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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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V6 J$ E5 k# V9 |BBC评出100大英国文学名著; w; V, w! E \2 V/ T2 }2 V
http://www.bbc.com/culture/story ... test-british-novels
1 F8 ?4 \' g- Q' E3 H惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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+ Q" s7 v/ `/ r2 P1 [. V100. The Code of the Woosters (PG Wodehouse, 1938)
9 x7 D f3 Q! b* I$ b f99. There but for the (Ali Smith, 2011)
! |( [- r4 Q) {2 X98. Under the Volcano (Malcolm Lowry,1947) R S. m) w3 ]7 r
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
+ F' W! L) X9 A _4 [96. Memoirs of a Survivor (Doris Lessing, 1974)3 [3 P3 {% O& }' ?" O3 \
95. The Buddha of Suburbia (Hanif Kureishi, 1990)& }% i5 U3 W; l- g
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! c0 x& |" @0 i93. Lord of the Flies (William Golding, 1954)
5 q' n$ R: u7 F( t4 F92. Cold Comfort Farm (Stella Gibbons, 1932)! N6 l# [4 }. Q+ Z$ N
91. The Forsyte Saga (John Galsworthy, 1922)! [: z) m4 g) i. O' _+ x9 C7 T
90. The Woman in White (Wilkie Collins, 1859)
& J' i& G+ o) \" K! b; C89. The Horse’s Mouth (Joyce Cary, 1944)7 V) S% `' E: I1 L: m1 H4 N. z
88. The Death of the Heart (Elizabeth Bowen, 1938): z" }( R8 X, [8 _2 G4 r0 u. O
87. The Old Wives’ Tale (Arnold Bennett,1908)
2 `2 r0 l" X; N8 `2 j! T86. A Legacy (Sybille Bedford, 1956)
& Z& L8 ]& T# d' P85. Regeneration Trilogy (Pat Barker, 1991-1995)
3 T5 Z: X# @+ ^% ^' C0 r+ e84. Scoop (Evelyn Waugh, 1938)
/ m/ u; h* a- D4 j83. Barchester Towers (Anthony Trollope, 1857)
h- v X. ? y2 b82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012): U0 v* A j9 J7 e$ D
81. The Jewel in the Crown (Paul Scott, 1966)
0 P1 |5 X4 i/ _$ N! G% F, p80. Excellent Women (Barbara Pym, 1952)
/ B( y: }3 f k7 [79. His Dark Materials (Philip Pullman, 1995-2000)& M! A# @- g( u/ b" l
78. A House for Mr Biswas (VS Naipaul, 1961)
3 i4 J( x1 [+ O+ _77. Of Human Bondage (W Somerset Maugham, 1915)
0 O2 p7 @# Q3 c, M# w9 j: s76. Small Island (Andrea Levy, 2004)! F1 [. M6 A& j0 P& D
75. Women in Love (DH Lawrence, 1920)/ Y0 Z% a! `; s' A
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; D4 L: _+ S/ s' g73. The Blue Flower (Penelope Fitzgerald, 1995)
1 Y* _% ]# a* l1 {/ E72. The Heart of the Matter (Graham Greene, 1948)
& ^0 g% T6 H. d, S71. Old Filth (Jane Gardam, 2004)
, V- e. `- m9 s5 x$ S u70. Daniel Deronda (George Eliot, 1876): k# p$ Q. Z6 E/ V- l
69. Nostromo (Joseph Conrad, 1904)
7 p/ Y% E6 L+ ^9 V( C/ v68. A Clockwork Orange (Anthony Burgess, 1962)% S) N4 m% i+ `, K3 f# s! V
67. Crash (JG Ballard 1973)
, `" K9 d/ [) [+ s D) j$ Q3 d66. Sense and Sensibility (Jane Austen, 1811). X1 V; _0 e% l) t! ?9 J8 u1 h: `
65. Orlando (Virginia Woolf, 1928)
5 k b- _! n4 v, U# T0 U64. The Way We Live Now (Anthony Trollope, 1875)
* R& ]& ?. R" \8 M# I63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
: N5 {! h& |0 n2 C62. Animal Farm (George Orwell, 1945)$ Q: Q+ X6 d+ A- ?2 P. X
61. The Sea, The Sea (Iris Murdoch, 1978)) Z% I# f) Y& g: m
60. Sons and Lovers (DH Lawrence, 1913)8 d7 Q# O, s8 z
59. The Line of Beauty (Alan Hollinghurst, 2004)
: X. [1 c! w% `8 M1 ~58. Loving (Henry Green, 1945). j- t* g, O$ {: B# c3 x4 g5 C
57. Parade’s End (Ford Madox Ford, 1924-1928)
& y8 E4 H) p* N' f2 x2 B56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
2 U" ?$ k7 I/ L' H* `! m3 M5 p55. Gulliver’s Travels (Jonathan Swift, 1726), A2 r3 J) S/ G& z
54. NW (Zadie Smith, 2012)
$ j1 y2 X4 {8 K% ^# `9 f" g53. Wide Sargasso Sea (Jean Rhys, 1966)
( k/ \ T7 a2 x# t4 @& W52. New Grub Street (George Gissing, 1891)' Z3 n" q- d9 \/ N
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
) N: ]$ S t! P0 e50. A Passage to India (EM Forster, 1924)
+ h$ a$ P3 h3 g0 z* c. H0 E49. Possession (AS Byatt, 1990)
% L2 }6 o! g0 I9 W* x/ H4 J( z- t& V48. Lucky Jim (Kingsley Amis, 1954)- X: j8 J q1 ~" z& d
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)$ O$ C8 F! n7 t
46. Midnight’s Children (Salman Rushdie, 1981)$ v2 r$ U) Z( n0 a5 L
45. The Little Stranger (Sarah Waters, 2009)
4 G; Y$ f* H$ b44. Wolf Hall (Hilary Mantel, 2009): R0 x7 k! a7 u2 V9 ]
43. The Swimming Pool Library (Alan Hollinghurst, 1988)% v4 E' G: ?" Y y
42. Brighton Rock (Graham Greene, 1938)
0 ~* k. @7 F7 \8 n+ k+ `4 F+ t41. Dombey and Son (Charles Dickens, 1848)9 A8 f6 R1 m9 ]8 n# b
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 t4 h* \0 G2 ]6 ~" p* p39. The Sense of an Ending (Julian Barnes, 2011)( e5 Q2 ~( e o* e/ f* v9 M
38. The Passion (Jeanette Winterson, 1987): `- d. l) M3 t; X
37. Decline and Fall (Evelyn Waugh, 1928): f9 f: P) {' J. f' D, M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)& \6 F6 `% W" Q$ \, S8 p' {- [
35. Remainder (Tom McCarthy, 2005)
% u! C$ s4 r2 l34. Never Let Me Go (Kazuo Ishiguro, 2005)7 Y) I$ V9 b% t) C1 D7 Q
33. The Wind in the Willows (Kenneth Grahame, 1908)3 W# B9 E5 J h: T7 b
32. A Room with a View (EM Forster, 1908)
7 D1 i0 L7 D# W5 U. K31. The End of the Affair (Graham Greene, 1951)2 d& `+ J- g y1 L" `; l7 {
30. Moll Flanders (Daniel Defoe, 1722)) l$ E/ j5 L1 \8 {5 ~. t& y& u
29. Brick Lane (Monica Ali, 2003)) x2 n/ ]/ f" u
28. Villette (Charlotte Brontë, 1853)
7 I3 x3 c/ N4 d& `27. Robinson Crusoe (Daniel Defoe, 1719)
: |6 r3 l; `& j0 ?2 g" ]* }" h26. The Lord of the Rings (JRR Tolkien, 1954)% e+ h" z; B( z8 D
25. White Teeth (Zadie Smith, 2000)- }$ T! h3 \6 O& L, O
24. The Golden Notebook (Doris Lessing, 1962)
# e/ f& e8 F7 C: D; M* d2 R23. Jude the Obscure (Thomas Hardy, 1895)
. u" H) k8 A% C' g! K j4 _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
$ v, ]; a% o8 Y. Q' _0 \21. Heart of Darkness (Joseph Conrad, 1899)( X" h1 |1 G1 S* z
20. Persuasion (Jane Austen, 1817)
2 {7 p3 k5 N# j19. Emma (Jane Austen, 1815)
6 W" P9 S* w6 T! \# f3 p18. Remains of the Day (Kazuo Ishiguro, 1989)
7 m- A8 D/ _' I, _4 w( }3 l9 Y. ^; I17. Howards End (EM Forster, 1910)
* Y( U" j! A; }16. The Waves (Virginia Woolf, 1931), z1 |" a' P8 g" C' V% t% l6 {
15. Atonement (Ian McEwan, 2001)8 d/ F5 u$ e; ?3 f! g
14. Clarissa (Samuel Richardson,1748)
: h+ l# `7 t) t; f+ s1 K* b& ~13. The Good Soldier (Ford Madox Ford, 1915)
. U" Q1 w8 b+ B3 W1 V7 @& @% ?12. Nineteen Eighty-Four (George Orwell, 1949)
: Q: l! q5 m8 J# N) {6 U11. Pride and Prejudice (Jane Austen, 1813)* O7 {4 S& Z" Q/ \* q
10. Vanity Fair (William Makepeace Thackeray, 1848)
8 s2 J: `5 E# w9. Frankenstein (Mary Shelley, 1818)- {! f# i% B8 }2 g
8. David Copperfield (Charles Dickens, 1850)
4 V9 G5 \1 ^/ o \$ X% |7. Wuthering Heights (Emily Brontë, 1847)
6 a" n- r; V& L6 u1 k6. Bleak House (Charles Dickens, 1853)0 ~# k0 D) `1 |; n/ V2 s
5. Jane Eyre (Charlotte Brontë, 1847)$ }# z3 }2 A; B5 q/ I) w
4. Great Expectations (Charles Dickens, 1861)
7 L7 D" Q( y# |2 C1 b0 _! w3. Mrs. Dalloway (Virginia Woolf, 1925)
# S* a) U5 J5 E# A& F6 |7 m+ U! k2. To the Lighthouse (Virginia Woolf, 1927)# d: W: _5 @4 w
1. Middlemarch (George Eliot, 1874)6 M& b) p. B. e' B0 R
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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