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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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! ?2 F8 [( |4 |* X' _' t4 DBBC评出100大英国文学名著- r- D* w0 C1 k$ o! f, e
http://www.bbc.com/culture/story ... test-british-novels) A$ c$ Y# }; C9 C; d
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。0 q$ B2 g5 B& D# n
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100. The Code of the Woosters (PG Wodehouse, 1938)$ f% j" j( J5 h. v: _
99. There but for the (Ali Smith, 2011)+ b6 {& T) h; ?2 W) I/ ~* j
98. Under the Volcano (Malcolm Lowry,1947)
3 `! c4 f& E3 M8 l97. The Chronicles of Narnia (CS Lewis, 1949-1954)
Y% D. y- D& v- z$ z6 h" J96. Memoirs of a Survivor (Doris Lessing, 1974)& `0 B- Y! X+ Z' ]5 h& g
95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 B! O+ `. k5 y8 Z" n+ j& V1 m. i
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
& d& q0 k2 R- e$ N! Q# A93. Lord of the Flies (William Golding, 1954)# x/ ]( z9 U$ t/ v' m
92. Cold Comfort Farm (Stella Gibbons, 1932)3 c6 E; ?: ?1 T8 @# S& K
91. The Forsyte Saga (John Galsworthy, 1922)
! n9 g; M( C' I0 E- |( I" i90. The Woman in White (Wilkie Collins, 1859)
$ Y- I. H5 g6 y; y) ~4 E9 @6 b89. The Horse’s Mouth (Joyce Cary, 1944); X' ^7 ^# e+ M. X8 r
88. The Death of the Heart (Elizabeth Bowen, 1938)" m2 M( ~3 k7 H5 W
87. The Old Wives’ Tale (Arnold Bennett,1908)
3 |$ V/ M3 z$ g/ w86. A Legacy (Sybille Bedford, 1956)
% _. l8 w" C9 b$ V( }85. Regeneration Trilogy (Pat Barker, 1991-1995)
% w) o7 K3 A8 {$ O84. Scoop (Evelyn Waugh, 1938)4 I. f6 p* a( x8 p7 I9 S" b
83. Barchester Towers (Anthony Trollope, 1857)& h6 M" O! x, t4 G: O! e2 I; U1 Q
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ D+ N7 \2 Y9 O" j0 X
81. The Jewel in the Crown (Paul Scott, 1966)9 l9 @& Z$ O) M/ C8 g; E
80. Excellent Women (Barbara Pym, 1952)
8 d8 b) |8 p m0 I# ~. O$ F4 _79. His Dark Materials (Philip Pullman, 1995-2000)
4 C+ P& {( o4 ~- T* [. J4 s78. A House for Mr Biswas (VS Naipaul, 1961)& R6 q9 @, L1 {2 {* i5 B5 W4 l
77. Of Human Bondage (W Somerset Maugham, 1915)
3 _; i9 b) M# R, q4 F/ {- _76. Small Island (Andrea Levy, 2004); s7 R0 @# `4 F% |" P1 l
75. Women in Love (DH Lawrence, 1920)' H2 n W3 K/ k( T8 }
74. The Mayor of Casterbridge (Thomas Hardy, 1886)" t$ j, z/ W4 n
73. The Blue Flower (Penelope Fitzgerald, 1995)
9 _- J7 F0 \' L0 k72. The Heart of the Matter (Graham Greene, 1948)
: r2 \3 }3 Q4 d: _% X" v71. Old Filth (Jane Gardam, 2004)
/ ?& S" R9 B" j) V" [70. Daniel Deronda (George Eliot, 1876): C! g9 D# G6 u
69. Nostromo (Joseph Conrad, 1904)
" p0 H7 a/ h. o# @68. A Clockwork Orange (Anthony Burgess, 1962)4 p" z, ^+ ?1 c) l- y- H
67. Crash (JG Ballard 1973)3 Z# j2 @$ H4 `) L: _# {# z3 O
66. Sense and Sensibility (Jane Austen, 1811)- K& H" y: b/ P+ |/ n5 _+ E
65. Orlando (Virginia Woolf, 1928)5 e, r+ K" w# w0 J1 E
64. The Way We Live Now (Anthony Trollope, 1875)1 x4 W! `% |+ G6 ~3 b8 J* Z
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). T% @2 u* {/ r
62. Animal Farm (George Orwell, 1945)
4 p) H3 m# M: r/ o, C' D' C- \61. The Sea, The Sea (Iris Murdoch, 1978)# B- L4 v* ^: O# m/ b8 b* R! n
60. Sons and Lovers (DH Lawrence, 1913)4 g% D4 q% L+ x" ~ R9 X' T
59. The Line of Beauty (Alan Hollinghurst, 2004)
2 a! I6 W4 s+ ?" h3 Z+ O( z8 j+ }58. Loving (Henry Green, 1945)
; w" p0 J9 G W57. Parade’s End (Ford Madox Ford, 1924-1928)
; \+ b, @9 t$ y9 l5 U56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 A) ?1 a7 k4 c) e. m3 L2 c% M8 _6 o) o
55. Gulliver’s Travels (Jonathan Swift, 1726) e* S# t. p9 j7 b2 f1 w8 U
54. NW (Zadie Smith, 2012)
' A4 E6 m" K, x1 j/ N53. Wide Sargasso Sea (Jean Rhys, 1966): `' m5 f, s$ x9 H$ F; v
52. New Grub Street (George Gissing, 1891)2 F! m& S* B# U' P) \9 v
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) J5 y& |& G z) p" U
50. A Passage to India (EM Forster, 1924)' E$ \5 L7 p- J2 o$ x. m3 ?7 f
49. Possession (AS Byatt, 1990)
2 [4 Y9 ?3 w, m8 f48. Lucky Jim (Kingsley Amis, 1954)# l; q0 ~! V& Z8 i) g
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 a5 R5 `: R* ~8 C: i& h
46. Midnight’s Children (Salman Rushdie, 1981)
# I2 X0 S. u# w% v% q45. The Little Stranger (Sarah Waters, 2009)
7 ?, E! y1 U8 l+ h5 I/ c' f44. Wolf Hall (Hilary Mantel, 2009)
8 @5 U& Z& M8 p43. The Swimming Pool Library (Alan Hollinghurst, 1988); C h" S) O: n0 e% k
42. Brighton Rock (Graham Greene, 1938)
1 Q% Y3 v! d t" T5 k' _5 _41. Dombey and Son (Charles Dickens, 1848)
8 S8 M$ R4 q5 h; s7 A3 A40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
! [! N7 a+ X+ _% `39. The Sense of an Ending (Julian Barnes, 2011)1 W1 r/ l$ s( ^+ Q! y
38. The Passion (Jeanette Winterson, 1987)
% z" {, B3 G" z6 x5 @: P% K8 x37. Decline and Fall (Evelyn Waugh, 1928)
6 P+ _8 S3 i/ r6 U" p* b36. A Dance to the Music of Time (Anthony Powell, 1951-1975)! X2 W, ]1 `* W% t$ C& @& e7 i
35. Remainder (Tom McCarthy, 2005)5 E& o, U3 r, N: G# r9 q
34. Never Let Me Go (Kazuo Ishiguro, 2005)1 z$ ^) d; h+ O& C7 c
33. The Wind in the Willows (Kenneth Grahame, 1908)
3 S0 S, X3 R% h5 u; c: P9 X32. A Room with a View (EM Forster, 1908)7 X# i" T" R" l& T
31. The End of the Affair (Graham Greene, 1951)
! h4 o2 y: W4 k0 u; F: |9 l30. Moll Flanders (Daniel Defoe, 1722): B1 A }* ~" h+ D7 f
29. Brick Lane (Monica Ali, 2003)5 D! r+ A8 Q& x# `: q: _% u
28. Villette (Charlotte Brontë, 1853)% g+ ?( J' p: {6 b; O3 h; C: X4 e
27. Robinson Crusoe (Daniel Defoe, 1719)4 R; g1 X# W; N9 u9 O' u8 v
26. The Lord of the Rings (JRR Tolkien, 1954)8 o$ B3 y. q1 l! I
25. White Teeth (Zadie Smith, 2000)
+ M) o7 i' p/ N3 U7 P7 ]0 ?& \ q/ U24. The Golden Notebook (Doris Lessing, 1962)
( f7 t. K2 H; O, X23. Jude the Obscure (Thomas Hardy, 1895)2 ]; v( G4 V' U' @
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
2 h, f7 g: Y8 K1 a0 [21. Heart of Darkness (Joseph Conrad, 1899)
' j |( o, ~; k/ o8 o20. Persuasion (Jane Austen, 1817)
, E; Q' E3 D- \ _19. Emma (Jane Austen, 1815)& |! X% b! o) M8 L X b
18. Remains of the Day (Kazuo Ishiguro, 1989)
$ |) T9 b% S+ z* i( n# r# Q17. Howards End (EM Forster, 1910)* n+ |1 t0 A* F) @# G
16. The Waves (Virginia Woolf, 1931)
! ~$ [" V5 V" i( t; [15. Atonement (Ian McEwan, 2001)8 H# B( b2 h Q$ O
14. Clarissa (Samuel Richardson,1748)
, L5 ^7 S5 [- m0 C/ r ~+ q8 z6 ^13. The Good Soldier (Ford Madox Ford, 1915)
7 R6 j- W( Z8 {# |# ^. h# c12. Nineteen Eighty-Four (George Orwell, 1949)0 T) y! b/ O1 z H( }9 t
11. Pride and Prejudice (Jane Austen, 1813); l: P3 s, v. ]& B& r
10. Vanity Fair (William Makepeace Thackeray, 1848)
' D; x: \& l( p4 X/ ~9. Frankenstein (Mary Shelley, 1818)
2 ~0 b" x& I* D4 b8 v8. David Copperfield (Charles Dickens, 1850)
) L5 W+ Q$ K( p9 S3 z0 ?7. Wuthering Heights (Emily Brontë, 1847)
6 ] y( x* Y: @& [$ I+ @6. Bleak House (Charles Dickens, 1853)
) [: h, |. E) a: [+ D( R5. Jane Eyre (Charlotte Brontë, 1847)
: G- H/ o7 G1 L' }8 \$ F2 D4. Great Expectations (Charles Dickens, 1861)
. l; ^' a3 [4 m1 ^5 s3. Mrs. Dalloway (Virginia Woolf, 1925)7 F+ m: `# g5 T+ P9 K7 d) `
2. To the Lighthouse (Virginia Woolf, 1927), {7 }7 [) Q' v6 E
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 ^, ~% ?! g) D+ j- E: B* d* W
- i7 u6 v K X* J( q呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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