|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
% J9 @1 J3 {& c+ M$ i" U) r* F+ M* i8 W6 N6 J0 ? ]
BBC评出100大英国文学名著
) j. d* f8 j( ~3 phttp://www.bbc.com/culture/story ... test-british-novels
3 C# B" f0 M, w: R( d6 X* _惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
7 g* Z0 a8 E- ?$ q- U/ ]/ ?0 k& p
) @( I: L: ~. u( x$ r- B100. The Code of the Woosters (PG Wodehouse, 1938)
, x8 `1 L7 u$ x3 H. t( w7 I; a, q( U99. There but for the (Ali Smith, 2011)5 G5 i) q6 ]- E% d6 @
98. Under the Volcano (Malcolm Lowry,1947)6 e& \4 @( k8 o; }
97. The Chronicles of Narnia (CS Lewis, 1949-1954)$ Q- ^. s& q: }
96. Memoirs of a Survivor (Doris Lessing, 1974)
E Z" `" C) ~9 |8 u$ L95. The Buddha of Suburbia (Hanif Kureishi, 1990)
4 Z/ W4 |! M5 a2 O/ a94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. n' O/ f6 h6 y7 A" J93. Lord of the Flies (William Golding, 1954)
# b# ]0 C( A: n/ P& j+ u92. Cold Comfort Farm (Stella Gibbons, 1932), a8 g6 ^& n/ Q. D- t
91. The Forsyte Saga (John Galsworthy, 1922)# B' ~% D8 U6 u, a' W3 E# u4 ?
90. The Woman in White (Wilkie Collins, 1859)
0 z- K' Y. u/ e: a89. The Horse’s Mouth (Joyce Cary, 1944) l1 e4 M8 N8 p
88. The Death of the Heart (Elizabeth Bowen, 1938)
( y, t4 x3 ^: t1 [: x87. The Old Wives’ Tale (Arnold Bennett,1908)# J: Y6 T& C$ I2 ^
86. A Legacy (Sybille Bedford, 1956)
# ^3 V F% E }2 T( \6 O! C! x! F85. Regeneration Trilogy (Pat Barker, 1991-1995)
* C6 [# V% y8 ?# ?* f ?! V84. Scoop (Evelyn Waugh, 1938)
, S2 Q* w# }# l; D/ a83. Barchester Towers (Anthony Trollope, 1857), Y8 x: Q' h" l& G2 _4 k9 h! g
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( l1 S: e( Y, f: l+ E81. The Jewel in the Crown (Paul Scott, 1966)
- N l9 n$ Q( g, }! T! l6 C8 ^$ p& i0 w80. Excellent Women (Barbara Pym, 1952)
2 K- U2 g: f% v, b) X& T j7 y79. His Dark Materials (Philip Pullman, 1995-2000)
0 u5 B- z; a, ^3 ]: r4 E( A78. A House for Mr Biswas (VS Naipaul, 1961)
4 i3 h2 i- C9 |5 v" T- y9 e77. Of Human Bondage (W Somerset Maugham, 1915) h; s1 S# R* f/ z
76. Small Island (Andrea Levy, 2004)
( h( y& e( A' \# R3 M- R75. Women in Love (DH Lawrence, 1920)% X3 K" Q: E; q0 ]% H
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
" k; k9 n) Y5 _) J4 B3 h: |73. The Blue Flower (Penelope Fitzgerald, 1995)
: ^. h' j8 d7 _' ^9 T; E72. The Heart of the Matter (Graham Greene, 1948)
& u* [8 `, k" t! @1 v& s3 |71. Old Filth (Jane Gardam, 2004)
- [5 P+ I* Z2 T; D# M, F# X1 l70. Daniel Deronda (George Eliot, 1876)* V& u/ m1 ~5 ~
69. Nostromo (Joseph Conrad, 1904); J% o( K2 t J" H( P) k; v
68. A Clockwork Orange (Anthony Burgess, 1962)( y |! z4 r, p1 ]3 q
67. Crash (JG Ballard 1973)6 j9 Q# x- s. J& K/ ]. x
66. Sense and Sensibility (Jane Austen, 1811)
# Z" y% o5 ^0 S3 R65. Orlando (Virginia Woolf, 1928)' l8 g% @. b8 X7 p
64. The Way We Live Now (Anthony Trollope, 1875)
/ Q4 z6 l* l$ k7 J63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% y( z/ `& d, }) k, K1 t2 a62. Animal Farm (George Orwell, 1945)
1 z( y9 D/ j+ ]. p Z! d61. The Sea, The Sea (Iris Murdoch, 1978)* u: S1 G& B# q
60. Sons and Lovers (DH Lawrence, 1913)
5 L% l0 X3 M: p! N- B, |. _59. The Line of Beauty (Alan Hollinghurst, 2004)! D/ d4 x$ L7 s5 e- k
58. Loving (Henry Green, 1945)
0 u4 [% d8 B' f57. Parade’s End (Ford Madox Ford, 1924-1928)
7 I- w7 ^4 J" P: C& r56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985). G3 p" I; i3 S1 L: F
55. Gulliver’s Travels (Jonathan Swift, 1726)
* A0 C; m( F- C( u2 b54. NW (Zadie Smith, 2012)
; U7 x$ u0 @6 ?53. Wide Sargasso Sea (Jean Rhys, 1966)0 U5 N0 V! Z5 V) X
52. New Grub Street (George Gissing, 1891)
; W. F0 h T' ^& v ~51. Tess of the d’Urbervilles (Thomas Hardy, 1891)4 k( g8 O0 Z J. w8 F
50. A Passage to India (EM Forster, 1924)
) L# k# v u2 S) u49. Possession (AS Byatt, 1990)
5 b5 ^; }3 ?! x( `4 }4 K48. Lucky Jim (Kingsley Amis, 1954)
6 ]: [5 H: ^, `7 a47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)% T, E$ E& J" b+ x' S, l
46. Midnight’s Children (Salman Rushdie, 1981)8 u) h' x2 d3 x# c" p. ^* v
45. The Little Stranger (Sarah Waters, 2009)
' q3 U7 [0 l5 R' m- X: i. \44. Wolf Hall (Hilary Mantel, 2009)3 G5 A" S- V5 j2 q. t* [+ r* M
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
8 P9 D9 m- v( S' J& [) }4 p G42. Brighton Rock (Graham Greene, 1938)% b- Y1 V5 }8 A
41. Dombey and Son (Charles Dickens, 1848)! n. _9 J R' R7 @
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)7 k x! t& n( \2 a; q
39. The Sense of an Ending (Julian Barnes, 2011)
2 h8 y1 m' k1 j/ {3 l, t38. The Passion (Jeanette Winterson, 1987)
& ^4 g" ^( ~& m# o; ~5 U, [37. Decline and Fall (Evelyn Waugh, 1928)- w; n* g( d) ], G( ]9 d
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)) t' Q2 f% V/ |3 ~) A
35. Remainder (Tom McCarthy, 2005)
* S5 I+ |, {0 v0 d6 ~/ V! U7 |34. Never Let Me Go (Kazuo Ishiguro, 2005)
- f9 I1 H$ y( m% T1 E# r33. The Wind in the Willows (Kenneth Grahame, 1908)/ e2 d, y$ c5 Z# i3 S
32. A Room with a View (EM Forster, 1908). M/ \3 g! x7 D9 T
31. The End of the Affair (Graham Greene, 1951)6 z2 f9 n/ w$ j3 ]+ W! j+ s! N3 G
30. Moll Flanders (Daniel Defoe, 1722)
' G7 ~3 P0 q6 m, G29. Brick Lane (Monica Ali, 2003)% Q: J7 e& E% C9 h$ A) ~; @" y
28. Villette (Charlotte Brontë, 1853)# k6 V% ^( U+ J6 }* a% u1 T
27. Robinson Crusoe (Daniel Defoe, 1719)% _4 l* [: v& u, W
26. The Lord of the Rings (JRR Tolkien, 1954)
, L- B) c/ f/ r3 J25. White Teeth (Zadie Smith, 2000)
3 q( E1 b) B2 Q* i" ?4 ?7 @24. The Golden Notebook (Doris Lessing, 1962)5 V; {, w/ B' s1 H# F# r0 e
23. Jude the Obscure (Thomas Hardy, 1895)
( U+ u. ~0 K {+ P+ O8 z* J: F1 j7 ^1 @22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
6 r/ m6 E' y, Y* U21. Heart of Darkness (Joseph Conrad, 1899)
8 ^6 i1 B8 T3 S! Y$ J$ S20. Persuasion (Jane Austen, 1817)) T- d! ?) \/ {# ~/ } O+ y$ P
19. Emma (Jane Austen, 1815)
( n# |/ \# J$ s, U# l P; A; F18. Remains of the Day (Kazuo Ishiguro, 1989); u* t* Y. `% \) `5 H
17. Howards End (EM Forster, 1910)
4 L5 ~- c; o5 p' } U* S4 v16. The Waves (Virginia Woolf, 1931)+ f" ]( ^+ J, t' G& I x/ X
15. Atonement (Ian McEwan, 2001)8 H6 l7 r1 x% \; Q+ _3 \
14. Clarissa (Samuel Richardson,1748)
0 y! u8 j: n( h% z13. The Good Soldier (Ford Madox Ford, 1915)+ b, `; K' M" [) t) ~- v! {
12. Nineteen Eighty-Four (George Orwell, 1949)
6 r( J4 j, y; m- Y1 W5 u11. Pride and Prejudice (Jane Austen, 1813)
3 n/ q& _: T5 V2 Q0 ]10. Vanity Fair (William Makepeace Thackeray, 1848)
3 Q8 T) ^2 ?6 H1 `9. Frankenstein (Mary Shelley, 1818)0 ~# }# T8 n6 I
8. David Copperfield (Charles Dickens, 1850)8 {6 j, M. }1 @ g6 a
7. Wuthering Heights (Emily Brontë, 1847)2 w8 |$ e0 D. k$ p( S
6. Bleak House (Charles Dickens, 1853)
8 c; p5 _' s9 |1 J5. Jane Eyre (Charlotte Brontë, 1847)
3 T' h3 R1 E/ P& W4. Great Expectations (Charles Dickens, 1861)
$ S& [5 i; f# ~9 T7 G( |; P3. Mrs. Dalloway (Virginia Woolf, 1925)
! W& q1 b! A( r/ \+ Z2. To the Lighthouse (Virginia Woolf, 1927)
0 H" {6 }- q5 _1. Middlemarch (George Eliot, 1874)
: P8 @- `4 N- y e8 e2 [- \8 T N/ j2 X6 N' I
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。, X" q/ l( ~* ]* x0 t
' V/ b8 s) ?& \- u呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
