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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 % |$ @( g! c: }" ~
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BBC评出100大英国文学名著 m5 r5 B; a% h
http://www.bbc.com/culture/story ... test-british-novels
: z% i$ V2 i( R: ^惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& |8 y; f& ], `4 e, M/ [
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100. The Code of the Woosters (PG Wodehouse, 1938)% v% h' H' ^2 Z; ^# o7 Q% Z9 K
99. There but for the (Ali Smith, 2011)! G- e, { m. ~- K
98. Under the Volcano (Malcolm Lowry,1947)
3 E }* B! |6 B9 q97. The Chronicles of Narnia (CS Lewis, 1949-1954)% k$ f) v4 k+ V2 y5 O h# r
96. Memoirs of a Survivor (Doris Lessing, 1974)4 {0 h2 x3 E- a1 }6 t% |
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
! a' O; T' {+ @! [/ r, E0 A* C94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& H* W: E, ~& h2 h- q( x
93. Lord of the Flies (William Golding, 1954)! L S9 v4 s ?6 q
92. Cold Comfort Farm (Stella Gibbons, 1932)/ ~) F$ f5 z3 h6 v! U8 A5 c
91. The Forsyte Saga (John Galsworthy, 1922)
# ?4 y/ w3 N4 v* J90. The Woman in White (Wilkie Collins, 1859)9 E3 Z, o5 C5 n7 U* i
89. The Horse’s Mouth (Joyce Cary, 1944)
2 H1 h' H9 D2 h( Y; K! ^5 E88. The Death of the Heart (Elizabeth Bowen, 1938)7 ?7 ~8 [7 A: j6 a* v4 Q$ z3 A
87. The Old Wives’ Tale (Arnold Bennett,1908)& E5 o8 s* C) }) G; A& e
86. A Legacy (Sybille Bedford, 1956)
5 d0 v+ s$ b: B, G8 }' X" Q% Q85. Regeneration Trilogy (Pat Barker, 1991-1995), n5 ^* _/ `" p# |8 @" l
84. Scoop (Evelyn Waugh, 1938)
: z4 W1 L+ |& b& ?+ }- r83. Barchester Towers (Anthony Trollope, 1857)
4 h J E9 N4 ], T2 J7 K1 z: @82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
# @, c3 R$ [4 |$ C2 D2 u) j81. The Jewel in the Crown (Paul Scott, 1966)
* t. ]& b" x! `/ o) w* J80. Excellent Women (Barbara Pym, 1952)
\, W5 U2 a1 Q V0 y0 r4 {79. His Dark Materials (Philip Pullman, 1995-2000)
7 b" { ^$ S: r% P+ I78. A House for Mr Biswas (VS Naipaul, 1961)
& F O6 ^" X6 p: I! X77. Of Human Bondage (W Somerset Maugham, 1915)& d5 z* }' D2 I
76. Small Island (Andrea Levy, 2004)( H/ `) r$ C0 |5 j7 }5 S& n- V
75. Women in Love (DH Lawrence, 1920)
5 b6 a1 M0 }* ^3 F74. The Mayor of Casterbridge (Thomas Hardy, 1886)( H% D7 t6 V6 s1 D
73. The Blue Flower (Penelope Fitzgerald, 1995), e4 a' k& ~1 {. ~" O: R+ K
72. The Heart of the Matter (Graham Greene, 1948)7 I# V5 {1 }& X5 h% ?
71. Old Filth (Jane Gardam, 2004)& u3 s- M4 ]. I3 c( A1 c$ K
70. Daniel Deronda (George Eliot, 1876) G9 R% r/ ~7 q1 l$ G! Z" P+ f
69. Nostromo (Joseph Conrad, 1904)
" u2 Y. f' q0 b+ ~+ ]$ ^1 v1 y68. A Clockwork Orange (Anthony Burgess, 1962)4 i( O4 K7 Y6 k* }
67. Crash (JG Ballard 1973)0 P# g' \' y3 @! P4 o2 {8 [% k# }
66. Sense and Sensibility (Jane Austen, 1811)( H8 [; y9 I2 H' ]. m$ {+ p
65. Orlando (Virginia Woolf, 1928)' @* b# a4 r7 G0 B- O& O/ O" M
64. The Way We Live Now (Anthony Trollope, 1875)
P2 e5 f& e, W! o/ g63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)2 T4 A8 A$ B1 ]. a' x
62. Animal Farm (George Orwell, 1945); F; D3 x9 H. c0 a% v3 a8 Q4 P( w
61. The Sea, The Sea (Iris Murdoch, 1978)5 Y; J! _; V7 O5 ?
60. Sons and Lovers (DH Lawrence, 1913)
8 h4 t4 L1 L/ V0 f' {/ A: q59. The Line of Beauty (Alan Hollinghurst, 2004)- X4 W0 z$ t' @7 M, c/ Z
58. Loving (Henry Green, 1945)
# C) p9 O, f" Y9 C, {+ t57. Parade’s End (Ford Madox Ford, 1924-1928)
- v: L$ [, \1 z7 l# E3 c( o8 h56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); X6 p; \7 h" w. P6 B/ e
55. Gulliver’s Travels (Jonathan Swift, 1726)
~+ e4 D2 N/ Y6 g; |9 o6 O54. NW (Zadie Smith, 2012)
' I$ F( M8 f6 k0 P3 Q4 [) P53. Wide Sargasso Sea (Jean Rhys, 1966)* ]0 Y3 r R( H& O% X
52. New Grub Street (George Gissing, 1891)7 N* V: h. ^& k' e q4 S: o4 P
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
4 P `8 w" k( _50. A Passage to India (EM Forster, 1924)
) {; ~$ p% w( {- j9 O49. Possession (AS Byatt, 1990)( {. x! X! D6 S3 T
48. Lucky Jim (Kingsley Amis, 1954)) y5 ^; Y1 O& o3 h w
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)( V# d' s0 O. n4 z. f
46. Midnight’s Children (Salman Rushdie, 1981); R' K( ]! F, T1 e" ? ^ S- d8 S
45. The Little Stranger (Sarah Waters, 2009)
" J( `' N4 U$ {" I0 w! y Q% \44. Wolf Hall (Hilary Mantel, 2009)
, U+ r, v' a" I, P% S43. The Swimming Pool Library (Alan Hollinghurst, 1988)
9 A! Y/ N8 }3 b7 G1 s8 X6 F' i42. Brighton Rock (Graham Greene, 1938)7 B# k$ m/ V6 }( w
41. Dombey and Son (Charles Dickens, 1848)) H3 u* E. W& D1 u# S8 x
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
9 {% _7 i* w9 E+ Y5 j4 M) ^39. The Sense of an Ending (Julian Barnes, 2011)
3 o* ~5 s1 N' J8 v38. The Passion (Jeanette Winterson, 1987)
+ r& _9 p% M9 c37. Decline and Fall (Evelyn Waugh, 1928)$ `% Y8 H, |* Q' T- W
36. A Dance to the Music of Time (Anthony Powell, 1951-1975) k% W& @3 b O) Q. J4 d
35. Remainder (Tom McCarthy, 2005)
" g: g$ @( k+ m3 X4 Q34. Never Let Me Go (Kazuo Ishiguro, 2005)
" F H# V6 R+ k1 J8 m33. The Wind in the Willows (Kenneth Grahame, 1908): {( R3 Q: c+ W& ?
32. A Room with a View (EM Forster, 1908)' F5 ?4 [5 r2 E4 s4 t
31. The End of the Affair (Graham Greene, 1951)
1 x3 j# g$ a2 y- n: x30. Moll Flanders (Daniel Defoe, 1722)
+ i, P: w0 s0 h0 i% z/ [- ~29. Brick Lane (Monica Ali, 2003)
6 h2 ]6 e( S3 E+ E28. Villette (Charlotte Brontë, 1853)' M/ W& m k( Z
27. Robinson Crusoe (Daniel Defoe, 1719). w5 |* D3 \+ X
26. The Lord of the Rings (JRR Tolkien, 1954)
5 _8 f3 X9 c' h: ^$ H6 x* C25. White Teeth (Zadie Smith, 2000)
3 ]7 c! w# ^1 J% u2 g3 s. m24. The Golden Notebook (Doris Lessing, 1962)4 }* o8 b! T6 J$ D! {( g+ P
23. Jude the Obscure (Thomas Hardy, 1895)% @# z8 y! n; p# y: t3 R
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 o$ R" x4 v. `% H1 Q
21. Heart of Darkness (Joseph Conrad, 1899)" N7 W* D' e! U; F- w% f8 P
20. Persuasion (Jane Austen, 1817)' o0 l4 A) R9 s4 n
19. Emma (Jane Austen, 1815)
1 m" `3 B4 i: B( v18. Remains of the Day (Kazuo Ishiguro, 1989)/ N) V2 K8 R# Q5 b7 ]! `
17. Howards End (EM Forster, 1910)$ g0 ~% _4 M, W# q R- J6 l2 P
16. The Waves (Virginia Woolf, 1931)" g4 @* } c. k4 |0 r5 R
15. Atonement (Ian McEwan, 2001)
. @$ |6 w' ?$ I# e" L14. Clarissa (Samuel Richardson,1748)6 @6 V1 s9 `8 ^; T# p
13. The Good Soldier (Ford Madox Ford, 1915)
& e1 q* _: @- g! E$ ~2 Z9 Q' O+ T( n9 N12. Nineteen Eighty-Four (George Orwell, 1949)- }/ O0 V1 c0 \$ x
11. Pride and Prejudice (Jane Austen, 1813)" N8 k0 H a& l
10. Vanity Fair (William Makepeace Thackeray, 1848)
9 W! ^+ \* V# g) H3 \9. Frankenstein (Mary Shelley, 1818)! O. n' R( J2 L( X( j* _$ p
8. David Copperfield (Charles Dickens, 1850)
% j% P7 g4 Z/ {- h7. Wuthering Heights (Emily Brontë, 1847)3 u, _9 P- l# u/ M. G
6. Bleak House (Charles Dickens, 1853)* W z1 |7 g- b& A" C
5. Jane Eyre (Charlotte Brontë, 1847)
K I' T! f! K4. Great Expectations (Charles Dickens, 1861)
# C0 J x) G3 R$ N/ f4 J3. Mrs. Dalloway (Virginia Woolf, 1925)
/ @6 g9 P+ S# E$ [) U8 m2. To the Lighthouse (Virginia Woolf, 1927). u9 u$ _6 @5 L3 B
1. Middlemarch (George Eliot, 1874)* z7 r. s4 M( U
0 a' W, T. k: V, C0 ]* P前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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& G+ o5 k7 A2 h6 ^呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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