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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著- |# I ]5 b0 ~/ a( Y) K2 U4 a
http://www.bbc.com/culture/story ... test-british-novels
, c5 C8 J+ T7 o惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
# J, _0 d6 m4 x4 M99. There but for the (Ali Smith, 2011): }( v% q4 R1 _$ W
98. Under the Volcano (Malcolm Lowry,1947)
3 ~: `% ^) L% e7 a z I97. The Chronicles of Narnia (CS Lewis, 1949-1954). k* ?$ Q, u9 U i
96. Memoirs of a Survivor (Doris Lessing, 1974)9 ?" c$ E( x' [. I. K
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
! K' S5 v) \- e6 J' X/ n8 Z94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
" K* l# y" p0 s$ d3 ]& N93. Lord of the Flies (William Golding, 1954); Y4 {/ [% n7 i! y' r, N
92. Cold Comfort Farm (Stella Gibbons, 1932)
* v0 o% w+ ^* M/ h91. The Forsyte Saga (John Galsworthy, 1922)
) {; A9 q. o) a7 m2 V' I' g90. The Woman in White (Wilkie Collins, 1859)
" y5 i' B/ R4 N$ A$ M89. The Horse’s Mouth (Joyce Cary, 1944)
+ |4 W, X, y: s, q4 @+ {! w88. The Death of the Heart (Elizabeth Bowen, 1938)
! m/ l8 U* D {+ ^; a' Z9 u! y$ T87. The Old Wives’ Tale (Arnold Bennett,1908)
7 s' W6 H _ Y! s- q86. A Legacy (Sybille Bedford, 1956)0 X; F# I5 B3 L
85. Regeneration Trilogy (Pat Barker, 1991-1995)
* B" j( ^) M! Y# ~84. Scoop (Evelyn Waugh, 1938)
5 L- S, y# T4 i3 ?6 k: |5 c$ J83. Barchester Towers (Anthony Trollope, 1857)
2 A# |5 I# C& f82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
5 }5 q0 g3 z, j' s- [: D) S% [81. The Jewel in the Crown (Paul Scott, 1966)* v1 ?3 |3 ~1 _5 }
80. Excellent Women (Barbara Pym, 1952)' i9 B& _% ~8 z1 X
79. His Dark Materials (Philip Pullman, 1995-2000)
" s3 I/ W6 T+ S78. A House for Mr Biswas (VS Naipaul, 1961)
" p$ @) [/ X5 I$ H( n# z( H77. Of Human Bondage (W Somerset Maugham, 1915)
& E p ^; a3 s' U: p' H) g! C76. Small Island (Andrea Levy, 2004)
1 `' S& M' e& z3 o2 d. V+ l75. Women in Love (DH Lawrence, 1920)$ W0 U8 G8 }3 |! q. A# q( F
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
4 [3 P" I+ R7 z* A73. The Blue Flower (Penelope Fitzgerald, 1995)
( ?+ N$ Z% n# R$ ~6 ^5 y+ X4 U' h7 F! B72. The Heart of the Matter (Graham Greene, 1948)7 M2 p |& S8 m4 g+ [5 s" c
71. Old Filth (Jane Gardam, 2004)
, K( O% I1 h b7 o; @+ @- G; L/ J70. Daniel Deronda (George Eliot, 1876)
; Z' r1 W' B L& ? e- l69. Nostromo (Joseph Conrad, 1904)" K- l" o/ ]5 \. d* E
68. A Clockwork Orange (Anthony Burgess, 1962)
' h1 a; t, e3 g5 A9 o' b' A3 L67. Crash (JG Ballard 1973)
4 |1 _5 X& z3 X) k66. Sense and Sensibility (Jane Austen, 1811)
, t! Q, m: t* U0 Y% G65. Orlando (Virginia Woolf, 1928)3 R& K( Y2 i" O) m0 k9 h
64. The Way We Live Now (Anthony Trollope, 1875)
2 }) ~* @# i5 ~5 y& Q; B. Z5 q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 {# N9 N8 p7 Q/ A
62. Animal Farm (George Orwell, 1945)
6 q# ?, g- I( Y" z; _, B61. The Sea, The Sea (Iris Murdoch, 1978)
! k2 R" w* Y$ o6 D60. Sons and Lovers (DH Lawrence, 1913)/ O8 ]) x: ]9 q9 d' P- H
59. The Line of Beauty (Alan Hollinghurst, 2004)
* S6 M% g. o5 n; Q7 g, t58. Loving (Henry Green, 1945)* M# a" R/ h. [. y2 l
57. Parade’s End (Ford Madox Ford, 1924-1928)
; u% a$ N" t. L$ e56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)5 z$ d1 a0 j/ T1 g# g+ U
55. Gulliver’s Travels (Jonathan Swift, 1726)( d$ r9 b( H' p0 T' e) {, ^$ I a
54. NW (Zadie Smith, 2012)
( N9 p" V: w4 r( Y( |' v: _ p53. Wide Sargasso Sea (Jean Rhys, 1966)
$ f3 b# [- y7 N( C1 x, q d- i52. New Grub Street (George Gissing, 1891)$ ]+ V2 z/ m2 A/ v; T
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
3 p: q! {. l# u6 z4 \50. A Passage to India (EM Forster, 1924)
% C" N' \+ q' P U* A) F9 \( s0 P' D49. Possession (AS Byatt, 1990)
! a: I, B; ~- N* A48. Lucky Jim (Kingsley Amis, 1954)
/ `% C( p9 w$ ~+ E) T47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
! i2 Y1 m4 H& ?, l4 U( \46. Midnight’s Children (Salman Rushdie, 1981)" P5 p7 |& e8 j- F+ ]
45. The Little Stranger (Sarah Waters, 2009)* p+ ]/ N0 Y3 L) j6 _
44. Wolf Hall (Hilary Mantel, 2009)& e& ]& T M6 Q a( C+ |7 }
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
# X, O2 t( z* J8 N+ a% M# J42. Brighton Rock (Graham Greene, 1938)
3 ~) q5 q. K) L9 f+ L/ X5 V: S41. Dombey and Son (Charles Dickens, 1848)$ V, Y7 z9 ^2 R: W2 h* q3 }6 A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
& u& m4 M$ P% z3 D/ v4 P39. The Sense of an Ending (Julian Barnes, 2011)
5 N9 D& b- o3 S/ s5 W) t6 p38. The Passion (Jeanette Winterson, 1987)
+ x; G, T' q, p1 P9 L$ z2 {* T& q- |37. Decline and Fall (Evelyn Waugh, 1928)
9 q) t9 B9 J( z) H6 t$ ~( ^36. A Dance to the Music of Time (Anthony Powell, 1951-1975)) V* k9 m2 C6 C. b5 c- r
35. Remainder (Tom McCarthy, 2005)
/ W- e9 o9 x4 t o, X6 V/ v O34. Never Let Me Go (Kazuo Ishiguro, 2005)% f5 |7 Z$ k5 g2 z# {
33. The Wind in the Willows (Kenneth Grahame, 1908)+ K, A& @7 X% i2 h
32. A Room with a View (EM Forster, 1908)5 I* K" u5 {* t8 S
31. The End of the Affair (Graham Greene, 1951)
5 k: {2 R& o0 u4 S4 N30. Moll Flanders (Daniel Defoe, 1722): ~# ?4 Y- Z8 M2 n% |( ]' J! ]
29. Brick Lane (Monica Ali, 2003)- J/ N4 q: M! g: y
28. Villette (Charlotte Brontë, 1853), u3 l+ o; [ ?1 J
27. Robinson Crusoe (Daniel Defoe, 1719)2 U( c" E; Y9 `
26. The Lord of the Rings (JRR Tolkien, 1954)
2 J: N* B0 |$ }+ n( e1 W: J25. White Teeth (Zadie Smith, 2000)
/ c, y) S0 g! s% B24. The Golden Notebook (Doris Lessing, 1962)
2 z$ B% I7 x5 S$ Y1 m23. Jude the Obscure (Thomas Hardy, 1895), m; B" T& g- Y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
- b9 D+ N1 ]% M; ?; g21. Heart of Darkness (Joseph Conrad, 1899)
/ r! P/ K+ v: p- M- y3 W5 o/ o( o20. Persuasion (Jane Austen, 1817)/ ]8 o, j! }0 }
19. Emma (Jane Austen, 1815)
9 ]7 }3 f3 q" z6 R0 l. k% K18. Remains of the Day (Kazuo Ishiguro, 1989) Q5 k' z$ C6 f
17. Howards End (EM Forster, 1910)+ u9 z+ a/ V, f( s1 S1 l0 ^
16. The Waves (Virginia Woolf, 1931)+ D' W' u! ^: _6 w8 d+ h% H# B
15. Atonement (Ian McEwan, 2001). J/ X0 R9 M' m4 E. k+ f7 G$ d
14. Clarissa (Samuel Richardson,1748)' I$ X; S3 m0 h( t: C K- y
13. The Good Soldier (Ford Madox Ford, 1915)
( o$ F( ~2 B+ O3 U/ y# L; w12. Nineteen Eighty-Four (George Orwell, 1949)# _" P V3 l! [, F5 e
11. Pride and Prejudice (Jane Austen, 1813)7 A) ~, Y' t5 Q1 y/ P* A _. k. ^
10. Vanity Fair (William Makepeace Thackeray, 1848)
1 b# R$ l( B, A9. Frankenstein (Mary Shelley, 1818)7 T% |2 o! N& Y; J% S" M x
8. David Copperfield (Charles Dickens, 1850)
+ K+ S# V* u r1 Z5 D# L/ ^/ D7. Wuthering Heights (Emily Brontë, 1847)
+ J h$ n! P: C: h2 M* c6. Bleak House (Charles Dickens, 1853)5 i8 z, K7 _2 P
5. Jane Eyre (Charlotte Brontë, 1847)( p0 a% |7 y; o# l/ f! c
4. Great Expectations (Charles Dickens, 1861)( q- \* R" P# b9 b9 K: m
3. Mrs. Dalloway (Virginia Woolf, 1925)
! S" O2 g: ]+ K- L+ \8 k2. To the Lighthouse (Virginia Woolf, 1927)$ Y c/ H& }7 B# f! i6 k
1. Middlemarch (George Eliot, 1874)/ @, X5 O) h$ z: W& G
# w& i. N, l) c a/ B8 `前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。' Y2 B v' x8 ]/ ]/ c
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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