|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 D% J5 v3 K/ Z& Y* [+ N5 Q6 J8 G, ^
+ \! P' m% I+ g5 K3 t( C4 WBBC评出100大英国文学名著6 M: p" `- k6 `* J R3 R! {1 X# B
http://www.bbc.com/culture/story ... test-british-novels# J" ]# ?% h' D' P0 w
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。6 O" A' E# p3 s' L, _
& L' T; |4 w7 g
100. The Code of the Woosters (PG Wodehouse, 1938)$ j+ H, X/ b, c) N3 B' O2 V% s
99. There but for the (Ali Smith, 2011)1 t T: E6 Z- k' I
98. Under the Volcano (Malcolm Lowry,1947)& c" R8 s4 t" Q0 H# t# C
97. The Chronicles of Narnia (CS Lewis, 1949-1954): ?& R2 S9 @: f1 \7 W( w/ @7 H
96. Memoirs of a Survivor (Doris Lessing, 1974)
" @+ b2 V) ]3 [0 ~& S! |95. The Buddha of Suburbia (Hanif Kureishi, 1990)
4 j" L( a3 u5 E+ x! _# P94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
# E: M8 C0 F& c; {6 N93. Lord of the Flies (William Golding, 1954)3 h. M1 f* m ]8 C5 D: X' q2 k* Q* v& w
92. Cold Comfort Farm (Stella Gibbons, 1932)# \/ {& g! w! K7 h3 x t0 U
91. The Forsyte Saga (John Galsworthy, 1922)
! X# G& j5 } @8 R- M90. The Woman in White (Wilkie Collins, 1859)* R. M* |" E7 i- d/ U
89. The Horse’s Mouth (Joyce Cary, 1944)7 z* T$ i# |( @4 q+ e
88. The Death of the Heart (Elizabeth Bowen, 1938)- b! G! T& R. a
87. The Old Wives’ Tale (Arnold Bennett,1908)2 j. Y j" O8 o- R7 K4 {* {
86. A Legacy (Sybille Bedford, 1956)
/ W% _0 x0 c5 q+ ~' Y$ S& w85. Regeneration Trilogy (Pat Barker, 1991-1995)
& i5 Z j; G" h# _6 ]84. Scoop (Evelyn Waugh, 1938); R& X2 P" x- g% O
83. Barchester Towers (Anthony Trollope, 1857)# R4 Y$ |1 h0 k! ^' J8 k/ g1 y8 Z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012). ?9 y/ v0 A8 ~% B O' S3 b
81. The Jewel in the Crown (Paul Scott, 1966)3 `; C; g; m8 S& J! R% b
80. Excellent Women (Barbara Pym, 1952)0 D4 B8 c: |2 X, ^. X; I3 y5 Q! T
79. His Dark Materials (Philip Pullman, 1995-2000)! w! `# c3 h2 V) B0 x0 ?
78. A House for Mr Biswas (VS Naipaul, 1961)
1 N! G1 K! J7 _8 L* B$ U( p77. Of Human Bondage (W Somerset Maugham, 1915)0 C. U3 J( e4 _+ l6 x. V" I
76. Small Island (Andrea Levy, 2004)2 U2 t- J" L$ a. \' C9 t6 y
75. Women in Love (DH Lawrence, 1920), v5 Z) {. y7 k6 P/ x
74. The Mayor of Casterbridge (Thomas Hardy, 1886)% a5 b! w/ E7 d1 ]
73. The Blue Flower (Penelope Fitzgerald, 1995)
7 U9 N1 Y- [/ y b# v' z' G72. The Heart of the Matter (Graham Greene, 1948)
, B: S4 f7 b$ f3 T1 q" f5 |: r) q71. Old Filth (Jane Gardam, 2004)
! B1 u+ n' k* Z3 f$ P: C/ ?/ @) R70. Daniel Deronda (George Eliot, 1876)0 a- c$ T2 {) f3 Q# Z' S
69. Nostromo (Joseph Conrad, 1904)( [4 z3 y! V+ C( q
68. A Clockwork Orange (Anthony Burgess, 1962)
" P* |! D7 u; g/ S' B/ A$ |0 F67. Crash (JG Ballard 1973)( J2 d* {) k9 W$ l" j
66. Sense and Sensibility (Jane Austen, 1811)( q5 G9 x5 q' L: U
65. Orlando (Virginia Woolf, 1928)
$ Z7 v0 W8 }. t64. The Way We Live Now (Anthony Trollope, 1875)
% r0 w. }4 l/ e% h5 L# u' B: m& v) n63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! D/ [+ I; C, O3 }5 b
62. Animal Farm (George Orwell, 1945)+ n3 t A( Z: p: m9 m" _/ L
61. The Sea, The Sea (Iris Murdoch, 1978)* A0 o. {, v S& w7 z1 z- \
60. Sons and Lovers (DH Lawrence, 1913)
+ I& T' B4 I/ u0 s5 X& Y59. The Line of Beauty (Alan Hollinghurst, 2004); L% W, \9 J: N0 I* A
58. Loving (Henry Green, 1945)7 a1 o w7 n Y4 h* H3 E4 k
57. Parade’s End (Ford Madox Ford, 1924-1928)
; e: q- i5 Y; P# Z R56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
) o0 O% t1 \6 w$ U% P) w, Q, {% E55. Gulliver’s Travels (Jonathan Swift, 1726)
. m; [0 ^/ ?* D: M54. NW (Zadie Smith, 2012)
! ?# r1 [9 Y( {5 k* I4 Z53. Wide Sargasso Sea (Jean Rhys, 1966)
. a/ S. q8 A F5 F0 |9 S52. New Grub Street (George Gissing, 1891)
9 m- S& z2 w. p51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' V' b0 ^" h7 Q4 {50. A Passage to India (EM Forster, 1924)
) t: ^- u2 j! R) q49. Possession (AS Byatt, 1990)7 ^' A1 a. o( V8 l! z
48. Lucky Jim (Kingsley Amis, 1954)% P5 x( H2 @; M3 K
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
Y/ I& n4 U8 B( \# [ q0 E* Y46. Midnight’s Children (Salman Rushdie, 1981)4 Z, C9 a4 Q, P+ M; g
45. The Little Stranger (Sarah Waters, 2009)
! p( k. j# }* {44. Wolf Hall (Hilary Mantel, 2009)& w4 H S8 K, S5 Q
43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 s5 k% V3 u% W' q7 c
42. Brighton Rock (Graham Greene, 1938)% w4 @9 G/ I* Y" Z F# n& y4 s
41. Dombey and Son (Charles Dickens, 1848)) n# I3 t. h/ \3 k2 M
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* o5 i; X o+ B" z
39. The Sense of an Ending (Julian Barnes, 2011)
5 Q O% g, W& V% t$ ~38. The Passion (Jeanette Winterson, 1987)
7 w3 E1 \: Y" ]" e37. Decline and Fall (Evelyn Waugh, 1928)9 |2 k! o3 x$ Q. X4 t) F; m
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)$ @; H9 z& L( q3 |; d/ h& |
35. Remainder (Tom McCarthy, 2005)
+ w2 ^% w0 |" B9 B) h34. Never Let Me Go (Kazuo Ishiguro, 2005)
, D0 {, Q1 B6 \3 A33. The Wind in the Willows (Kenneth Grahame, 1908)
! Q( v7 g% w* S v32. A Room with a View (EM Forster, 1908)
) `; T5 ?" O7 D4 g31. The End of the Affair (Graham Greene, 1951)
1 j( I# s A; W9 c, ~30. Moll Flanders (Daniel Defoe, 1722)
3 m7 d" c* |( e! C+ ^29. Brick Lane (Monica Ali, 2003)0 ^) i$ t5 @0 D* s& f# w; ~
28. Villette (Charlotte Brontë, 1853)
" i* }9 h S0 \% ]' d( g3 W27. Robinson Crusoe (Daniel Defoe, 1719)
5 I% d' y; O# x, H6 R Z26. The Lord of the Rings (JRR Tolkien, 1954)) p& a' H7 z3 g" T$ r+ l
25. White Teeth (Zadie Smith, 2000)
$ v* k) M6 t2 Q0 A+ G: w24. The Golden Notebook (Doris Lessing, 1962)
+ X" b( J* n* B4 R* e23. Jude the Obscure (Thomas Hardy, 1895)
. N1 |* @/ R7 p% D22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ w0 Z' h' r9 S7 W, Z6 H
21. Heart of Darkness (Joseph Conrad, 1899)
7 ^: S A# w) x$ i. s20. Persuasion (Jane Austen, 1817)4 H9 k4 |, D) [! l# _- `
19. Emma (Jane Austen, 1815)0 V: T7 O4 F0 O2 h+ {$ H* E& w- U
18. Remains of the Day (Kazuo Ishiguro, 1989)& I6 x* m& p+ c( P$ h+ j7 d
17. Howards End (EM Forster, 1910)' k' f" ?* K/ v" e9 Q6 H
16. The Waves (Virginia Woolf, 1931)/ g3 v( K% ]! P& X$ E( @2 I) S
15. Atonement (Ian McEwan, 2001)
& I3 S2 ~) |- A: L- t ]* m& `0 j14. Clarissa (Samuel Richardson,1748)$ O4 P) o+ R6 _3 f' @: e
13. The Good Soldier (Ford Madox Ford, 1915): m& P# `3 a1 X3 }
12. Nineteen Eighty-Four (George Orwell, 1949)# g: g$ y0 W) x z8 \; [
11. Pride and Prejudice (Jane Austen, 1813)
& ]6 `; d0 Y6 i* }) t10. Vanity Fair (William Makepeace Thackeray, 1848)* t" X/ K. ~. x. [' R. _
9. Frankenstein (Mary Shelley, 1818)- b2 w/ g6 b1 w) X* C' D
8. David Copperfield (Charles Dickens, 1850)
9 n- P9 Q( e! P& l7. Wuthering Heights (Emily Brontë, 1847)' ~6 k/ D- D/ O: b( k
6. Bleak House (Charles Dickens, 1853)
% B, h7 K# [& I# v+ s, ^. Z4 m# H5. Jane Eyre (Charlotte Brontë, 1847)# O/ x5 f0 G$ m5 e
4. Great Expectations (Charles Dickens, 1861)
" O% K6 E% O; }9 S2 _3. Mrs. Dalloway (Virginia Woolf, 1925)" V' Z! Y7 c6 I2 X
2. To the Lighthouse (Virginia Woolf, 1927)& d) z. W" s) x$ B$ X+ e- N) h- c, j
1. Middlemarch (George Eliot, 1874)! U, d& J5 w; V. y) ~" X
6 L2 Y; E' f+ K$ f
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
7 s) C( Y9 s) i; S. L Z0 k% W7 r
) k/ z# ^% G* k* v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
7 b# A9 W! I8 l5 Z3 r+ Y. K
