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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 3 ]7 Y$ T9 s/ y6 w
1 l' A( j& }! }. CBBC评出100大英国文学名著5 ^$ i7 d. n% _5 G
http://www.bbc.com/culture/story ... test-british-novels
( r. y/ T* n9 o2 ?5 W; @惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
! o% c1 t+ U8 Q* \9 Z; x, L99. There but for the (Ali Smith, 2011)
( O+ q6 P$ |, q) e* A# y/ ^+ K98. Under the Volcano (Malcolm Lowry,1947)
! L) y8 i6 g k. {+ e7 y97. The Chronicles of Narnia (CS Lewis, 1949-1954)
! f1 g1 u- R; Q- t96. Memoirs of a Survivor (Doris Lessing, 1974) ~3 E4 d4 m: l6 d, J, l
95. The Buddha of Suburbia (Hanif Kureishi, 1990)2 Q* {# w: I* l5 B
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); X6 \1 J5 O! C1 V4 K
93. Lord of the Flies (William Golding, 1954)+ A, h& E- s$ ~8 u: z
92. Cold Comfort Farm (Stella Gibbons, 1932)- L- r# y6 K# Y' \# `! X
91. The Forsyte Saga (John Galsworthy, 1922)6 Y6 s/ `- K3 N( n9 i
90. The Woman in White (Wilkie Collins, 1859)
, {/ A2 k: B# }5 Y89. The Horse’s Mouth (Joyce Cary, 1944)3 d$ k/ K; {' f; U6 U( u6 K
88. The Death of the Heart (Elizabeth Bowen, 1938)
, S d# ^2 ]4 [! p: A87. The Old Wives’ Tale (Arnold Bennett,1908)) I7 T# j' R- }& |
86. A Legacy (Sybille Bedford, 1956). D9 K! `8 Z9 K8 P/ r
85. Regeneration Trilogy (Pat Barker, 1991-1995)
$ c- s% a- \! u: S2 X% c: M84. Scoop (Evelyn Waugh, 1938)
$ X \ r) j8 C4 J83. Barchester Towers (Anthony Trollope, 1857)
+ f5 o" ~2 q1 Q2 J82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( r0 g& i' Y A1 b% P3 o9 O81. The Jewel in the Crown (Paul Scott, 1966) a7 k9 ]9 p# j+ v& A' X
80. Excellent Women (Barbara Pym, 1952)3 ^6 a, _! R' H0 n' }( J& f, h
79. His Dark Materials (Philip Pullman, 1995-2000)
4 P3 G( @( d' [* g7 E4 m78. A House for Mr Biswas (VS Naipaul, 1961)* W# e6 q6 X @ E0 R+ t& {& l4 l4 o
77. Of Human Bondage (W Somerset Maugham, 1915)
% `7 J J7 ~6 ]6 o; U3 A76. Small Island (Andrea Levy, 2004)0 o' H! j% d; t1 b" _
75. Women in Love (DH Lawrence, 1920)1 T: K5 n; g% N! V+ Y
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
7 Z# k: L: y* R+ t; q73. The Blue Flower (Penelope Fitzgerald, 1995)1 ^ c- H( T& J, U; L& j2 g5 J
72. The Heart of the Matter (Graham Greene, 1948)
9 o/ }* j. M, \( U: P0 b71. Old Filth (Jane Gardam, 2004)5 g- {6 J. }% f# O. l
70. Daniel Deronda (George Eliot, 1876)$ k( L0 L4 S( R3 o- {- W& [# x5 S
69. Nostromo (Joseph Conrad, 1904)
) i9 k7 c% k/ A" V$ E7 l; X68. A Clockwork Orange (Anthony Burgess, 1962)
4 q5 K8 y& R5 u" j+ @67. Crash (JG Ballard 1973)
' _: c( w" Y. o$ S9 R# K/ X66. Sense and Sensibility (Jane Austen, 1811)/ o% o: ]9 x. r* b3 S
65. Orlando (Virginia Woolf, 1928)
1 W6 k# P- V3 x; O64. The Way We Live Now (Anthony Trollope, 1875). \: ?, F/ `1 e8 _2 ]: p, X' b
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961); M* D+ \7 ~1 u8 h- e ~: y
62. Animal Farm (George Orwell, 1945). K# {* \: M' {+ t2 V3 t
61. The Sea, The Sea (Iris Murdoch, 1978)
2 Y/ g! j( Y% v" n" _/ b60. Sons and Lovers (DH Lawrence, 1913)( i0 V0 R2 u% x" q* y9 r
59. The Line of Beauty (Alan Hollinghurst, 2004)
/ g- L: ~- @! c2 s58. Loving (Henry Green, 1945)
2 i; r7 A: F( ` x- Q57. Parade’s End (Ford Madox Ford, 1924-1928)
% _+ Z: a' b: @6 J- i( I56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)) B3 {7 B# A6 C, M0 r9 ]
55. Gulliver’s Travels (Jonathan Swift, 1726)
/ B" u; S4 j" p3 P54. NW (Zadie Smith, 2012)* q# t3 t9 s. `8 K
53. Wide Sargasso Sea (Jean Rhys, 1966)5 _2 A: S3 Z6 _0 C: W( b
52. New Grub Street (George Gissing, 1891)
' X# i7 x( g2 u% t+ T51. Tess of the d’Urbervilles (Thomas Hardy, 1891): W4 h( e, o: K2 w1 ]1 I1 U
50. A Passage to India (EM Forster, 1924)
4 M) g" Y6 w; v P49. Possession (AS Byatt, 1990)
7 l2 z! {0 n' E" X; M h48. Lucky Jim (Kingsley Amis, 1954)3 P7 o. o( Z" M8 O
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. L9 d, i* ~, A# B* H/ `& e46. Midnight’s Children (Salman Rushdie, 1981)# k2 V6 Y4 c! A
45. The Little Stranger (Sarah Waters, 2009)
. p5 ? G+ |* ?7 d! E2 B44. Wolf Hall (Hilary Mantel, 2009)
" z5 Z5 _- {: v, Y, m6 U7 o* r) o) u43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 U% ]/ O/ x9 z; \1 x8 I# n42. Brighton Rock (Graham Greene, 1938)
4 w) ^5 P3 Y- ]* A4 d) |9 s41. Dombey and Son (Charles Dickens, 1848)
8 y" T4 j* J' T2 k8 l40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 i f. I) e: c1 A( f39. The Sense of an Ending (Julian Barnes, 2011)
/ f1 U% P1 j5 o38. The Passion (Jeanette Winterson, 1987)
* q# r1 b) J4 ?3 H! q37. Decline and Fall (Evelyn Waugh, 1928)+ u+ `& |/ Q/ F6 U- ?. R
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* I2 X) I5 [! e Q! W! |8 g+ j5 I; y5 ^4 x
35. Remainder (Tom McCarthy, 2005)) K( ~9 b( I" B$ [0 x) P2 l" p
34. Never Let Me Go (Kazuo Ishiguro, 2005)
! R6 \% Q) r5 z# k0 F# H- m3 M33. The Wind in the Willows (Kenneth Grahame, 1908)
M2 O' M0 s1 b6 J( j) w" T- a# F32. A Room with a View (EM Forster, 1908)! Q+ m h+ f' V' j4 n; K8 y' s' C
31. The End of the Affair (Graham Greene, 1951)
( h- r' l( _4 p% [( J5 l2 ]$ N4 w2 r30. Moll Flanders (Daniel Defoe, 1722); n) a; S3 u- O" A) v2 c
29. Brick Lane (Monica Ali, 2003)
- }; Q- Z. ~0 g" c# p4 h. n28. Villette (Charlotte Brontë, 1853)5 c+ Z) ?9 M8 G) R( F; A# K
27. Robinson Crusoe (Daniel Defoe, 1719)' \$ D" D! e' l5 @* R8 {
26. The Lord of the Rings (JRR Tolkien, 1954)5 c5 L. T6 r2 t; T% Y7 {9 ~
25. White Teeth (Zadie Smith, 2000)1 L U" j2 H9 W5 @
24. The Golden Notebook (Doris Lessing, 1962)
! D! A+ y* ]3 U% Z9 H0 H0 \; U ?23. Jude the Obscure (Thomas Hardy, 1895)% ^) B3 t9 L' [2 l
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
& |7 p% Q4 [5 d21. Heart of Darkness (Joseph Conrad, 1899)
. G& [6 A3 {7 _4 k20. Persuasion (Jane Austen, 1817); i/ Q5 O# X# {1 C8 k3 t3 o
19. Emma (Jane Austen, 1815): i, w8 b) @, G
18. Remains of the Day (Kazuo Ishiguro, 1989)
; z' p0 A2 L1 @* J4 I3 a2 i* d17. Howards End (EM Forster, 1910)
& F" i) Z D; J, V$ y16. The Waves (Virginia Woolf, 1931)
* C( F; H/ |% N g( N% N6 I15. Atonement (Ian McEwan, 2001)3 R: K2 V( e" l5 C1 Z1 ^
14. Clarissa (Samuel Richardson,1748)
9 w9 Q9 k7 p( K' D, i) L, v& s13. The Good Soldier (Ford Madox Ford, 1915)1 G! J! T( ~' _8 \. h
12. Nineteen Eighty-Four (George Orwell, 1949)
; P, D, X& d7 i& S$ L11. Pride and Prejudice (Jane Austen, 1813): t* r" N% [* {; D4 j
10. Vanity Fair (William Makepeace Thackeray, 1848)
& ^# {/ j0 z N: U* |0 P9. Frankenstein (Mary Shelley, 1818)/ n; _# b- |. d5 \
8. David Copperfield (Charles Dickens, 1850)- E! M- u5 i9 c
7. Wuthering Heights (Emily Brontë, 1847)
; y' W" [$ Y5 D$ V6. Bleak House (Charles Dickens, 1853)3 P# G: @/ H6 L3 n# O
5. Jane Eyre (Charlotte Brontë, 1847)
^) y7 \/ |, d0 Y5 q- i7 o4. Great Expectations (Charles Dickens, 1861)' G* g4 V! D1 L3 e T6 }
3. Mrs. Dalloway (Virginia Woolf, 1925)8 [! q7 H! R/ e B
2. To the Lighthouse (Virginia Woolf, 1927)
. [ A- H: ^+ p1. Middlemarch (George Eliot, 1874)9 j; d/ M8 ]" L* P
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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