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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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. d1 _" z( I, ZBBC评出100大英国文学名著7 ?$ H F" j% y K
http://www.bbc.com/culture/story ... test-british-novels
* J6 U: Y( J3 g( X& K8 W; n惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。5 J" t' H9 E, K5 A- P0 J
/ m9 T5 U, d4 H% d& T6 _" k100. The Code of the Woosters (PG Wodehouse, 1938)
/ x5 d( D1 b: r5 j9 {99. There but for the (Ali Smith, 2011). G; x' D9 U" m$ o
98. Under the Volcano (Malcolm Lowry,1947)1 O R- k& ~ n" F7 I h$ M5 H' |
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
q) g; ]( N( g, B& Y! S96. Memoirs of a Survivor (Doris Lessing, 1974): C. @8 M2 M: c( ? }
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 t2 V( q+ C; q: F& O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' x1 \) n! k k4 Z
93. Lord of the Flies (William Golding, 1954)
: w7 X9 H( Q: W& u92. Cold Comfort Farm (Stella Gibbons, 1932)
6 W/ u9 Z& L( y) I& b: C91. The Forsyte Saga (John Galsworthy, 1922)! i8 i0 K2 s9 ]' I0 k+ b
90. The Woman in White (Wilkie Collins, 1859)4 {0 C. D" {1 T" d
89. The Horse’s Mouth (Joyce Cary, 1944)
$ Z- O+ _% D: Z& H6 J88. The Death of the Heart (Elizabeth Bowen, 1938)$ x- \+ p- \5 P+ p. n5 o
87. The Old Wives’ Tale (Arnold Bennett,1908): c7 z7 V6 v! {6 ^' z' ]! l+ v
86. A Legacy (Sybille Bedford, 1956)' |1 J, j8 G t2 ^
85. Regeneration Trilogy (Pat Barker, 1991-1995)
]4 @" d5 s( |6 K5 r84. Scoop (Evelyn Waugh, 1938)6 K/ |, t# J& q1 t
83. Barchester Towers (Anthony Trollope, 1857)5 `+ Q. ^2 Z4 x0 c& ]0 w
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012); y- d9 a# G* M* ~4 f
81. The Jewel in the Crown (Paul Scott, 1966)
+ F8 c' Q; d# `80. Excellent Women (Barbara Pym, 1952)
* `. Z9 S. a6 M1 o/ i# L79. His Dark Materials (Philip Pullman, 1995-2000)! }/ r m" A2 A# d
78. A House for Mr Biswas (VS Naipaul, 1961)% d! E2 |+ U! i7 }# o; H
77. Of Human Bondage (W Somerset Maugham, 1915)
$ i8 U4 n" y8 v1 ?76. Small Island (Andrea Levy, 2004)0 ^8 @$ w& u) d$ ?! C( I. f" K
75. Women in Love (DH Lawrence, 1920)' N3 {* |5 [6 Z
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
1 [$ |# [+ f2 Z* X( q( K* L$ }73. The Blue Flower (Penelope Fitzgerald, 1995). }8 h0 v7 x# P4 J
72. The Heart of the Matter (Graham Greene, 1948)7 M1 _! a& j) S3 Y% B
71. Old Filth (Jane Gardam, 2004)
0 P. r; E/ A% m+ S& Q8 U70. Daniel Deronda (George Eliot, 1876)$ c6 [" u+ t/ A: `, M( O
69. Nostromo (Joseph Conrad, 1904)
0 E- `2 ?% k8 C' s" u68. A Clockwork Orange (Anthony Burgess, 1962)
$ O) f- ~) {2 p- T4 D67. Crash (JG Ballard 1973)
! E; I1 s/ M3 }66. Sense and Sensibility (Jane Austen, 1811). m, ^5 e1 `6 F. V; }/ g) H- f
65. Orlando (Virginia Woolf, 1928)
3 u- r3 V7 D1 Y+ X2 y64. The Way We Live Now (Anthony Trollope, 1875)( u4 N }5 t5 F5 y" i! U5 W7 m3 T) }
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)0 p; |, m; X p% @0 \. t2 K
62. Animal Farm (George Orwell, 1945)
1 {3 B1 {0 E! E! [% _1 s61. The Sea, The Sea (Iris Murdoch, 1978)- \- D! Y6 p \2 }' K- J/ p
60. Sons and Lovers (DH Lawrence, 1913)
, Q$ D5 Q! f/ w& ^59. The Line of Beauty (Alan Hollinghurst, 2004)
! D; r! o7 O- |" u58. Loving (Henry Green, 1945)
' m, G) d+ j, t# A2 q' y57. Parade’s End (Ford Madox Ford, 1924-1928)
3 r% H3 j5 @& O/ p5 y1 r* ~( N2 f- R56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)( g+ F0 Q: S8 q
55. Gulliver’s Travels (Jonathan Swift, 1726)% C. P7 g3 e: O/ v$ l
54. NW (Zadie Smith, 2012)- W# p" D) R1 o% U
53. Wide Sargasso Sea (Jean Rhys, 1966)
2 w0 l9 s- N. |' y52. New Grub Street (George Gissing, 1891)
6 _9 ~/ ?! h, N8 D( H" C! _51. Tess of the d’Urbervilles (Thomas Hardy, 1891)! S+ l8 P+ K& ]
50. A Passage to India (EM Forster, 1924)- w0 O. q- l/ i: `
49. Possession (AS Byatt, 1990): }8 b/ }0 a( M' h8 ?
48. Lucky Jim (Kingsley Amis, 1954)5 e$ H1 r+ D Z) M ]' c3 T& H) B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)# x1 J3 k" E+ ^4 K, q# `
46. Midnight’s Children (Salman Rushdie, 1981) x6 ?# x$ _( o! [
45. The Little Stranger (Sarah Waters, 2009)
: C: Q [% N+ Y& N1 o44. Wolf Hall (Hilary Mantel, 2009)
$ H4 H* F3 u$ q! k+ e" C43. The Swimming Pool Library (Alan Hollinghurst, 1988)
/ B2 @" A3 S! S. j# S# N) V& e2 u42. Brighton Rock (Graham Greene, 1938)
6 r$ Y2 ? l I: s+ Z1 H! v$ q41. Dombey and Son (Charles Dickens, 1848)2 j1 C; r# [0 M$ q9 ?- W6 [ W
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 T, {6 s$ w3 g0 k* F
39. The Sense of an Ending (Julian Barnes, 2011)
& }, `8 m* z! K38. The Passion (Jeanette Winterson, 1987)
. O/ b' S' J+ y% h37. Decline and Fall (Evelyn Waugh, 1928)
* q1 ]& ~7 t. K y8 |; h1 F( ]36. A Dance to the Music of Time (Anthony Powell, 1951-1975)# }7 I6 ]# o) k# d
35. Remainder (Tom McCarthy, 2005)$ N! m2 J* i, ~% U7 ]2 E3 h2 p
34. Never Let Me Go (Kazuo Ishiguro, 2005)
q& o/ L; R' Z+ ~# _, A1 \33. The Wind in the Willows (Kenneth Grahame, 1908)
7 f: f. K0 u4 q! K32. A Room with a View (EM Forster, 1908)& c b; D) V: V, @1 Q% L6 a
31. The End of the Affair (Graham Greene, 1951). d% y% x' B1 r. Z* m6 _5 G
30. Moll Flanders (Daniel Defoe, 1722)
9 e1 v& f" S* }. g) v' B- z9 r29. Brick Lane (Monica Ali, 2003)7 E5 G4 _4 H/ t( O
28. Villette (Charlotte Brontë, 1853)
3 n% C6 e7 k7 K: i+ p7 g27. Robinson Crusoe (Daniel Defoe, 1719)6 M7 g0 L$ x' {5 j
26. The Lord of the Rings (JRR Tolkien, 1954)
/ t) `2 l/ p- T1 ^) ^2 ~25. White Teeth (Zadie Smith, 2000)
9 S9 \. M, t& |' S4 x24. The Golden Notebook (Doris Lessing, 1962)) a, L+ s( K8 v- o8 p5 [$ q
23. Jude the Obscure (Thomas Hardy, 1895)6 U8 u& B% a7 E
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749) E2 r$ E+ E; h* s5 O" y* }
21. Heart of Darkness (Joseph Conrad, 1899)
, l0 e1 k2 J l* `+ O1 `20. Persuasion (Jane Austen, 1817)
* V" v, V+ S( @3 {6 ?19. Emma (Jane Austen, 1815)( j k- W4 ?# C6 a, Q
18. Remains of the Day (Kazuo Ishiguro, 1989)
n$ `3 i4 i D, E( N- Q17. Howards End (EM Forster, 1910)! P; p' T6 U: T4 H% V, P0 q
16. The Waves (Virginia Woolf, 1931)3 A$ J1 Y6 g8 |- F
15. Atonement (Ian McEwan, 2001)! h9 j0 t/ H7 a
14. Clarissa (Samuel Richardson,1748): Y* }. z' k; c9 w" w+ K. B
13. The Good Soldier (Ford Madox Ford, 1915)# s8 s8 e/ \# ^! p2 w) Q- N
12. Nineteen Eighty-Four (George Orwell, 1949)0 N; C" z% A) L' P
11. Pride and Prejudice (Jane Austen, 1813)3 ^% W( J D) r* @% @7 n; F* X
10. Vanity Fair (William Makepeace Thackeray, 1848)
7 F' F* N$ j+ g4 i' D9. Frankenstein (Mary Shelley, 1818)& `, ~' W. s$ @ Q( w, V3 a
8. David Copperfield (Charles Dickens, 1850)* ?2 m' p4 X" K6 [. w1 s
7. Wuthering Heights (Emily Brontë, 1847)
+ t4 Z2 \. @9 z/ R$ G; S6. Bleak House (Charles Dickens, 1853)
7 `+ k6 N9 K1 [2 a" X5. Jane Eyre (Charlotte Brontë, 1847)" O5 ]. m* t2 u O% m/ [
4. Great Expectations (Charles Dickens, 1861)- M7 R# Z2 R" b1 v. c6 \5 c
3. Mrs. Dalloway (Virginia Woolf, 1925)
" ~/ ^4 G* Z4 I7 y ~2. To the Lighthouse (Virginia Woolf, 1927)
7 c V" ?, I: T0 ]3 K1. Middlemarch (George Eliot, 1874). y% v; w5 Y* b3 i; ]% W4 b, N
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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