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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
8 x: [* t Q& K D+ C* w9 }9 r' n% Fhttp://www.bbc.com/culture/story ... test-british-novels# Z/ [* H% z& U) Q' L
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& [4 E" Y* h* _ r: A
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100. The Code of the Woosters (PG Wodehouse, 1938)! E0 b& T8 ]; A# @* ?: d- o6 G
99. There but for the (Ali Smith, 2011)
$ L$ d& g: v# G& M- Q8 I98. Under the Volcano (Malcolm Lowry,1947)
4 j$ O2 J3 l9 U/ `# \7 R/ M97. The Chronicles of Narnia (CS Lewis, 1949-1954)- G2 _8 A4 w. s! R' I* H
96. Memoirs of a Survivor (Doris Lessing, 1974)
: F: V0 i) ~+ @# n. U9 ?95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 Q, l' o! U* H) J7 I/ {2 a
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' b/ Y0 A% z! l u0 v3 M! t; ~
93. Lord of the Flies (William Golding, 1954)9 J# a( \4 H) F* ?; ~' l# O. u
92. Cold Comfort Farm (Stella Gibbons, 1932)) |( z' Z( x3 P
91. The Forsyte Saga (John Galsworthy, 1922)
9 F* I% |/ O3 ^6 b" V, f; s6 }2 P90. The Woman in White (Wilkie Collins, 1859)
8 H6 @* l+ d( H) \) W9 K: ?89. The Horse’s Mouth (Joyce Cary, 1944)
" L1 C' E+ v1 ]7 K1 ~88. The Death of the Heart (Elizabeth Bowen, 1938)
3 X5 ^* D2 {; T6 [. m' z87. The Old Wives’ Tale (Arnold Bennett,1908)
; H" T2 I0 K ^- ^& J' B& c86. A Legacy (Sybille Bedford, 1956)) W5 f) `2 E7 X. @; c5 x8 p
85. Regeneration Trilogy (Pat Barker, 1991-1995); s: P( [; w. R2 z h6 V/ D/ F
84. Scoop (Evelyn Waugh, 1938)) _7 W+ k$ ^5 c/ q4 P
83. Barchester Towers (Anthony Trollope, 1857)& ]3 s% p" k9 Q2 N
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: U4 a: |: @( |, `1 [! O81. The Jewel in the Crown (Paul Scott, 1966)
9 W( i: ^# ]" y. n& c, [ x80. Excellent Women (Barbara Pym, 1952)# c! O5 o( u; n2 S/ c6 v1 F
79. His Dark Materials (Philip Pullman, 1995-2000)( F T! l T9 A% Z& ?: c6 Y" U
78. A House for Mr Biswas (VS Naipaul, 1961)
# F7 e# F3 Q$ W6 i7 c" \3 {77. Of Human Bondage (W Somerset Maugham, 1915)
" o+ S$ L6 d; z, U1 I% J8 o0 X76. Small Island (Andrea Levy, 2004)
4 Q9 f# d7 F2 t) |1 E# l4 F75. Women in Love (DH Lawrence, 1920)
1 R2 C4 Q6 a+ |* a D( J74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 ]) B- w' |1 n3 Z6 Z0 j, W73. The Blue Flower (Penelope Fitzgerald, 1995)% s) L$ k% m! c$ w. e. N8 n
72. The Heart of the Matter (Graham Greene, 1948)
- E/ J6 C4 U9 w5 w71. Old Filth (Jane Gardam, 2004)4 r; A: s# E2 R+ L% r( ]$ Q' d) J
70. Daniel Deronda (George Eliot, 1876)
$ ^$ b8 k3 V t+ U, `) w1 a! }69. Nostromo (Joseph Conrad, 1904)
: O0 B% t7 P/ B$ w- Q1 E$ x, D+ K2 X! n68. A Clockwork Orange (Anthony Burgess, 1962)+ c7 i% X1 y+ E5 Y) [/ C$ c
67. Crash (JG Ballard 1973)
" S1 n) K- p* [1 L8 {. P! K66. Sense and Sensibility (Jane Austen, 1811)
8 Z" a7 ]9 H% t. K& k8 @65. Orlando (Virginia Woolf, 1928)
1 }- a' m: @6 ~64. The Way We Live Now (Anthony Trollope, 1875)
& G6 ], n& P( ~63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
, w. E/ Z( p9 z* S' S62. Animal Farm (George Orwell, 1945)2 {! |! ?/ s. e/ ?3 G0 Y7 f
61. The Sea, The Sea (Iris Murdoch, 1978)5 x G4 I2 o9 y0 ^' Q
60. Sons and Lovers (DH Lawrence, 1913)8 a+ G( _6 X j4 V
59. The Line of Beauty (Alan Hollinghurst, 2004)9 {+ @5 s! C2 H* L4 T4 d
58. Loving (Henry Green, 1945)7 u) r" W* a" n
57. Parade’s End (Ford Madox Ford, 1924-1928)' a: V6 I) c7 j* l4 _
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
4 `5 ?3 [# |9 B7 v55. Gulliver’s Travels (Jonathan Swift, 1726), t2 I% G0 J$ t
54. NW (Zadie Smith, 2012); I7 K& `& G8 E/ @7 u& m `# H
53. Wide Sargasso Sea (Jean Rhys, 1966)
: Y" F* P C! ?+ ]2 P: m52. New Grub Street (George Gissing, 1891)
* u- R3 N) j1 x1 j+ _) S51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 q1 w5 |8 i7 @8 A5 k5 ]9 m
50. A Passage to India (EM Forster, 1924) A1 n) m* q/ ^% H
49. Possession (AS Byatt, 1990)' _, z/ w8 E# V1 w0 e% e+ ]% e
48. Lucky Jim (Kingsley Amis, 1954); w; R# i5 Y7 m r$ u8 ]$ p8 m/ w" P
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
u$ b0 b r7 f# o* A" r46. Midnight’s Children (Salman Rushdie, 1981)& l: Z- K( Q6 U$ u1 V" t1 C
45. The Little Stranger (Sarah Waters, 2009)
( K |5 s: B3 N( h0 V* O; T# G8 ^8 t44. Wolf Hall (Hilary Mantel, 2009)
5 y. S% l6 z5 [" F$ x43. The Swimming Pool Library (Alan Hollinghurst, 1988)5 e+ u* A6 W3 h4 b9 D2 ?- a6 A
42. Brighton Rock (Graham Greene, 1938)
. `( x4 I- [9 _( k' z( y41. Dombey and Son (Charles Dickens, 1848)0 u, O8 f% d: e, m l
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
* u7 V: g2 D0 U0 w39. The Sense of an Ending (Julian Barnes, 2011)
9 ^8 k- `; K- v" R- Y% O8 {: h38. The Passion (Jeanette Winterson, 1987)
$ a; `- J2 `6 K1 E# f; m9 H37. Decline and Fall (Evelyn Waugh, 1928)
: N3 v: P5 R! W$ d36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
! V% A* }$ P! g8 E: j8 M35. Remainder (Tom McCarthy, 2005)' T: h1 u5 i& F
34. Never Let Me Go (Kazuo Ishiguro, 2005)7 K' W2 V# U% }0 u5 H
33. The Wind in the Willows (Kenneth Grahame, 1908)8 G# o: }: J- E% B1 [) F
32. A Room with a View (EM Forster, 1908), O! }$ A4 C4 G! {* {5 B) D$ k% d
31. The End of the Affair (Graham Greene, 1951)
3 L! i0 G0 E6 }- d30. Moll Flanders (Daniel Defoe, 1722)
) n+ J; J/ A- F' }4 e. d/ h29. Brick Lane (Monica Ali, 2003)% D, c: L. t( F! D, s3 X
28. Villette (Charlotte Brontë, 1853)
; |6 U+ ~9 ]$ o$ Q/ T3 c27. Robinson Crusoe (Daniel Defoe, 1719)- u3 p8 g. q4 X. i5 S0 T+ q0 i
26. The Lord of the Rings (JRR Tolkien, 1954)
' B* y. g. G( C* a25. White Teeth (Zadie Smith, 2000)2 x6 g) x0 v: P" T
24. The Golden Notebook (Doris Lessing, 1962)+ q$ x4 ^. E4 U+ d( y& H
23. Jude the Obscure (Thomas Hardy, 1895)
4 N y# i3 {# i& A; R9 s1 |22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
0 t$ M) y$ q. X' W( f21. Heart of Darkness (Joseph Conrad, 1899)
. C X5 y; y, o* B2 }20. Persuasion (Jane Austen, 1817)4 v! f' L2 |6 M6 ^2 f7 ]* y' c- C
19. Emma (Jane Austen, 1815)" X+ d0 R* X$ ~$ ]) \5 L
18. Remains of the Day (Kazuo Ishiguro, 1989)0 |* z+ T2 p4 U. {) [! k! C
17. Howards End (EM Forster, 1910)7 l+ K3 Y+ g% U6 I
16. The Waves (Virginia Woolf, 1931)
9 m [ a7 i' K15. Atonement (Ian McEwan, 2001)
8 O/ S- U: R6 ~2 n8 u( i$ z9 |14. Clarissa (Samuel Richardson,1748)
4 \# C$ u c( \3 b) F/ n13. The Good Soldier (Ford Madox Ford, 1915)( z8 |+ s% ?' p R: K% R0 _
12. Nineteen Eighty-Four (George Orwell, 1949)
" H8 p/ b% B" r) O- z11. Pride and Prejudice (Jane Austen, 1813). k9 P( }# q5 q$ [# w6 l1 x
10. Vanity Fair (William Makepeace Thackeray, 1848)' {# P" i0 {- H# t, R
9. Frankenstein (Mary Shelley, 1818)* v, x( T1 S7 a- |' j
8. David Copperfield (Charles Dickens, 1850)
, F/ _: Y* U& b2 W, @8 ?1 K& q7. Wuthering Heights (Emily Brontë, 1847)
$ [+ b- h, B+ r: x9 }. s6. Bleak House (Charles Dickens, 1853)
T# a& |, a' n. J% n5. Jane Eyre (Charlotte Brontë, 1847)
/ @% G. s, i% A- ^. s4. Great Expectations (Charles Dickens, 1861)
& A9 w% w. q. V2 Q# o3. Mrs. Dalloway (Virginia Woolf, 1925)' l/ T' s7 r9 @1 l
2. To the Lighthouse (Virginia Woolf, 1927)( Z% Z$ d& K: s D5 F7 _3 J8 j3 h
1. Middlemarch (George Eliot, 1874)
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+ p" f0 T3 f- B7 U1 L前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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