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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
6 x1 n8 b% X& [' G9 z: I- Q+ h& \http://www.bbc.com/culture/story ... test-british-novels( m$ t; s5 D% `: N+ ^
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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8 h0 ?% f+ D* P100. The Code of the Woosters (PG Wodehouse, 1938)
! V" R% J, F6 @99. There but for the (Ali Smith, 2011)+ J, X' D: k; l. p$ i3 f% n
98. Under the Volcano (Malcolm Lowry,1947)
D1 }4 F4 c2 g* N W' o97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; j% o1 s! `$ y' e96. Memoirs of a Survivor (Doris Lessing, 1974)2 ?7 n: @0 Z" E) q p2 ^8 R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
) j0 m8 X, F3 s, L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' V* K0 }# S7 `, @9 z93. Lord of the Flies (William Golding, 1954)
$ F0 W, A/ s8 m5 a, ]92. Cold Comfort Farm (Stella Gibbons, 1932)% m5 w( j Q6 z- J; J, e' z
91. The Forsyte Saga (John Galsworthy, 1922)
& t' b/ U& q: U0 ]/ v90. The Woman in White (Wilkie Collins, 1859)
( e3 T" T: L5 @ S4 K0 }5 Z89. The Horse’s Mouth (Joyce Cary, 1944)
; }& n& k& U& W* [# b& Q88. The Death of the Heart (Elizabeth Bowen, 1938)5 K& u8 n6 `2 V! J+ }1 T' h
87. The Old Wives’ Tale (Arnold Bennett,1908)- d9 x, C, W) d1 Y+ u8 M# O6 L$ l+ Q
86. A Legacy (Sybille Bedford, 1956)- A( }8 T/ H( k4 B! n" z2 }
85. Regeneration Trilogy (Pat Barker, 1991-1995)
# l5 Q" O; l+ x, k7 ?84. Scoop (Evelyn Waugh, 1938)
& m# Y- g& n% I7 w; x83. Barchester Towers (Anthony Trollope, 1857); T! O; |3 K5 x9 M
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" M4 F4 A8 p( s$ |3 ^$ C9 Z2 r+ ?
81. The Jewel in the Crown (Paul Scott, 1966)) u8 n. @1 ^+ E* T. z) e
80. Excellent Women (Barbara Pym, 1952)
9 k$ i! c2 }% K6 }4 A" W/ k- d0 M/ m79. His Dark Materials (Philip Pullman, 1995-2000)9 c G$ ?( x: p: ^$ p
78. A House for Mr Biswas (VS Naipaul, 1961)
& u/ ?* C5 K# P77. Of Human Bondage (W Somerset Maugham, 1915)
/ U3 e% |1 i* H2 p p76. Small Island (Andrea Levy, 2004)$ z- O- A8 t' C: L: t+ p7 f
75. Women in Love (DH Lawrence, 1920). ?+ X1 l7 ^/ Q) M. K
74. The Mayor of Casterbridge (Thomas Hardy, 1886)4 D% s0 z1 U( Z+ ~. U
73. The Blue Flower (Penelope Fitzgerald, 1995)
3 C: K/ b: _1 J72. The Heart of the Matter (Graham Greene, 1948)5 M2 v: j" F a' G6 g
71. Old Filth (Jane Gardam, 2004)
' b8 d$ \7 n& E t& g/ w. y+ ^0 N70. Daniel Deronda (George Eliot, 1876)
% N. {5 I, |% I; }69. Nostromo (Joseph Conrad, 1904)
+ y) ]; T* B( R( r2 d9 b( J0 a1 \68. A Clockwork Orange (Anthony Burgess, 1962)* h: r a, Z* w
67. Crash (JG Ballard 1973)2 X7 q' G0 D! O1 w
66. Sense and Sensibility (Jane Austen, 1811)
: l6 |! q6 i6 C5 b( F- |65. Orlando (Virginia Woolf, 1928)+ T1 _& o; {8 q( G
64. The Way We Live Now (Anthony Trollope, 1875)
, N* H, a: ?* \0 q$ R0 h4 ? E63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" S9 c; f1 I9 p& d' k) ^4 `
62. Animal Farm (George Orwell, 1945)0 v( s9 K& Y# i
61. The Sea, The Sea (Iris Murdoch, 1978)
' A2 C9 M2 ^# p$ W/ g/ K/ Y- C- n60. Sons and Lovers (DH Lawrence, 1913)3 j+ E+ C3 p4 I) z
59. The Line of Beauty (Alan Hollinghurst, 2004)
# G9 d4 ]+ ~0 j, [- u% M58. Loving (Henry Green, 1945)+ ~5 e# {4 @2 Q) y
57. Parade’s End (Ford Madox Ford, 1924-1928)0 g- P; I1 z& x/ q) Q7 d) ~( D
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
/ } g: {2 J0 x: g# q9 ~. L55. Gulliver’s Travels (Jonathan Swift, 1726)
2 d% @1 f" z1 O4 e7 D; i ]& _54. NW (Zadie Smith, 2012)
+ e- A- {4 a! w. K% q53. Wide Sargasso Sea (Jean Rhys, 1966)
4 I2 M6 P9 y2 b52. New Grub Street (George Gissing, 1891)! Z! b/ J& q b% o6 _
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)& l! f1 y( `. C3 b" D y
50. A Passage to India (EM Forster, 1924)
6 v, s8 K% |1 {: D m' l4 s49. Possession (AS Byatt, 1990)! b2 D. i8 U) A8 e! q3 p
48. Lucky Jim (Kingsley Amis, 1954)4 F$ q$ t2 A- H2 f1 l0 W& g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 j5 A$ Z2 A0 D! u, {( l/ G
46. Midnight’s Children (Salman Rushdie, 1981)
6 I$ a) d3 [6 ?45. The Little Stranger (Sarah Waters, 2009)- v% b% R4 J9 G& h- u/ k- t) L! J
44. Wolf Hall (Hilary Mantel, 2009)
: g4 ^* ~. T9 n, `% L43. The Swimming Pool Library (Alan Hollinghurst, 1988)' x- a. }1 f+ Q
42. Brighton Rock (Graham Greene, 1938)& \ A- b, Q1 T4 t# H& A! v
41. Dombey and Son (Charles Dickens, 1848)
& f8 a* |* Q3 R, {40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ ?6 g% x; J% n# W. k39. The Sense of an Ending (Julian Barnes, 2011)/ {% ? L) _& h& e
38. The Passion (Jeanette Winterson, 1987)
[3 w0 C8 [# }7 b37. Decline and Fall (Evelyn Waugh, 1928); [/ V6 Q% A2 \" h
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
, V5 D( L0 N# x ~- M2 ^0 @35. Remainder (Tom McCarthy, 2005)
, P% S; f4 q2 z2 d34. Never Let Me Go (Kazuo Ishiguro, 2005)
# b, B" w; G% e; ]% @. y33. The Wind in the Willows (Kenneth Grahame, 1908)- e. M, J' f' w4 J. `, c" Y1 H$ a
32. A Room with a View (EM Forster, 1908)
x$ U, n, |0 x; ^31. The End of the Affair (Graham Greene, 1951): W- [. I& K7 A* J0 i$ P- ?/ J
30. Moll Flanders (Daniel Defoe, 1722)0 X' h0 ?7 u1 |& d+ V/ M& g. M9 j
29. Brick Lane (Monica Ali, 2003)" V$ ~3 R+ W2 s$ P; ~
28. Villette (Charlotte Brontë, 1853); J2 K7 V5 j# ? `9 }: ?
27. Robinson Crusoe (Daniel Defoe, 1719); f; K7 X P% ]6 k$ R' v* H' {
26. The Lord of the Rings (JRR Tolkien, 1954)- N! J2 o! V: N3 C( U- R5 d
25. White Teeth (Zadie Smith, 2000)
+ ~$ Z+ T2 ? a/ t( a1 t24. The Golden Notebook (Doris Lessing, 1962)
) t' J! s* e/ h8 i23. Jude the Obscure (Thomas Hardy, 1895)
" j& N. Q( A6 P9 o+ ~* F$ c22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)0 i) b8 F9 P O3 `! n, q
21. Heart of Darkness (Joseph Conrad, 1899) Q/ l1 g7 g$ i
20. Persuasion (Jane Austen, 1817)( _# J* r, J9 Z i- R: c6 V
19. Emma (Jane Austen, 1815)
4 ]* _4 {0 F T4 ?18. Remains of the Day (Kazuo Ishiguro, 1989)
8 ~: T( W( {" d3 T0 p17. Howards End (EM Forster, 1910)' ^$ s& i" s' s/ g7 f! m
16. The Waves (Virginia Woolf, 1931)
9 o& b4 _' O2 w K& T+ B15. Atonement (Ian McEwan, 2001)$ q: w+ R, R I( \3 W
14. Clarissa (Samuel Richardson,1748) ?% W# T) A; _" V
13. The Good Soldier (Ford Madox Ford, 1915)/ O5 h! Q) ?2 u
12. Nineteen Eighty-Four (George Orwell, 1949)( H2 T3 ]; {0 f3 [0 O) w
11. Pride and Prejudice (Jane Austen, 1813)
, Y6 D& S/ N0 g$ u10. Vanity Fair (William Makepeace Thackeray, 1848)5 W, O' w& w4 }: x: s8 a9 m3 `
9. Frankenstein (Mary Shelley, 1818)
8 W) ]& ]7 \5 K; v3 z- K3 U; U8. David Copperfield (Charles Dickens, 1850)3 u& w9 |' r% X& i. O1 \
7. Wuthering Heights (Emily Brontë, 1847)) s0 y9 f; Y3 A l. T
6. Bleak House (Charles Dickens, 1853)
q x8 ]+ i; I* [ P5. Jane Eyre (Charlotte Brontë, 1847)4 V2 P9 j- ~; M: p0 V; W7 _
4. Great Expectations (Charles Dickens, 1861)# e* I8 g$ B) S# r
3. Mrs. Dalloway (Virginia Woolf, 1925)& L W! j& t5 X
2. To the Lighthouse (Virginia Woolf, 1927)/ i3 l* _8 ~4 j. I! f6 ~
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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