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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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+ [& X3 C& C8 V$ l3 _3 ^) YBBC评出100大英国文学名著
; J1 c, O; r8 E' Qhttp://www.bbc.com/culture/story ... test-british-novels8 ?. z. S' |5 J3 v5 E7 f
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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$ @6 n1 [: t9 ~) Z100. The Code of the Woosters (PG Wodehouse, 1938); L5 R/ d/ y6 I9 E3 Y7 v
99. There but for the (Ali Smith, 2011)
* ?$ H- c; O- `6 i, z4 S$ u# g8 c98. Under the Volcano (Malcolm Lowry,1947)0 d$ O4 f1 b; k1 `6 d* ~* d+ J
97. The Chronicles of Narnia (CS Lewis, 1949-1954)( ?% h% H9 d2 V& g0 R
96. Memoirs of a Survivor (Doris Lessing, 1974)
( C9 @( @. L, ?95. The Buddha of Suburbia (Hanif Kureishi, 1990)9 t/ v7 Z' z3 h* i/ s2 _
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)4 G( d9 k$ w! L& n
93. Lord of the Flies (William Golding, 1954)
( C8 J0 {9 y( {' n" I8 ^92. Cold Comfort Farm (Stella Gibbons, 1932). Y/ l9 \2 ^( [( j
91. The Forsyte Saga (John Galsworthy, 1922)% D7 m8 B& b$ W6 T
90. The Woman in White (Wilkie Collins, 1859)
, {3 L. ~3 p! l! J. r9 i89. The Horse’s Mouth (Joyce Cary, 1944)
/ ^- y, o# c2 V) z q" ]. r88. The Death of the Heart (Elizabeth Bowen, 1938). i% L0 C" A- H1 S" l! @
87. The Old Wives’ Tale (Arnold Bennett,1908)
5 m6 N2 P/ D% B86. A Legacy (Sybille Bedford, 1956)
* {6 r; U6 F1 q2 l5 z85. Regeneration Trilogy (Pat Barker, 1991-1995)6 a% |6 u( Z9 G4 Y% I. l( j; _
84. Scoop (Evelyn Waugh, 1938)6 Z2 w' g) E. T5 N* x9 h1 M8 W
83. Barchester Towers (Anthony Trollope, 1857)
0 `/ h# @, h: i$ ? ]82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)+ g! Z( r( g0 q( Q
81. The Jewel in the Crown (Paul Scott, 1966)
. K" W* A5 [3 p0 R7 X: D80. Excellent Women (Barbara Pym, 1952)5 A' @- @4 X7 [8 E3 W3 v
79. His Dark Materials (Philip Pullman, 1995-2000)
# s u; L3 S0 ^78. A House for Mr Biswas (VS Naipaul, 1961)0 g) y+ u% m; M# e
77. Of Human Bondage (W Somerset Maugham, 1915)
; M3 e- v# d- V76. Small Island (Andrea Levy, 2004)
- [ R. E" e2 M75. Women in Love (DH Lawrence, 1920); ?) _$ j$ }+ H- A
74. The Mayor of Casterbridge (Thomas Hardy, 1886)3 U H+ V0 N, t8 \/ F$ n# m1 J* d1 F
73. The Blue Flower (Penelope Fitzgerald, 1995)
4 A n1 R7 i' Y/ U: X72. The Heart of the Matter (Graham Greene, 1948)
8 d! g+ B$ x4 |71. Old Filth (Jane Gardam, 2004)
( y4 Y( q0 V- P7 l70. Daniel Deronda (George Eliot, 1876)
8 S' l2 S; G! ]4 j6 o0 M- z69. Nostromo (Joseph Conrad, 1904)/ u$ {# ?: W1 t$ x; j
68. A Clockwork Orange (Anthony Burgess, 1962)
/ k+ c: N' a7 C8 ~67. Crash (JG Ballard 1973)
0 @5 ]- z) A8 I* |66. Sense and Sensibility (Jane Austen, 1811)
: U9 C7 f" }+ c6 e) w) w( i65. Orlando (Virginia Woolf, 1928)
: O1 z$ g7 I0 ?, R+ {64. The Way We Live Now (Anthony Trollope, 1875)
; `6 L7 p; O2 \- R63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
% }0 n" U i1 n+ E; f' O B62. Animal Farm (George Orwell, 1945)
; S7 |: S: a2 J61. The Sea, The Sea (Iris Murdoch, 1978)/ ]. W m: }3 ~) `8 Z7 c% t
60. Sons and Lovers (DH Lawrence, 1913)
, G2 M2 T2 f4 A9 }. x$ g59. The Line of Beauty (Alan Hollinghurst, 2004)- Z1 {' \/ w6 I6 L! _+ s8 e
58. Loving (Henry Green, 1945)
9 p3 o: s# K l) ]0 V) t/ F57. Parade’s End (Ford Madox Ford, 1924-1928)5 g; y& C' Z; P' q Z) C
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)! W8 r- U( d M. Q' G1 Y; ]
55. Gulliver’s Travels (Jonathan Swift, 1726)
% e4 R6 Y: N. r# H54. NW (Zadie Smith, 2012)
% i% C E' x- n5 o53. Wide Sargasso Sea (Jean Rhys, 1966)$ y3 h4 B& O5 q
52. New Grub Street (George Gissing, 1891)
5 P. V: }0 N7 J; P51. Tess of the d’Urbervilles (Thomas Hardy, 1891)+ D3 V& t" m4 u* Y
50. A Passage to India (EM Forster, 1924)
* S% o9 T( ~$ ]. |2 S7 L( d" C49. Possession (AS Byatt, 1990)
: F, m+ ^3 A% q6 V48. Lucky Jim (Kingsley Amis, 1954)
0 L* u# C+ q, O! \47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)7 X$ i6 P2 a7 N ^7 |1 j
46. Midnight’s Children (Salman Rushdie, 1981)4 I; O6 P* D8 y" z- D
45. The Little Stranger (Sarah Waters, 2009)
( Q. G8 w: e: H4 s# _& I& D44. Wolf Hall (Hilary Mantel, 2009); o) s2 m; Y9 t8 ]+ s
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
5 c3 A8 B3 v3 n8 T" s42. Brighton Rock (Graham Greene, 1938)4 d/ h+ I3 e- p, Z* w1 `" u" ^
41. Dombey and Son (Charles Dickens, 1848)* y6 @9 i$ W s N; f5 p- N
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 |% p/ C* r9 }% a% E+ m' V5 Z39. The Sense of an Ending (Julian Barnes, 2011)
5 l* v* c/ u8 w38. The Passion (Jeanette Winterson, 1987)
3 i$ R9 O+ A' T8 N* R5 J% X7 c37. Decline and Fall (Evelyn Waugh, 1928)
1 I* M- A1 w+ B& J6 y2 [36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ Z4 k! T6 C. K35. Remainder (Tom McCarthy, 2005)
# e5 w7 [, m0 p* Z$ x34. Never Let Me Go (Kazuo Ishiguro, 2005)7 Y% @2 W- q; x
33. The Wind in the Willows (Kenneth Grahame, 1908)
5 m2 s' r! v4 d$ U- n2 C7 v32. A Room with a View (EM Forster, 1908)! O7 |6 I& ]- s6 T v4 b
31. The End of the Affair (Graham Greene, 1951)
$ e4 t) `7 f" v; ]30. Moll Flanders (Daniel Defoe, 1722)
1 C( `! v9 S# u/ ]$ q29. Brick Lane (Monica Ali, 2003)* m6 r) n+ q g1 K
28. Villette (Charlotte Brontë, 1853)
4 L9 a0 o' v1 d27. Robinson Crusoe (Daniel Defoe, 1719)
2 b1 T {0 U/ l% J, z' C26. The Lord of the Rings (JRR Tolkien, 1954)& b! y7 l& @) |8 L9 W I' e6 Y8 w
25. White Teeth (Zadie Smith, 2000)" v0 H4 I$ M# F( h" X( m
24. The Golden Notebook (Doris Lessing, 1962)
$ U1 l( C J+ e1 P) {23. Jude the Obscure (Thomas Hardy, 1895); U. ?7 X% G* }" S ?
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)* M! m# K( n# J, Z
21. Heart of Darkness (Joseph Conrad, 1899)5 Y3 f6 K6 T q
20. Persuasion (Jane Austen, 1817)6 h. K) f8 h2 k9 g0 V
19. Emma (Jane Austen, 1815)
/ I2 [* ]: R, e2 `* Q( c6 ~9 h18. Remains of the Day (Kazuo Ishiguro, 1989)
/ ?( V$ J6 V/ `* o17. Howards End (EM Forster, 1910)' ?, f% o0 L" K6 B' d7 p2 E
16. The Waves (Virginia Woolf, 1931)
" l0 N9 N" j+ Y+ O15. Atonement (Ian McEwan, 2001)
5 \: f+ v" c, E8 C9 U9 ]6 ^0 v9 x14. Clarissa (Samuel Richardson,1748)) t, K) B+ o e6 W. t7 ^7 `0 O
13. The Good Soldier (Ford Madox Ford, 1915)* i- Q& P, g8 a+ M: p. E7 Z
12. Nineteen Eighty-Four (George Orwell, 1949)
. I! g$ B" m2 y9 p3 a11. Pride and Prejudice (Jane Austen, 1813)7 Q6 O8 I6 I! @
10. Vanity Fair (William Makepeace Thackeray, 1848)
% i8 m }+ d0 I, Z5 ?; j9. Frankenstein (Mary Shelley, 1818)% k5 l& `% R0 r- G2 Z
8. David Copperfield (Charles Dickens, 1850)
6 [8 K" Z- F" z) g. T5 N+ j6 t7. Wuthering Heights (Emily Brontë, 1847)
0 j l& Q, y& x6. Bleak House (Charles Dickens, 1853)6 e# e p1 \) o6 h! d2 `
5. Jane Eyre (Charlotte Brontë, 1847)
( [; h# d6 V2 J) Y& @' p4. Great Expectations (Charles Dickens, 1861)" {0 }$ M; W3 G- }
3. Mrs. Dalloway (Virginia Woolf, 1925)8 e9 z) E# W0 v! |* z3 n5 E
2. To the Lighthouse (Virginia Woolf, 1927)
/ T: }7 Z: T' l& s5 Y1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。' s2 R s5 C% x7 h$ G& Z( V
( K6 x, }: v2 L5 T: C6 n. v呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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