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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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3 R# R4 g* r5 p& G8 V' A8 n! X4 OBBC评出100大英国文学名著
9 S+ ^: K* d1 z0 ghttp://www.bbc.com/culture/story ... test-british-novels- P2 {' P0 n/ b
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。+ e0 s2 u% Q& r6 `7 K
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100. The Code of the Woosters (PG Wodehouse, 1938)
5 V6 [& S2 R6 h: }99. There but for the (Ali Smith, 2011)
& k# `* @, x" A+ f$ G98. Under the Volcano (Malcolm Lowry,1947)
$ j2 h) g7 K; R0 B- q, m/ F97. The Chronicles of Narnia (CS Lewis, 1949-1954)$ {) L; T. e6 ~: \1 C) j
96. Memoirs of a Survivor (Doris Lessing, 1974)
4 e2 a8 O( M$ u9 y! z, E2 T4 i95. The Buddha of Suburbia (Hanif Kureishi, 1990)
; m" W, ?5 ~; q' f# q; E/ f, ^94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 F# ~. `2 c$ g6 t, X2 F+ z* C( W
93. Lord of the Flies (William Golding, 1954)
6 ^' P3 q# F. E! f8 Z4 V# Q9 |7 v* w92. Cold Comfort Farm (Stella Gibbons, 1932)$ x3 S, h9 y7 P7 c3 Q6 `
91. The Forsyte Saga (John Galsworthy, 1922)5 r" d9 F5 p$ g& ^9 f5 b/ y9 b7 }9 ?
90. The Woman in White (Wilkie Collins, 1859)
; _) P+ X U0 s0 I89. The Horse’s Mouth (Joyce Cary, 1944)
+ y, P, Q: a) g. K* r88. The Death of the Heart (Elizabeth Bowen, 1938)* s9 \, S6 B3 [, Q. _
87. The Old Wives’ Tale (Arnold Bennett,1908)$ D) l, n# I& h$ f I' p
86. A Legacy (Sybille Bedford, 1956)( g. S' N, J5 C
85. Regeneration Trilogy (Pat Barker, 1991-1995)
+ W# d+ h4 R- i3 g1 B84. Scoop (Evelyn Waugh, 1938)
' o7 }7 |( v- s8 j% E83. Barchester Towers (Anthony Trollope, 1857)3 U/ K1 K# H Z& n: U
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) r ?) Z0 Z( m) K; p" L) r% K
81. The Jewel in the Crown (Paul Scott, 1966)
8 [! Y9 N- K, _+ ~80. Excellent Women (Barbara Pym, 1952)6 c, ?$ [, z# P+ K0 W. }# O" J
79. His Dark Materials (Philip Pullman, 1995-2000)
% E/ d' L; _# w4 h( C! l7 H2 Q78. A House for Mr Biswas (VS Naipaul, 1961)
8 K1 {4 x1 \7 I' c. m1 H8 O+ X77. Of Human Bondage (W Somerset Maugham, 1915)4 t! Z. w$ W* @& |* {# s8 V1 x5 Q' g
76. Small Island (Andrea Levy, 2004)3 K0 [: S( `- Q
75. Women in Love (DH Lawrence, 1920), i1 B4 a" \4 I) ~5 M0 O
74. The Mayor of Casterbridge (Thomas Hardy, 1886)- x" K+ Q+ w. T( M! G) h
73. The Blue Flower (Penelope Fitzgerald, 1995)& P& ^& d. N) u; |
72. The Heart of the Matter (Graham Greene, 1948)2 e v5 k8 U, u1 @$ J
71. Old Filth (Jane Gardam, 2004)* |& K4 ]% x" ~4 t
70. Daniel Deronda (George Eliot, 1876)# @2 r7 K$ n9 ?" I Q
69. Nostromo (Joseph Conrad, 1904)
; G0 d' O" w0 e+ Z1 H. X68. A Clockwork Orange (Anthony Burgess, 1962)5 _4 v- r: {6 |* n& Z
67. Crash (JG Ballard 1973)/ j6 Z9 F) V0 U+ h7 y) Z" d
66. Sense and Sensibility (Jane Austen, 1811)% H) i, b ]( V% m" [) T+ ?
65. Orlando (Virginia Woolf, 1928)
- o# z$ Y2 x8 [) m0 `) S64. The Way We Live Now (Anthony Trollope, 1875)9 T$ T! P- B( l$ h% n% Q; h1 s
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 N$ J- I9 }9 n6 @
62. Animal Farm (George Orwell, 1945)4 k( N" j" S+ ^
61. The Sea, The Sea (Iris Murdoch, 1978)
# P7 p* v7 P1 ^) A0 H# B60. Sons and Lovers (DH Lawrence, 1913)
1 x3 K) r: I4 ~, w* A- ]( m; D59. The Line of Beauty (Alan Hollinghurst, 2004)6 _* [4 w. r6 u
58. Loving (Henry Green, 1945)! a2 s( s0 @* X* g" s. n
57. Parade’s End (Ford Madox Ford, 1924-1928)
8 e) P( ^3 w6 W/ k6 z* N56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)# p; B4 g1 k, D2 C$ c
55. Gulliver’s Travels (Jonathan Swift, 1726)
! g6 J# S1 m4 W* m$ H: j54. NW (Zadie Smith, 2012)) i7 n( h1 ^% B1 m+ ]; A6 H
53. Wide Sargasso Sea (Jean Rhys, 1966)
. ^% y+ k9 l* M" q) J52. New Grub Street (George Gissing, 1891)
# k- j) K b4 Y/ N51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
( a. O0 h' K) R7 s% _50. A Passage to India (EM Forster, 1924): U4 c* G# R! v$ \7 ^
49. Possession (AS Byatt, 1990)
; J0 O% T& g' N48. Lucky Jim (Kingsley Amis, 1954)
/ i( A3 X1 K& N% M5 P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ p* u# K' @. s
46. Midnight’s Children (Salman Rushdie, 1981)
& K+ p" [& U8 |1 F4 ~5 u0 p45. The Little Stranger (Sarah Waters, 2009)2 W2 X, d+ z7 [
44. Wolf Hall (Hilary Mantel, 2009)8 n: p% m) W8 b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 C; ^. h- ]; F! T42. Brighton Rock (Graham Greene, 1938)
5 s/ x, K9 H: N5 L+ P$ ~9 U, k41. Dombey and Son (Charles Dickens, 1848)
" j5 W' a0 t9 l% o0 L40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
* l! U8 z1 H: p: k39. The Sense of an Ending (Julian Barnes, 2011); }: K9 x5 f% K8 R9 v6 [( }4 h% J
38. The Passion (Jeanette Winterson, 1987)) g7 P, _% e# F
37. Decline and Fall (Evelyn Waugh, 1928)$ c4 t* g {; ~( V" z
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( a/ C. Z3 O2 V* l# ~' z. |2 F
35. Remainder (Tom McCarthy, 2005). p; h- ^$ B9 Y8 h* ^7 K, E6 W
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 r2 \% d4 S' _' U; B* B- P
33. The Wind in the Willows (Kenneth Grahame, 1908)( w- L$ T$ }5 F1 C, a& B' Y4 |) w7 ~
32. A Room with a View (EM Forster, 1908)- D |) p; G# S3 B
31. The End of the Affair (Graham Greene, 1951)" K" B4 f/ T( ?( [
30. Moll Flanders (Daniel Defoe, 1722)
& a/ _0 g# S5 U7 @29. Brick Lane (Monica Ali, 2003)
4 t/ j; H1 _/ R! j' j! [28. Villette (Charlotte Brontë, 1853)
- x0 J+ e) v8 \4 B! u( c27. Robinson Crusoe (Daniel Defoe, 1719): X! y$ [# h, ~ L6 W2 [
26. The Lord of the Rings (JRR Tolkien, 1954)* F/ ]; {& j8 v
25. White Teeth (Zadie Smith, 2000)8 F- _+ _# A4 j$ t' r4 D% w
24. The Golden Notebook (Doris Lessing, 1962)
4 g4 @/ n9 d3 `6 c8 L23. Jude the Obscure (Thomas Hardy, 1895)
+ Y* q+ y1 q6 x0 T, f22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 x. I* p2 \" o, A4 p
21. Heart of Darkness (Joseph Conrad, 1899)' [- k2 I5 {( G/ }# W
20. Persuasion (Jane Austen, 1817)( p( y. I- ]) v8 q3 M8 p# ~
19. Emma (Jane Austen, 1815)
1 w8 k8 r* P' V: ^18. Remains of the Day (Kazuo Ishiguro, 1989)( K2 L9 m0 d7 l% |+ u
17. Howards End (EM Forster, 1910)
( T. `7 x( D, H/ Z% B16. The Waves (Virginia Woolf, 1931)
' \, M6 y9 l& O6 r" u15. Atonement (Ian McEwan, 2001)' a+ x+ b" P( m' E/ a2 D
14. Clarissa (Samuel Richardson,1748)) h3 e f# U0 N* Z$ x/ b, l$ V
13. The Good Soldier (Ford Madox Ford, 1915)
% T& \/ @6 H% c* s0 n @12. Nineteen Eighty-Four (George Orwell, 1949)
& P/ T+ z4 k4 T" K# U2 q; W11. Pride and Prejudice (Jane Austen, 1813)
* a$ o9 \; ~; U" J9 f l/ d. T10. Vanity Fair (William Makepeace Thackeray, 1848)1 ^; p( [: `/ v2 ~4 K
9. Frankenstein (Mary Shelley, 1818)3 @3 a* r* U; s0 s" {4 V* h
8. David Copperfield (Charles Dickens, 1850)
6 D+ V- {( R- F' _2 U7 @* ?7. Wuthering Heights (Emily Brontë, 1847)
) Y6 Z- [+ l" |/ d6. Bleak House (Charles Dickens, 1853)/ o& k; \, A; S. n: N' v, t
5. Jane Eyre (Charlotte Brontë, 1847)* H8 ?) X; j8 V% ^5 l
4. Great Expectations (Charles Dickens, 1861)
- M$ s; V1 L1 u* B1 `& N2 H; c- G3. Mrs. Dalloway (Virginia Woolf, 1925)
: U @9 d* C" C5 T- V2. To the Lighthouse (Virginia Woolf, 1927)
$ ]2 A. J, r2 V3 }; H, {4 R% J1. Middlemarch (George Eliot, 1874): L0 \- H6 q5 i4 Q# z
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。9 b5 o) H: \% N, c7 I
9 D8 n. s% }) v/ w5 U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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