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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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l9 ]/ |9 T, BBBC评出100大英国文学名著
$ K4 Y' j) ~8 rhttp://www.bbc.com/culture/story ... test-british-novels
9 D3 B+ v$ W9 {0 f; Z$ G惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。$ R: x$ B* v+ i3 D8 F% P# T: f0 o% u
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100. The Code of the Woosters (PG Wodehouse, 1938)
0 }' @, Q: R- ]- ^7 X9 R99. There but for the (Ali Smith, 2011)+ ]+ w( ]2 E$ ^6 }, f* b4 p% G
98. Under the Volcano (Malcolm Lowry,1947)/ j( E& c+ k7 Z( d% s+ T% z$ I
97. The Chronicles of Narnia (CS Lewis, 1949-1954)0 {0 W0 \1 @, @9 e
96. Memoirs of a Survivor (Doris Lessing, 1974): J% v4 O8 t7 A5 \
95. The Buddha of Suburbia (Hanif Kureishi, 1990). {+ n* k9 t* q( h$ ~* X: ^
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' j, ?) ^0 p+ a- r+ \93. Lord of the Flies (William Golding, 1954)8 k! W$ j# q* G# Z
92. Cold Comfort Farm (Stella Gibbons, 1932)- Y+ ~) g3 A8 b: T8 A7 [4 E# G
91. The Forsyte Saga (John Galsworthy, 1922)" ], j1 k* K6 |6 x' G: ?7 ~
90. The Woman in White (Wilkie Collins, 1859)
* ]: ]9 L5 \2 E* W Z89. The Horse’s Mouth (Joyce Cary, 1944)
/ m' W i }3 `8 I% x2 b88. The Death of the Heart (Elizabeth Bowen, 1938)
3 X7 f- J2 \) E% B6 l0 Z87. The Old Wives’ Tale (Arnold Bennett,1908), l2 y5 i3 _# e: M) v1 p
86. A Legacy (Sybille Bedford, 1956). W/ r: s" ]$ h* q3 j7 s4 D
85. Regeneration Trilogy (Pat Barker, 1991-1995)" y+ u0 |6 m# X( X Y$ g
84. Scoop (Evelyn Waugh, 1938)" `5 B4 p" [: R! A2 T2 Q% K
83. Barchester Towers (Anthony Trollope, 1857)
4 O5 s, g' `6 ^; g* P82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012): n. a' |+ z2 M+ J0 I1 k* X# i0 Q
81. The Jewel in the Crown (Paul Scott, 1966)5 `/ X# z3 K+ d+ n' ^' b3 i" H+ N
80. Excellent Women (Barbara Pym, 1952): v* ^9 ]9 {: ~
79. His Dark Materials (Philip Pullman, 1995-2000)
' h7 ^/ B: ^* S8 D \' x78. A House for Mr Biswas (VS Naipaul, 1961)% u7 p- m$ d/ a! h+ W/ L
77. Of Human Bondage (W Somerset Maugham, 1915). k% I4 K/ J1 b9 V0 }6 u
76. Small Island (Andrea Levy, 2004)
9 u/ x& G; x) W; ?# f, \75. Women in Love (DH Lawrence, 1920)+ X2 L6 ^7 A5 j
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
- o+ @' ]+ j. d0 S3 N9 v$ g73. The Blue Flower (Penelope Fitzgerald, 1995)
# q& b- ^( r1 M8 [) K" s: z: t9 e( [72. The Heart of the Matter (Graham Greene, 1948)
/ x( h) O5 ~; i9 z71. Old Filth (Jane Gardam, 2004)
4 l) l% a, c2 v. q) ]70. Daniel Deronda (George Eliot, 1876): X. X/ j, ^, }. L" ]2 B* O. o
69. Nostromo (Joseph Conrad, 1904)! |4 N W, \$ l" u3 o; j; U! Z
68. A Clockwork Orange (Anthony Burgess, 1962)
4 q! Z4 M0 `, E3 m9 i6 o/ k67. Crash (JG Ballard 1973)4 w/ d: k" h; M; Y5 d
66. Sense and Sensibility (Jane Austen, 1811)5 u# i- L* u( N# s# o0 t
65. Orlando (Virginia Woolf, 1928)
9 i1 w, q! r2 ^; w$ ^6 P$ ~64. The Way We Live Now (Anthony Trollope, 1875)& v- m5 Z ^2 M
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ E" H8 Y0 X: x62. Animal Farm (George Orwell, 1945)5 L, ?2 c1 r: C
61. The Sea, The Sea (Iris Murdoch, 1978)& F+ W9 k( T- ~+ b" x9 |+ s* ~
60. Sons and Lovers (DH Lawrence, 1913)* u8 O+ D2 @: t7 }) Y
59. The Line of Beauty (Alan Hollinghurst, 2004)
- W2 N+ v- f/ Y( g& T58. Loving (Henry Green, 1945)
$ i* s4 k- h) A, B9 N n57. Parade’s End (Ford Madox Ford, 1924-1928)/ v J6 o0 J2 V/ _( o- b% f9 x
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)2 C+ X, p- ^: e9 J
55. Gulliver’s Travels (Jonathan Swift, 1726)
) ^- Q* m3 p2 i4 s2 v' K: \; I2 t# G54. NW (Zadie Smith, 2012)
8 [# r K9 \7 W/ x7 W53. Wide Sargasso Sea (Jean Rhys, 1966)1 }1 b) R: Z9 s0 K
52. New Grub Street (George Gissing, 1891)! H3 s9 E* C+ a7 c4 D
51. Tess of the d’Urbervilles (Thomas Hardy, 1891): Z) s6 m: E# E2 q* P8 Z
50. A Passage to India (EM Forster, 1924)6 `5 q9 x2 ^" G% H2 ]+ v6 f( K* } v
49. Possession (AS Byatt, 1990): V( I, c9 `- x: ^# ~$ y5 s
48. Lucky Jim (Kingsley Amis, 1954)& {# ]2 ? z1 a, A" G9 K8 B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)8 G) D. h' ^/ ?* c* `+ l6 B
46. Midnight’s Children (Salman Rushdie, 1981)6 i, u1 ]! w& ~( A- Y: X
45. The Little Stranger (Sarah Waters, 2009). U- V) c8 E: B3 v
44. Wolf Hall (Hilary Mantel, 2009)
" p( V$ K8 A, V/ G; k43. The Swimming Pool Library (Alan Hollinghurst, 1988)
: b4 D' k9 u4 G42. Brighton Rock (Graham Greene, 1938)
9 ]' N# t) v Q: N' u7 }41. Dombey and Son (Charles Dickens, 1848)1 c: C3 c9 _; T) v2 O
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
/ I& ?/ x. O- U1 B, \( q39. The Sense of an Ending (Julian Barnes, 2011)
1 r; n& I% i% ~+ d3 F% M8 P38. The Passion (Jeanette Winterson, 1987)7 ^3 U% a1 Q- E
37. Decline and Fall (Evelyn Waugh, 1928)$ o, v( N0 y9 o- f$ q- |. g3 [0 y
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
8 ^( U$ v7 _/ `& Y; _7 W35. Remainder (Tom McCarthy, 2005)3 n+ c: _ N7 Z7 O
34. Never Let Me Go (Kazuo Ishiguro, 2005)
) W- R# e! d9 x# {1 X) U33. The Wind in the Willows (Kenneth Grahame, 1908)
5 n" ^; F! c% m* e/ D32. A Room with a View (EM Forster, 1908)7 l6 O- q% `7 G) J- g4 h& H
31. The End of the Affair (Graham Greene, 1951)! {6 ?6 K) X# }; h6 f2 {
30. Moll Flanders (Daniel Defoe, 1722)5 b6 s$ O/ G3 D7 U0 v; r
29. Brick Lane (Monica Ali, 2003)
- [9 W* I) \& {8 I$ k28. Villette (Charlotte Brontë, 1853)9 a) k) ]! P, b! J5 N, r# Z
27. Robinson Crusoe (Daniel Defoe, 1719)
" ~* H; ^- U# Q/ R+ c- b% n26. The Lord of the Rings (JRR Tolkien, 1954)
4 _& F! B5 G( U2 k( [$ g25. White Teeth (Zadie Smith, 2000)
6 y" _! x* g- S8 w) l/ o" n. V0 m# e7 \24. The Golden Notebook (Doris Lessing, 1962)
8 z9 f' H3 E: H" E1 ~23. Jude the Obscure (Thomas Hardy, 1895)8 n2 J$ m0 U5 k8 w$ y
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% Q* J) j# E! I s- H% e0 e) H: d
21. Heart of Darkness (Joseph Conrad, 1899)+ l1 S) I, @* V' @6 ?* O
20. Persuasion (Jane Austen, 1817)5 }- o$ z$ V4 y$ J/ Y
19. Emma (Jane Austen, 1815)
3 m0 O2 {- f, Z; G. K& W( y18. Remains of the Day (Kazuo Ishiguro, 1989)
( z# A$ Z" }. F% M8 K0 ?17. Howards End (EM Forster, 1910)
+ A# C! s0 a, O$ ?2 v1 e16. The Waves (Virginia Woolf, 1931)" H6 T; k/ w: E4 C' [8 M
15. Atonement (Ian McEwan, 2001)8 {9 b7 f6 {; N! E
14. Clarissa (Samuel Richardson,1748)2 [* D3 R) Q! U# G7 T
13. The Good Soldier (Ford Madox Ford, 1915)
" D' s' o) M* G/ E# a: h$ g12. Nineteen Eighty-Four (George Orwell, 1949), x9 Z+ a. A) {: U! B2 k
11. Pride and Prejudice (Jane Austen, 1813)
$ \& U( W$ C2 @4 X7 n10. Vanity Fair (William Makepeace Thackeray, 1848)
" v$ p* U, |2 F$ J2 Q; g9. Frankenstein (Mary Shelley, 1818)
) V9 i7 @3 k5 W o( ~3 j+ a2 J8. David Copperfield (Charles Dickens, 1850)' Q# s& x, @7 J8 A. t& \. r2 B
7. Wuthering Heights (Emily Brontë, 1847)
4 ?% c6 m3 X o( I! L7 Z6. Bleak House (Charles Dickens, 1853)/ I3 u: Q+ h: W, N6 }
5. Jane Eyre (Charlotte Brontë, 1847)
+ Q) _" K. n5 H4. Great Expectations (Charles Dickens, 1861)
! {: k) P0 g1 ?3. Mrs. Dalloway (Virginia Woolf, 1925)
9 \& w( k* X, x, h2. To the Lighthouse (Virginia Woolf, 1927)" J: n( S3 Q' S7 X ~' C5 K; M4 i8 r
1. Middlemarch (George Eliot, 1874)
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4 m+ y% \) {5 H" _) X/ b前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 g9 n7 I7 `- @+ f
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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