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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 P8 r( g: Q$ ]0 F. n" b
2 S: h+ Q7 ]/ O7 V- a' ZBBC评出100大英国文学名著$ t }* V+ s* y
http://www.bbc.com/culture/story ... test-british-novels
4 ?" B. d- ^+ d% E% x惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. M& G& ~$ B2 U0 n1 e6 X8 ~9 _3 ?( I
z0 g. J( M# Z, B! B% V100. The Code of the Woosters (PG Wodehouse, 1938)$ k7 X1 M2 |: r0 t
99. There but for the (Ali Smith, 2011)
1 S% X% t0 E0 i9 L5 n3 i98. Under the Volcano (Malcolm Lowry,1947)' q5 @. n7 M- T. p. H/ w, x0 O& h/ A; Y
97. The Chronicles of Narnia (CS Lewis, 1949-1954) Y/ v6 |- \* a7 @0 r J n
96. Memoirs of a Survivor (Doris Lessing, 1974)9 b0 o% k% [; S: n. Y+ T
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
6 I( q! N s9 b" T4 m+ k' z: i94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)* M3 H* k" F( _1 \* A; \+ E
93. Lord of the Flies (William Golding, 1954)
$ D% Z2 p5 b" D6 F5 {6 v- t& K92. Cold Comfort Farm (Stella Gibbons, 1932)
* V: I7 w/ v2 P" [ U0 o$ c91. The Forsyte Saga (John Galsworthy, 1922)7 _; t$ y. Y3 O( S
90. The Woman in White (Wilkie Collins, 1859). I1 l4 D; j1 C9 T1 A# Q/ S* z9 T
89. The Horse’s Mouth (Joyce Cary, 1944)
1 G1 N) O9 ?$ U' W; i- ^0 h/ e, F6 H h88. The Death of the Heart (Elizabeth Bowen, 1938)/ k Q) y# ?9 n6 J
87. The Old Wives’ Tale (Arnold Bennett,1908)
: I' v9 ?: ~( } R$ N86. A Legacy (Sybille Bedford, 1956)( U' @# n" Y4 E; T
85. Regeneration Trilogy (Pat Barker, 1991-1995). E& A5 C# }6 i& ]3 H; | Q: i
84. Scoop (Evelyn Waugh, 1938)2 k2 l+ b" |" U8 q. Y4 g# K
83. Barchester Towers (Anthony Trollope, 1857)7 z9 K) h" n( e4 A
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)* Z; j- ]: a* t( B% E" a+ E1 S. D% _
81. The Jewel in the Crown (Paul Scott, 1966)# ?+ T, i( ?9 ^" K
80. Excellent Women (Barbara Pym, 1952)" i1 L! X5 p/ z, u& V
79. His Dark Materials (Philip Pullman, 1995-2000)
( O! C, \! O) V78. A House for Mr Biswas (VS Naipaul, 1961)/ P& u/ Y% f, G3 \! X8 l" Q5 ]
77. Of Human Bondage (W Somerset Maugham, 1915)
( W1 z' M- }8 x: E' _; E" D76. Small Island (Andrea Levy, 2004)
" f) K/ U9 e6 ^% H+ U7 X% B75. Women in Love (DH Lawrence, 1920)6 r; c4 s* @/ C: p/ o$ P
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
3 _) t' F5 \+ `( H, k73. The Blue Flower (Penelope Fitzgerald, 1995) W1 E* @' |+ ?* y5 O8 n
72. The Heart of the Matter (Graham Greene, 1948)
4 }0 ?+ U) _- P3 p2 ?3 @* j+ q/ ?! O71. Old Filth (Jane Gardam, 2004)1 w9 |: Y _. k- x* `0 `+ s* U
70. Daniel Deronda (George Eliot, 1876)& K& n0 X: I2 Y9 e* t5 G
69. Nostromo (Joseph Conrad, 1904)
' p) ~- y5 C8 @# @2 s/ P/ \: ~68. A Clockwork Orange (Anthony Burgess, 1962)
/ f' z/ L+ }" y8 e9 D& f$ T; e/ A67. Crash (JG Ballard 1973)
6 f+ o; d+ O; F2 y* l0 ?66. Sense and Sensibility (Jane Austen, 1811)6 B; v- ?1 \/ T. W! ?: ^% N
65. Orlando (Virginia Woolf, 1928); w" ?. _6 r6 A$ D! b n4 `9 q" y3 e
64. The Way We Live Now (Anthony Trollope, 1875)# }; x( M/ O/ P" l3 K
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
1 G; g5 n+ Y1 U- f: f+ n7 a1 ~9 C62. Animal Farm (George Orwell, 1945)$ |2 i% o1 G- s8 J5 e2 a
61. The Sea, The Sea (Iris Murdoch, 1978)$ `* ?# g/ g: @4 A, |- x2 s+ R
60. Sons and Lovers (DH Lawrence, 1913)6 O1 }' M& D! W& E. t
59. The Line of Beauty (Alan Hollinghurst, 2004); ] l7 D/ u2 S3 t$ |1 W
58. Loving (Henry Green, 1945)
2 F4 b5 Y, p; Z% s5 ]! ^57. Parade’s End (Ford Madox Ford, 1924-1928); X) `- v2 u/ r8 V3 D5 d
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
+ H% a) Z) x0 J55. Gulliver’s Travels (Jonathan Swift, 1726)6 P' O, V2 M" w% d8 [$ d- k$ n5 m! d
54. NW (Zadie Smith, 2012)
. w& s0 |# G8 W- a53. Wide Sargasso Sea (Jean Rhys, 1966)5 n. b) x9 o1 H" @; [
52. New Grub Street (George Gissing, 1891)
4 z3 F' m1 e; n- Y$ d51. Tess of the d’Urbervilles (Thomas Hardy, 1891)$ M: E2 a& n4 D
50. A Passage to India (EM Forster, 1924)
! q% N/ d3 ~1 z49. Possession (AS Byatt, 1990)- N2 h& X P- |. z
48. Lucky Jim (Kingsley Amis, 1954)
. {: Q$ b* o7 M2 n( y- N& ^47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759). F6 q) n$ ^7 o
46. Midnight’s Children (Salman Rushdie, 1981)" v. y! {4 s0 X8 A7 W4 `; a! V% O a
45. The Little Stranger (Sarah Waters, 2009)
. L! x' Q% x1 m* q9 G44. Wolf Hall (Hilary Mantel, 2009)
- F6 |0 q8 o1 H8 v$ _( \43. The Swimming Pool Library (Alan Hollinghurst, 1988), V5 z& I5 \* l* v0 k
42. Brighton Rock (Graham Greene, 1938)
) g. O; S9 R. U6 X# V1 z1 F41. Dombey and Son (Charles Dickens, 1848)0 H8 Z& z8 ~1 d5 i9 b _: T
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
8 g/ Q& m: W. ]( i/ U1 N39. The Sense of an Ending (Julian Barnes, 2011)
/ L! P' y! a7 H' k& _38. The Passion (Jeanette Winterson, 1987)7 F2 C+ r* j1 ~+ G; p- f/ m; X
37. Decline and Fall (Evelyn Waugh, 1928), \% G) g: Z! {- S
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
& A; Q# }+ a( O2 L0 `6 ^35. Remainder (Tom McCarthy, 2005), n! m% a# a* Z7 J! @
34. Never Let Me Go (Kazuo Ishiguro, 2005)
3 B# D9 K% @ F5 X" L33. The Wind in the Willows (Kenneth Grahame, 1908)
( l# E `& K: ^5 y$ W32. A Room with a View (EM Forster, 1908)
2 f8 `# F( l$ X( k& @31. The End of the Affair (Graham Greene, 1951)
0 K J# n4 R; w" w# _- k) {30. Moll Flanders (Daniel Defoe, 1722), D: \- g7 l$ Q: P. W
29. Brick Lane (Monica Ali, 2003)
/ w7 u( h+ e: a+ S5 \28. Villette (Charlotte Brontë, 1853): D. ~. i4 i2 P9 Z
27. Robinson Crusoe (Daniel Defoe, 1719)! s+ X6 Y: x# v
26. The Lord of the Rings (JRR Tolkien, 1954)
% K4 H9 R- G- Z2 J0 z2 y% E25. White Teeth (Zadie Smith, 2000)
/ J7 M( Z x( f( U( g- m. {24. The Golden Notebook (Doris Lessing, 1962)
6 h4 Z5 _* N8 W+ j5 ?9 x; \23. Jude the Obscure (Thomas Hardy, 1895)& e. d1 s$ z3 t" Z
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
k& P. N9 `6 U, J, i21. Heart of Darkness (Joseph Conrad, 1899)
, I9 G- M9 ~) m/ N) K20. Persuasion (Jane Austen, 1817)$ L* S& S9 w1 G" B) Y- y5 @
19. Emma (Jane Austen, 1815)( P: T; N$ M+ w5 V' N
18. Remains of the Day (Kazuo Ishiguro, 1989)
5 u! h; S' o& w* O# S17. Howards End (EM Forster, 1910)2 G/ p* @ C+ Y: x, i8 V
16. The Waves (Virginia Woolf, 1931)
) Q) k- J" u; d5 ^5 g" p15. Atonement (Ian McEwan, 2001)
1 A( W0 H3 c6 N14. Clarissa (Samuel Richardson,1748)0 m2 h ]/ X' I6 X7 e
13. The Good Soldier (Ford Madox Ford, 1915)" v/ \; R8 U; W$ y
12. Nineteen Eighty-Four (George Orwell, 1949)1 E ~' U6 {' q; A; x) W) r
11. Pride and Prejudice (Jane Austen, 1813)
) u `5 H o& e' S/ q ~* O10. Vanity Fair (William Makepeace Thackeray, 1848)
' ` K' k+ I" `( i# Y/ z6 q: e9. Frankenstein (Mary Shelley, 1818) L9 K: P/ ^" g1 J! A9 M
8. David Copperfield (Charles Dickens, 1850)
3 B9 T; O' E4 {7. Wuthering Heights (Emily Brontë, 1847)5 G; B0 M7 U( B
6. Bleak House (Charles Dickens, 1853)* O1 F6 r" q# x S" x0 }
5. Jane Eyre (Charlotte Brontë, 1847)
7 i+ a; ]' W/ f+ L' n _5 h$ k3 c4. Great Expectations (Charles Dickens, 1861)
8 L) W% K) t* w1 ~8 N; T: \3 f3. Mrs. Dalloway (Virginia Woolf, 1925)
* H% P; b E+ C2. To the Lighthouse (Virginia Woolf, 1927)
6 Z) A- M' Y8 o) w1. Middlemarch (George Eliot, 1874)& l- @* X" h6 o. i8 |
; ?0 X' J6 ^/ e# p$ i+ p前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
, G6 w5 N- o9 K
T! F d; r; E+ b8 X呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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