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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 / y3 X5 C8 |( M k& l) ?
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BBC评出100大英国文学名著0 B# F' |' B( `8 @
http://www.bbc.com/culture/story ... test-british-novels5 |& k" }7 @* f- e4 U
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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9 O3 h4 B ?/ u1 ~- o x7 ]7 O8 B100. The Code of the Woosters (PG Wodehouse, 1938)* F0 j U- t( H6 Q! {/ v; W
99. There but for the (Ali Smith, 2011)
6 p; F' v3 `- E/ T7 U4 Y98. Under the Volcano (Malcolm Lowry,1947)( V8 ^7 J! G0 V
97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 t" v" i1 ?( y8 c. g
96. Memoirs of a Survivor (Doris Lessing, 1974)+ `' M! S' ]/ |
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
_; e( N) _% A' U94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)" }: m4 `) s8 o& Z5 N1 Y, O+ B
93. Lord of the Flies (William Golding, 1954)
$ G {6 ]; `2 X8 F( u92. Cold Comfort Farm (Stella Gibbons, 1932)& S0 o2 q0 ?3 q& r& E7 ]0 |+ }
91. The Forsyte Saga (John Galsworthy, 1922)
7 J/ u5 m) o9 `: p0 U# G90. The Woman in White (Wilkie Collins, 1859)) ~8 L9 B8 y t3 g3 M; K9 g& X
89. The Horse’s Mouth (Joyce Cary, 1944)
: X0 T0 E$ H7 p+ K9 I* }( v" W88. The Death of the Heart (Elizabeth Bowen, 1938)
1 V( z) e' ]6 ]* b( v+ {& Y: |4 J" U87. The Old Wives’ Tale (Arnold Bennett,1908)6 i& \7 j6 c# w& D
86. A Legacy (Sybille Bedford, 1956)7 a2 T/ J2 b4 w
85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 E# X: t% ]# H3 P+ d/ g6 J84. Scoop (Evelyn Waugh, 1938). A7 Q2 \9 G, K# ?% V' ?
83. Barchester Towers (Anthony Trollope, 1857)
3 ?) u4 S* o6 E7 {- s82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)& R. F$ u1 l7 v/ G+ A5 \
81. The Jewel in the Crown (Paul Scott, 1966)2 Q ?, N3 z9 e# d
80. Excellent Women (Barbara Pym, 1952): z( P0 z8 b3 V: |
79. His Dark Materials (Philip Pullman, 1995-2000)
9 h! A9 Q" t+ e78. A House for Mr Biswas (VS Naipaul, 1961)
( e' K+ P# s; O( b( L: X+ I77. Of Human Bondage (W Somerset Maugham, 1915)1 [* i+ M* f2 A: K7 a4 G
76. Small Island (Andrea Levy, 2004)
% H* O- v3 P* ^) Y& n9 R/ b f75. Women in Love (DH Lawrence, 1920)! B+ O2 p' w% f( P% g# x; d
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
3 D. j- x: [) x. r% g9 |* D* q73. The Blue Flower (Penelope Fitzgerald, 1995)& }. Z& T1 Z" O9 U' v3 e& v
72. The Heart of the Matter (Graham Greene, 1948)+ U- l+ ]4 S6 ^1 v n6 v
71. Old Filth (Jane Gardam, 2004)
7 F' _) q* D6 ]70. Daniel Deronda (George Eliot, 1876)
9 Q- I _" d3 O# v b4 u69. Nostromo (Joseph Conrad, 1904)) M/ ?6 \( i9 q+ O. G L+ n
68. A Clockwork Orange (Anthony Burgess, 1962)
3 ?# V+ ^2 @$ _* d- ]0 V- M67. Crash (JG Ballard 1973)
3 A" d) M7 g; [9 w1 W7 v2 F66. Sense and Sensibility (Jane Austen, 1811)! x% u( R& s7 y* S3 W
65. Orlando (Virginia Woolf, 1928)" L" `# c; v! i- O7 v$ }) v
64. The Way We Live Now (Anthony Trollope, 1875)# I8 C) O) e2 ^, r
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# ?7 k0 a+ I( l$ }. \62. Animal Farm (George Orwell, 1945)- T3 H* C" Y) J5 M/ \
61. The Sea, The Sea (Iris Murdoch, 1978)/ ]( y8 v' t* J; D% A6 }7 b3 L
60. Sons and Lovers (DH Lawrence, 1913)
) l$ _# G7 B1 }$ ~59. The Line of Beauty (Alan Hollinghurst, 2004)
0 j' i! v2 g/ R9 t58. Loving (Henry Green, 1945)
6 h6 @" ^& N) ]1 a2 v& ^57. Parade’s End (Ford Madox Ford, 1924-1928)
- b" ?$ k. v' @& h56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 j+ I+ v" Y) q( e+ J" T& Y55. Gulliver’s Travels (Jonathan Swift, 1726)
3 ~! H; L. C K54. NW (Zadie Smith, 2012)
6 W' f/ r) L% O( L2 h& ], O53. Wide Sargasso Sea (Jean Rhys, 1966)
2 G$ N+ y6 B0 X2 |% H& a8 }) p52. New Grub Street (George Gissing, 1891) y# Y; J' q1 A( R2 S% v9 H
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)# {# L% X! {# g2 H) [
50. A Passage to India (EM Forster, 1924)6 R w1 d/ x" _) r/ A1 ?" `# Q$ _, |
49. Possession (AS Byatt, 1990)
/ g# T" h. T# C48. Lucky Jim (Kingsley Amis, 1954)8 W% O; m4 O% _$ {6 H% \
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
( y5 L1 E; q2 z" E4 N46. Midnight’s Children (Salman Rushdie, 1981)
' W; c0 s! U/ g) r& B45. The Little Stranger (Sarah Waters, 2009)
% B; e* X0 p% `% O) h4 Z44. Wolf Hall (Hilary Mantel, 2009)
6 X. H* p" x0 ? F! N4 C* l7 i1 r43. The Swimming Pool Library (Alan Hollinghurst, 1988)
, `- ?% l* O4 s7 S9 W3 u- q42. Brighton Rock (Graham Greene, 1938)
/ s {+ d# P' X3 @41. Dombey and Son (Charles Dickens, 1848)
7 F/ ~7 c' w2 b' E2 h) r. q' _40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 \/ N6 u# Y3 ^1 C _5 S( Z" m39. The Sense of an Ending (Julian Barnes, 2011)
. o- d, F- F0 b& r: _38. The Passion (Jeanette Winterson, 1987)
* ^( C* v, n U' h% J37. Decline and Fall (Evelyn Waugh, 1928)
/ w' x- \% |* N2 h/ Y; i36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 L4 j, b8 u& p4 k; H% o4 e4 r
35. Remainder (Tom McCarthy, 2005)' o2 n- L9 b6 Q( Z
34. Never Let Me Go (Kazuo Ishiguro, 2005)! i" \2 _: g7 m" [: c4 e, n
33. The Wind in the Willows (Kenneth Grahame, 1908)2 I# k$ N2 a4 R/ x9 `( U
32. A Room with a View (EM Forster, 1908)1 v4 c1 v& J. u
31. The End of the Affair (Graham Greene, 1951)+ ]7 G# D1 v% j: W3 F- v6 Z
30. Moll Flanders (Daniel Defoe, 1722)# J# M2 i! h" v" O4 d8 U5 X
29. Brick Lane (Monica Ali, 2003)) }0 J) t/ D9 U. a" S
28. Villette (Charlotte Brontë, 1853)
7 c, N) _+ v+ s Z& u9 Z27. Robinson Crusoe (Daniel Defoe, 1719)9 \/ A7 o2 _1 R9 B# M5 \* U
26. The Lord of the Rings (JRR Tolkien, 1954)
4 X* v+ j9 k, C5 p25. White Teeth (Zadie Smith, 2000)- @$ N$ [+ k K! W& ?
24. The Golden Notebook (Doris Lessing, 1962)
. G! _& E2 B. |& S2 v" L3 O7 @& r: j23. Jude the Obscure (Thomas Hardy, 1895)
, Z. {+ p! @" {1 t1 r3 g22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
/ V; v3 o% {3 f- D7 A% n2 ~21. Heart of Darkness (Joseph Conrad, 1899)
, x) j; \+ h! g; [9 E; r9 g20. Persuasion (Jane Austen, 1817)8 _/ r# A/ i" I2 l
19. Emma (Jane Austen, 1815)
( w1 t9 ^, A3 _2 ?18. Remains of the Day (Kazuo Ishiguro, 1989)! x7 a/ p7 O/ S% x* E" d) r @4 D
17. Howards End (EM Forster, 1910)
: A2 r1 g, P, O7 K16. The Waves (Virginia Woolf, 1931)0 b. e3 R* U+ a$ [/ L
15. Atonement (Ian McEwan, 2001)" J% }" M- v P$ X; g
14. Clarissa (Samuel Richardson,1748)6 ?: T h3 l, `# S6 q
13. The Good Soldier (Ford Madox Ford, 1915)
2 g2 G+ g, B5 {: u/ ~& s# Z% Q2 I12. Nineteen Eighty-Four (George Orwell, 1949)8 b) d5 B& r* }
11. Pride and Prejudice (Jane Austen, 1813)) i0 S! Y9 p2 | z8 {4 t
10. Vanity Fair (William Makepeace Thackeray, 1848)- M1 J* |2 ?/ x% U, |
9. Frankenstein (Mary Shelley, 1818)) H: X9 N3 r. i! G# G! Y8 ]
8. David Copperfield (Charles Dickens, 1850)
" P+ w4 T1 e9 Y+ J8 S7. Wuthering Heights (Emily Brontë, 1847)
( L& |" o g% i6. Bleak House (Charles Dickens, 1853)
9 P+ ^8 R8 |2 `. H+ h5. Jane Eyre (Charlotte Brontë, 1847)
' U( S, K+ J5 [; J, p4. Great Expectations (Charles Dickens, 1861)
. M* r% q; W6 } Y' i1 m2 w2 H% m3. Mrs. Dalloway (Virginia Woolf, 1925)9 i& v1 u# [8 x& M6 a/ l
2. To the Lighthouse (Virginia Woolf, 1927)! g* M [6 k, B7 U o9 d* m
1. Middlemarch (George Eliot, 1874)
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) N& ] l* v* G; v1 J前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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, ~: P0 a, P0 p' W, X0 `5 N呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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