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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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/ [4 ~9 C& m' x, o0 ?; A$ SBBC评出100大英国文学名著
' ^& l/ ?5 G$ i% e Vhttp://www.bbc.com/culture/story ... test-british-novels
# s: V; v3 s1 @ T4 u5 a [惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* S3 N9 T9 n @# d2 w% u
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100. The Code of the Woosters (PG Wodehouse, 1938)7 q d. ]8 K9 c! Q. c. ~
99. There but for the (Ali Smith, 2011)
- y* j( l$ p/ V7 e98. Under the Volcano (Malcolm Lowry,1947)4 ^: U/ \" e' G2 f- ]1 f w/ [
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ o- w0 y0 S7 L$ Y, R( n96. Memoirs of a Survivor (Doris Lessing, 1974)
8 ?2 V! @1 V$ |" o4 w95. The Buddha of Suburbia (Hanif Kureishi, 1990)7 B9 `- @- E% i4 D; \. L
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)% s) y3 ?& ]0 |
93. Lord of the Flies (William Golding, 1954)
& B4 @! h% g, C: E- G92. Cold Comfort Farm (Stella Gibbons, 1932)7 @' H9 j( {4 ]' ~
91. The Forsyte Saga (John Galsworthy, 1922)
/ U: ]7 \2 n/ B& X90. The Woman in White (Wilkie Collins, 1859)9 R1 g; u: A: e' G: g+ R% z
89. The Horse’s Mouth (Joyce Cary, 1944)
7 `" J: V: m. t9 b" c h88. The Death of the Heart (Elizabeth Bowen, 1938), U m+ }! ~) U6 W1 @
87. The Old Wives’ Tale (Arnold Bennett,1908)5 w7 i1 l4 B: T4 w o
86. A Legacy (Sybille Bedford, 1956)
- N! F6 A* U, _0 q, g6 z85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 E. v. r0 E$ e9 E: K0 i4 Y84. Scoop (Evelyn Waugh, 1938)2 T) ^9 w! n0 x$ X% T
83. Barchester Towers (Anthony Trollope, 1857): M6 o) {6 l0 a9 B
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012) y- @% k7 P3 M" e( i U; I2 N
81. The Jewel in the Crown (Paul Scott, 1966)3 l% K+ m* B% {( t$ m0 J! q U
80. Excellent Women (Barbara Pym, 1952)
; H- W, w% e& D$ S% }79. His Dark Materials (Philip Pullman, 1995-2000)
5 C' C) y* z4 i6 a78. A House for Mr Biswas (VS Naipaul, 1961)( q! x% N$ `3 d
77. Of Human Bondage (W Somerset Maugham, 1915)) Q8 I* z, Y: ^3 h$ @; V4 F6 h
76. Small Island (Andrea Levy, 2004)0 H- B8 G- b6 _2 Z
75. Women in Love (DH Lawrence, 1920)
5 \% E/ E/ x v3 w$ |74. The Mayor of Casterbridge (Thomas Hardy, 1886)
. d( y, P* Y ]73. The Blue Flower (Penelope Fitzgerald, 1995)+ H$ H$ R- v: ]
72. The Heart of the Matter (Graham Greene, 1948)
$ f- r- e- S5 D r71. Old Filth (Jane Gardam, 2004): _; `. q0 b" h0 ?! R
70. Daniel Deronda (George Eliot, 1876)
8 q. G8 S; k; w" _69. Nostromo (Joseph Conrad, 1904)
5 m; p" K4 w# }) b% k68. A Clockwork Orange (Anthony Burgess, 1962)* P7 o" S! F. p) N2 @; v
67. Crash (JG Ballard 1973)
) i' D& Z( k4 t; W2 r$ O7 a66. Sense and Sensibility (Jane Austen, 1811)
; u7 h" E' i1 J' S0 v& m; s65. Orlando (Virginia Woolf, 1928)
}/ L, T+ V. q1 O _64. The Way We Live Now (Anthony Trollope, 1875)
1 Q+ ^ ?3 a/ h! |63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)8 Z8 E2 n, E7 L0 w' b& F3 d5 `
62. Animal Farm (George Orwell, 1945), a* _0 B6 j7 G# g# u
61. The Sea, The Sea (Iris Murdoch, 1978)
: r: u: ?' s% S6 O60. Sons and Lovers (DH Lawrence, 1913). P/ L6 `- h' C- E: ~4 z# f' V
59. The Line of Beauty (Alan Hollinghurst, 2004): d9 c1 o5 E6 O$ W, [( E
58. Loving (Henry Green, 1945)
& G5 Z' K' a% N+ Z57. Parade’s End (Ford Madox Ford, 1924-1928)
, ^2 Q) J( z. c/ N+ G; G* r56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
0 K6 R. @1 J+ W* G55. Gulliver’s Travels (Jonathan Swift, 1726)1 u+ s8 K( N3 [; f
54. NW (Zadie Smith, 2012)
/ Z7 x2 }9 a9 {% X: O. B6 i; A53. Wide Sargasso Sea (Jean Rhys, 1966)2 [. x1 d! Z/ Z5 _* z* P0 S' ] s- B9 K( s
52. New Grub Street (George Gissing, 1891)
$ T6 K3 U, A2 K+ O8 E+ ]2 L51. Tess of the d’Urbervilles (Thomas Hardy, 1891)7 F& B' C# i4 r4 L2 j+ g# v
50. A Passage to India (EM Forster, 1924)
; {" ^3 O5 A# I6 Y( P/ |49. Possession (AS Byatt, 1990)5 E2 @7 K+ ^; N5 ^1 z& A9 {8 b h
48. Lucky Jim (Kingsley Amis, 1954)- a! Y" K$ q/ l8 b1 ]& b( M+ z( Y
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
- h; j* W7 H" `( @2 @# ]46. Midnight’s Children (Salman Rushdie, 1981)
& }9 F g) Y6 `4 @/ a45. The Little Stranger (Sarah Waters, 2009)
, ? L: \: X' e( c44. Wolf Hall (Hilary Mantel, 2009)
% O! G7 Y- J. w" w& _: |* ]43. The Swimming Pool Library (Alan Hollinghurst, 1988)
( b( Y0 i% |' f' G42. Brighton Rock (Graham Greene, 1938)7 |+ c9 F( m& B, l' q
41. Dombey and Son (Charles Dickens, 1848)- G3 ?4 L6 o- o0 Q% q2 v6 f
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& \6 k0 p0 P; M- H# f8 h: m
39. The Sense of an Ending (Julian Barnes, 2011) e; R [4 F) W! o( d+ Z
38. The Passion (Jeanette Winterson, 1987)
& n& s$ D6 b+ E y' g37. Decline and Fall (Evelyn Waugh, 1928)
V! W) f3 y9 l' m' t$ Y2 s36. A Dance to the Music of Time (Anthony Powell, 1951-1975)& T3 ?0 C2 y0 s0 n" f" g* F/ W8 t
35. Remainder (Tom McCarthy, 2005)
7 |1 u! y ^/ O" p34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ r, k- T$ n2 _) Y. r33. The Wind in the Willows (Kenneth Grahame, 1908)! J% K( E: ?% R6 R0 u. {! s
32. A Room with a View (EM Forster, 1908)3 m1 U7 Z, e/ k- {# c
31. The End of the Affair (Graham Greene, 1951)3 I, n( f) x* S, I
30. Moll Flanders (Daniel Defoe, 1722)( ?' K) u2 D" T5 ?) ]( g' s
29. Brick Lane (Monica Ali, 2003)7 S% }+ c5 }* @$ m
28. Villette (Charlotte Brontë, 1853)$ N. _ k: k% T/ @; L
27. Robinson Crusoe (Daniel Defoe, 1719)
, K% g" P. I; J26. The Lord of the Rings (JRR Tolkien, 1954)
- C4 m& O! q2 u' O0 f% m5 ]25. White Teeth (Zadie Smith, 2000)" U! ^5 Z% O+ s
24. The Golden Notebook (Doris Lessing, 1962)9 H i, {, n* d6 y% C: p
23. Jude the Obscure (Thomas Hardy, 1895)5 ^% t( n: s6 `
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)# n- @. v8 W3 V" U4 A
21. Heart of Darkness (Joseph Conrad, 1899)8 s2 L- m$ D7 S5 b
20. Persuasion (Jane Austen, 1817)! w/ M- e/ r, H J2 T
19. Emma (Jane Austen, 1815)
; u8 Z6 F4 h5 p5 e18. Remains of the Day (Kazuo Ishiguro, 1989)0 j. u/ C' n! U+ f0 G: j
17. Howards End (EM Forster, 1910)
$ l5 l, @) a1 |, d16. The Waves (Virginia Woolf, 1931)0 ?& M6 K6 [6 u0 f C
15. Atonement (Ian McEwan, 2001)
, H/ P; R3 w9 K- p: ^5 ]14. Clarissa (Samuel Richardson,1748): u8 y5 J# {: p0 A p" _" h
13. The Good Soldier (Ford Madox Ford, 1915)8 G$ Z i% s0 P' N
12. Nineteen Eighty-Four (George Orwell, 1949). x8 b$ s2 h) | Z( E. H
11. Pride and Prejudice (Jane Austen, 1813)8 \, o7 `9 d: m+ B' n+ w$ @
10. Vanity Fair (William Makepeace Thackeray, 1848)
; l* i. m; o/ t- {% D+ W0 ]1 Z9. Frankenstein (Mary Shelley, 1818)/ Q5 ]9 }( s1 F
8. David Copperfield (Charles Dickens, 1850)
( S+ { w; ]" X& V7 W7. Wuthering Heights (Emily Brontë, 1847)
! v) c: M/ _8 Z, _) W6. Bleak House (Charles Dickens, 1853), r) s( ]4 }. S, U; R
5. Jane Eyre (Charlotte Brontë, 1847)' Q6 s( M# v6 B9 V5 Q m
4. Great Expectations (Charles Dickens, 1861)
3 ]. I" s" {, [) r% ^- \: S7 Y3. Mrs. Dalloway (Virginia Woolf, 1925)7 r3 w+ l/ @' D4 J* `
2. To the Lighthouse (Virginia Woolf, 1927)
( S& r+ f* p7 G# j; J1. Middlemarch (George Eliot, 1874)8 n4 h. k4 I6 T5 N D/ E0 t
5 O" D9 [/ X& {- V+ _, t- F前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。% U# x. }8 L& E i, X
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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