|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
: T' c5 u( ~% G0 a& n; t8 R& H' e! H/ j& D, a0 `' t
BBC评出100大英国文学名著
7 L* {' I1 n" g' k8 Rhttp://www.bbc.com/culture/story ... test-british-novels
( {7 R8 z/ O: h惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。1 H# j( k, G( A
4 d) H& B9 _- j e, {
100. The Code of the Woosters (PG Wodehouse, 1938)
9 u# z* u$ v2 U& P1 E99. There but for the (Ali Smith, 2011)& e8 S1 q+ {7 ], V
98. Under the Volcano (Malcolm Lowry,1947). s9 i) a6 ?0 e7 u) d
97. The Chronicles of Narnia (CS Lewis, 1949-1954)0 K% z* C2 p; Q1 \
96. Memoirs of a Survivor (Doris Lessing, 1974)
! Z6 s4 L0 a/ ~8 {8 G95. The Buddha of Suburbia (Hanif Kureishi, 1990)
9 A6 W3 P. m( @9 y, f+ L) a94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
# b3 H1 N/ f& o" m* p3 Y93. Lord of the Flies (William Golding, 1954)+ W* H( E/ Q; i6 b* o
92. Cold Comfort Farm (Stella Gibbons, 1932)
" Y4 s" G4 j- X$ y' ?. x1 B91. The Forsyte Saga (John Galsworthy, 1922). k$ y2 {( m) B: M$ g
90. The Woman in White (Wilkie Collins, 1859)( t% R4 h* y' X- d7 E! m3 [2 ?9 w
89. The Horse’s Mouth (Joyce Cary, 1944)' z2 g, H' ~! w3 I
88. The Death of the Heart (Elizabeth Bowen, 1938)8 `2 s! v$ u& M9 f( f5 a
87. The Old Wives’ Tale (Arnold Bennett,1908)
9 s7 [3 S4 K. n0 A6 H/ w86. A Legacy (Sybille Bedford, 1956), K" T, Q7 ?! Z0 C7 }4 {8 U, i
85. Regeneration Trilogy (Pat Barker, 1991-1995)7 [+ G( K4 n: K5 {; y4 v* s
84. Scoop (Evelyn Waugh, 1938)
0 g" ~0 s" {- `( B" m83. Barchester Towers (Anthony Trollope, 1857)2 P/ j4 N5 Y' J [3 e( O! b: G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)3 `# ]) }$ e3 d6 O; G
81. The Jewel in the Crown (Paul Scott, 1966)
8 g! y% g- n0 j( Y1 V& W6 c* {" ~1 y1 Q80. Excellent Women (Barbara Pym, 1952)
q9 y& c, I0 }1 j3 W79. His Dark Materials (Philip Pullman, 1995-2000)+ h" \3 ^) @) L; t7 t
78. A House for Mr Biswas (VS Naipaul, 1961)% S" V" w7 K0 {: L# O5 a# w
77. Of Human Bondage (W Somerset Maugham, 1915)
3 f6 P+ C( }, X1 i9 W76. Small Island (Andrea Levy, 2004)
+ h: H) ?. c4 I1 u" j8 b75. Women in Love (DH Lawrence, 1920)
% _$ A5 ]2 P( b+ Q- q9 q74. The Mayor of Casterbridge (Thomas Hardy, 1886)
2 k/ H' Y' @7 A; c1 T _+ f. g73. The Blue Flower (Penelope Fitzgerald, 1995). J- H& B6 i; }
72. The Heart of the Matter (Graham Greene, 1948)
% S9 w1 H3 R% S71. Old Filth (Jane Gardam, 2004)
7 Z1 V0 m% Y M) ?70. Daniel Deronda (George Eliot, 1876)
_! o% Y" g) Q2 v69. Nostromo (Joseph Conrad, 1904)% q: P4 w8 V# y" |
68. A Clockwork Orange (Anthony Burgess, 1962): T/ l4 I; K6 O& \# x1 D; A4 b! E
67. Crash (JG Ballard 1973)
: ?" _) s; L5 l66. Sense and Sensibility (Jane Austen, 1811)
2 k* E6 n0 R5 C. w' g! L65. Orlando (Virginia Woolf, 1928)
# F0 h" c' f* i3 Z; y/ b64. The Way We Live Now (Anthony Trollope, 1875)- N$ n+ i- u. q& L2 Z% ^( Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)/ }$ d( j& C6 \% `9 |0 J1 s. f
62. Animal Farm (George Orwell, 1945)2 Q5 j+ {/ a4 T: Y1 B: d
61. The Sea, The Sea (Iris Murdoch, 1978)
6 B; H8 M% r5 h) v2 f60. Sons and Lovers (DH Lawrence, 1913)
; {+ P4 p# b8 }$ O7 E59. The Line of Beauty (Alan Hollinghurst, 2004)6 \6 G8 ^+ H0 D) K! F& @2 i
58. Loving (Henry Green, 1945)) z% Q. p9 o; s
57. Parade’s End (Ford Madox Ford, 1924-1928)" J7 W6 J9 w& _; `
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)+ M9 z+ E) |8 p) q6 k9 d& z) [* S
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 Q; F) ~8 P0 m) b: n+ G54. NW (Zadie Smith, 2012)
: V. z6 ^9 _" @% F% k0 [53. Wide Sargasso Sea (Jean Rhys, 1966); x5 X9 ?( c% C
52. New Grub Street (George Gissing, 1891)) F( _1 x4 [) Y6 t( m6 }7 ^2 |
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' I+ x$ U, O, d9 ` I50. A Passage to India (EM Forster, 1924)
2 A, _4 D7 U. h49. Possession (AS Byatt, 1990)* A( z4 X+ J5 n; ?* k$ R2 K
48. Lucky Jim (Kingsley Amis, 1954) d# q) i* i% s1 H( K
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)2 o+ Z+ c/ ?0 ~3 v+ a
46. Midnight’s Children (Salman Rushdie, 1981)7 ~: p* L8 T3 W3 D1 d# {0 j
45. The Little Stranger (Sarah Waters, 2009); W6 k0 a% {+ W. f3 S5 M
44. Wolf Hall (Hilary Mantel, 2009): A; j# ~2 s0 y: G5 o$ A# ~2 R
43. The Swimming Pool Library (Alan Hollinghurst, 1988); Y Z! T0 u0 T- L
42. Brighton Rock (Graham Greene, 1938)( g( \3 G' n$ m
41. Dombey and Son (Charles Dickens, 1848) `' i x+ m2 H5 |; ^! M1 ^
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)9 K! K' i) L- i
39. The Sense of an Ending (Julian Barnes, 2011)- l3 S9 W. u" e
38. The Passion (Jeanette Winterson, 1987)
; W4 ]1 ^1 d( o. ?) A8 s8 K37. Decline and Fall (Evelyn Waugh, 1928); r' D* F* B6 l, L
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ w4 D2 M- R4 H$ k3 ?! w* f( I$ g35. Remainder (Tom McCarthy, 2005)
( R3 g/ E) l- S) H9 M8 i& m34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 h9 y1 n; r1 E33. The Wind in the Willows (Kenneth Grahame, 1908)3 }- z# y& U4 ?2 _# G
32. A Room with a View (EM Forster, 1908)
0 S' g3 V6 J+ m. F* e" |& F" \& H31. The End of the Affair (Graham Greene, 1951) ?5 U! r6 q b% q3 U
30. Moll Flanders (Daniel Defoe, 1722)" ]( Y+ T, o) J
29. Brick Lane (Monica Ali, 2003)) v' e6 i6 A) D; m
28. Villette (Charlotte Brontë, 1853)
2 B3 _1 s; i+ y27. Robinson Crusoe (Daniel Defoe, 1719)
: b" J/ c. V! {! a, x: t26. The Lord of the Rings (JRR Tolkien, 1954), z9 R5 Q5 n1 u0 Z$ F
25. White Teeth (Zadie Smith, 2000)
) s9 Z1 s! M/ Q9 }1 Q0 Z6 a1 {24. The Golden Notebook (Doris Lessing, 1962)
3 |9 S& u) w C3 i, R5 x23. Jude the Obscure (Thomas Hardy, 1895)
5 K3 [, f! W7 m22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)3 \' f: m G0 @8 b W2 q8 S0 b5 M. f" z
21. Heart of Darkness (Joseph Conrad, 1899)5 j. o( q+ F9 K+ K, d& F7 L
20. Persuasion (Jane Austen, 1817)
& \9 [; g( x3 r$ |# j19. Emma (Jane Austen, 1815)0 n, }- w, [3 c( b0 ?3 I7 g$ I) {6 f
18. Remains of the Day (Kazuo Ishiguro, 1989)
8 p$ J' X$ G G) z17. Howards End (EM Forster, 1910)
: y3 q/ {3 t/ K q$ Q' {+ {+ [" L16. The Waves (Virginia Woolf, 1931)0 x- J% v* P) S; f7 n9 Q
15. Atonement (Ian McEwan, 2001)
& N+ s4 \+ U4 v; J/ k7 M14. Clarissa (Samuel Richardson,1748)" |/ j# M8 s1 M" o
13. The Good Soldier (Ford Madox Ford, 1915)
$ E' s/ `3 [5 @- X$ Q7 \& x12. Nineteen Eighty-Four (George Orwell, 1949)
& i2 ]! m/ @& E11. Pride and Prejudice (Jane Austen, 1813)
' ?$ x' c& ?6 n! z10. Vanity Fair (William Makepeace Thackeray, 1848)
0 r" U% g7 J3 q6 l N9. Frankenstein (Mary Shelley, 1818)) v! k$ Y+ H8 r) m8 a; k* _
8. David Copperfield (Charles Dickens, 1850)
( i3 L x5 G6 m# o7. Wuthering Heights (Emily Brontë, 1847)
S! k3 c0 v. h6. Bleak House (Charles Dickens, 1853)1 d% \; @7 r7 S: w
5. Jane Eyre (Charlotte Brontë, 1847)
8 l7 j' A% x- ]* L& e8 T4. Great Expectations (Charles Dickens, 1861)% T4 d: U! T3 V0 v$ |
3. Mrs. Dalloway (Virginia Woolf, 1925)& V% a6 x, V; u
2. To the Lighthouse (Virginia Woolf, 1927)
, V3 M. J9 h' ~, C8 O/ j& Z1. Middlemarch (George Eliot, 1874)9 G8 K' r2 Z3 x' ?# d6 a2 `8 O% ~
" q" ~7 r6 z! z: a' d& r
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 N! c( y, F+ }
! H: j+ C# U6 {* Y$ Y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
