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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 + y# W# ?* P- E* F, {, r) }/ o
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BBC评出100大英国文学名著7 m' R/ |- V. f1 A" F. X) D
http://www.bbc.com/culture/story ... test-british-novels
* Q( a8 f4 W) ^( P惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。
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7 y/ N6 _! I, Z2 O" `2 D100. The Code of the Woosters (PG Wodehouse, 1938)
2 W: c+ k2 U3 q99. There but for the (Ali Smith, 2011)8 N* ]/ f9 H o
98. Under the Volcano (Malcolm Lowry,1947)
4 U, r9 ~# m1 x97. The Chronicles of Narnia (CS Lewis, 1949-1954)
0 r$ H% `. M* l4 t: Y" S0 G96. Memoirs of a Survivor (Doris Lessing, 1974)" p1 C8 r" s+ E( o8 K: n
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
# P- ^0 a& _9 K }94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
5 @( s7 M2 |. b93. Lord of the Flies (William Golding, 1954)
9 B7 O5 p8 M* d, B0 S9 y3 T& @92. Cold Comfort Farm (Stella Gibbons, 1932)- C' m$ D( L5 \9 p
91. The Forsyte Saga (John Galsworthy, 1922)
0 C* e- y" P/ K X. N90. The Woman in White (Wilkie Collins, 1859)" N/ k4 }1 U# L( Y& \
89. The Horse’s Mouth (Joyce Cary, 1944)% g. }- a2 {# w3 H& X; |4 p
88. The Death of the Heart (Elizabeth Bowen, 1938)
; y2 p1 t3 `& i* n! C B87. The Old Wives’ Tale (Arnold Bennett,1908)
6 W+ p$ \$ c, e" \# z86. A Legacy (Sybille Bedford, 1956)7 r* E+ C1 @8 S( k
85. Regeneration Trilogy (Pat Barker, 1991-1995)- u5 S% s; U6 g/ z4 L o; g
84. Scoop (Evelyn Waugh, 1938)" q9 ]9 x2 E. ~1 Z9 v# j
83. Barchester Towers (Anthony Trollope, 1857)
: C# k3 f& q+ e: M1 q! }82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
& y+ ~; k) Z! b81. The Jewel in the Crown (Paul Scott, 1966)$ s5 ]" C2 W: U5 z# m
80. Excellent Women (Barbara Pym, 1952)
+ Q" U: Y; D- L) r79. His Dark Materials (Philip Pullman, 1995-2000)" p' }. R) \/ s- u
78. A House for Mr Biswas (VS Naipaul, 1961)! M/ k/ C! r0 `/ ^/ D |3 E |
77. Of Human Bondage (W Somerset Maugham, 1915)
3 @+ J# l) r) ~76. Small Island (Andrea Levy, 2004)
# b0 r3 k; n% i75. Women in Love (DH Lawrence, 1920)2 S, R2 b" {; s% Z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
8 l- w$ S! M/ d73. The Blue Flower (Penelope Fitzgerald, 1995)
# S- M7 E3 u9 q2 W* l* t! D/ C72. The Heart of the Matter (Graham Greene, 1948)
5 n; x! b7 a9 w& `5 z l% J/ c4 @71. Old Filth (Jane Gardam, 2004)4 ?6 I+ j& P5 H& k: O# S
70. Daniel Deronda (George Eliot, 1876)& j5 b. k) w+ ~2 g
69. Nostromo (Joseph Conrad, 1904)
) r4 Y( X; v- W( q1 z1 j9 ~68. A Clockwork Orange (Anthony Burgess, 1962)
8 j. O/ Y$ X& E9 |) R/ h67. Crash (JG Ballard 1973)
8 h0 d8 E" s: r! Q1 z, a. U66. Sense and Sensibility (Jane Austen, 1811)
! q9 X' c2 Y+ Y/ E65. Orlando (Virginia Woolf, 1928). Q/ f+ P8 Q3 N# ?/ c. M$ {! ?- k" D
64. The Way We Live Now (Anthony Trollope, 1875)2 Y: v% D$ \: P3 U
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
0 j; H& N. ?" k62. Animal Farm (George Orwell, 1945): T% j1 x+ w# f1 h! h1 o& {$ `
61. The Sea, The Sea (Iris Murdoch, 1978)6 O$ ]6 G/ a8 e1 ]8 X" r4 K
60. Sons and Lovers (DH Lawrence, 1913)
* T3 o, S) N" a59. The Line of Beauty (Alan Hollinghurst, 2004)
+ g* M" Z% a& s0 e58. Loving (Henry Green, 1945)+ X/ s: m# Y! Q4 J4 z# j
57. Parade’s End (Ford Madox Ford, 1924-1928)9 p; I+ m4 X" n$ x" y
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
9 m5 r" Y1 X+ ^' Y0 D! q9 m8 z55. Gulliver’s Travels (Jonathan Swift, 1726)! I) H( c, L+ c- ?0 h) E
54. NW (Zadie Smith, 2012)) ?8 X3 b4 \- J. ~$ o
53. Wide Sargasso Sea (Jean Rhys, 1966)
3 q: j M; W9 G9 h9 Z; W52. New Grub Street (George Gissing, 1891)/ B3 q4 X8 Z" r% o, @& p4 F
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
. N7 _& B4 n; N+ X+ c5 q50. A Passage to India (EM Forster, 1924)
' G9 N, n" a0 `9 E9 w. M8 [4 J! H49. Possession (AS Byatt, 1990)
% n s! ~+ b7 W0 L48. Lucky Jim (Kingsley Amis, 1954)9 ~$ m: ]1 e; |% a2 t; b
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
7 v8 i5 s* T! b1 }- n46. Midnight’s Children (Salman Rushdie, 1981). m" t4 E# M) t& n3 G
45. The Little Stranger (Sarah Waters, 2009), W" J8 H( k7 z5 K
44. Wolf Hall (Hilary Mantel, 2009): P. L2 i: w( e: o0 Y, d
43. The Swimming Pool Library (Alan Hollinghurst, 1988)3 Q/ s) p( g" b* @; T5 f& b* Z' i' G7 A- E
42. Brighton Rock (Graham Greene, 1938)
& u) @, L/ Q% V0 a41. Dombey and Son (Charles Dickens, 1848)& n* \! W* \8 y$ S( e
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
5 `! O3 @& s. S( x4 t39. The Sense of an Ending (Julian Barnes, 2011); J) I9 d% k0 [& @; P
38. The Passion (Jeanette Winterson, 1987)- _% _; O! `! Z6 |' [6 T+ i
37. Decline and Fall (Evelyn Waugh, 1928); ~4 P6 [) t- N' j+ u: M, Y% Y8 M
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)) ]8 V/ w; F: o, C+ Q$ \2 T
35. Remainder (Tom McCarthy, 2005)
/ ]5 m( V0 j) M* s! i34. Never Let Me Go (Kazuo Ishiguro, 2005)7 `) q- a* L, B1 H( u: A* I
33. The Wind in the Willows (Kenneth Grahame, 1908)$ P- O: ]: z5 T" b" C5 A
32. A Room with a View (EM Forster, 1908). h# i5 z- D2 w; ~' ]! T
31. The End of the Affair (Graham Greene, 1951)1 b" N* h- S& a4 Y0 _2 G) E, D- y5 z
30. Moll Flanders (Daniel Defoe, 1722)& T5 B; b* ~: N. W( k8 q9 |
29. Brick Lane (Monica Ali, 2003)
( N$ n% r D/ O7 X/ f28. Villette (Charlotte Brontë, 1853) ~, E* I" a! a% F) N
27. Robinson Crusoe (Daniel Defoe, 1719)
+ Z9 V8 u' ?9 t' S0 i! G( ~4 X26. The Lord of the Rings (JRR Tolkien, 1954)7 @1 K5 g$ I/ ?* u
25. White Teeth (Zadie Smith, 2000)
, R( w2 A$ l3 y3 ?4 @24. The Golden Notebook (Doris Lessing, 1962)0 N9 m" e1 I ~! h; ^- g
23. Jude the Obscure (Thomas Hardy, 1895)
4 M7 C6 m# I2 B5 ?- g22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
! Z4 c( z) P! S! k. t21. Heart of Darkness (Joseph Conrad, 1899)
o& ]. l) w: x2 P& J! O, ~6 ^20. Persuasion (Jane Austen, 1817)% Y* Q0 \4 K( \9 N$ w+ }' m& M
19. Emma (Jane Austen, 1815)7 [& c' S, D8 n' u- _6 a
18. Remains of the Day (Kazuo Ishiguro, 1989)% u/ N' R" l6 T$ t" B {# p
17. Howards End (EM Forster, 1910)
8 i& f" v$ ?6 x% `( D z16. The Waves (Virginia Woolf, 1931)
3 d3 j! o/ q C) }15. Atonement (Ian McEwan, 2001)
3 ?7 R) B: T' S+ d" w14. Clarissa (Samuel Richardson,1748)
9 G" F% ~; a3 j9 p13. The Good Soldier (Ford Madox Ford, 1915)* C: c4 A! E9 ~1 L1 B, v6 u/ s
12. Nineteen Eighty-Four (George Orwell, 1949)
g B3 @: C0 t1 u7 s' ]11. Pride and Prejudice (Jane Austen, 1813)
9 x3 k. ]) p* q1 q# G! P; c$ |- Z9 x* _10. Vanity Fair (William Makepeace Thackeray, 1848)
( V0 {! b8 T. }7 Q5 ^; Z% v4 V& H9. Frankenstein (Mary Shelley, 1818)
4 a- Y% o+ I- C5 J" q! x. D) C8 t8. David Copperfield (Charles Dickens, 1850): `, U/ m7 y# B) z: \* o6 x
7. Wuthering Heights (Emily Brontë, 1847)
9 W, [/ m/ ~+ S6. Bleak House (Charles Dickens, 1853)4 W9 A8 g1 \7 c- t5 I* S6 i0 F& i
5. Jane Eyre (Charlotte Brontë, 1847)
9 B5 D- E, `- a# O$ X4. Great Expectations (Charles Dickens, 1861)6 L3 C' L0 j0 e, }. r
3. Mrs. Dalloway (Virginia Woolf, 1925)5 G3 v5 t! n# C+ K1 @
2. To the Lighthouse (Virginia Woolf, 1927)+ Q) l: C; E4 u, R% S" m
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。: f1 h# o) S* o! p
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呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
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