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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
# n# B$ m8 } e: D6 @# _http://www.bbc.com/culture/story ... test-british-novels
' y& V3 k+ R+ y. e% z+ [6 h惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。% J$ e: p% \# k+ m
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100. The Code of the Woosters (PG Wodehouse, 1938)
" H6 I1 \6 i, g# v, C; \99. There but for the (Ali Smith, 2011)
% _* g# M- z, z% g: q' T( [98. Under the Volcano (Malcolm Lowry,1947)
L, r3 B% h) l. a7 T; T) l97. The Chronicles of Narnia (CS Lewis, 1949-1954)
# b( \$ X1 J d96. Memoirs of a Survivor (Doris Lessing, 1974)+ J' M) F! v- A0 r3 _( }' U' j
95. The Buddha of Suburbia (Hanif Kureishi, 1990)% ~1 `. ^* _) Z( Y8 S# T
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)) s& F+ M1 l& @. c) h$ t: m
93. Lord of the Flies (William Golding, 1954)
' v5 h% d8 R( W92. Cold Comfort Farm (Stella Gibbons, 1932)4 |! j) N$ f% _
91. The Forsyte Saga (John Galsworthy, 1922)5 L u6 F9 W6 T* a; }0 F. f% s
90. The Woman in White (Wilkie Collins, 1859)
# Q) {+ u! O# M; a0 F9 ]89. The Horse’s Mouth (Joyce Cary, 1944)
7 k4 K, p) m8 ^* {0 l; M4 W7 D7 Z1 u8 {88. The Death of the Heart (Elizabeth Bowen, 1938)- d+ K; R% T" v7 Q; L0 y7 b
87. The Old Wives’ Tale (Arnold Bennett,1908)2 N; }: S. B E. h
86. A Legacy (Sybille Bedford, 1956)
3 A+ X& F7 \, `$ e W; L/ u85. Regeneration Trilogy (Pat Barker, 1991-1995)
8 G- ?6 u8 F+ a( @7 s( t3 f. T84. Scoop (Evelyn Waugh, 1938)
b0 w+ ~! b) E7 w& ]83. Barchester Towers (Anthony Trollope, 1857)! o2 P9 ^( S8 j' b
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: e o3 g( y+ z+ i/ o: S& P" y81. The Jewel in the Crown (Paul Scott, 1966)
: f! \& \) g3 F8 ^$ I( O80. Excellent Women (Barbara Pym, 1952)
6 Q& b2 ]. w; U: v* T \( W8 {79. His Dark Materials (Philip Pullman, 1995-2000)
( q' o5 F. p% S2 z& u78. A House for Mr Biswas (VS Naipaul, 1961) F! x0 y7 e {/ W, ?; g
77. Of Human Bondage (W Somerset Maugham, 1915)
7 o, W6 D+ @5 M% f! R" C! N3 r76. Small Island (Andrea Levy, 2004)1 `; b' c# l" Q D7 q
75. Women in Love (DH Lawrence, 1920)
$ s% P9 P& }. X74. The Mayor of Casterbridge (Thomas Hardy, 1886)
/ X' K; W# M# S73. The Blue Flower (Penelope Fitzgerald, 1995)
& S; j2 g+ p3 t, m. U# J, E72. The Heart of the Matter (Graham Greene, 1948)- t0 W E' @9 N& h# n+ D
71. Old Filth (Jane Gardam, 2004)
- Z5 S, T* c6 H8 b70. Daniel Deronda (George Eliot, 1876)
- h7 j+ Y% T8 M! e: I69. Nostromo (Joseph Conrad, 1904)1 k; L9 o' U! U1 D1 N
68. A Clockwork Orange (Anthony Burgess, 1962)3 l% L* z5 O0 X$ s n1 ]
67. Crash (JG Ballard 1973)
* U' p8 D7 X8 S; k" y5 v! R, D66. Sense and Sensibility (Jane Austen, 1811)
/ L6 f8 D4 O+ ?: B8 ] @65. Orlando (Virginia Woolf, 1928)) S# _! P, r9 a: W% i
64. The Way We Live Now (Anthony Trollope, 1875). R) w* e. t1 m; L* P: J
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 n! A# p1 q& X1 Y$ I% T6 v6 K62. Animal Farm (George Orwell, 1945)
2 Q0 W) R3 b* C% f, q: Y4 c61. The Sea, The Sea (Iris Murdoch, 1978)' E8 n! `5 B8 y3 G8 j# }9 _! A: s
60. Sons and Lovers (DH Lawrence, 1913)
6 b2 u% h1 g4 q9 y7 Y59. The Line of Beauty (Alan Hollinghurst, 2004)
& u5 Q, ], Y. G" M0 j9 s6 L8 m58. Loving (Henry Green, 1945)2 E5 U4 I4 R0 O8 x3 d6 m
57. Parade’s End (Ford Madox Ford, 1924-1928)
6 {/ E( r3 e2 |. u3 }" L, a9 J& i56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)' {- w+ f' S/ R0 t, Q4 X
55. Gulliver’s Travels (Jonathan Swift, 1726)$ W# ~4 F5 W6 e! N# [9 H) E- T& Y
54. NW (Zadie Smith, 2012); d# p$ d% x5 e) f3 |1 W" {; Y9 U$ v
53. Wide Sargasso Sea (Jean Rhys, 1966)
, h# g5 c- p! N& l6 M8 M52. New Grub Street (George Gissing, 1891)
# H8 r6 n) v% K3 S51. Tess of the d’Urbervilles (Thomas Hardy, 1891)( u7 T, C# B! v4 ]' T! A8 m" `
50. A Passage to India (EM Forster, 1924)5 r! R( `" a8 F7 T
49. Possession (AS Byatt, 1990)( \: w# t7 w5 U, U* z
48. Lucky Jim (Kingsley Amis, 1954), |3 I$ N# U, \
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 W$ X2 c4 f; N' P; ~0 p. T% f46. Midnight’s Children (Salman Rushdie, 1981). m) t; h! O. J) a- o- l
45. The Little Stranger (Sarah Waters, 2009)
" m3 s3 O7 f1 N: e! D6 X* z( I44. Wolf Hall (Hilary Mantel, 2009)
d, r W. x: h+ U8 z: r43. The Swimming Pool Library (Alan Hollinghurst, 1988)
2 r8 z1 }: c# ]& U9 ]- R42. Brighton Rock (Graham Greene, 1938)) [' Y3 ?. K$ l4 [' h) ?- H" J
41. Dombey and Son (Charles Dickens, 1848)+ u$ e* t& v7 n5 W
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
$ u; \) w! o' h/ u39. The Sense of an Ending (Julian Barnes, 2011)- |( V# m- g& i6 o) R& I
38. The Passion (Jeanette Winterson, 1987)6 s! }1 t) `* ?( f
37. Decline and Fall (Evelyn Waugh, 1928)
6 [% Z2 `' I0 P6 k$ }36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( N/ ~8 B4 K3 F, g
35. Remainder (Tom McCarthy, 2005)
/ d# e1 R4 ~) ~8 F34. Never Let Me Go (Kazuo Ishiguro, 2005)9 ^ g% B6 r; l, M. g4 E
33. The Wind in the Willows (Kenneth Grahame, 1908)
% C. d7 q3 G5 B1 y0 o7 Y32. A Room with a View (EM Forster, 1908)' H6 }0 e( _4 L- Y# L
31. The End of the Affair (Graham Greene, 1951). l2 e6 r" \/ Z$ f. m, } P% ]
30. Moll Flanders (Daniel Defoe, 1722)& Q" I7 h, M) m
29. Brick Lane (Monica Ali, 2003)7 Q( Z3 Q# W' T
28. Villette (Charlotte Brontë, 1853)
- G, g' f0 U- x& X27. Robinson Crusoe (Daniel Defoe, 1719)
- O H' q! [6 r& G5 [" K; b O26. The Lord of the Rings (JRR Tolkien, 1954)
" W9 v% ~( O8 K7 z3 j25. White Teeth (Zadie Smith, 2000)
* o: r$ M! V# d f5 Y1 L24. The Golden Notebook (Doris Lessing, 1962)
4 x# t- a& u2 ~0 j/ p0 \, v x23. Jude the Obscure (Thomas Hardy, 1895)# C4 P# {9 ^: `6 G) [
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): z' I. b" @2 J2 T1 ~/ P7 X
21. Heart of Darkness (Joseph Conrad, 1899)
& r0 Z. a( l+ {: z. O5 m3 @20. Persuasion (Jane Austen, 1817)' n8 f% C; F: ?- S; o; E
19. Emma (Jane Austen, 1815)* K& P, B, H( i i# L
18. Remains of the Day (Kazuo Ishiguro, 1989)
3 f; i, I" N" }' o8 F17. Howards End (EM Forster, 1910)
: j, f( ~7 W ?16. The Waves (Virginia Woolf, 1931)# ?# f4 h' }0 u, e+ O& u7 v N+ e
15. Atonement (Ian McEwan, 2001); Z" k/ N/ j, J5 ?
14. Clarissa (Samuel Richardson,1748)
, [: M! i! z( q; {& _( g, e" Q$ o13. The Good Soldier (Ford Madox Ford, 1915)7 Y q1 }- s0 r6 m
12. Nineteen Eighty-Four (George Orwell, 1949)
- A; |) i1 o/ n9 m2 c4 J% ]7 o11. Pride and Prejudice (Jane Austen, 1813)% d+ t ~! b+ V8 C5 p* @# P
10. Vanity Fair (William Makepeace Thackeray, 1848)' _& H. K) {# l0 o
9. Frankenstein (Mary Shelley, 1818), ~* b: r8 }+ p2 u$ a( W! O: N
8. David Copperfield (Charles Dickens, 1850)6 W/ u, P) d* D1 |
7. Wuthering Heights (Emily Brontë, 1847)" s: A+ K. M! W5 {0 w
6. Bleak House (Charles Dickens, 1853)0 P5 ?& A+ f( z2 z k
5. Jane Eyre (Charlotte Brontë, 1847)
4 V$ [3 P) {# }4. Great Expectations (Charles Dickens, 1861)7 R' H1 P: ?1 R i; K
3. Mrs. Dalloway (Virginia Woolf, 1925)
! x V! Q/ m% r5 ]( e6 w3 @2. To the Lighthouse (Virginia Woolf, 1927); Q3 j! j8 Z4 t: u2 q) Y; A
1. Middlemarch (George Eliot, 1874)+ p9 N$ K. x6 ~8 o# b
2 J+ c# h# g/ v4 h8 Y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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