|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
/ U/ Q% q( r5 p- k8 C/ E
5 m3 o" ~& D. }7 n! x7 RBBC评出100大英国文学名著
5 ~5 d1 ` H0 }$ dhttp://www.bbc.com/culture/story ... test-british-novels
# m' a( Z6 i1 z( v/ ~惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( D0 H7 G) E: d: J# d
@3 b1 a1 }0 M; B" b100. The Code of the Woosters (PG Wodehouse, 1938)* }8 d0 i$ `3 i3 ?% v5 }- ~+ d$ k1 N
99. There but for the (Ali Smith, 2011)
M! i1 v3 s$ q8 [6 }% N0 ~6 H98. Under the Volcano (Malcolm Lowry,1947)- t/ A, J8 n' F, Z
97. The Chronicles of Narnia (CS Lewis, 1949-1954)3 L! U5 E4 x w( `7 [6 U {
96. Memoirs of a Survivor (Doris Lessing, 1974)2 W$ `, d) @7 p! w/ g% Q3 z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" W9 B6 L! p& O2 x94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 k+ [4 q! q; `4 k93. Lord of the Flies (William Golding, 1954)* G: I/ D' I b/ u2 m- ]
92. Cold Comfort Farm (Stella Gibbons, 1932)" l! w" m$ c1 p3 v6 T
91. The Forsyte Saga (John Galsworthy, 1922)
|3 d4 M3 u1 h/ i; d$ _90. The Woman in White (Wilkie Collins, 1859)
7 T' T. F; d8 d3 B. K89. The Horse’s Mouth (Joyce Cary, 1944)$ g9 e. }2 [/ U% ^6 c/ \% N6 O
88. The Death of the Heart (Elizabeth Bowen, 1938)
/ t& C/ h. V( M/ B8 U( R' i87. The Old Wives’ Tale (Arnold Bennett,1908)
1 N% _' S+ J* J8 F5 W86. A Legacy (Sybille Bedford, 1956)( z, i8 r4 P( M2 P/ F8 ~
85. Regeneration Trilogy (Pat Barker, 1991-1995)2 s% h9 _7 t/ }& ?! d# s4 K* n" U
84. Scoop (Evelyn Waugh, 1938)
+ l2 H! e. ^$ i3 o u83. Barchester Towers (Anthony Trollope, 1857)
: o& b4 P1 Y! o( E' ~- W82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
0 w u5 H6 V- A, d8 P, { H81. The Jewel in the Crown (Paul Scott, 1966)5 H6 Z' G) O+ m) Y% {$ X9 z9 Z. Y* h
80. Excellent Women (Barbara Pym, 1952)5 h( t* ^" C- r
79. His Dark Materials (Philip Pullman, 1995-2000)
: r/ S# t7 H& Z: ?4 q78. A House for Mr Biswas (VS Naipaul, 1961)" \! O2 i: [+ I; F1 O2 z) t
77. Of Human Bondage (W Somerset Maugham, 1915)6 t$ O* h0 H7 n- Q; Z, @' S6 `4 J
76. Small Island (Andrea Levy, 2004)( U7 C: g) }, C9 ]- L5 ^1 ^* e
75. Women in Love (DH Lawrence, 1920)3 x3 L* H! ~# t) R" U
74. The Mayor of Casterbridge (Thomas Hardy, 1886)' }/ \* `1 m; Z
73. The Blue Flower (Penelope Fitzgerald, 1995)
6 X; V5 ^8 {0 d4 B4 Q+ a5 V3 f( V72. The Heart of the Matter (Graham Greene, 1948)$ A2 f5 y4 q4 e' U+ u$ ?1 a
71. Old Filth (Jane Gardam, 2004)) b4 C+ s- U3 c. t' v! ^- \
70. Daniel Deronda (George Eliot, 1876)0 S. j8 a/ ?# ~# |% g' n9 @
69. Nostromo (Joseph Conrad, 1904)
! e6 d' N* {9 N% L6 {68. A Clockwork Orange (Anthony Burgess, 1962)
5 N1 i- H( a3 ? b- j67. Crash (JG Ballard 1973)
4 m- _( f2 [9 d5 Z' |% l66. Sense and Sensibility (Jane Austen, 1811)
6 _/ f/ K* R. |( j& n65. Orlando (Virginia Woolf, 1928)
) t1 k- Q4 m, _4 ^( Y* G- K64. The Way We Live Now (Anthony Trollope, 1875)0 ~. h& P6 |1 G- x, D e6 S$ A- ]
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 i$ w. Y/ B, k. O# S+ ^/ j
62. Animal Farm (George Orwell, 1945)( u- z9 n( x y( w0 S9 \
61. The Sea, The Sea (Iris Murdoch, 1978)
' y+ M% r$ q; X! J1 R" f+ v60. Sons and Lovers (DH Lawrence, 1913)3 E- ~; ]5 K5 B% U
59. The Line of Beauty (Alan Hollinghurst, 2004); w) M( y; z4 O$ M& q
58. Loving (Henry Green, 1945)4 P. I' ]' p/ {& e/ Z
57. Parade’s End (Ford Madox Ford, 1924-1928)
9 _+ b8 u$ I7 r7 |! A) w# f0 q2 q/ F56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); g& e9 ?- }: r: }' S" q# {6 a L7 k* y
55. Gulliver’s Travels (Jonathan Swift, 1726)
6 Q" G x% q% X54. NW (Zadie Smith, 2012)5 I' P" ^/ W( C% I$ I7 k* O
53. Wide Sargasso Sea (Jean Rhys, 1966): j$ ~9 l3 _/ l, h4 X# B
52. New Grub Street (George Gissing, 1891)% `. U( z( o/ U/ P
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)" s2 B( x2 Q% i$ y
50. A Passage to India (EM Forster, 1924)0 l6 r7 Q5 Z+ w. P7 d+ E7 K/ L
49. Possession (AS Byatt, 1990)
+ w4 ]* K6 }& Q* u0 D48. Lucky Jim (Kingsley Amis, 1954)
2 b; C- s" ~( f47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 ^2 O5 d- G! ^; a/ |
46. Midnight’s Children (Salman Rushdie, 1981)
& b7 o$ L& B: c' B6 o# D* L" q45. The Little Stranger (Sarah Waters, 2009)
9 r; j+ Y, u- Z+ z W- l; t44. Wolf Hall (Hilary Mantel, 2009)
6 [( Z. u) N. U/ v( X43. The Swimming Pool Library (Alan Hollinghurst, 1988)5 f/ ?' q, @8 @6 |$ \
42. Brighton Rock (Graham Greene, 1938)
3 P3 S. I+ M6 \41. Dombey and Son (Charles Dickens, 1848)9 S' T. i0 Q) \6 q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
& ^$ ^9 X( g4 ^1 D" a39. The Sense of an Ending (Julian Barnes, 2011)) a, r6 O5 }6 [7 o) _* |) H
38. The Passion (Jeanette Winterson, 1987)1 X! ^. w# R( y7 y/ D v4 g6 E( n
37. Decline and Fall (Evelyn Waugh, 1928)7 p M% l1 \: X3 z# |
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- [% j6 L/ k. D$ u7 a35. Remainder (Tom McCarthy, 2005)
$ ~+ W& T' N9 W% H34. Never Let Me Go (Kazuo Ishiguro, 2005)
: x5 S8 S$ |2 s# _% l6 @33. The Wind in the Willows (Kenneth Grahame, 1908)+ @% X: o8 W+ ?0 Q' `
32. A Room with a View (EM Forster, 1908)0 w* \5 t1 R1 u- o/ _; z
31. The End of the Affair (Graham Greene, 1951)
D: E1 u( _9 X5 }3 l* g30. Moll Flanders (Daniel Defoe, 1722)! X& y7 [( g& b5 e ~8 A
29. Brick Lane (Monica Ali, 2003). G7 Y* j/ B1 ~1 {
28. Villette (Charlotte Brontë, 1853)0 G% B, E9 L$ {# Z [3 c8 j
27. Robinson Crusoe (Daniel Defoe, 1719)+ | w; H4 o) r* p# T
26. The Lord of the Rings (JRR Tolkien, 1954)
, u: B7 u' r, x% {1 U& _8 l; V& C25. White Teeth (Zadie Smith, 2000)$ c/ }0 ^: w) X& q4 @$ V; E
24. The Golden Notebook (Doris Lessing, 1962)
/ Q, z+ w; e8 Z% d23. Jude the Obscure (Thomas Hardy, 1895)& o% ^: E, X/ U" `" s& y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 C$ k& W* S/ T& }: j( ?21. Heart of Darkness (Joseph Conrad, 1899)
8 X9 p3 M' I( c7 A! J, ^* o2 C20. Persuasion (Jane Austen, 1817): v2 m F; S$ c" ]
19. Emma (Jane Austen, 1815)( H2 U2 G- w0 o8 j8 h
18. Remains of the Day (Kazuo Ishiguro, 1989)" ~# F2 Y& ?5 ]3 K# V
17. Howards End (EM Forster, 1910)# \3 @" A, {! ~
16. The Waves (Virginia Woolf, 1931)( l5 c& U+ U) [+ {: z6 ^3 C
15. Atonement (Ian McEwan, 2001); `2 q3 n6 c! Z* E- T- }
14. Clarissa (Samuel Richardson,1748)3 l1 s2 P' D6 E, x" Z
13. The Good Soldier (Ford Madox Ford, 1915). M4 G6 V) D, l- p& W
12. Nineteen Eighty-Four (George Orwell, 1949)1 H% T, o) L0 `% C. N( o Q& Z: k
11. Pride and Prejudice (Jane Austen, 1813)
% s' e$ z. v, s: X, X10. Vanity Fair (William Makepeace Thackeray, 1848)
, m/ V# @6 V* {7 T7 n$ R- i9. Frankenstein (Mary Shelley, 1818)) g/ T; k9 ^: A8 [' G7 L* Q4 u
8. David Copperfield (Charles Dickens, 1850)* u* q' h- w; ]! e
7. Wuthering Heights (Emily Brontë, 1847)- J( x3 r& @) w
6. Bleak House (Charles Dickens, 1853)8 |1 Q1 a, G+ l& G8 E
5. Jane Eyre (Charlotte Brontë, 1847)$ ^# X& e) H2 f# s
4. Great Expectations (Charles Dickens, 1861)# y7 r5 b% D& E$ M3 C
3. Mrs. Dalloway (Virginia Woolf, 1925)
. c) \- k' j6 m3 f2. To the Lighthouse (Virginia Woolf, 1927) F- {4 Z( B& @' E+ w
1. Middlemarch (George Eliot, 1874)
) e2 h8 M/ `6 v" y4 o6 D2 h
. ^& V. L, K5 K6 Q3 N3 y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
* B; w9 I+ A5 Q( S$ W( z! U5 i% l4 b' ^% J. R1 O4 x7 J% ?& X+ |+ R
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
