|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! j7 G; x1 X v) \8 P1 ~% l
4 c2 e% F4 h" YBBC评出100大英国文学名著
$ W! e& R* _' D% g' d1 Whttp://www.bbc.com/culture/story ... test-british-novels' p3 {* A# [6 {! S7 s' c3 H/ g) {, u) @& f
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。* T" o2 {0 U- }; j5 y4 u
1 S+ b7 V1 A) K( ?" D/ e100. The Code of the Woosters (PG Wodehouse, 1938)7 k7 H7 z* t8 B6 y8 t4 C8 W
99. There but for the (Ali Smith, 2011)* m$ d' l$ X! I4 M
98. Under the Volcano (Malcolm Lowry,1947)
5 z) Y q, y/ K f97. The Chronicles of Narnia (CS Lewis, 1949-1954)
/ F! Q0 n4 b/ h2 Y96. Memoirs of a Survivor (Doris Lessing, 1974)
/ O" H9 o$ Q5 w0 x7 o9 m* |- G95. The Buddha of Suburbia (Hanif Kureishi, 1990)6 r0 @! A. W5 r& b& u- Y' z
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
. {1 C& [5 a; g& P6 R( i9 Q% ]+ k93. Lord of the Flies (William Golding, 1954)
& O% J$ O2 Y: h8 E, Z% ?8 e: R5 n* ~92. Cold Comfort Farm (Stella Gibbons, 1932)0 z9 E+ S4 b" i. l
91. The Forsyte Saga (John Galsworthy, 1922)
! s7 M2 L; G* D2 G! a) w/ a90. The Woman in White (Wilkie Collins, 1859)+ A% }0 i) {9 Z5 s, O2 m
89. The Horse’s Mouth (Joyce Cary, 1944)
. C! Y( t( H0 S {4 r. f; O88. The Death of the Heart (Elizabeth Bowen, 1938)# N5 E0 ^! [. T
87. The Old Wives’ Tale (Arnold Bennett,1908)9 d5 g$ W' H- C/ u2 n Q y/ T
86. A Legacy (Sybille Bedford, 1956)( F: L+ C! I% T8 x
85. Regeneration Trilogy (Pat Barker, 1991-1995)% q( g% P8 Q* N$ \. d, B& `! K
84. Scoop (Evelyn Waugh, 1938)) U; G6 A* Q& v. c' @
83. Barchester Towers (Anthony Trollope, 1857)( q6 ]+ B/ e4 @, G) t/ F5 s
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012) C8 p, z& x! N1 M6 H( G% ]* D
81. The Jewel in the Crown (Paul Scott, 1966)3 }) `4 J+ n1 |& X
80. Excellent Women (Barbara Pym, 1952)1 {4 o V& g4 l) Q. d2 F3 S
79. His Dark Materials (Philip Pullman, 1995-2000)
3 Z' E ]7 [0 T- w/ H* _ K; e78. A House for Mr Biswas (VS Naipaul, 1961) t9 X6 F! \% R% V$ g; r, Y
77. Of Human Bondage (W Somerset Maugham, 1915)
7 K, h" V. Q$ A: v1 K" P76. Small Island (Andrea Levy, 2004)5 {$ M6 e; Q0 y* K5 e
75. Women in Love (DH Lawrence, 1920)1 `2 P$ q5 c5 j" S3 t
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
. B( h, J0 n$ E& G Y# Q73. The Blue Flower (Penelope Fitzgerald, 1995)
0 R i; t8 z' ?) G" z7 L2 T) M72. The Heart of the Matter (Graham Greene, 1948)
+ H0 g/ I; i8 R71. Old Filth (Jane Gardam, 2004)
! ^* P0 R V* A/ z9 O4 D0 j+ [70. Daniel Deronda (George Eliot, 1876)
- w% }# X; {; j3 n# [0 r69. Nostromo (Joseph Conrad, 1904)
- _8 h6 T' N1 f) E* n) \1 x68. A Clockwork Orange (Anthony Burgess, 1962)
; j- u8 k9 ?* E& o* U67. Crash (JG Ballard 1973)
; ]' L/ `- r# z* ?2 D; Q66. Sense and Sensibility (Jane Austen, 1811)6 `9 Y. M$ R: ?3 c; c1 C- U
65. Orlando (Virginia Woolf, 1928)" @, U( ~1 k9 I+ S
64. The Way We Live Now (Anthony Trollope, 1875). m) ^+ b# C7 G* N/ i
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)! {. `3 Z2 N& E0 ~
62. Animal Farm (George Orwell, 1945)
g* Z* y& I: G/ b- r4 p61. The Sea, The Sea (Iris Murdoch, 1978)
7 M" V, G% ?. [ v60. Sons and Lovers (DH Lawrence, 1913)9 q% O. c4 g: c9 `4 e6 H
59. The Line of Beauty (Alan Hollinghurst, 2004)5 ]. R! j0 M& v
58. Loving (Henry Green, 1945)
# U; x: ~' b2 j8 c3 h57. Parade’s End (Ford Madox Ford, 1924-1928)0 z: i( |# P& K0 O E
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
4 ~5 d# J: A5 {55. Gulliver’s Travels (Jonathan Swift, 1726)
+ R' d) V& s' l54. NW (Zadie Smith, 2012)2 I; s, N2 {# R+ t
53. Wide Sargasso Sea (Jean Rhys, 1966)4 r0 Z1 p* b) `' f ^* m- y
52. New Grub Street (George Gissing, 1891)
5 J# V9 P$ ^# f5 Z2 l51. Tess of the d’Urbervilles (Thomas Hardy, 1891)) k0 u" |" A% `: B. y. ^; _% h' I* a
50. A Passage to India (EM Forster, 1924)2 {( Q3 D% I% G/ k o$ ^
49. Possession (AS Byatt, 1990)# W( E9 m, W7 T2 }$ S
48. Lucky Jim (Kingsley Amis, 1954)
( D* }: y _6 T1 E6 T1 u47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)& @7 C' G* m$ Z* R0 i
46. Midnight’s Children (Salman Rushdie, 1981)
; l5 q3 ]: b: {. ~- z45. The Little Stranger (Sarah Waters, 2009)5 Q* u: [: _# |' t
44. Wolf Hall (Hilary Mantel, 2009)# Q9 x) {- r9 S* f+ z
43. The Swimming Pool Library (Alan Hollinghurst, 1988)* v$ e4 N5 S6 `2 W" ~, e0 Z
42. Brighton Rock (Graham Greene, 1938)
: b+ k a3 V9 B. U2 w41. Dombey and Son (Charles Dickens, 1848)
7 p# z* L" L4 m# J! o40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)" b I( i4 Z) u0 _- y I
39. The Sense of an Ending (Julian Barnes, 2011)
+ ]7 d0 [7 ?3 l9 m/ G( M38. The Passion (Jeanette Winterson, 1987)
2 D+ I& t0 i5 z& |; b# E37. Decline and Fall (Evelyn Waugh, 1928)
$ T. S" ?) T% _' W$ T/ F36. A Dance to the Music of Time (Anthony Powell, 1951-1975)% G8 B+ x3 ?& H7 X
35. Remainder (Tom McCarthy, 2005); ]- [" M; Z, b' M2 t% l
34. Never Let Me Go (Kazuo Ishiguro, 2005)
H- A2 x* v: a) o) w33. The Wind in the Willows (Kenneth Grahame, 1908)8 E3 Y/ }- ~' I( S' e
32. A Room with a View (EM Forster, 1908)
% l8 O ?; \+ s& I* k ^6 V: y3 G31. The End of the Affair (Graham Greene, 1951)! g3 ~$ l; F% D8 p
30. Moll Flanders (Daniel Defoe, 1722)
# j) _1 U( i3 c! e4 n2 @! v29. Brick Lane (Monica Ali, 2003)% p) [) @5 |7 `) `3 b6 g
28. Villette (Charlotte Brontë, 1853)
0 k; F. v, M, m# R27. Robinson Crusoe (Daniel Defoe, 1719)
6 G& U) N; C+ g; G9 U% F7 v26. The Lord of the Rings (JRR Tolkien, 1954)
. F9 a" X& A5 y6 b: a25. White Teeth (Zadie Smith, 2000)
) x+ D( \& K# b7 U1 [4 A: Z5 Z24. The Golden Notebook (Doris Lessing, 1962)) r1 f. f7 ~) X* O0 \' T1 G- j
23. Jude the Obscure (Thomas Hardy, 1895)
4 C0 j) o1 c( B" |0 Y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
+ r, g ^+ S( G" h: j* O; z21. Heart of Darkness (Joseph Conrad, 1899)
! }; M! z% Z; A# r) T( t- P20. Persuasion (Jane Austen, 1817)6 `1 R) e0 M0 B( R! _& E+ v ]9 U
19. Emma (Jane Austen, 1815)* R/ ]" {6 I2 S8 P
18. Remains of the Day (Kazuo Ishiguro, 1989)8 S+ d% P% G/ f! W4 H
17. Howards End (EM Forster, 1910)
% p# V( X; [# r) u2 s5 k16. The Waves (Virginia Woolf, 1931)- g4 l* t$ q9 s& b- O, J: \
15. Atonement (Ian McEwan, 2001)
& I, V3 n6 T, \/ t/ ~14. Clarissa (Samuel Richardson,1748)
' o. Q5 \4 r% l* b13. The Good Soldier (Ford Madox Ford, 1915)
" _! F: f) ?' a/ a j! i! N, @# Q12. Nineteen Eighty-Four (George Orwell, 1949)- I0 P/ C$ q+ t3 S6 l% {
11. Pride and Prejudice (Jane Austen, 1813)
+ g K0 o' D" M5 ^/ ]5 S' D10. Vanity Fair (William Makepeace Thackeray, 1848)$ K6 S) E4 Q( X8 e) K$ H. y
9. Frankenstein (Mary Shelley, 1818)4 r% D, r7 ?, W$ m
8. David Copperfield (Charles Dickens, 1850)
- b6 Y2 Y5 T/ g( _/ @) P/ N7. Wuthering Heights (Emily Brontë, 1847)
6 U$ e2 s( U% }! K. Y6. Bleak House (Charles Dickens, 1853)
8 G5 f1 t& L4 A- }$ z( Z2 n5. Jane Eyre (Charlotte Brontë, 1847)" H6 y; H- S) O8 x* W0 ^ |
4. Great Expectations (Charles Dickens, 1861)& ^/ i4 Z# h G6 R# R
3. Mrs. Dalloway (Virginia Woolf, 1925)9 p$ `2 W {+ A) a k* @' e$ J7 E% l
2. To the Lighthouse (Virginia Woolf, 1927)" c& w$ i1 Q5 {. O- d& o8 _
1. Middlemarch (George Eliot, 1874)
" H; ^0 O0 m6 |' p( }9 z2 E5 ]
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
$ z% b7 j9 F6 K( k, \" w
6 s4 j5 f# a9 r9 D呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
