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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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L; Z9 p! |% u4 i% cBBC评出100大英国文学名著
( r3 B! O+ p+ l' U, E5 |http://www.bbc.com/culture/story ... test-british-novels
" L; U- G! X& @5 `8 k5 }- C惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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2 p/ e. U/ n5 q2 R+ t6 \4 G100. The Code of the Woosters (PG Wodehouse, 1938)# N" U) d8 O' H% o4 v
99. There but for the (Ali Smith, 2011)0 L# o4 a+ \+ ?6 U# C+ A! |! ~
98. Under the Volcano (Malcolm Lowry,1947)
5 \0 u; x( r8 m+ g! c# G* q97. The Chronicles of Narnia (CS Lewis, 1949-1954)
' J6 O; b6 b1 ~, |96. Memoirs of a Survivor (Doris Lessing, 1974)4 Y" O1 h& \4 c! A0 @
95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ {& A4 A3 _; K
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)/ j) g8 ~& R2 J. f- X/ r- v0 A$ P
93. Lord of the Flies (William Golding, 1954)8 ] q- n0 r0 O; X$ I W" s
92. Cold Comfort Farm (Stella Gibbons, 1932)0 |& P8 ^- b. k% X9 @9 x' i/ P( L" M7 w
91. The Forsyte Saga (John Galsworthy, 1922)' o6 v. V) B6 S6 k( s P
90. The Woman in White (Wilkie Collins, 1859)
# ?( p5 ?( _# z' F7 D89. The Horse’s Mouth (Joyce Cary, 1944)
* e( W5 h. v2 k) J1 k; Q88. The Death of the Heart (Elizabeth Bowen, 1938)1 j5 ^8 E! {1 J2 P6 ?! I' [2 _
87. The Old Wives’ Tale (Arnold Bennett,1908)( h4 Z; J- O0 E6 x) G
86. A Legacy (Sybille Bedford, 1956)7 _8 F0 g: r" E9 x0 y6 z- @
85. Regeneration Trilogy (Pat Barker, 1991-1995)- l2 E8 E8 N' E; y( ^
84. Scoop (Evelyn Waugh, 1938). `" Z [% B) K& l/ x* a1 v
83. Barchester Towers (Anthony Trollope, 1857)! n9 Y* M% g- o5 b" G
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ k0 _- I; N7 P# M1 t" U& W
81. The Jewel in the Crown (Paul Scott, 1966), k5 B8 J. {" f8 |! R) }
80. Excellent Women (Barbara Pym, 1952)) ~5 \3 ~5 [: Y. v; {+ a% t4 m
79. His Dark Materials (Philip Pullman, 1995-2000)
& |, j6 K7 C" I/ Z% p0 P$ T3 ?9 s78. A House for Mr Biswas (VS Naipaul, 1961)- h9 N% q3 h% G& |* Y/ u
77. Of Human Bondage (W Somerset Maugham, 1915)* T. U' B+ ^( k& e- ~' _
76. Small Island (Andrea Levy, 2004)' f5 n7 ]% {% X/ w
75. Women in Love (DH Lawrence, 1920)8 z) W+ ? j+ f5 \7 c
74. The Mayor of Casterbridge (Thomas Hardy, 1886)5 Z' s. P0 C7 w; j- n* @2 L
73. The Blue Flower (Penelope Fitzgerald, 1995)
. U' G) C$ k" m+ T2 I, D72. The Heart of the Matter (Graham Greene, 1948)
) O/ A5 r+ |0 I$ R) o71. Old Filth (Jane Gardam, 2004)
& I9 S; w9 E3 L3 y, u70. Daniel Deronda (George Eliot, 1876)4 r5 J- T" H0 ^, n
69. Nostromo (Joseph Conrad, 1904)
* U5 a& L% o! `" r( {% f! g# G$ u; y68. A Clockwork Orange (Anthony Burgess, 1962)
+ x ?8 |! R: Z" E% d% o+ e% U; m67. Crash (JG Ballard 1973)2 i, I' u; D- Z; `$ ~( T
66. Sense and Sensibility (Jane Austen, 1811)
0 q' G# X" M4 O6 c/ ~* I65. Orlando (Virginia Woolf, 1928)
! H+ Z' a% g7 d& z# O9 I! k' M2 `64. The Way We Live Now (Anthony Trollope, 1875)- M- o% s2 w$ h$ W
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: [& F3 p! B" i" c: A6 @0 L! n+ c62. Animal Farm (George Orwell, 1945): f3 B4 V, K/ K9 ~" f g: j
61. The Sea, The Sea (Iris Murdoch, 1978)
9 H- b1 [; }. d) f7 B; V$ V( x$ ~' \9 f60. Sons and Lovers (DH Lawrence, 1913)
- g9 x8 ^1 `, ~5 n ?9 ?% ~59. The Line of Beauty (Alan Hollinghurst, 2004)
, B4 I( X$ F4 B3 W9 }0 g( K* s* e58. Loving (Henry Green, 1945)
: K& i" D9 S( M& J8 M57. Parade’s End (Ford Madox Ford, 1924-1928)
- b- C r. F& u) ^+ x/ J56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& |8 k( m/ y6 \/ h |) x9 ^- o
55. Gulliver’s Travels (Jonathan Swift, 1726)
! i- @' m! E6 L, j54. NW (Zadie Smith, 2012)7 H1 J% ]1 n# _% l! T
53. Wide Sargasso Sea (Jean Rhys, 1966)
; T& \7 [( ? z: e1 ^52. New Grub Street (George Gissing, 1891)
# Z* S+ d7 s, d- E0 i& q, |51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 b! O) v" q3 T4 d- K2 w50. A Passage to India (EM Forster, 1924)
) K* S2 t5 R z; [; ?49. Possession (AS Byatt, 1990)
2 e6 m: p }; ^) O# O* x: `4 |- f5 [9 k48. Lucky Jim (Kingsley Amis, 1954) G0 j% M+ D% v+ G$ h% h3 `
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ l1 L7 `3 a# E+ u/ e1 Z% T0 n6 {
46. Midnight’s Children (Salman Rushdie, 1981)
% _- W1 v+ n. V; D45. The Little Stranger (Sarah Waters, 2009)
; B7 j& _! u. f% r44. Wolf Hall (Hilary Mantel, 2009)
9 r5 F& |1 d% d1 M4 S. O, ?" ]% O* x43. The Swimming Pool Library (Alan Hollinghurst, 1988)
U- d3 ?, p. x. W; y42. Brighton Rock (Graham Greene, 1938)4 v t9 U% D" @. i; w! m. P- ~1 W
41. Dombey and Son (Charles Dickens, 1848)
- T" [2 M' a6 ^4 g2 j# Y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 N3 {$ [; P! x9 d- t) N( @+ Y39. The Sense of an Ending (Julian Barnes, 2011)6 U- G' ^) Y/ i
38. The Passion (Jeanette Winterson, 1987)
3 k s. n- p$ N, z37. Decline and Fall (Evelyn Waugh, 1928)
: b! n$ S- g7 l2 i36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 D/ H5 d2 n8 z
35. Remainder (Tom McCarthy, 2005)
3 b' {& p2 J) R) U* D- H* c! P) C# A34. Never Let Me Go (Kazuo Ishiguro, 2005)
4 d2 Z9 b7 f8 r33. The Wind in the Willows (Kenneth Grahame, 1908)' @; G: t8 @! m( i) x
32. A Room with a View (EM Forster, 1908)
: ^1 r% w+ P! Y( @7 t2 h0 o1 o) M31. The End of the Affair (Graham Greene, 1951)8 n, ], p& r- U& }3 v1 Q
30. Moll Flanders (Daniel Defoe, 1722)
5 Q- c0 K1 w+ K29. Brick Lane (Monica Ali, 2003)
1 o3 |# |% G+ t4 _; F) }28. Villette (Charlotte Brontë, 1853)
% O# H' D0 Y& P% L! m" ~3 Q6 F: C. x27. Robinson Crusoe (Daniel Defoe, 1719)
/ ]+ {2 }6 A L9 ~26. The Lord of the Rings (JRR Tolkien, 1954)
0 b# G3 E. }: F25. White Teeth (Zadie Smith, 2000)
& h7 q7 [( P' K: T/ g$ ?24. The Golden Notebook (Doris Lessing, 1962)
( W3 ~( C, {1 i0 v8 c23. Jude the Obscure (Thomas Hardy, 1895)( m; e# \" U9 B8 p$ w
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 ]/ N3 z5 R9 A! q' Z/ ^) \6 H21. Heart of Darkness (Joseph Conrad, 1899)' q; K+ W f6 C$ _+ f# ?
20. Persuasion (Jane Austen, 1817)" W4 d6 O& X0 ^# y- P/ t; t
19. Emma (Jane Austen, 1815)) |2 a8 p6 r, o2 k3 [
18. Remains of the Day (Kazuo Ishiguro, 1989)) d- K/ _& k4 b% w/ ]
17. Howards End (EM Forster, 1910)9 d/ X6 C! R* \) R) M1 `( z6 u, j
16. The Waves (Virginia Woolf, 1931)3 ~* ~4 T- }5 F, z
15. Atonement (Ian McEwan, 2001)8 ~: K. s: A0 v* v! c! ^ z4 B
14. Clarissa (Samuel Richardson,1748)" v" f3 O& T! E5 S8 ~2 t( ~
13. The Good Soldier (Ford Madox Ford, 1915)
3 `2 \9 Q& \9 q12. Nineteen Eighty-Four (George Orwell, 1949); a7 f& x$ s1 }7 s5 P5 I6 L
11. Pride and Prejudice (Jane Austen, 1813)
3 ^$ [% k$ Z, N* h' F/ b- v10. Vanity Fair (William Makepeace Thackeray, 1848)
- J$ Y9 W3 E+ f8 v/ N) [2 S9. Frankenstein (Mary Shelley, 1818)
" s: j& ^' A' f* j* j `( Q$ L8. David Copperfield (Charles Dickens, 1850)
4 `; b& U* L7 I1 d$ ? R3 j7. Wuthering Heights (Emily Brontë, 1847) V- [9 x- u7 L4 z( a- p; Z
6. Bleak House (Charles Dickens, 1853); N* C7 Z5 t9 {9 J+ @
5. Jane Eyre (Charlotte Brontë, 1847)
- }. E$ Q+ f- p( M4. Great Expectations (Charles Dickens, 1861)* z6 b* f7 f- |3 ?
3. Mrs. Dalloway (Virginia Woolf, 1925)
& }7 g$ ~+ I# `: x. K/ y% w+ \2. To the Lighthouse (Virginia Woolf, 1927)
7 v, z) ~, \4 Z2 G0 D1. Middlemarch (George Eliot, 1874)
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9 Q; G) B' E9 t% Y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。! C5 g) T4 u. ?6 U
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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