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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # k( I$ S: b% w j
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BBC评出100大英国文学名著
( t0 ~% c/ [+ @. C# N$ I) M- ~http://www.bbc.com/culture/story ... test-british-novels* y. o$ W1 N% q4 v1 W
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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5 i& Q1 C7 j0 Z o100. The Code of the Woosters (PG Wodehouse, 1938)* O: h3 N* J# f$ a. n9 Q, n
99. There but for the (Ali Smith, 2011)
6 k. I( h- @. N, M( T98. Under the Volcano (Malcolm Lowry,1947)2 @+ o8 c5 d/ V2 h
97. The Chronicles of Narnia (CS Lewis, 1949-1954)4 k/ i! c. |* y3 m! u F1 O
96. Memoirs of a Survivor (Doris Lessing, 1974)
) N0 {/ @6 S: }" V8 n; W$ |* b95. The Buddha of Suburbia (Hanif Kureishi, 1990)
. t( y& @+ a4 w8 L+ Y94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! H- I& \8 A, r% W. I93. Lord of the Flies (William Golding, 1954)
( P& y3 X/ w6 [; y9 m0 t$ ]. v" ~92. Cold Comfort Farm (Stella Gibbons, 1932), F& j2 K# k. P' J% }; }8 q$ F
91. The Forsyte Saga (John Galsworthy, 1922)
) M& i, U2 v# ?1 s/ e& {! I90. The Woman in White (Wilkie Collins, 1859)
. N/ s; C5 y1 Q1 h, ]89. The Horse’s Mouth (Joyce Cary, 1944)
p" v% R( B2 Z$ R( Q2 b0 m+ H" d88. The Death of the Heart (Elizabeth Bowen, 1938)
8 T) S" J; B% T87. The Old Wives’ Tale (Arnold Bennett,1908)# k* K H1 H' K2 u$ M
86. A Legacy (Sybille Bedford, 1956) I9 }/ U8 I, ]9 e! N4 M
85. Regeneration Trilogy (Pat Barker, 1991-1995)
* Q. Z3 s8 f/ [1 Z. a; b. F84. Scoop (Evelyn Waugh, 1938)
6 A6 j5 f) N" \3 {+ I J% V( E83. Barchester Towers (Anthony Trollope, 1857)
8 B- C( K; u9 k- U6 o3 F8 X! p82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)' r$ d( [2 h6 y: `. l
81. The Jewel in the Crown (Paul Scott, 1966)
& a6 m6 R' k, _3 @80. Excellent Women (Barbara Pym, 1952)
5 u$ u/ f) _2 h1 ~& _+ G4 a6 h1 ]79. His Dark Materials (Philip Pullman, 1995-2000)
; D. V- \' N4 [, A( ]3 {, u78. A House for Mr Biswas (VS Naipaul, 1961)
4 w; m- h2 v& Z+ g/ |- N* J: l. P9 ]77. Of Human Bondage (W Somerset Maugham, 1915), S6 C: T Y( j% q% d9 W# p- Y
76. Small Island (Andrea Levy, 2004)
! f( H7 Z& D- _- t- D75. Women in Love (DH Lawrence, 1920)
, P$ O$ @0 |3 A; `4 r$ i# N74. The Mayor of Casterbridge (Thomas Hardy, 1886), ~+ l l) d, j- S9 u/ K
73. The Blue Flower (Penelope Fitzgerald, 1995)- l, O: U; b$ I/ q, H
72. The Heart of the Matter (Graham Greene, 1948)2 [2 V1 L$ n. U
71. Old Filth (Jane Gardam, 2004)7 K& \ D7 h4 q
70. Daniel Deronda (George Eliot, 1876)$ e1 x+ r& |* `% n
69. Nostromo (Joseph Conrad, 1904)
" J: i; x% w' g$ Q& F. b y* o68. A Clockwork Orange (Anthony Burgess, 1962)% g& R1 P8 Y$ ?8 h
67. Crash (JG Ballard 1973)
9 t# I' x7 `3 `8 B66. Sense and Sensibility (Jane Austen, 1811)
3 o" A1 Q$ s5 L- ~65. Orlando (Virginia Woolf, 1928); Z0 P2 R7 K5 s5 q) h# Q' ?6 ?. ^7 B
64. The Way We Live Now (Anthony Trollope, 1875)3 ]- {. ~5 Y4 H5 B, a# n X
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)- v4 P6 s' d3 P2 Q+ D' p; I
62. Animal Farm (George Orwell, 1945)
. K5 |0 F+ r- Y' v$ Y5 s5 c* D& k61. The Sea, The Sea (Iris Murdoch, 1978)
3 h; d2 T! J2 @1 }. L7 y: J O60. Sons and Lovers (DH Lawrence, 1913)
. ~+ n* {" K5 D) ?* Y- F) ~59. The Line of Beauty (Alan Hollinghurst, 2004)
! X4 V+ I% D9 R# x1 c2 G: Z6 r58. Loving (Henry Green, 1945)7 g$ a) Y# z3 }1 H
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 N0 a& T) o5 D3 j6 _1 z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985). R4 A2 t5 J/ I" T+ N
55. Gulliver’s Travels (Jonathan Swift, 1726)
; Y1 _/ \+ g3 p* y+ Q; ~54. NW (Zadie Smith, 2012)
- I3 c& T6 L" c1 O$ W+ S# S& j4 }. F53. Wide Sargasso Sea (Jean Rhys, 1966)+ g# c$ r" _' y! G5 Q0 c
52. New Grub Street (George Gissing, 1891)- H9 B" ]$ |& g: a: P2 o
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
, u8 r) e2 U9 B: i( r5 Z50. A Passage to India (EM Forster, 1924)
! C. i0 A, x* ?) |7 U+ E49. Possession (AS Byatt, 1990)# q* o- b9 R6 M
48. Lucky Jim (Kingsley Amis, 1954)
0 Q- y# w& |% K. ?+ W& X47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)3 V# T/ ~/ T9 U; W' g( L
46. Midnight’s Children (Salman Rushdie, 1981), ]7 l3 S9 {, ]% G
45. The Little Stranger (Sarah Waters, 2009) D" C3 \0 @6 |2 ?
44. Wolf Hall (Hilary Mantel, 2009): R0 B* E/ _3 s. x7 c0 V
43. The Swimming Pool Library (Alan Hollinghurst, 1988)# ]7 c. q" y9 D$ S- Q
42. Brighton Rock (Graham Greene, 1938)
( q# U2 P' v& V& q41. Dombey and Son (Charles Dickens, 1848); T& _ J- K ~, I3 O3 ~! E
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)' Y3 I2 y$ G& Y9 J' ^
39. The Sense of an Ending (Julian Barnes, 2011)' g- e8 M! L4 H4 L$ P; q
38. The Passion (Jeanette Winterson, 1987), {. U- \" T# j# V4 ]6 s* j
37. Decline and Fall (Evelyn Waugh, 1928)
" E' |0 |9 V7 Y' F4 N36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 U/ S4 D. H1 O. g
35. Remainder (Tom McCarthy, 2005)5 ]3 T( D1 i$ z. u' R
34. Never Let Me Go (Kazuo Ishiguro, 2005); c$ N& B+ p7 S8 n/ ~# O4 v3 t
33. The Wind in the Willows (Kenneth Grahame, 1908)
( ?2 _+ t$ j' t! L32. A Room with a View (EM Forster, 1908)- Z. v1 b. ?& b) b* Y
31. The End of the Affair (Graham Greene, 1951)
3 {+ y9 z2 e( P5 l$ g30. Moll Flanders (Daniel Defoe, 1722) T0 O" R( Y5 k' X2 `
29. Brick Lane (Monica Ali, 2003)
: I% b7 V- d' f* T3 C2 N1 r28. Villette (Charlotte Brontë, 1853)
L [; M$ v9 O. d27. Robinson Crusoe (Daniel Defoe, 1719)
2 n8 P2 q; y6 ]4 g' S' w$ A26. The Lord of the Rings (JRR Tolkien, 1954)" c' W/ K# d) E+ ]* v/ t3 |1 @, J
25. White Teeth (Zadie Smith, 2000)9 a$ C2 a' T/ F, [ o4 j" |
24. The Golden Notebook (Doris Lessing, 1962)
' a% _+ t# k6 f7 m23. Jude the Obscure (Thomas Hardy, 1895)
/ {: E# ]# Z% j- f* u2 u! w% |3 D% D22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)# D+ r) G' e7 E
21. Heart of Darkness (Joseph Conrad, 1899)
1 \. r, a; A9 c9 X6 ^! [20. Persuasion (Jane Austen, 1817)0 q' T" u1 V3 h" W# F- q" C
19. Emma (Jane Austen, 1815)
; ~8 h" a& O+ \( L9 k' O e18. Remains of the Day (Kazuo Ishiguro, 1989)- _8 k+ j5 x: \& I
17. Howards End (EM Forster, 1910)- A( m9 h8 Q1 L, C
16. The Waves (Virginia Woolf, 1931)
; J1 E' m. k4 s$ I15. Atonement (Ian McEwan, 2001)
/ W6 u$ s4 G# q/ \ [14. Clarissa (Samuel Richardson,1748)
' R* q' O- }3 Y4 P13. The Good Soldier (Ford Madox Ford, 1915)
( J. h4 ]8 h( z1 L8 |- C& c12. Nineteen Eighty-Four (George Orwell, 1949)
, b( f4 b: c9 R11. Pride and Prejudice (Jane Austen, 1813)
# V: t' Z0 j! V: J10. Vanity Fair (William Makepeace Thackeray, 1848)
8 B5 }, V9 }; B9. Frankenstein (Mary Shelley, 1818)' f' |0 V6 ~ H1 i
8. David Copperfield (Charles Dickens, 1850)+ H/ h; ~. E6 |* ?# P" o4 J
7. Wuthering Heights (Emily Brontë, 1847)0 W6 w8 z0 e# z/ Y. ~- x
6. Bleak House (Charles Dickens, 1853)
9 |1 T" _/ k! U, P5. Jane Eyre (Charlotte Brontë, 1847)
, z& k$ }1 O w4. Great Expectations (Charles Dickens, 1861)
7 V4 t' |" U# T8 \. j, w& H3. Mrs. Dalloway (Virginia Woolf, 1925)* D# d$ k) O% P9 w- R
2. To the Lighthouse (Virginia Woolf, 1927)0 R) h9 g& `4 T; O( Y$ D6 k! r
1. Middlemarch (George Eliot, 1874)0 o6 R u9 ]; k/ P+ u
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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# ~5 c/ u0 e" }! D. t呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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