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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 - f2 I! h" B* Y2 h9 d! V- b
1 M; h) Y9 L9 k: \% eBBC评出100大英国文学名著" F2 Q' s7 x8 w/ `: `
http://www.bbc.com/culture/story ... test-british-novels
9 J3 N3 n3 C9 W `4 S惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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! b6 P% Q$ c H' |3 t100. The Code of the Woosters (PG Wodehouse, 1938)" w( ^' \: X) H$ D9 v. D4 b: f
99. There but for the (Ali Smith, 2011) M! z' ^! i. [# M6 f2 L
98. Under the Volcano (Malcolm Lowry,1947)+ o; Q" m a. D
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
?* X5 U0 I: t8 _2 B; F96. Memoirs of a Survivor (Doris Lessing, 1974)
% K1 f8 _' w# p# e$ u95. The Buddha of Suburbia (Hanif Kureishi, 1990)! M; |3 {4 y9 f0 r
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)/ C& B" q: q1 r% p' P2 D$ [
93. Lord of the Flies (William Golding, 1954)8 y- h8 u- l* k. C1 C* A
92. Cold Comfort Farm (Stella Gibbons, 1932)+ G4 h; x4 v8 @$ |* w
91. The Forsyte Saga (John Galsworthy, 1922)
- t# H1 f% H6 n6 X" h90. The Woman in White (Wilkie Collins, 1859)
5 O" J" B8 I$ [7 V8 q5 U. R89. The Horse’s Mouth (Joyce Cary, 1944)
, ~! h6 K( c, Z; s8 j$ j( ^3 u1 |2 c4 Z1 u88. The Death of the Heart (Elizabeth Bowen, 1938)
, {: l0 \# k6 k6 G& I" i. s87. The Old Wives’ Tale (Arnold Bennett,1908)
2 O m7 R- Q( i8 e x* c" k86. A Legacy (Sybille Bedford, 1956), Z( w1 c& I+ _0 o3 K7 U
85. Regeneration Trilogy (Pat Barker, 1991-1995)% o! ]% ?+ A( |- K* N- j, B
84. Scoop (Evelyn Waugh, 1938)
9 e7 P4 Z$ b# R7 g83. Barchester Towers (Anthony Trollope, 1857)
: ]2 q/ e4 F" O1 F/ |82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: [6 j1 l% v/ X81. The Jewel in the Crown (Paul Scott, 1966)
6 E" x0 Q' v8 P4 _1 U- X80. Excellent Women (Barbara Pym, 1952), ~! t# R$ g) F
79. His Dark Materials (Philip Pullman, 1995-2000)
/ G8 f( |% a1 n3 L* `) H' H: j78. A House for Mr Biswas (VS Naipaul, 1961)
1 O& ?" M1 S! b/ F8 ~( C5 H* q77. Of Human Bondage (W Somerset Maugham, 1915)
0 c6 ]. }0 s, w0 c% ` Z+ {76. Small Island (Andrea Levy, 2004)
% O" Z& s# v9 }* w- T1 e: l75. Women in Love (DH Lawrence, 1920)5 p l. p. f( v, ^! |# H' J: p9 N: N
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; Q: c: K; C, X6 y$ M$ T% p73. The Blue Flower (Penelope Fitzgerald, 1995). D4 J# `2 U; D, H
72. The Heart of the Matter (Graham Greene, 1948)) P6 B. e; u( R& x! {' K
71. Old Filth (Jane Gardam, 2004)6 x. h3 ?0 B; `/ _
70. Daniel Deronda (George Eliot, 1876)
2 [( i! l4 y9 C69. Nostromo (Joseph Conrad, 1904)0 _3 a# ]" ^6 @1 ]$ ^0 X& c
68. A Clockwork Orange (Anthony Burgess, 1962)
) J' N, k" R2 l# y0 V" `67. Crash (JG Ballard 1973)0 L2 r3 K, ?# Q4 t: x
66. Sense and Sensibility (Jane Austen, 1811)
$ f7 ]: |. {" {" @65. Orlando (Virginia Woolf, 1928)
+ Z6 J8 d( S+ `- o# ?64. The Way We Live Now (Anthony Trollope, 1875)
; x3 C" f+ f! C, ^1 z. Y63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ n5 t) S- x* T, y: j62. Animal Farm (George Orwell, 1945)
6 S: Q. Z; C% W! ~61. The Sea, The Sea (Iris Murdoch, 1978): J1 f+ w7 s0 I& n/ X3 e
60. Sons and Lovers (DH Lawrence, 1913)4 x0 ~) L% c; V- e( f; w
59. The Line of Beauty (Alan Hollinghurst, 2004)
; W0 h: n" g' d0 W2 q- C( ]58. Loving (Henry Green, 1945)+ k' }7 Q- `# h
57. Parade’s End (Ford Madox Ford, 1924-1928)% Z. O3 d- C6 x% `( J
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
) }$ S' X4 i! f* e0 d55. Gulliver’s Travels (Jonathan Swift, 1726)
# t: ?! O& g; U$ v' O6 J+ F54. NW (Zadie Smith, 2012)$ ^) j+ S* M g" H' e- a
53. Wide Sargasso Sea (Jean Rhys, 1966)
. Q! Y! V% j; s4 {52. New Grub Street (George Gissing, 1891)
# S2 a" S! H( c. O2 K' I) C51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 ]7 O( w4 u1 Y$ T4 m! m+ ~50. A Passage to India (EM Forster, 1924)
) Y9 a7 ^5 @1 Q9 n6 ^& r3 T% L7 Z t49. Possession (AS Byatt, 1990)3 ^ O. _1 J& a5 d! P
48. Lucky Jim (Kingsley Amis, 1954)- T$ L7 D, Q' R) F( g3 ^8 l2 `; ~
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
; S$ C' I- d2 G+ i6 z46. Midnight’s Children (Salman Rushdie, 1981)$ W" v5 S9 ]& f; D6 t
45. The Little Stranger (Sarah Waters, 2009)' a, e2 J" M/ O6 K
44. Wolf Hall (Hilary Mantel, 2009)
/ C6 a& ^/ D3 f: M. g43. The Swimming Pool Library (Alan Hollinghurst, 1988) h5 o3 }4 S- u" K d
42. Brighton Rock (Graham Greene, 1938)
! A" ]' Q9 e2 w+ h5 X41. Dombey and Son (Charles Dickens, 1848): q2 a2 x) j: X* s& j1 x9 t: s
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; d- F7 L. i: c& t9 _, D39. The Sense of an Ending (Julian Barnes, 2011)
) Z. Z( Y- Z, F+ c38. The Passion (Jeanette Winterson, 1987)% k4 m" M0 ^9 ^
37. Decline and Fall (Evelyn Waugh, 1928)" K! `1 }& \6 m" J4 }6 m
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 D6 X* `5 u# w- \
35. Remainder (Tom McCarthy, 2005)
' G% D' h& n, x+ J$ e) D& M) D34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 E6 H8 p% m% ]& e# A. U- [33. The Wind in the Willows (Kenneth Grahame, 1908)# h; V' E3 c/ ]! B n
32. A Room with a View (EM Forster, 1908)
3 E. h" K' B! M @8 g9 \* T31. The End of the Affair (Graham Greene, 1951)1 v, s1 ^' X1 r3 q1 D
30. Moll Flanders (Daniel Defoe, 1722)
$ F" P3 h* v& f5 r8 L9 \# G29. Brick Lane (Monica Ali, 2003)* a6 Q9 p: g! j/ x4 K
28. Villette (Charlotte Brontë, 1853)
( A6 W, l7 G9 L2 v27. Robinson Crusoe (Daniel Defoe, 1719)
% T' l# l* a) u( h" T9 C26. The Lord of the Rings (JRR Tolkien, 1954)3 `) O4 \) g& \: e5 G2 I7 g
25. White Teeth (Zadie Smith, 2000)
1 C" ^4 S1 V! ?: [- Y24. The Golden Notebook (Doris Lessing, 1962)
! G, Z$ G$ H3 L6 u23. Jude the Obscure (Thomas Hardy, 1895)/ L( v2 a' E( b7 D! i/ |
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
. ~" }- J$ y1 R/ _. Z4 O5 ~21. Heart of Darkness (Joseph Conrad, 1899)
' s- V* `) K4 B+ y4 S20. Persuasion (Jane Austen, 1817)
7 l7 w. O9 H6 O0 H19. Emma (Jane Austen, 1815)! O. C. e+ F2 T P6 S$ V
18. Remains of the Day (Kazuo Ishiguro, 1989)6 O1 H3 [/ E$ _1 H. p6 G
17. Howards End (EM Forster, 1910)) K: f0 j$ `( @- p1 s5 v% r, T, \" S
16. The Waves (Virginia Woolf, 1931)
" C' Z4 i; A; T" }15. Atonement (Ian McEwan, 2001)
: T! O$ W4 H3 R+ Z+ \! \% ?14. Clarissa (Samuel Richardson,1748)5 i3 V3 g7 R& K' e' \; n3 a
13. The Good Soldier (Ford Madox Ford, 1915)
) u" U0 _2 u! f+ e8 q: Q12. Nineteen Eighty-Four (George Orwell, 1949)
3 L% h( }0 k( h8 K- k8 W! P$ X11. Pride and Prejudice (Jane Austen, 1813)* D; c* U( ]( |0 C+ `
10. Vanity Fair (William Makepeace Thackeray, 1848)' u+ ~$ W- s! e8 \5 w6 N
9. Frankenstein (Mary Shelley, 1818)1 {7 S! W' `8 u8 d, y8 H- q: A
8. David Copperfield (Charles Dickens, 1850)2 F& W2 b9 H' a5 }
7. Wuthering Heights (Emily Brontë, 1847), t- T n% a# q2 i) t
6. Bleak House (Charles Dickens, 1853)' u& S4 }/ u& X, N) |* a
5. Jane Eyre (Charlotte Brontë, 1847)& y4 J8 S$ L" D4 m- F6 r* e! q
4. Great Expectations (Charles Dickens, 1861)/ h9 v0 S' ~, f# S. y6 q) z
3. Mrs. Dalloway (Virginia Woolf, 1925)" a1 P4 K+ x8 _4 L `6 w% \) F6 |0 Y# j
2. To the Lighthouse (Virginia Woolf, 1927)8 c: {$ ]) ~1 g& s" W
1. Middlemarch (George Eliot, 1874). J2 J0 W: d9 B; N- [/ D1 U9 _
, h' R) V1 ~! {' s {$ Q; a前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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