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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 : z! [$ t; a: h7 s) Z: R* U
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BBC评出100大英国文学名著
! s% i, {; P3 z+ J( n( ihttp://www.bbc.com/culture/story ... test-british-novels) a# R8 e$ d" g: q
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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l b5 e5 A# }$ j. T100. The Code of the Woosters (PG Wodehouse, 1938)8 d( v0 M6 Y: _% q) k
99. There but for the (Ali Smith, 2011)+ \! ?! }4 @1 J" s" J
98. Under the Volcano (Malcolm Lowry,1947), J$ M- n; u2 g, e! I: s8 T+ i
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
+ Q# Z8 q5 K. y4 W, b96. Memoirs of a Survivor (Doris Lessing, 1974), H* C* L' W$ n
95. The Buddha of Suburbia (Hanif Kureishi, 1990): g9 ^6 Q; e( T) h
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
6 n0 L3 {% M. c4 s# ~: B* `; R93. Lord of the Flies (William Golding, 1954), S0 F0 S% K; p2 r8 ~
92. Cold Comfort Farm (Stella Gibbons, 1932). W O2 e& y- {& Y
91. The Forsyte Saga (John Galsworthy, 1922)% G4 T/ ~* z" i' u/ h
90. The Woman in White (Wilkie Collins, 1859)4 q+ Q* }9 l, q* x5 G5 w
89. The Horse’s Mouth (Joyce Cary, 1944)
' v1 Q0 m! J6 f' W u$ h! L88. The Death of the Heart (Elizabeth Bowen, 1938)
) D- _! ?+ m& Q" i, m87. The Old Wives’ Tale (Arnold Bennett,1908)
+ _- k. `+ {% d8 j86. A Legacy (Sybille Bedford, 1956)
" F2 ]$ F' c1 u7 X( r85. Regeneration Trilogy (Pat Barker, 1991-1995)
6 G% e* o. I- g d c84. Scoop (Evelyn Waugh, 1938)6 W5 M; o( E4 s' M
83. Barchester Towers (Anthony Trollope, 1857)# |& X8 t6 V6 [
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
- T0 \- X6 M* G% x' G- n/ a81. The Jewel in the Crown (Paul Scott, 1966)* d T+ ?& o i6 ?* P/ {
80. Excellent Women (Barbara Pym, 1952)& R% E" D" M2 Z" H, o. F
79. His Dark Materials (Philip Pullman, 1995-2000)4 `0 b4 n) R* G3 w5 I* [6 C
78. A House for Mr Biswas (VS Naipaul, 1961)
$ y1 K8 D4 ?/ V3 Z0 P% m5 z. j77. Of Human Bondage (W Somerset Maugham, 1915)
$ T: r8 u8 b$ }# E+ t3 Z76. Small Island (Andrea Levy, 2004)
( [1 }. |* n {+ i" n9 Q75. Women in Love (DH Lawrence, 1920)+ O# t* a! o7 j0 ^. V2 I9 l
74. The Mayor of Casterbridge (Thomas Hardy, 1886): \1 \4 j$ n* n2 N& |
73. The Blue Flower (Penelope Fitzgerald, 1995). U: N; A2 V$ l: Z
72. The Heart of the Matter (Graham Greene, 1948)9 F/ @* Q1 p5 R5 G" f; I) W
71. Old Filth (Jane Gardam, 2004)' r2 U5 `+ T) O& t6 N& U
70. Daniel Deronda (George Eliot, 1876)
, \& y, ^( h5 q9 e& a3 M69. Nostromo (Joseph Conrad, 1904)9 x& h3 A/ k5 F( [ m
68. A Clockwork Orange (Anthony Burgess, 1962)- D Y1 Q+ U+ E# e( `$ p6 ?
67. Crash (JG Ballard 1973)' D2 s7 A; H* x: f. j2 M
66. Sense and Sensibility (Jane Austen, 1811)
. T3 ]5 v% ?+ e# k* B' P65. Orlando (Virginia Woolf, 1928); }4 U' {4 [6 o+ S
64. The Way We Live Now (Anthony Trollope, 1875)
* x5 x# d5 ?8 G6 ~4 q1 M63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 U3 g/ \$ g5 C, ?6 j
62. Animal Farm (George Orwell, 1945), r# V" L# B8 k5 U
61. The Sea, The Sea (Iris Murdoch, 1978)7 p! s. v# V; r) r" l
60. Sons and Lovers (DH Lawrence, 1913)- P! Y3 G, V p; }' ^
59. The Line of Beauty (Alan Hollinghurst, 2004)
, g/ \8 x. u- e/ C* @! s58. Loving (Henry Green, 1945)/ s0 g0 I& r/ U
57. Parade’s End (Ford Madox Ford, 1924-1928)7 B- }! u$ @! W+ T% _4 s0 [& k
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)3 H/ A/ u2 T. J8 ]
55. Gulliver’s Travels (Jonathan Swift, 1726)
1 p; `9 q; s* A3 w54. NW (Zadie Smith, 2012)2 d" @2 b; ?7 `+ g' h
53. Wide Sargasso Sea (Jean Rhys, 1966)
s5 T0 U8 u5 ~" Q/ [" f3 D52. New Grub Street (George Gissing, 1891)6 [* i+ t7 t$ g" X
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)7 I' a5 O/ G1 ^
50. A Passage to India (EM Forster, 1924)
) n9 T+ l$ u0 p2 e) |* e! [49. Possession (AS Byatt, 1990)
; o( V; T; v1 S$ S8 Y: Z48. Lucky Jim (Kingsley Amis, 1954)" |) b% z& f6 K$ X7 L- F$ U6 }
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
( @% j4 u V% x9 J8 d+ a46. Midnight’s Children (Salman Rushdie, 1981)4 G @& @& [* c* v/ d/ ^
45. The Little Stranger (Sarah Waters, 2009)
0 z# y6 r' h3 T6 c5 R! `44. Wolf Hall (Hilary Mantel, 2009)
" d3 A9 z* n- X( r/ i+ J, i7 [43. The Swimming Pool Library (Alan Hollinghurst, 1988)% I. i2 ]- N: g1 H
42. Brighton Rock (Graham Greene, 1938)
' h$ w+ ]9 z3 n$ G& U% x! E: x41. Dombey and Son (Charles Dickens, 1848)6 ~: Q* r5 ^0 g% Y$ l
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)2 T( }2 _. o# U5 G" G
39. The Sense of an Ending (Julian Barnes, 2011)
6 @& A0 Y' T L& ^& [( j" D7 [38. The Passion (Jeanette Winterson, 1987)9 p3 A: V3 f$ |
37. Decline and Fall (Evelyn Waugh, 1928)
& {4 T# X0 @; p3 V u36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
3 u9 O: a5 L) y) I& ?- h$ e* k35. Remainder (Tom McCarthy, 2005)
1 m: i; A( h" R! \34. Never Let Me Go (Kazuo Ishiguro, 2005)
" m R2 A# s. b! M# G t33. The Wind in the Willows (Kenneth Grahame, 1908)+ s; q6 z) s' ?9 ? ~
32. A Room with a View (EM Forster, 1908)9 o" ]9 r5 \: C; o) \
31. The End of the Affair (Graham Greene, 1951)
Y2 n! B: T5 R0 F' ^9 J: i! q* \$ l30. Moll Flanders (Daniel Defoe, 1722)1 G) Z3 l/ Z& ^
29. Brick Lane (Monica Ali, 2003)
& d7 c; L3 @$ x Q% _' e1 G( m& P28. Villette (Charlotte Brontë, 1853)
3 H) m% {1 K8 q! F* @27. Robinson Crusoe (Daniel Defoe, 1719)
9 s3 n) V9 {+ X26. The Lord of the Rings (JRR Tolkien, 1954)
6 d. C, l- Y6 e& ]% R5 s25. White Teeth (Zadie Smith, 2000)
* w, w/ b' B' m, G' y; W5 G24. The Golden Notebook (Doris Lessing, 1962)
; ~- N0 H/ \* G$ k3 q1 ]4 z/ z" b9 i23. Jude the Obscure (Thomas Hardy, 1895)
9 r1 G1 E1 C6 ~+ g22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
# F# \3 ^2 d$ f; b21. Heart of Darkness (Joseph Conrad, 1899)
$ C3 O$ P' T* I2 r6 W' R U* Q20. Persuasion (Jane Austen, 1817)+ @0 E M8 m8 e: I. i2 S" `6 V
19. Emma (Jane Austen, 1815)7 ` O6 f' q0 H5 Y
18. Remains of the Day (Kazuo Ishiguro, 1989)+ k M7 ^! c4 O8 Z
17. Howards End (EM Forster, 1910)
. M1 O, o+ e% ^16. The Waves (Virginia Woolf, 1931)1 @& j3 S( F# f% B$ t# Z: g
15. Atonement (Ian McEwan, 2001)' Y& F# g( {1 E: I% y& e- w
14. Clarissa (Samuel Richardson,1748)
: ~4 |4 o3 K+ a1 e, d7 C* P5 I13. The Good Soldier (Ford Madox Ford, 1915); k8 b$ |" b" C$ {
12. Nineteen Eighty-Four (George Orwell, 1949)2 b7 Y, x! i1 L# w
11. Pride and Prejudice (Jane Austen, 1813)
2 I( S# ?- F$ Y8 l# B- u0 f10. Vanity Fair (William Makepeace Thackeray, 1848)
( m# n* s, @ O' `- e+ q; o; r9. Frankenstein (Mary Shelley, 1818)' X. b# N% Y' d
8. David Copperfield (Charles Dickens, 1850)' L/ f$ y( R2 Q# f% M
7. Wuthering Heights (Emily Brontë, 1847)
& W1 M5 P; b8 V) @* G2 i/ W" B- j6. Bleak House (Charles Dickens, 1853)& W( m. J0 k. ?* K) @8 l( J
5. Jane Eyre (Charlotte Brontë, 1847)% H3 |- K! L _5 P; i6 [; X
4. Great Expectations (Charles Dickens, 1861)4 O! P# R' F) R+ P) r5 a( r
3. Mrs. Dalloway (Virginia Woolf, 1925)' d% Q' x/ T' I8 N' S: ]
2. To the Lighthouse (Virginia Woolf, 1927)
! ]3 a) c' o) Z4 k7 A% K1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 C0 x9 V" V: c, X' f, u
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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