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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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9 K" c4 B; t1 |) cBBC评出100大英国文学名著0 P8 T" A; ?$ n" E
http://www.bbc.com/culture/story ... test-british-novels
4 {* A3 O. K& t5 V5 ^/ J3 g0 l惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。 `* s" f- ]; E
# w8 y N- F* O3 C' u/ l$ a100. The Code of the Woosters (PG Wodehouse, 1938). N- n- Q; {! T, a- ^6 S
99. There but for the (Ali Smith, 2011)4 E' m. F( P* S' b
98. Under the Volcano (Malcolm Lowry,1947)
# K7 t" c# }, l% |97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 v8 E' q( N! x% [& d% D9 J4 r
96. Memoirs of a Survivor (Doris Lessing, 1974)
! t z H- F! G1 r& U0 z/ Q95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 D4 P- H0 E) p/ f2 M/ r% g94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); q! v& F8 N) {3 w6 f
93. Lord of the Flies (William Golding, 1954)3 F) ^) \* I3 o: N
92. Cold Comfort Farm (Stella Gibbons, 1932)( _; M2 u: v( H3 S, [
91. The Forsyte Saga (John Galsworthy, 1922)
4 U7 _* u5 q4 H/ q90. The Woman in White (Wilkie Collins, 1859) D6 J& T2 {+ [, `" U; z8 t3 x
89. The Horse’s Mouth (Joyce Cary, 1944)
3 x7 j( b1 N( m) z2 P5 |1 P" K88. The Death of the Heart (Elizabeth Bowen, 1938)
9 G1 J5 ]0 v" {. T7 r9 f5 U0 Z4 C' b87. The Old Wives’ Tale (Arnold Bennett,1908)9 [. ?& V q( v4 H7 u" v
86. A Legacy (Sybille Bedford, 1956)
k5 p7 v' n/ I) }85. Regeneration Trilogy (Pat Barker, 1991-1995)" y! K3 I1 H0 ~- t; {4 i
84. Scoop (Evelyn Waugh, 1938)& Q- W& m, ^. [
83. Barchester Towers (Anthony Trollope, 1857)1 q: e0 r' ?; A% t3 G) @2 i) Y
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" Y' c& ?8 }: B81. The Jewel in the Crown (Paul Scott, 1966)
# i0 _& d. {8 N4 H' }80. Excellent Women (Barbara Pym, 1952)( A$ j& W/ K, B" Z
79. His Dark Materials (Philip Pullman, 1995-2000)
6 b2 m4 z, @/ w78. A House for Mr Biswas (VS Naipaul, 1961); O* h' D; W, w1 b
77. Of Human Bondage (W Somerset Maugham, 1915)
7 P7 ^. n9 l6 h# Q" Z7 A9 B4 K+ D. {76. Small Island (Andrea Levy, 2004)6 C; f4 {! \, x5 F* j( `
75. Women in Love (DH Lawrence, 1920)
: o) L' u/ g' a2 Y74. The Mayor of Casterbridge (Thomas Hardy, 1886)* m; i; x+ n$ m Y
73. The Blue Flower (Penelope Fitzgerald, 1995)3 ~& c {7 N2 _1 K- L+ h
72. The Heart of the Matter (Graham Greene, 1948)7 o$ W! \. \. t
71. Old Filth (Jane Gardam, 2004)
+ | X& c+ t+ w1 W70. Daniel Deronda (George Eliot, 1876)
8 \9 X! Y7 X% ]) K( G# \0 h) B% B69. Nostromo (Joseph Conrad, 1904)
0 r# h4 l6 C. b; O* I68. A Clockwork Orange (Anthony Burgess, 1962)' Z* E* E1 A! C4 p( u/ G
67. Crash (JG Ballard 1973)* J, K: _! L- }- o9 n3 T. J
66. Sense and Sensibility (Jane Austen, 1811)+ Z9 e1 _& k0 U/ R( C8 G! E
65. Orlando (Virginia Woolf, 1928)
7 F, A/ p' F7 C$ Z64. The Way We Live Now (Anthony Trollope, 1875)6 T3 Z) ~7 {5 D
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% Q$ {" f( w# M# m, U6 L62. Animal Farm (George Orwell, 1945)* x( t S) E* @( V3 d9 Q o
61. The Sea, The Sea (Iris Murdoch, 1978)
$ P3 x F# L0 N5 u, P60. Sons and Lovers (DH Lawrence, 1913)' a" ]7 r1 o- }# f
59. The Line of Beauty (Alan Hollinghurst, 2004)
1 F3 c+ S1 U5 t58. Loving (Henry Green, 1945)
( i1 c M+ @/ j' }4 s57. Parade’s End (Ford Madox Ford, 1924-1928)
/ w8 m9 a; L; v1 | S56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 {5 Y' U! {& }3 e. h' {. \9 V. z& M. @
55. Gulliver’s Travels (Jonathan Swift, 1726)- o7 F' q! b/ {. m9 J# x# _' L. A
54. NW (Zadie Smith, 2012)
: [1 O$ T" a- a: @53. Wide Sargasso Sea (Jean Rhys, 1966)
8 d( l& G& Q0 s; V" [9 U52. New Grub Street (George Gissing, 1891)
6 |+ Y% t; X8 _7 F51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 O9 C' f, ]0 ^50. A Passage to India (EM Forster, 1924)
4 o6 o" K7 x7 h49. Possession (AS Byatt, 1990)7 o- B& Z) c6 J) e) g4 Q& Q
48. Lucky Jim (Kingsley Amis, 1954)( e \, e- M0 y+ o: [
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 S! d& v; w- w; L! n" @
46. Midnight’s Children (Salman Rushdie, 1981), J9 @* ~- A" ? E. ]
45. The Little Stranger (Sarah Waters, 2009)
4 ^4 s4 H' L, m, f/ l4 h44. Wolf Hall (Hilary Mantel, 2009)
E' w+ ?! R0 I9 d% K43. The Swimming Pool Library (Alan Hollinghurst, 1988)
; g+ T7 `8 m- B0 j* a+ ?42. Brighton Rock (Graham Greene, 1938)" l6 R0 e! H+ a' b# X
41. Dombey and Son (Charles Dickens, 1848)
9 D& p' J) S+ E8 M; d4 \40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 F) k- L0 |1 @4 t+ K* x, T! W39. The Sense of an Ending (Julian Barnes, 2011)) s' a4 ?' S/ n9 v# t( l
38. The Passion (Jeanette Winterson, 1987)
. o+ B6 p! u l# C8 ~9 R37. Decline and Fall (Evelyn Waugh, 1928)
+ f* c! P; T; s- I; ^7 _36. A Dance to the Music of Time (Anthony Powell, 1951-1975), k' G/ w: m9 i2 Q+ e. t
35. Remainder (Tom McCarthy, 2005)5 v% M9 y4 _0 f: s% Q Y0 N
34. Never Let Me Go (Kazuo Ishiguro, 2005), h4 ~+ W# Y# f" K( n
33. The Wind in the Willows (Kenneth Grahame, 1908)
+ }9 O$ U% A4 ?, R4 S32. A Room with a View (EM Forster, 1908)% b% h6 q0 y/ Y7 u
31. The End of the Affair (Graham Greene, 1951)
2 U0 e8 `0 ?9 H% F30. Moll Flanders (Daniel Defoe, 1722)
& n6 b1 I! W( u+ O, H. \! W. h29. Brick Lane (Monica Ali, 2003)
" P p5 p- @8 H7 k/ @9 F28. Villette (Charlotte Brontë, 1853)7 c: r/ T; \3 l( V5 y' @8 u
27. Robinson Crusoe (Daniel Defoe, 1719)
5 x8 f# j' C* B26. The Lord of the Rings (JRR Tolkien, 1954)
$ X, v* }: l0 e4 Z' G25. White Teeth (Zadie Smith, 2000)
8 F5 S1 e1 w: q- j24. The Golden Notebook (Doris Lessing, 1962)
, M" e# b$ r, n& K6 l6 s23. Jude the Obscure (Thomas Hardy, 1895)$ w6 e* K. m( {. a. O
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
1 y0 ~8 |( Q$ Q; a- y: s3 r21. Heart of Darkness (Joseph Conrad, 1899)
- u( I& {# p" Q20. Persuasion (Jane Austen, 1817)& v' k; \. w$ b! Z5 W
19. Emma (Jane Austen, 1815) ?0 f& ]+ m7 [6 {
18. Remains of the Day (Kazuo Ishiguro, 1989)" h( u* `4 N0 o/ o: i' K7 ]
17. Howards End (EM Forster, 1910)% u: P% [/ g/ n( Z) v% m) k
16. The Waves (Virginia Woolf, 1931)
6 j' S& P. ~; I8 X4 f( P! P15. Atonement (Ian McEwan, 2001)
1 r; I4 Q% w/ }2 Z- N14. Clarissa (Samuel Richardson,1748)- P2 k, n0 s: A) d
13. The Good Soldier (Ford Madox Ford, 1915)
* E- e8 S+ q" ]' B# U12. Nineteen Eighty-Four (George Orwell, 1949)$ o8 ^' [$ C, B' w
11. Pride and Prejudice (Jane Austen, 1813); Q; T( ^) u: v8 b, V# s( {5 F
10. Vanity Fair (William Makepeace Thackeray, 1848)
6 u7 b3 V! P5 i: m$ a) ^7 v5 E9. Frankenstein (Mary Shelley, 1818)
3 G& X, K/ w% I& W8. David Copperfield (Charles Dickens, 1850)
2 L8 j S7 U! s2 B( F7. Wuthering Heights (Emily Brontë, 1847)1 i( S8 n; X% g1 ? b
6. Bleak House (Charles Dickens, 1853)
9 w8 |, e& n' {. m5. Jane Eyre (Charlotte Brontë, 1847)
1 w9 B, h4 B7 q8 w4. Great Expectations (Charles Dickens, 1861)- T3 P: n7 L9 y0 d7 Y( ~
3. Mrs. Dalloway (Virginia Woolf, 1925)
" J. F5 S; U! ?7 L5 Y+ G2. To the Lighthouse (Virginia Woolf, 1927)3 h/ n3 D+ V( z* N0 i
1. Middlemarch (George Eliot, 1874)" s1 e: ]- l* O+ g6 ^
8 L" B& k7 ?2 x7 e前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。) j* \& u9 g: \+ y5 w2 N# K: D
4 }) E. O4 Z/ X2 s+ d" @呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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