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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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0 t- V# O" H+ w- @BBC评出100大英国文学名著: ]( d1 V% e% C. _
http://www.bbc.com/culture/story ... test-british-novels
3 U( d. ~" E' a* g% ~( R惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
1 u; ?0 Q: E4 ?: I# k! A99. There but for the (Ali Smith, 2011)
* a( y( Y6 K* e1 H' Y. w98. Under the Volcano (Malcolm Lowry,1947)
9 a+ O- c1 d3 b+ L1 b97. The Chronicles of Narnia (CS Lewis, 1949-1954)% K1 `1 k5 V8 ?6 m
96. Memoirs of a Survivor (Doris Lessing, 1974)4 d7 C* }3 D4 y4 v+ ^
95. The Buddha of Suburbia (Hanif Kureishi, 1990), A* Y8 s, T; h- {6 C
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: O/ e7 i, ^% r8 m93. Lord of the Flies (William Golding, 1954); u' G! j% E, y% A7 E
92. Cold Comfort Farm (Stella Gibbons, 1932)
! @& f* B: M: ~91. The Forsyte Saga (John Galsworthy, 1922)
& ~/ n. ^+ G5 {90. The Woman in White (Wilkie Collins, 1859)+ f6 L( e% z, o5 S2 _) I
89. The Horse’s Mouth (Joyce Cary, 1944)$ K' \) P6 j, ^2 F4 a
88. The Death of the Heart (Elizabeth Bowen, 1938)9 b b8 }+ c, s' z
87. The Old Wives’ Tale (Arnold Bennett,1908)8 F% R( G9 s! Y4 U3 H
86. A Legacy (Sybille Bedford, 1956)
: ]$ |/ _: L4 V85. Regeneration Trilogy (Pat Barker, 1991-1995)+ V; R( p8 O6 u/ g
84. Scoop (Evelyn Waugh, 1938)
6 q! |* s+ A! A* n/ X/ N6 v) c83. Barchester Towers (Anthony Trollope, 1857)
; O! l7 W, H7 }* u82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)! n5 O |( R$ B; z' V L* M
81. The Jewel in the Crown (Paul Scott, 1966)
7 `) ]2 l# X4 N0 v* B6 H! o( \" e7 e80. Excellent Women (Barbara Pym, 1952)8 { q& B! c( e+ r) c
79. His Dark Materials (Philip Pullman, 1995-2000)& e+ l. f; F& A* D. @. c, T
78. A House for Mr Biswas (VS Naipaul, 1961)
9 h7 p9 d7 p+ X, Z% q' e+ G8 s7 v. A77. Of Human Bondage (W Somerset Maugham, 1915): Z0 j2 }& I* p
76. Small Island (Andrea Levy, 2004)0 \) H! x* B- [% k2 Y9 O3 T
75. Women in Love (DH Lawrence, 1920), }% L; T6 @3 D: g, C
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
4 f# p' u& F6 D73. The Blue Flower (Penelope Fitzgerald, 1995) ^3 q$ {* y# q) \
72. The Heart of the Matter (Graham Greene, 1948)9 n* [' e- A* u! p0 q0 T9 x
71. Old Filth (Jane Gardam, 2004)
0 O' A4 g g3 x+ G. s$ q70. Daniel Deronda (George Eliot, 1876)6 q5 Q- } b. q; N- A! i; B
69. Nostromo (Joseph Conrad, 1904)
- z7 d& B* W# V, q9 ^% U* F68. A Clockwork Orange (Anthony Burgess, 1962)
8 R9 J# u2 i: f" W- k6 X p67. Crash (JG Ballard 1973)
% v( o/ c* b% w2 F7 G# `. N66. Sense and Sensibility (Jane Austen, 1811)
& h1 z) T2 y4 w4 Z; ^$ l65. Orlando (Virginia Woolf, 1928)! r$ k6 _; G; c) P9 c& C
64. The Way We Live Now (Anthony Trollope, 1875)5 b, \0 m3 S# T" X2 Q
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 o1 d9 v. |1 E
62. Animal Farm (George Orwell, 1945)
1 b/ C/ `9 ~/ S5 f% J61. The Sea, The Sea (Iris Murdoch, 1978)8 X# H+ ^, ?" N: J$ k2 |. D, L1 W
60. Sons and Lovers (DH Lawrence, 1913)( S- L0 w/ z5 m3 h0 E) z
59. The Line of Beauty (Alan Hollinghurst, 2004)
' ^" j6 K, w2 L2 n58. Loving (Henry Green, 1945)$ }3 i# `9 J# ?- b
57. Parade’s End (Ford Madox Ford, 1924-1928)
. Q6 z% [* Z5 f4 d% G8 b# Q* Q' { n% q56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
6 e6 p" k, f3 O55. Gulliver’s Travels (Jonathan Swift, 1726)# }" G/ o5 g2 V# X) \
54. NW (Zadie Smith, 2012)
, a4 c3 f* u) g& |/ V, Z53. Wide Sargasso Sea (Jean Rhys, 1966)
$ `0 F+ Z8 |- `52. New Grub Street (George Gissing, 1891)
. K6 {5 q; }4 j7 g7 N. y. @" K51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
; T Z& i& z2 K' T50. A Passage to India (EM Forster, 1924)3 \. z2 |" s! L( J: D3 J! F* k
49. Possession (AS Byatt, 1990)6 R, F. a, k# |3 G
48. Lucky Jim (Kingsley Amis, 1954)
) \9 K$ Y) a2 C* r4 t) T) g47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
% D( b. v$ @6 t. N46. Midnight’s Children (Salman Rushdie, 1981)$ O( v' b; u& {9 H( ~
45. The Little Stranger (Sarah Waters, 2009) A* b: e* v4 ?* m& _/ @+ ~6 P) s9 V
44. Wolf Hall (Hilary Mantel, 2009)
/ [5 s- z$ S, c9 d+ S43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 J, w! E1 L% F0 c0 q& p& o0 F42. Brighton Rock (Graham Greene, 1938)
4 |# U: J+ t$ h) L/ c41. Dombey and Son (Charles Dickens, 1848)
& r9 A4 g, i4 Q' n2 O, f/ S40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
4 a- I/ R7 O/ t$ q( K/ z" M39. The Sense of an Ending (Julian Barnes, 2011), t9 ~% G2 j6 v# X
38. The Passion (Jeanette Winterson, 1987)" p; t/ Y# B9 c8 e: g
37. Decline and Fall (Evelyn Waugh, 1928)6 R$ p |8 A% j& w r: @7 m$ X9 r
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)7 G" `; Q0 @, m* O5 F0 p
35. Remainder (Tom McCarthy, 2005)
% Z3 R( q5 @+ K& \3 d0 K Z& {; }$ m34. Never Let Me Go (Kazuo Ishiguro, 2005)* g9 c$ e% C3 h) g9 ], x
33. The Wind in the Willows (Kenneth Grahame, 1908)
' T9 p$ `3 N: b32. A Room with a View (EM Forster, 1908)4 r) J( B0 R6 k, w9 q
31. The End of the Affair (Graham Greene, 1951)
6 m( F) w$ ~% Q j |30. Moll Flanders (Daniel Defoe, 1722)
- p& D, _. s! w29. Brick Lane (Monica Ali, 2003)' Q& t7 E& s6 r; l1 n
28. Villette (Charlotte Brontë, 1853)
/ \+ R/ H" @ [+ w27. Robinson Crusoe (Daniel Defoe, 1719); S9 g# Y& R- x1 F5 K8 C6 ^! F
26. The Lord of the Rings (JRR Tolkien, 1954)+ q) O2 D/ c- `" K/ q: [
25. White Teeth (Zadie Smith, 2000)
& L! I1 ] t" J# g3 j24. The Golden Notebook (Doris Lessing, 1962)% Y9 O8 U$ H+ {* ~2 |% Z7 q
23. Jude the Obscure (Thomas Hardy, 1895)
, @* O' @3 o8 z/ m% }- q22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)6 e' [( X$ M, P
21. Heart of Darkness (Joseph Conrad, 1899)3 o$ N% k5 }9 q+ G
20. Persuasion (Jane Austen, 1817)( d, z3 s$ X3 c
19. Emma (Jane Austen, 1815): P: I W" n8 y
18. Remains of the Day (Kazuo Ishiguro, 1989)
3 K$ t# v2 q d$ j) l17. Howards End (EM Forster, 1910)* |" C: [9 m/ q w8 ~: A! }- w
16. The Waves (Virginia Woolf, 1931) V( W- [: Q& n+ q- n, W4 m
15. Atonement (Ian McEwan, 2001)2 n: `/ V% `5 {, B3 Q
14. Clarissa (Samuel Richardson,1748)
9 G+ ~2 S( e% U c- v13. The Good Soldier (Ford Madox Ford, 1915)
, [, a) x9 P3 G( Y) G, r* f12. Nineteen Eighty-Four (George Orwell, 1949)2 G% f/ A7 Y( S6 V. `
11. Pride and Prejudice (Jane Austen, 1813)/ a) s* E+ K+ L3 O! l- V
10. Vanity Fair (William Makepeace Thackeray, 1848)7 l, S' Q6 {/ T) o& F$ C
9. Frankenstein (Mary Shelley, 1818)
) V1 `3 d% @( e, h$ k- O3 q' g8. David Copperfield (Charles Dickens, 1850)
$ F& I! e' o$ S0 N7 `7. Wuthering Heights (Emily Brontë, 1847)2 F& A, y# j# [1 s6 ]' m: c
6. Bleak House (Charles Dickens, 1853); B1 S2 G$ E. k5 a) E; v
5. Jane Eyre (Charlotte Brontë, 1847)
; q6 {) ]9 y2 I& v+ S/ \3 k# E4. Great Expectations (Charles Dickens, 1861)" Q& O9 m1 b7 S; T) s
3. Mrs. Dalloway (Virginia Woolf, 1925)
% B8 F8 l& l0 ^1 m" Q% n0 u) b8 q( Q' @2. To the Lighthouse (Virginia Woolf, 1927)
' Z2 ~$ V7 w" |7 s3 y* ~7 N! y2 v9 W1. Middlemarch (George Eliot, 1874)8 M! b, T2 ?! D! D
% ~& j; `* f- u5 X0 x前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。" _/ J) S; r9 r; z4 ~
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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