|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 8 w9 t* r/ w. ]2 G8 r f
3 s9 N- ]0 o: J
BBC评出100大英国文学名著
) ~6 V p3 p1 k: ^* |: xhttp://www.bbc.com/culture/story ... test-british-novels. L6 E. y& x; _; J0 h# v9 m6 |
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
+ {5 E5 D/ z7 N/ K% j+ u6 ]8 S9 Y
# G# ~3 ?5 N3 ]" T9 i100. The Code of the Woosters (PG Wodehouse, 1938)
$ Y) g0 M' D5 o: F5 j99. There but for the (Ali Smith, 2011)
+ D( I9 y& i3 |. G8 N; U) ]98. Under the Volcano (Malcolm Lowry,1947)
" F* c9 \+ \* b# y0 c+ a. ^97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 o& q, L: B ]2 O9 Q& j8 {# z0 |96. Memoirs of a Survivor (Doris Lessing, 1974)
3 E. |1 d9 H( n0 T3 l$ N& h- `95. The Buddha of Suburbia (Hanif Kureishi, 1990)
/ Q' d7 @5 a2 U! d# c# C' e: i4 ^2 f94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
- f6 [5 s Q: D4 V93. Lord of the Flies (William Golding, 1954)* c; i8 E# P1 K
92. Cold Comfort Farm (Stella Gibbons, 1932)
. s. W9 Q/ |7 C% b8 S) ?6 T, U91. The Forsyte Saga (John Galsworthy, 1922)& t0 g9 ?+ v* D9 _
90. The Woman in White (Wilkie Collins, 1859), i! P; e. X2 f& @
89. The Horse’s Mouth (Joyce Cary, 1944)
: C" S" j8 I+ G$ @88. The Death of the Heart (Elizabeth Bowen, 1938)
9 g1 ?' p R( R; f, M9 I6 `! H( w87. The Old Wives’ Tale (Arnold Bennett,1908)
' Z0 ~1 `" f9 O6 G" e8 ~0 q- n86. A Legacy (Sybille Bedford, 1956)
3 } I/ _3 j3 ^9 C4 m85. Regeneration Trilogy (Pat Barker, 1991-1995)
2 Z6 r! X1 q% E9 t& P0 z# z( Q; ]6 n84. Scoop (Evelyn Waugh, 1938)2 b; x% d5 G, L7 T! L. V
83. Barchester Towers (Anthony Trollope, 1857)
- ~' M5 j4 ^8 M1 C- p82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)0 i. m! v0 ?$ u$ \
81. The Jewel in the Crown (Paul Scott, 1966)
- @0 J( u1 h8 t/ Q6 U" `80. Excellent Women (Barbara Pym, 1952)
3 S `/ m2 S+ y( q" U2 u* P- U) L4 X79. His Dark Materials (Philip Pullman, 1995-2000)
, i/ w7 m6 }: O- U78. A House for Mr Biswas (VS Naipaul, 1961)# X1 g3 Q) s. E0 h5 c- c e
77. Of Human Bondage (W Somerset Maugham, 1915)3 N8 U8 T6 b' v
76. Small Island (Andrea Levy, 2004)
) r' L+ i/ f! K) J9 Y75. Women in Love (DH Lawrence, 1920)
" J3 S) _# o! [7 @* \# h9 H% h74. The Mayor of Casterbridge (Thomas Hardy, 1886)
2 q1 G6 C3 M9 }, q/ m0 ?, O' ~3 {73. The Blue Flower (Penelope Fitzgerald, 1995)
/ H9 z7 j4 r1 ^72. The Heart of the Matter (Graham Greene, 1948)8 c$ w3 K0 a7 ~" r$ o
71. Old Filth (Jane Gardam, 2004) f" c: i" t1 ^; ]& H% U" I! x
70. Daniel Deronda (George Eliot, 1876)1 H% I# r: B: Z1 Q4 f
69. Nostromo (Joseph Conrad, 1904)* E% N3 h6 m; N2 z, S
68. A Clockwork Orange (Anthony Burgess, 1962)
7 |% |7 _# x- ]- w8 I4 P& q$ x67. Crash (JG Ballard 1973)& u+ @, F, n; e
66. Sense and Sensibility (Jane Austen, 1811)
8 W$ ^) y; `# @0 n3 Q% d65. Orlando (Virginia Woolf, 1928)
: N) [3 Z* N) j. Q: H' ]% k" ?64. The Way We Live Now (Anthony Trollope, 1875)
6 u3 B$ q! f3 W, k! Q9 L/ ]" s; \63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
" U# q& ]. j2 }$ Q4 ]7 u62. Animal Farm (George Orwell, 1945)
; M" g8 h4 r; g61. The Sea, The Sea (Iris Murdoch, 1978)
$ D$ I6 {* x6 x6 H. R60. Sons and Lovers (DH Lawrence, 1913)
$ @7 I8 z2 y7 ^$ {. ~. j59. The Line of Beauty (Alan Hollinghurst, 2004); B0 E/ B* a0 G4 \% M; I% P
58. Loving (Henry Green, 1945)
9 j9 P5 R1 s- S5 r57. Parade’s End (Ford Madox Ford, 1924-1928)
3 j* _ e, F' b56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 P6 Y7 X3 U9 c; t$ h) C$ `
55. Gulliver’s Travels (Jonathan Swift, 1726)$ d. g U9 p e h( p# H
54. NW (Zadie Smith, 2012)
( I$ b# Z. g. s: ^1 a" u53. Wide Sargasso Sea (Jean Rhys, 1966)
$ V8 }4 _: m' O) f! F- @; `2 A5 Y52. New Grub Street (George Gissing, 1891)& J0 \/ [' ^- ?4 m
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
$ N: y0 B; v1 s2 s4 D: Y, u50. A Passage to India (EM Forster, 1924)4 x7 O) h; _: @$ i4 z
49. Possession (AS Byatt, 1990)
- ~- r0 C0 f/ |48. Lucky Jim (Kingsley Amis, 1954)/ u' P4 A, F3 q! l* q( T2 U
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
2 Y1 m- K# \4 I) A' A# j5 _46. Midnight’s Children (Salman Rushdie, 1981)
3 u; s8 g9 @' ]9 F45. The Little Stranger (Sarah Waters, 2009)
; I; q' X+ V0 Y1 T. q7 u& Y44. Wolf Hall (Hilary Mantel, 2009)
$ M" Z& p8 q1 U" L! e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 E# M/ E, I. u" P6 H: K+ z42. Brighton Rock (Graham Greene, 1938)
0 a( I! x- S* f: m: Q% L1 C8 W41. Dombey and Son (Charles Dickens, 1848)4 _( V/ A4 g# g! R* j& Z8 N# ]1 B
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
1 Y0 H& @# m j5 k6 }39. The Sense of an Ending (Julian Barnes, 2011)8 ^; s# s. K' @) C4 r2 Y. ]4 h) d
38. The Passion (Jeanette Winterson, 1987)
, z. d* X* k7 `$ H) b! B5 R37. Decline and Fall (Evelyn Waugh, 1928)' c1 P! l! S9 g0 r$ A) B5 e
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 R( A" Z0 x" ~2 j% n
35. Remainder (Tom McCarthy, 2005)
/ f7 j( F8 Y" d, @' G34. Never Let Me Go (Kazuo Ishiguro, 2005); ]7 u: v: v# Y2 `0 p! O
33. The Wind in the Willows (Kenneth Grahame, 1908)
( G7 e2 I+ W+ d, O0 T m5 R1 |- _32. A Room with a View (EM Forster, 1908), a$ O4 A+ b, M* ]$ Z" E
31. The End of the Affair (Graham Greene, 1951). [7 d( q3 S& i+ C M! H% a
30. Moll Flanders (Daniel Defoe, 1722)
, S$ G7 u& w7 i& ?: j `' W5 ?29. Brick Lane (Monica Ali, 2003)
% {6 u/ H! x6 a0 y28. Villette (Charlotte Brontë, 1853)
4 p4 y' ?+ V+ K) l. s8 S" g& @27. Robinson Crusoe (Daniel Defoe, 1719)
* d, H$ q, W6 w4 D+ p7 r26. The Lord of the Rings (JRR Tolkien, 1954)
$ ~; d+ @+ ]3 p25. White Teeth (Zadie Smith, 2000)
5 O7 M, _3 j# v! J9 U( L24. The Golden Notebook (Doris Lessing, 1962); i1 G' _; h5 d# M! H5 D6 C8 X% o5 G
23. Jude the Obscure (Thomas Hardy, 1895); {8 }: W( \% X' [9 Z0 f
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
3 b: I2 i. K' @! Y21. Heart of Darkness (Joseph Conrad, 1899)
' C- n; ~4 X3 S* @: |! t$ s20. Persuasion (Jane Austen, 1817)( {' L$ ?+ z. X. K# p4 U. v( K
19. Emma (Jane Austen, 1815)
" E; x2 J: h- Y( X18. Remains of the Day (Kazuo Ishiguro, 1989). ^" b& I* |7 r+ U% q0 P
17. Howards End (EM Forster, 1910)( q, `; b1 ^1 X2 z, h
16. The Waves (Virginia Woolf, 1931)
3 A5 ]6 l j' E6 o: l% d, ^1 F6 C15. Atonement (Ian McEwan, 2001)
" K3 ?% d, T$ L; Y14. Clarissa (Samuel Richardson,1748); i( |/ f9 {5 F' n7 G) Z0 [
13. The Good Soldier (Ford Madox Ford, 1915)) F$ j7 L# S; f ^3 A% h
12. Nineteen Eighty-Four (George Orwell, 1949)* ^, F& J8 N! `% S$ X* k/ Y
11. Pride and Prejudice (Jane Austen, 1813)
0 |! c0 |' R/ V* [$ r6 L# ~10. Vanity Fair (William Makepeace Thackeray, 1848)+ t4 O4 m) {' f
9. Frankenstein (Mary Shelley, 1818)& P0 C' R5 p' C4 h
8. David Copperfield (Charles Dickens, 1850); g: z5 N7 _ i4 X
7. Wuthering Heights (Emily Brontë, 1847)
4 r" g' ` K D- z# }6 ]6. Bleak House (Charles Dickens, 1853)- c+ Q& e: a4 b' b+ X& K
5. Jane Eyre (Charlotte Brontë, 1847)7 }( T2 u( ]8 _" u) r% `# r' \
4. Great Expectations (Charles Dickens, 1861). [6 W, M- c$ X$ {" I/ X
3. Mrs. Dalloway (Virginia Woolf, 1925)
. A5 ^9 v/ P ]/ l! t8 W Y# C2. To the Lighthouse (Virginia Woolf, 1927)
* s4 b6 i7 w0 T/ y$ I1. Middlemarch (George Eliot, 1874)
! w* p* s2 Q- L2 Q5 _! `2 g/ F" i3 E9 ~( y
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。+ ]6 `* }: N7 R# u( a5 A
; ^3 r2 W- a; Y/ A呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
' B ~# {$ Z0 `% R Y
