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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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$ N ?' }5 z* b4 jBBC评出100大英国文学名著
4 ^2 C( K" c, @ V$ a- [# _: yhttp://www.bbc.com/culture/story ... test-british-novels
+ K0 I U/ u D惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。2 b4 F3 x" B d/ j! h
! E+ S( X8 {$ d/ t100. The Code of the Woosters (PG Wodehouse, 1938)
2 j& x, d4 z9 ^* R1 F2 T7 A4 I99. There but for the (Ali Smith, 2011)1 C! T% w; c/ J; l1 v
98. Under the Volcano (Malcolm Lowry,1947)! K' c/ p9 I9 i) l5 `
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
9 |' P ~1 X1 w& n# [/ L: P96. Memoirs of a Survivor (Doris Lessing, 1974)! G9 `& m, g* i' K- \+ q- h% W5 p
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
- U/ D$ E7 }% j! L- `94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. Q$ S* @5 w6 |7 w2 K93. Lord of the Flies (William Golding, 1954)/ P' q* @2 s% I( ]8 V
92. Cold Comfort Farm (Stella Gibbons, 1932)+ P: A; E0 P) T8 P: F
91. The Forsyte Saga (John Galsworthy, 1922)
- J E" C+ C1 ]0 O90. The Woman in White (Wilkie Collins, 1859)" G6 g/ D8 U$ j9 f: E8 N' l
89. The Horse’s Mouth (Joyce Cary, 1944)
; J2 x! x& D( Y# G8 S9 j88. The Death of the Heart (Elizabeth Bowen, 1938)
" Z: [" |* ?8 ^8 G2 n87. The Old Wives’ Tale (Arnold Bennett,1908)- G+ m7 j1 g3 o% I/ K8 C* V
86. A Legacy (Sybille Bedford, 1956)
- j4 o& y+ b, ?. _+ O85. Regeneration Trilogy (Pat Barker, 1991-1995)
) d' J3 k3 d) H' |( K6 {4 n84. Scoop (Evelyn Waugh, 1938)
; s f5 \& k: O+ \0 Q3 P83. Barchester Towers (Anthony Trollope, 1857)% D k7 X; X- d8 h7 v
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)4 Y2 i6 U+ K# i+ M
81. The Jewel in the Crown (Paul Scott, 1966) V/ W1 T% c2 i0 l' B
80. Excellent Women (Barbara Pym, 1952)- r$ E! ~8 i9 T
79. His Dark Materials (Philip Pullman, 1995-2000)
( Z; ?- A! S& X1 H' l78. A House for Mr Biswas (VS Naipaul, 1961)& v6 b& M- B C: X; a3 a
77. Of Human Bondage (W Somerset Maugham, 1915)1 H! R5 b6 {; @6 p" [. l
76. Small Island (Andrea Levy, 2004)
/ Y( h. M% U2 X9 X7 T& e: N75. Women in Love (DH Lawrence, 1920)/ n; x6 S: P$ p4 {
74. The Mayor of Casterbridge (Thomas Hardy, 1886): ?" R$ e8 |6 ~4 h' d
73. The Blue Flower (Penelope Fitzgerald, 1995)
8 p4 C3 F+ Q- M( S( Q72. The Heart of the Matter (Graham Greene, 1948)3 S9 A: R% ~1 @( w R0 t/ W- l
71. Old Filth (Jane Gardam, 2004)
5 D- u, Q$ ~- N1 W3 o& N. D70. Daniel Deronda (George Eliot, 1876): F4 O4 I7 J3 Y' v3 Q% O; b: U- k
69. Nostromo (Joseph Conrad, 1904)
2 H* D/ n9 K, L8 U4 d$ F68. A Clockwork Orange (Anthony Burgess, 1962)
& |/ z1 D: T2 H2 R7 \9 }, d6 A0 {67. Crash (JG Ballard 1973)
& l: o7 A, i" Z( e66. Sense and Sensibility (Jane Austen, 1811)& [% r1 a) L) u f9 {5 Q
65. Orlando (Virginia Woolf, 1928)" I1 \ e- g3 ?0 z" P, I* _5 ^
64. The Way We Live Now (Anthony Trollope, 1875)( ^8 b" a6 { a/ w* N: X
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( S9 s, _# i ]
62. Animal Farm (George Orwell, 1945)! S( K- y; {3 R% `! V
61. The Sea, The Sea (Iris Murdoch, 1978)4 O5 s) R8 l8 ~; O1 Y8 j
60. Sons and Lovers (DH Lawrence, 1913)( o4 |; L2 y; C: q- @
59. The Line of Beauty (Alan Hollinghurst, 2004)2 n! L# @# s! Z; G9 e
58. Loving (Henry Green, 1945)
! E1 H" |1 s1 x( L# o5 y57. Parade’s End (Ford Madox Ford, 1924-1928)
+ V% S) y7 v. o/ Q; H/ }, f56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
: q7 P9 c8 z5 q- S' l. x G55. Gulliver’s Travels (Jonathan Swift, 1726)
' \* A# r0 p. v, e: s3 `2 D7 L54. NW (Zadie Smith, 2012)
8 R2 a8 z/ Y' ~3 |53. Wide Sargasso Sea (Jean Rhys, 1966)8 R+ O' R6 {% _$ x, n/ j5 Q
52. New Grub Street (George Gissing, 1891)
3 B, t0 m2 g, o. _" d1 |% W51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ G) A% g* Q Q2 A a) T$ U
50. A Passage to India (EM Forster, 1924)5 x+ b5 _3 J& E( x% ]
49. Possession (AS Byatt, 1990)$ ?- E4 X* P: M4 A
48. Lucky Jim (Kingsley Amis, 1954)+ e# ?* {1 \3 U; t1 u
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* W- f$ Z3 k2 d! {/ Y46. Midnight’s Children (Salman Rushdie, 1981)
/ _& N0 x- M, {) r H45. The Little Stranger (Sarah Waters, 2009)
" K: ?' a6 y7 h& u. {% S- d& C# p44. Wolf Hall (Hilary Mantel, 2009)
7 U6 f5 }5 \+ f5 j9 A. M2 A5 f/ X/ p43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: C, P" {7 Z0 Q" B1 {42. Brighton Rock (Graham Greene, 1938)3 r6 R+ q% `- w
41. Dombey and Son (Charles Dickens, 1848)$ ~; A" _2 @5 _9 C- v) h! N
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)+ g+ G+ {+ `& {
39. The Sense of an Ending (Julian Barnes, 2011)
8 y; @$ A- e& n# x38. The Passion (Jeanette Winterson, 1987) ^, l, p% V( [' y% y- j
37. Decline and Fall (Evelyn Waugh, 1928)- p, m" [) \$ m' b8 I5 r/ y! s
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
0 h$ L8 y7 e- s8 z$ u, A8 L/ `35. Remainder (Tom McCarthy, 2005)" p; O2 i. x Q4 s c* m5 t) c
34. Never Let Me Go (Kazuo Ishiguro, 2005)* g! G3 ~, W" i1 k
33. The Wind in the Willows (Kenneth Grahame, 1908)9 Q) Q8 F- R; D% L* i
32. A Room with a View (EM Forster, 1908)
& H5 }: _) r" F31. The End of the Affair (Graham Greene, 1951)% N) G! {9 ?. l4 Q) l+ ^1 v0 m
30. Moll Flanders (Daniel Defoe, 1722)% _5 V+ U. n) j
29. Brick Lane (Monica Ali, 2003)
& R7 @) i' ?( W28. Villette (Charlotte Brontë, 1853)- u& J& g \. H, @( ?& }
27. Robinson Crusoe (Daniel Defoe, 1719)
: D, Z S6 n7 @. J+ N26. The Lord of the Rings (JRR Tolkien, 1954)
( }/ n2 m% S; F2 s. i( X25. White Teeth (Zadie Smith, 2000)! X8 R! O5 c* J6 h
24. The Golden Notebook (Doris Lessing, 1962). z b6 W6 P5 d/ C
23. Jude the Obscure (Thomas Hardy, 1895)
: f6 ]# q# v4 B' W6 U7 N/ ` r. }. j22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
; t) r+ @% I' v5 @2 f- s$ F21. Heart of Darkness (Joseph Conrad, 1899)
% V9 Z2 F+ _; w0 N20. Persuasion (Jane Austen, 1817)0 l6 e) Z# }( ^. n/ X6 {
19. Emma (Jane Austen, 1815)0 d' @5 w+ L( [) \9 Y
18. Remains of the Day (Kazuo Ishiguro, 1989)$ ~ [# ~9 P4 z Z2 N
17. Howards End (EM Forster, 1910)' f( w, z8 V6 S+ a5 V4 F$ O& X
16. The Waves (Virginia Woolf, 1931)0 J/ I& P+ d; U, m: s! }
15. Atonement (Ian McEwan, 2001)
1 D4 J! e5 ?3 Q, L' V4 `9 G4 Z! T14. Clarissa (Samuel Richardson,1748)
8 d2 l# R9 Z) [9 z6 O& ]: V Z13. The Good Soldier (Ford Madox Ford, 1915)
: S3 \) R) h- M% @; I12. Nineteen Eighty-Four (George Orwell, 1949)* E3 t. U4 [4 w' k" V; Y; I
11. Pride and Prejudice (Jane Austen, 1813)
. X0 |+ L# j! O9 I10. Vanity Fair (William Makepeace Thackeray, 1848)8 N$ ?" `7 |/ z2 _. E: D
9. Frankenstein (Mary Shelley, 1818)
" W2 ~4 b8 B- g o: D: }8. David Copperfield (Charles Dickens, 1850)( Z' w7 T- [% z4 v& `# d$ D- @( w
7. Wuthering Heights (Emily Brontë, 1847)( g- a2 k: S0 r! u; [$ n1 O+ r, i5 y
6. Bleak House (Charles Dickens, 1853)
$ A/ `9 {* X7 [- t s3 @5. Jane Eyre (Charlotte Brontë, 1847)& x1 V; _. F- J) O2 P
4. Great Expectations (Charles Dickens, 1861)# Y9 a$ T! I; Q3 I1 m
3. Mrs. Dalloway (Virginia Woolf, 1925)
4 e7 E& }# d$ C2. To the Lighthouse (Virginia Woolf, 1927)
4 \$ Z' g; H5 v6 n; n1. Middlemarch (George Eliot, 1874)( f: M) I+ Z9 W- P/ I
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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0 h% n+ B& J2 {* Y呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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