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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 1 R# ?& U( U& ]3 Q( N: T
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BBC评出100大英国文学名著
3 V% {1 o# i; I4 P0 F! z Dhttp://www.bbc.com/culture/story ... test-british-novels7 I5 u: X g3 m. D
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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$ ?7 G2 n$ t0 T) y100. The Code of the Woosters (PG Wodehouse, 1938)
/ k! T' S' X. E' D/ Q$ _3 `1 v99. There but for the (Ali Smith, 2011)
7 ^* F1 t2 a! ]/ T `) p- }98. Under the Volcano (Malcolm Lowry,1947)
* ]( \; @/ q" M97. The Chronicles of Narnia (CS Lewis, 1949-1954)
- A$ h5 R/ ^, t. {6 g96. Memoirs of a Survivor (Doris Lessing, 1974); E/ G3 J; |" `3 x" r
95. The Buddha of Suburbia (Hanif Kureishi, 1990) e5 _( Y; h$ d N
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
* c2 \. E$ y/ Z- J' ^93. Lord of the Flies (William Golding, 1954)
& I# J1 k. U6 [# e, ^, _92. Cold Comfort Farm (Stella Gibbons, 1932)+ n, K* o2 J h' ~
91. The Forsyte Saga (John Galsworthy, 1922)# Z& _: Z: |3 s0 y3 C8 Y1 m
90. The Woman in White (Wilkie Collins, 1859)5 q. a" N7 A- f4 T4 X; M
89. The Horse’s Mouth (Joyce Cary, 1944)% O, i4 F" @' F8 ~( Z# g- j
88. The Death of the Heart (Elizabeth Bowen, 1938)0 K3 O. e8 x6 X. r
87. The Old Wives’ Tale (Arnold Bennett,1908)
; Z* S* b3 c6 I8 f! D$ ]86. A Legacy (Sybille Bedford, 1956)
+ Y! X# B- X% s+ f! e0 y85. Regeneration Trilogy (Pat Barker, 1991-1995)) R# m/ S w0 G6 o9 W
84. Scoop (Evelyn Waugh, 1938)
C D0 H/ Q; ]8 o* W83. Barchester Towers (Anthony Trollope, 1857)
. A3 y& C, M X" A" J82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* J- `8 z2 R! W6 T3 @8 l
81. The Jewel in the Crown (Paul Scott, 1966)
' K/ b; w+ N( K5 {2 W$ r3 o80. Excellent Women (Barbara Pym, 1952) M; _, c) z3 O
79. His Dark Materials (Philip Pullman, 1995-2000)
( w- i3 G5 K+ X5 l) @; i78. A House for Mr Biswas (VS Naipaul, 1961)
/ p% o% H t/ f! S77. Of Human Bondage (W Somerset Maugham, 1915)' O( B4 P& T# x8 a
76. Small Island (Andrea Levy, 2004)
$ x* |9 d: F. q0 ^" c: f: X75. Women in Love (DH Lawrence, 1920)
$ _8 v& H# k7 q0 E6 x74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ j8 v/ E) a3 f
73. The Blue Flower (Penelope Fitzgerald, 1995)1 [7 ]1 r8 v' f% |
72. The Heart of the Matter (Graham Greene, 1948)
1 B- x* V4 \; d8 Y5 s# |" H71. Old Filth (Jane Gardam, 2004)2 t9 `9 I) Q7 R0 p3 b
70. Daniel Deronda (George Eliot, 1876)
$ @3 q/ z' [6 L8 ?" W$ Z- n' V7 \69. Nostromo (Joseph Conrad, 1904) ?: v( G4 _9 W9 s; Y% U" C+ I
68. A Clockwork Orange (Anthony Burgess, 1962)
4 r# s$ C- z. K4 `( `) d67. Crash (JG Ballard 1973)$ x7 y0 o, ^% h; L2 I4 v
66. Sense and Sensibility (Jane Austen, 1811)
& ~) E! j: h" P( i65. Orlando (Virginia Woolf, 1928)
! C! M8 ]% Z3 ]* H3 \% Y- t) e64. The Way We Live Now (Anthony Trollope, 1875)/ O% o0 O- S/ g% N
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961): f) o/ h' t3 K$ A
62. Animal Farm (George Orwell, 1945)) V, C9 c& R1 Y# `5 Q
61. The Sea, The Sea (Iris Murdoch, 1978): A' R, F* a" T3 \% p) j$ c* m4 V- J4 J
60. Sons and Lovers (DH Lawrence, 1913)
8 f6 R1 S# ^ L59. The Line of Beauty (Alan Hollinghurst, 2004)2 g6 V$ t, H4 S' M, e
58. Loving (Henry Green, 1945)
+ }' d! Y% m- E* {, k, c57. Parade’s End (Ford Madox Ford, 1924-1928)! i4 y8 v/ V8 R3 M$ M
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985): K" Y1 Q' M0 \1 C3 p- F8 F
55. Gulliver’s Travels (Jonathan Swift, 1726); J) @7 K+ i- L; O' I
54. NW (Zadie Smith, 2012)7 S0 A* {3 g5 T6 E" x D9 H, c
53. Wide Sargasso Sea (Jean Rhys, 1966)8 \3 }) Q( k5 L# i+ F. l
52. New Grub Street (George Gissing, 1891)
0 ]9 w; u* L! ?; N51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
8 q" W8 y% ]! I50. A Passage to India (EM Forster, 1924)/ F; Z0 [6 }( D U5 P2 h2 f: E
49. Possession (AS Byatt, 1990), L" l+ [; d4 ?# i% g3 q
48. Lucky Jim (Kingsley Amis, 1954)) u9 p _3 ?! Q0 D
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. z1 A N \* h& f" u46. Midnight’s Children (Salman Rushdie, 1981). T: q/ g' I) S, o6 g: X
45. The Little Stranger (Sarah Waters, 2009)1 w. Y5 q6 d& ?+ N* i9 w
44. Wolf Hall (Hilary Mantel, 2009)
& r2 I4 T3 z! v6 Q. ]43. The Swimming Pool Library (Alan Hollinghurst, 1988). E( l# A; h. R: t. K
42. Brighton Rock (Graham Greene, 1938)
; o( v) s2 R7 y W41. Dombey and Son (Charles Dickens, 1848)! ^1 X. }" y {4 A% N, g+ j: ]& Q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
) `9 G6 G1 P) W: ?! K39. The Sense of an Ending (Julian Barnes, 2011) M% M. O; V% |& t
38. The Passion (Jeanette Winterson, 1987)) n" S% M8 \* p1 c! x( r @
37. Decline and Fall (Evelyn Waugh, 1928)0 f3 R+ f, {) v. ^/ }
36. A Dance to the Music of Time (Anthony Powell, 1951-1975): d% b. q1 o% ]2 a1 T* m' }" b& s5 J) k
35. Remainder (Tom McCarthy, 2005)
2 I8 R$ {8 ]& D B0 v34. Never Let Me Go (Kazuo Ishiguro, 2005)
! z8 b0 g8 y' c+ F33. The Wind in the Willows (Kenneth Grahame, 1908)4 J! x9 b" m# L4 _% ^
32. A Room with a View (EM Forster, 1908)
% Z3 v2 m0 a& w31. The End of the Affair (Graham Greene, 1951)# t; f( R: Z6 p/ g6 n
30. Moll Flanders (Daniel Defoe, 1722)
, | g- U( f* a# P29. Brick Lane (Monica Ali, 2003)! e8 r3 G' c/ n/ E
28. Villette (Charlotte Brontë, 1853)* c/ N+ t9 { W# x* i
27. Robinson Crusoe (Daniel Defoe, 1719)8 g6 m& F' J8 |0 |, u
26. The Lord of the Rings (JRR Tolkien, 1954)1 X0 C e6 ?/ `6 h& D
25. White Teeth (Zadie Smith, 2000)
$ r& L5 `3 j4 U7 C: a24. The Golden Notebook (Doris Lessing, 1962)
" N+ B4 D$ w, m# [0 ~23. Jude the Obscure (Thomas Hardy, 1895)
% O) l7 @* S4 T' ~22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): U* i e Q/ x; o5 T0 m; c4 y$ h
21. Heart of Darkness (Joseph Conrad, 1899)+ W5 G2 _2 _: ~! Z0 t+ [3 ]/ t
20. Persuasion (Jane Austen, 1817)5 q9 P ]- h8 K1 t& V
19. Emma (Jane Austen, 1815); ?1 B. K: W0 X1 @( D+ Q. `
18. Remains of the Day (Kazuo Ishiguro, 1989)% ?& B- }7 {% E+ T. v& I' r
17. Howards End (EM Forster, 1910)
* v. t- B$ }- x; N5 N' d4 z16. The Waves (Virginia Woolf, 1931)$ d5 L" b9 l6 w4 e9 O9 K9 s6 ?
15. Atonement (Ian McEwan, 2001)
8 n4 e, y0 S/ w- u14. Clarissa (Samuel Richardson,1748)
/ }. o5 K& ~$ K13. The Good Soldier (Ford Madox Ford, 1915): y2 e/ i& Y( D. [3 ~ A6 d4 \
12. Nineteen Eighty-Four (George Orwell, 1949) l8 P1 t& O! ^0 R5 r
11. Pride and Prejudice (Jane Austen, 1813)
9 m. |, r6 d5 q) ^# g10. Vanity Fair (William Makepeace Thackeray, 1848)( i6 V( [0 Z( q4 L! V
9. Frankenstein (Mary Shelley, 1818); e) E1 n1 }& h
8. David Copperfield (Charles Dickens, 1850)* L+ Z9 \ s& y9 X
7. Wuthering Heights (Emily Brontë, 1847)
+ s0 q5 g |, z1 q7 Y* l6. Bleak House (Charles Dickens, 1853)
0 O4 `" b7 J9 R5. Jane Eyre (Charlotte Brontë, 1847)
" N$ P2 J& r& b/ d; |: N, Z4. Great Expectations (Charles Dickens, 1861)
# x! u$ M! Y7 c1 e9 a. a6 d! L3. Mrs. Dalloway (Virginia Woolf, 1925)* {" _$ O: I; ^
2. To the Lighthouse (Virginia Woolf, 1927)
R$ V/ ^. {2 ?9 t% S: C* ~$ Y2 i, R1. Middlemarch (George Eliot, 1874), G. D- h0 Z/ Q8 h/ d
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。8 H7 \& J7 T6 G! G2 o; G& C* N5 s* z
3 o0 L( Q6 a7 S; J6 ^) ^呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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