/ v4 J% t6 I" }
24. The Golden Notebook (Doris Lessing, 1962)# }2 ` f9 _5 S2 n! l0 h0 D9 [
23. Jude the Obscure (Thomas Hardy, 1895)
% B+ G9 ~' K, {* ~' `( I4 D% [22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( t# B) c" \' h- W
21. Heart of Darkness (Joseph Conrad, 1899)- c* V# B; l7 B) o. v9 j( z( N4 n
20. Persuasion (Jane Austen, 1817) W) ^7 w) i3 b/ E3 Q
19. Emma (Jane Austen, 1815)0 K2 q T6 g) {# F4 R
18. Remains of the Day (Kazuo Ishiguro, 1989)
7 e4 f# ], V1 w, K! D/ I17. Howards End (EM Forster, 1910)( e. ?7 ]5 Z; I( Q2 c' R/ S# w
16. The Waves (Virginia Woolf, 1931)
; T u& ]' j6 N* t6 _1 H1 q15. Atonement (Ian McEwan, 2001)
( f" T( M& D" ?2 M# |, L14. Clarissa (Samuel Richardson,1748)
8 a n5 ]# p) X% ?; I% Y- ]5 U13. The Good Soldier (Ford Madox Ford, 1915)4 U7 z B6 C( Q0 ^; ?+ Y! \1 O& E
12. Nineteen Eighty-Four (George Orwell, 1949)% P, g( R( M) S1 q( {% N
11. Pride and Prejudice (Jane Austen, 1813)
8 L; |5 S) {1 `& o- W10. Vanity Fair (William Makepeace Thackeray, 1848)3 r3 {" B! b, I' A
9. Frankenstein (Mary Shelley, 1818)
3 Y& U6 P; v- G3 @# v+ u% H- v8. David Copperfield (Charles Dickens, 1850)
7 H5 O! I& N9 D4 a' R# w" b7. Wuthering Heights (Emily Brontë, 1847): u* ~9 [5 t B% U$ Y; N6 a. A+ m) ~
6. Bleak House (Charles Dickens, 1853)# [6 l2 [7 {8 ^( {! \9 H2 E
5. Jane Eyre (Charlotte Brontë, 1847)- Q7 z; i* G1 T8 e1 V; d
4. Great Expectations (Charles Dickens, 1861)
2 O# s- E/ `& N, A, B+ i3. Mrs. Dalloway (Virginia Woolf, 1925)( O9 `4 ~6 V. w( E; |6 i3 m4 L* H& v
2. To the Lighthouse (Virginia Woolf, 1927)8 G* N/ K" T/ l9 S" _" s: H
1. Middlemarch (George Eliot, 1874)
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6 q1 @9 k" |) H3 I7 U' w" E前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。& H: g8 Q9 R- s, L8 ^
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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