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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 " t2 y5 `1 B2 x' j8 Z
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BBC评出100大英国文学名著
9 E; s8 s2 \- }3 ^5 }7 hhttp://www.bbc.com/culture/story ... test-british-novels, {4 _+ Q, }( m/ I6 y& W1 m$ c F
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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" f5 d$ ]5 @7 F4 S+ R1 \$ x100. The Code of the Woosters (PG Wodehouse, 1938)
4 ?8 i @3 u$ V( S& _+ P99. There but for the (Ali Smith, 2011)2 K9 [' @4 t% l8 D- Q, v5 v
98. Under the Volcano (Malcolm Lowry,1947)
( {, ~/ W& [& q' c+ m, h, \7 V1 J97. The Chronicles of Narnia (CS Lewis, 1949-1954)! y/ I! g5 u: H6 R
96. Memoirs of a Survivor (Doris Lessing, 1974)
# l2 W0 {/ [" {2 t95. The Buddha of Suburbia (Hanif Kureishi, 1990)
1 e, V- @& q0 p8 J94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824) F" }2 a: w" \1 c6 u# [& G
93. Lord of the Flies (William Golding, 1954)
7 \0 N$ W4 A" {8 B; @2 l92. Cold Comfort Farm (Stella Gibbons, 1932)
h3 [2 w9 J* l) S# P8 A% j91. The Forsyte Saga (John Galsworthy, 1922)
% r7 M7 R" {9 Y9 O+ T90. The Woman in White (Wilkie Collins, 1859)" q( w3 R8 {( b
89. The Horse’s Mouth (Joyce Cary, 1944): s: V/ ^, G+ Y1 H
88. The Death of the Heart (Elizabeth Bowen, 1938)1 M" h5 E; Q8 K- P
87. The Old Wives’ Tale (Arnold Bennett,1908)& n+ g5 A: [- L, i1 d
86. A Legacy (Sybille Bedford, 1956)' C) K2 M& @% K2 j
85. Regeneration Trilogy (Pat Barker, 1991-1995)& A9 z t2 L1 t d
84. Scoop (Evelyn Waugh, 1938)# D. t/ e9 w4 w: C# z2 @; Q0 p
83. Barchester Towers (Anthony Trollope, 1857)
: S1 Q* \; x( t/ y5 F82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)! B) E, Y: [! W0 D! Z
81. The Jewel in the Crown (Paul Scott, 1966)
& l, }3 A# q( K: F80. Excellent Women (Barbara Pym, 1952)
" Q5 z& ]5 v- ]+ M79. His Dark Materials (Philip Pullman, 1995-2000)% m, l* K+ |1 [ K7 o! p
78. A House for Mr Biswas (VS Naipaul, 1961)! f/ |6 }/ o) M" ?% y& w
77. Of Human Bondage (W Somerset Maugham, 1915)
9 Z" s$ E" U* P+ v76. Small Island (Andrea Levy, 2004)
@" V# Y, N2 U2 v! E2 B6 c75. Women in Love (DH Lawrence, 1920)
O: u1 o! y2 y74. The Mayor of Casterbridge (Thomas Hardy, 1886)$ `$ z7 O: m2 F, t' V! G, l& k6 @+ {
73. The Blue Flower (Penelope Fitzgerald, 1995)
" H j) S$ u" d72. The Heart of the Matter (Graham Greene, 1948)
3 q) F; g7 N$ M/ g7 j71. Old Filth (Jane Gardam, 2004)
- {3 f6 P* v: M' @- m70. Daniel Deronda (George Eliot, 1876). B4 F6 \. U. a7 ]/ }
69. Nostromo (Joseph Conrad, 1904)
% U; M+ M! ~. q1 t' C7 |68. A Clockwork Orange (Anthony Burgess, 1962)' S. n# s6 S7 N& {5 b! e
67. Crash (JG Ballard 1973)( h" @% {+ a5 R0 o
66. Sense and Sensibility (Jane Austen, 1811)
3 C2 |9 |$ v& e65. Orlando (Virginia Woolf, 1928)3 _! h, ], q/ I: X% s
64. The Way We Live Now (Anthony Trollope, 1875)
: U1 J! m6 ~3 c2 e8 ^5 X5 M- J) G$ l63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)8 C) Q+ u; u; D5 g! P8 H1 v
62. Animal Farm (George Orwell, 1945)
) Y* a7 E& v2 S; D61. The Sea, The Sea (Iris Murdoch, 1978)
4 H, c4 I0 {2 X60. Sons and Lovers (DH Lawrence, 1913)
9 p1 B1 w) w6 K" U7 | Y/ D59. The Line of Beauty (Alan Hollinghurst, 2004)! q3 U2 g& B- b T1 b- H; ]+ ~! H$ O- u
58. Loving (Henry Green, 1945)
4 @+ g Z) d/ S; `+ _# G57. Parade’s End (Ford Madox Ford, 1924-1928)% M# g8 Z% p A9 e6 k
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 Y/ g1 r9 R7 N D' A, y
55. Gulliver’s Travels (Jonathan Swift, 1726)' D1 O+ G# }3 F" p( N; d* s
54. NW (Zadie Smith, 2012)8 O5 m# z# v- d" p- A2 G
53. Wide Sargasso Sea (Jean Rhys, 1966)
k$ X5 Y; c1 _# D) p52. New Grub Street (George Gissing, 1891)
2 T3 D7 e7 T6 U& _0 D51. Tess of the d’Urbervilles (Thomas Hardy, 1891)* c- q" u9 D0 [( u1 W' T3 x9 U, ]! z
50. A Passage to India (EM Forster, 1924)- F( u' T, v, r, o7 ^! N5 @1 X
49. Possession (AS Byatt, 1990)1 r, l6 P7 q+ I6 Q5 f$ y) Z
48. Lucky Jim (Kingsley Amis, 1954)8 i6 j/ d. ~( ~
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ {) V C, L( m' e d, ]
46. Midnight’s Children (Salman Rushdie, 1981)* p! w. }( m7 e: H. I1 x6 h, t
45. The Little Stranger (Sarah Waters, 2009)
. m' T' x' _! W. P44. Wolf Hall (Hilary Mantel, 2009)
: F2 |8 p. g/ q2 [% r, p! f43. The Swimming Pool Library (Alan Hollinghurst, 1988)# _- g0 h- l ]9 w! {6 i
42. Brighton Rock (Graham Greene, 1938)& f# S) q- W2 \6 V
41. Dombey and Son (Charles Dickens, 1848)$ v ~2 E# q8 O; a
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
; c( y% c6 m- n* H% n39. The Sense of an Ending (Julian Barnes, 2011)
! c/ F6 d5 t( C( L3 i38. The Passion (Jeanette Winterson, 1987)
8 o4 e8 n* v( \0 ]37. Decline and Fall (Evelyn Waugh, 1928)% O; J* l# n5 R- z' c
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)8 b* E: y/ q; A. r, d% m9 u
35. Remainder (Tom McCarthy, 2005)
8 r' I% k8 I6 P2 }34. Never Let Me Go (Kazuo Ishiguro, 2005)
; }; [/ M9 A7 j3 z8 F l1 u; g33. The Wind in the Willows (Kenneth Grahame, 1908)
, P$ E- ?( b0 t3 s9 N0 x* u. b/ R32. A Room with a View (EM Forster, 1908)% F; c5 y, V4 J! R) W G
31. The End of the Affair (Graham Greene, 1951)
8 G% L$ q1 t5 [$ v, }30. Moll Flanders (Daniel Defoe, 1722)
+ C4 _% S3 R- V+ D" X29. Brick Lane (Monica Ali, 2003)1 r3 f. K. W6 `$ Q6 f! ], v
28. Villette (Charlotte Brontë, 1853) R2 A: L2 Q5 x0 K
27. Robinson Crusoe (Daniel Defoe, 1719)
' G) H$ P- z& @- A$ c26. The Lord of the Rings (JRR Tolkien, 1954)% B7 D/ Q* z9 ~
25. White Teeth (Zadie Smith, 2000); e+ ~" r' J' }+ |
24. The Golden Notebook (Doris Lessing, 1962)
0 d0 ?$ o K. i: Z3 S' p9 s4 i( H23. Jude the Obscure (Thomas Hardy, 1895)
9 P% U) x8 `9 X0 }! B8 w0 T22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 l& d6 T1 h+ L& Y: }. S
21. Heart of Darkness (Joseph Conrad, 1899)" l: } `9 x& w# t. ]- t% t
20. Persuasion (Jane Austen, 1817) x) @( L+ |* ?# P9 \- N
19. Emma (Jane Austen, 1815)
0 `/ x: ~/ _- f* x18. Remains of the Day (Kazuo Ishiguro, 1989)3 E( L& Q& O/ @8 a7 j' C, v
17. Howards End (EM Forster, 1910)
5 I8 g% {* m9 j3 H* g5 w16. The Waves (Virginia Woolf, 1931)
2 s7 k2 u% b9 x* Z6 P2 S15. Atonement (Ian McEwan, 2001)
/ p' r3 d; v/ W14. Clarissa (Samuel Richardson,1748)$ @' ^( z' M0 d6 K
13. The Good Soldier (Ford Madox Ford, 1915)
$ ]" N* D. o# \8 m12. Nineteen Eighty-Four (George Orwell, 1949)4 W" S, h9 u8 M# F7 [
11. Pride and Prejudice (Jane Austen, 1813)
) x! d0 `" j m$ C9 @10. Vanity Fair (William Makepeace Thackeray, 1848)
3 ]3 i% k% W6 R8 E% f' M+ i9. Frankenstein (Mary Shelley, 1818)1 {. J$ U) i# r: X5 n$ Z
8. David Copperfield (Charles Dickens, 1850)
/ O6 j' d m& }+ _7. Wuthering Heights (Emily Brontë, 1847), W) o, Y& ~/ c) D) t
6. Bleak House (Charles Dickens, 1853)
8 F5 O* ?3 `& b0 p v8 I0 ^" Y) R' e5. Jane Eyre (Charlotte Brontë, 1847): R4 Y3 ~) Y) i g# D
4. Great Expectations (Charles Dickens, 1861)/ R/ w" D! d- C9 ?& w# n
3. Mrs. Dalloway (Virginia Woolf, 1925)3 G( T8 R8 ^' n" G9 }4 _5 @. m% m
2. To the Lighthouse (Virginia Woolf, 1927)
. g& ]# D: @: L+ V" E1. Middlemarch (George Eliot, 1874)1 ~2 m1 u. Y% q" d, Z5 ?
3 `+ i& z& y, h* U4 c5 s前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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