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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ; ?# U. h6 {% i
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BBC评出100大英国文学名著4 M+ \2 X1 s0 u$ e. W
http://www.bbc.com/culture/story ... test-british-novels2 ~" N" i8 \% P4 I3 m# @4 h
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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- R0 V0 A. L' F; R/ I100. The Code of the Woosters (PG Wodehouse, 1938)& y$ x# D) P0 p1 s4 ~, R9 t% Q8 F
99. There but for the (Ali Smith, 2011)
0 x- I1 u4 ]& [# K# S98. Under the Volcano (Malcolm Lowry,1947)7 v. w" w8 w$ R5 U
97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 _; V" w. f7 c, T3 b' O, N# }
96. Memoirs of a Survivor (Doris Lessing, 1974)
; n# T( I' @) l5 C% \/ _: F% M95. The Buddha of Suburbia (Hanif Kureishi, 1990)
$ I+ Q1 w" T& T: T) Y& Q6 j3 p94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)$ K# \$ i- h2 f: r7 ~$ A
93. Lord of the Flies (William Golding, 1954)* \' `+ P D# Q1 J% Z: n
92. Cold Comfort Farm (Stella Gibbons, 1932)
% ~& k3 B! c2 q+ G0 C& u5 |91. The Forsyte Saga (John Galsworthy, 1922)
8 \- ?2 q d' Q/ \# J( w# R90. The Woman in White (Wilkie Collins, 1859)
* E& ^5 a' D4 x$ d8 o' f89. The Horse’s Mouth (Joyce Cary, 1944)" M7 A4 `. F5 I3 c* p
88. The Death of the Heart (Elizabeth Bowen, 1938)
( D) b4 R4 z( h) Q87. The Old Wives’ Tale (Arnold Bennett,1908)% g7 S9 |" q1 v! g) E
86. A Legacy (Sybille Bedford, 1956)' Y! D9 A! }( p0 x0 Q2 _+ @5 w( W
85. Regeneration Trilogy (Pat Barker, 1991-1995)
5 y; X8 x) k2 w" G1 Y) D0 L84. Scoop (Evelyn Waugh, 1938). R+ ?+ l W$ s
83. Barchester Towers (Anthony Trollope, 1857)
2 @% i7 `/ \4 N0 i3 A82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" {) U) V4 j g" W8 H
81. The Jewel in the Crown (Paul Scott, 1966)
; g" T8 \2 l$ x/ U8 b! M80. Excellent Women (Barbara Pym, 1952)+ Z% G2 G8 k9 S7 d' E
79. His Dark Materials (Philip Pullman, 1995-2000)
9 t( a$ L% o* m: d; ^# q% f78. A House for Mr Biswas (VS Naipaul, 1961)
8 c; i6 f0 C. B9 a w77. Of Human Bondage (W Somerset Maugham, 1915)
/ V9 d1 X. D1 x7 |4 b! U76. Small Island (Andrea Levy, 2004)
" G) P$ D' K: `/ H7 e75. Women in Love (DH Lawrence, 1920)9 P- a. P: ~# Y
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
5 Q. w! e9 j3 S- p5 [73. The Blue Flower (Penelope Fitzgerald, 1995)# ~( F" w. M' r% |6 I. D
72. The Heart of the Matter (Graham Greene, 1948)7 {) u/ J- h1 c6 T. N8 c* D: b
71. Old Filth (Jane Gardam, 2004)
& t' ]# H0 w9 J5 C70. Daniel Deronda (George Eliot, 1876)
) R& h1 Y! f8 |0 \5 }. C. O6 D69. Nostromo (Joseph Conrad, 1904)
* J" ~, m, N: B" H6 m7 O! i& O: W5 `68. A Clockwork Orange (Anthony Burgess, 1962)
# B5 |/ k' p- H f; H& W67. Crash (JG Ballard 1973)
9 F# s8 }* ?0 W( {1 G66. Sense and Sensibility (Jane Austen, 1811)! a5 s, }3 W# W" i! J
65. Orlando (Virginia Woolf, 1928)
9 G# d: g# p/ T64. The Way We Live Now (Anthony Trollope, 1875)7 S0 [/ p( y/ Y# Y4 H: z! S+ [
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ Z9 F) x) w& x1 X62. Animal Farm (George Orwell, 1945)5 i7 Z% _6 ^5 q$ |. a4 Q9 y: U
61. The Sea, The Sea (Iris Murdoch, 1978)
; I0 U. b9 C: `* }2 ?8 G6 z60. Sons and Lovers (DH Lawrence, 1913)* J" _% e3 K4 z v' U& X
59. The Line of Beauty (Alan Hollinghurst, 2004)' i3 k, X( h/ F" j
58. Loving (Henry Green, 1945)
! S) o4 n4 Z; B: _8 _57. Parade’s End (Ford Madox Ford, 1924-1928): ]( j. F4 c, w9 z7 _& Q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
. Y* K `9 _/ {4 I55. Gulliver’s Travels (Jonathan Swift, 1726)
) ?$ Z5 ?) P: T% E54. NW (Zadie Smith, 2012)9 s$ t) c- g( E/ g* q
53. Wide Sargasso Sea (Jean Rhys, 1966)
+ c* q4 \5 C4 F+ v- d52. New Grub Street (George Gissing, 1891)
, V- X) a. J r* ]# L51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 M$ y, ^$ Z- T" }1 U Z
50. A Passage to India (EM Forster, 1924)
I. N# D1 ^5 c6 _49. Possession (AS Byatt, 1990)7 o7 R8 E$ t6 b5 h" t7 V
48. Lucky Jim (Kingsley Amis, 1954)
4 i. M/ ^3 l" n( |+ S# _7 Y$ m47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
2 n& L: ?1 m0 a+ @, e9 [46. Midnight’s Children (Salman Rushdie, 1981)
. j$ f7 F7 L) I2 O3 {5 S! S, N5 t45. The Little Stranger (Sarah Waters, 2009)! _! y" s4 [0 p a. V
44. Wolf Hall (Hilary Mantel, 2009)
; D0 L/ {; }0 w& q s3 N7 t+ X- X43. The Swimming Pool Library (Alan Hollinghurst, 1988)
3 C5 ?' P/ L& Q3 x) D" b$ ^3 Y0 X42. Brighton Rock (Graham Greene, 1938)$ H, V9 {- B* e4 h
41. Dombey and Son (Charles Dickens, 1848)- {8 G' S9 a' x: [
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: T" P4 o: t( A6 u+ p39. The Sense of an Ending (Julian Barnes, 2011)1 n9 G" ?! z- x4 s& `' }0 ?! @
38. The Passion (Jeanette Winterson, 1987)3 o' E1 _7 W- U% f9 Q1 S
37. Decline and Fall (Evelyn Waugh, 1928)1 s! f* w0 ]! s" l4 x8 C0 N6 @. \
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)/ {. n: }/ d: a4 K( b: V
35. Remainder (Tom McCarthy, 2005)( C9 C; L6 @" K) x. S0 H S2 v
34. Never Let Me Go (Kazuo Ishiguro, 2005)# ~2 u6 T# S& t- R
33. The Wind in the Willows (Kenneth Grahame, 1908)- F1 ^$ y K' Y. J/ C# d/ v& ~
32. A Room with a View (EM Forster, 1908)7 x( D) @ W4 o0 G
31. The End of the Affair (Graham Greene, 1951)
, r& \9 j: H3 {. q8 ]30. Moll Flanders (Daniel Defoe, 1722)( j+ ^8 a* R6 T5 C
29. Brick Lane (Monica Ali, 2003)
% ^& B5 W2 V3 [8 e28. Villette (Charlotte Brontë, 1853)" t" y" u& {. F* H4 J' {2 K
27. Robinson Crusoe (Daniel Defoe, 1719)
- d" [; w2 s* F2 s26. The Lord of the Rings (JRR Tolkien, 1954)2 `* J& C7 l6 I7 ]
25. White Teeth (Zadie Smith, 2000): j8 T+ j6 U: R- u
24. The Golden Notebook (Doris Lessing, 1962)8 s0 a- s) q {. f
23. Jude the Obscure (Thomas Hardy, 1895)
9 Y4 I6 |! l h: P% z D" f* T22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
u4 F7 J! \! X21. Heart of Darkness (Joseph Conrad, 1899)
: w A8 c6 D2 L20. Persuasion (Jane Austen, 1817)
0 a% `/ u7 @1 a6 U- \+ m19. Emma (Jane Austen, 1815)
- I( J4 P5 \; v% n3 \2 M18. Remains of the Day (Kazuo Ishiguro, 1989)! L% X% U# `2 t- s* e% w: I( A7 d
17. Howards End (EM Forster, 1910)
3 A) Z) i$ J5 u* X$ V16. The Waves (Virginia Woolf, 1931)/ E M D5 s" y) K
15. Atonement (Ian McEwan, 2001)
- w$ ]% a4 f' k7 `) v$ ~14. Clarissa (Samuel Richardson,1748)% t: q1 X; M3 e
13. The Good Soldier (Ford Madox Ford, 1915)
2 [9 D5 B' O+ A" L6 J12. Nineteen Eighty-Four (George Orwell, 1949)
. q& Z/ f' `8 c4 {* e11. Pride and Prejudice (Jane Austen, 1813)1 g5 G. q) u. D% h$ d
10. Vanity Fair (William Makepeace Thackeray, 1848)
; _7 T/ o3 z4 \! ~' p9 o9. Frankenstein (Mary Shelley, 1818)
) L3 ?% |! W0 x% {) a8 E0 r+ r8. David Copperfield (Charles Dickens, 1850)
, N$ Y0 l+ C' m, s# Q, d5 h7. Wuthering Heights (Emily Brontë, 1847)
0 P' b: l- G5 P, M7 x% J3 ~( U K6. Bleak House (Charles Dickens, 1853)
+ a, |0 X/ V ?( T5. Jane Eyre (Charlotte Brontë, 1847)- T/ v4 f/ z6 H' r4 B
4. Great Expectations (Charles Dickens, 1861)
; K; w: F7 A' f* Q! u# ?( b3. Mrs. Dalloway (Virginia Woolf, 1925)& ~ b2 J c/ r* j$ |" S
2. To the Lighthouse (Virginia Woolf, 1927)
" d; [0 y0 d4 _: G: \5 t1. Middlemarch (George Eliot, 1874)
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8 E9 G7 U% b7 `前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。% n/ Z g: G$ g2 b2 q9 M3 B
- L" D; Q4 m* J4 ~呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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