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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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' Z4 r0 v, `" t+ m7 d- E, X* lBBC评出100大英国文学名著' _/ O/ |( L7 d( Y! |
http://www.bbc.com/culture/story ... test-british-novels
# n! n: U2 b8 y3 ^% J; I+ U U" y惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& G1 W ?8 L0 ~# f4 D/ r
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100. The Code of the Woosters (PG Wodehouse, 1938)* r, G( j' C1 _( z- B: G( C( P9 v
99. There but for the (Ali Smith, 2011)7 l. Y+ e) W' K; ?. X% w
98. Under the Volcano (Malcolm Lowry,1947): R% @) U* ?" | @3 c. R8 ^# o8 ?
97. The Chronicles of Narnia (CS Lewis, 1949-1954)* y* R1 G: p* q: l" |( h* F
96. Memoirs of a Survivor (Doris Lessing, 1974)
6 I4 S! U4 [) m95. The Buddha of Suburbia (Hanif Kureishi, 1990)
( B, z( A/ x3 w9 t! ]2 d94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
8 ?3 Y" [9 H$ \93. Lord of the Flies (William Golding, 1954)8 P; ?# o& m% o6 _
92. Cold Comfort Farm (Stella Gibbons, 1932)
0 E5 |3 \1 M/ z* }/ j# r7 C91. The Forsyte Saga (John Galsworthy, 1922)5 t( X0 G! ~( F p% {
90. The Woman in White (Wilkie Collins, 1859)1 X; q# S- @* @8 R
89. The Horse’s Mouth (Joyce Cary, 1944)/ B* p% \' ^+ Q2 T( @' G- q2 |
88. The Death of the Heart (Elizabeth Bowen, 1938)
: |+ o4 U. a7 ^' a87. The Old Wives’ Tale (Arnold Bennett,1908), s- K% H* d6 c& }0 Q3 G7 @8 s
86. A Legacy (Sybille Bedford, 1956)- ^: X/ U; t' P H- p$ L7 v' D7 R
85. Regeneration Trilogy (Pat Barker, 1991-1995)0 k+ f- T0 o; O5 g! o
84. Scoop (Evelyn Waugh, 1938)
, V* B' ^% W5 e9 A5 I6 G/ U83. Barchester Towers (Anthony Trollope, 1857)
: L4 _3 Q" y$ T0 u% M$ N& r: p82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& F' b+ C% p( W d% t81. The Jewel in the Crown (Paul Scott, 1966)% I( L# g0 s. x/ r8 }5 B: n
80. Excellent Women (Barbara Pym, 1952)
, P- S6 r6 {- _0 H9 d6 ~79. His Dark Materials (Philip Pullman, 1995-2000)
# W6 D6 q/ B$ S) L# h, p4 h78. A House for Mr Biswas (VS Naipaul, 1961)* |) H6 o) q8 r' H, w
77. Of Human Bondage (W Somerset Maugham, 1915)
5 [ t2 H f0 F- O5 O76. Small Island (Andrea Levy, 2004)
# a5 T) h& n5 A% R/ ^75. Women in Love (DH Lawrence, 1920)% R. `; C0 p/ G3 [! l
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
6 d! ^2 o0 _) r( x# ^+ C73. The Blue Flower (Penelope Fitzgerald, 1995)8 R- }- G/ L5 o! H; h
72. The Heart of the Matter (Graham Greene, 1948)
8 ~: E% o! T+ W5 e$ o# G0 `* D/ R71. Old Filth (Jane Gardam, 2004)
" f. ]) R) ?6 b2 Q/ D/ W1 L70. Daniel Deronda (George Eliot, 1876)
! k3 c1 u/ W- j69. Nostromo (Joseph Conrad, 1904)
" H2 x3 r$ [) _ q68. A Clockwork Orange (Anthony Burgess, 1962)0 s6 W% Q2 n- F3 L) n8 ^" ]
67. Crash (JG Ballard 1973)
) G ~/ t, K+ I$ v! e4 G/ P66. Sense and Sensibility (Jane Austen, 1811)
, {- W9 Z4 }; C65. Orlando (Virginia Woolf, 1928)
- G, W2 R0 ~3 [" {) H64. The Way We Live Now (Anthony Trollope, 1875)
K' |: C( R: Q3 s' t7 W4 w, @63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
7 R2 c( B" ~) l- _( N( _0 ?62. Animal Farm (George Orwell, 1945)
6 g3 V8 P1 K8 a% k7 e61. The Sea, The Sea (Iris Murdoch, 1978)5 s4 Q2 |/ a* k0 [* U7 v
60. Sons and Lovers (DH Lawrence, 1913)
5 i/ p! k5 P6 H: V% F. T59. The Line of Beauty (Alan Hollinghurst, 2004)
8 U& S1 j7 X9 c0 ^& s' l6 V58. Loving (Henry Green, 1945)
; A1 L. ]; \/ Q; y$ v% D1 l57. Parade’s End (Ford Madox Ford, 1924-1928)
8 ^$ q* m: K: e* i56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
( \$ R3 ?3 Y' m8 n& l( F# p55. Gulliver’s Travels (Jonathan Swift, 1726)/ ~2 V- S3 L2 p. V6 X+ T
54. NW (Zadie Smith, 2012)
( `- p2 x* \0 W# p2 d: \* h% k* u53. Wide Sargasso Sea (Jean Rhys, 1966)
& x' N9 B- }+ d8 a52. New Grub Street (George Gissing, 1891)9 O! ^2 L# K# ~3 n2 H) b5 Q1 |. h
51. Tess of the d’Urbervilles (Thomas Hardy, 1891): Y7 t7 I' p( N% E. C
50. A Passage to India (EM Forster, 1924)& J/ r! k# r* G8 ]4 [
49. Possession (AS Byatt, 1990); F# q; H; v3 x9 H
48. Lucky Jim (Kingsley Amis, 1954)+ _- A0 H( s5 I" f) h7 A
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ a, J: \$ B% X6 x7 L
46. Midnight’s Children (Salman Rushdie, 1981)
, f6 h5 ?! s$ f) f1 j$ W45. The Little Stranger (Sarah Waters, 2009)
# | X$ u" R" }3 r44. Wolf Hall (Hilary Mantel, 2009), U, T' @, ^7 F
43. The Swimming Pool Library (Alan Hollinghurst, 1988)1 m; h! c8 N5 u( I
42. Brighton Rock (Graham Greene, 1938); p% d5 t+ O. z# ]8 c% o3 Q
41. Dombey and Son (Charles Dickens, 1848)7 d, @0 I3 o5 K
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)% G' u, A# ]$ v
39. The Sense of an Ending (Julian Barnes, 2011)2 a6 H. E. q! m. T/ Y C+ i% a" J: k
38. The Passion (Jeanette Winterson, 1987)8 n. [& ^( L+ Y0 H2 u7 h
37. Decline and Fall (Evelyn Waugh, 1928), a6 N" b: ~' u$ m! P1 C( J
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ U0 S5 u3 O$ k8 x" P35. Remainder (Tom McCarthy, 2005) ]. m- }( ^- `
34. Never Let Me Go (Kazuo Ishiguro, 2005)
8 F' c5 I |7 V o33. The Wind in the Willows (Kenneth Grahame, 1908)6 {% |8 m, x W# S" J
32. A Room with a View (EM Forster, 1908)
0 ]7 `5 ^' s1 p! p31. The End of the Affair (Graham Greene, 1951)
X9 Z4 m8 ^ S! ~$ H, @9 k) E% A30. Moll Flanders (Daniel Defoe, 1722)
3 i5 T5 ?1 [$ p8 z r4 t- j# e+ o7 O29. Brick Lane (Monica Ali, 2003), L* j$ a9 i& Z/ p: Q( A1 _+ m9 D
28. Villette (Charlotte Brontë, 1853)
7 q& A: o8 Q3 a# @27. Robinson Crusoe (Daniel Defoe, 1719)
+ g' u+ _% C/ n4 f- ^26. The Lord of the Rings (JRR Tolkien, 1954)
1 J: o9 {! m% i! h6 w, a25. White Teeth (Zadie Smith, 2000)
+ M4 A# I: k- E6 ?8 u24. The Golden Notebook (Doris Lessing, 1962)
( E: N0 c( P2 J3 P23. Jude the Obscure (Thomas Hardy, 1895)$ q6 [& K6 K/ ~0 j6 A: _; T+ s
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749) u3 Q0 _, j1 {" {
21. Heart of Darkness (Joseph Conrad, 1899)
4 H$ B. T" u, B Y1 D. Q20. Persuasion (Jane Austen, 1817): s) E- p: e$ {) d
19. Emma (Jane Austen, 1815)6 X8 V5 B5 V' L% K/ J7 D* V$ w
18. Remains of the Day (Kazuo Ishiguro, 1989)7 u) g: {- O2 i/ o2 X$ {
17. Howards End (EM Forster, 1910)
+ y8 B; d; C) [& T% _) u/ q1 G# V16. The Waves (Virginia Woolf, 1931)
+ Q0 [1 y4 O- l2 g) s15. Atonement (Ian McEwan, 2001): D+ R% z) r- s" K: q: ]3 e
14. Clarissa (Samuel Richardson,1748)# A, M! }& ?, Z/ i& q7 S+ [( [. _
13. The Good Soldier (Ford Madox Ford, 1915)
# V; i& `2 W U; K12. Nineteen Eighty-Four (George Orwell, 1949)
) }8 t3 ?9 O6 {* t11. Pride and Prejudice (Jane Austen, 1813)2 g1 Y f" B- ~5 {0 f
10. Vanity Fair (William Makepeace Thackeray, 1848)& h: i( s, A9 P. e" q
9. Frankenstein (Mary Shelley, 1818)
) j4 T7 N. k8 n P8. David Copperfield (Charles Dickens, 1850)) w- J& I* [, S
7. Wuthering Heights (Emily Brontë, 1847)
T2 Q U$ n: A8 n4 I. f+ d3 w6. Bleak House (Charles Dickens, 1853)5 E4 r- F1 B6 E: b/ {7 `& h
5. Jane Eyre (Charlotte Brontë, 1847)
2 W0 P/ E) N C0 J1 J4. Great Expectations (Charles Dickens, 1861)6 k% R" s2 J4 g t" L d6 A
3. Mrs. Dalloway (Virginia Woolf, 1925)6 y. w1 m3 r. \% Z
2. To the Lighthouse (Virginia Woolf, 1927)# L K: `; ?& r, X5 Q9 i+ S }' I
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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