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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 $ u# k/ I0 j* q/ o" I& y6 B
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BBC评出100大英国文学名著7 O) }* c! F% J( v4 o
http://www.bbc.com/culture/story ... test-british-novels
E# N+ f1 @9 q/ u+ a6 s& |0 ]惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。% I4 \# z/ N" c+ Y, a+ T, a- M
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100. The Code of the Woosters (PG Wodehouse, 1938)
( u# J( \* s0 G& s* @1 W/ L% U99. There but for the (Ali Smith, 2011)8 b2 |" s2 G$ a: {' C5 H# R" W4 {
98. Under the Volcano (Malcolm Lowry,1947)
) F7 {! }( u. G6 |97. The Chronicles of Narnia (CS Lewis, 1949-1954)9 j1 `6 t) U% C7 [, b$ Y
96. Memoirs of a Survivor (Doris Lessing, 1974)2 o+ {* C. W7 N; k
95. The Buddha of Suburbia (Hanif Kureishi, 1990)8 ]' k: C& r3 Y9 f/ z$ e# H
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ s; H; v! N7 d) a& J/ Z! ~- B# A93. Lord of the Flies (William Golding, 1954)
# l* ~1 r0 p/ n3 X92. Cold Comfort Farm (Stella Gibbons, 1932)
0 N* r7 f4 X4 r- V5 L91. The Forsyte Saga (John Galsworthy, 1922)
9 k" v+ k* n, k! ~( W+ {) |) e8 M( F; W90. The Woman in White (Wilkie Collins, 1859)
D' ^0 J! h N89. The Horse’s Mouth (Joyce Cary, 1944) I. Q9 ?, }* ]/ V/ V
88. The Death of the Heart (Elizabeth Bowen, 1938)( m: {- s3 r( O- ]6 ]; A# U
87. The Old Wives’ Tale (Arnold Bennett,1908)
% J1 Y7 w- I& X# U, c86. A Legacy (Sybille Bedford, 1956)% t+ `4 b1 ~2 a% k! ~
85. Regeneration Trilogy (Pat Barker, 1991-1995), {- [* g1 y8 @
84. Scoop (Evelyn Waugh, 1938)# H- R% T4 W1 v/ ?, a4 x
83. Barchester Towers (Anthony Trollope, 1857)' p- ?8 P% H9 N4 ~9 F2 L
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
: n8 ]$ L% k% b" s& F3 e81. The Jewel in the Crown (Paul Scott, 1966), q! B5 W3 \0 y+ H
80. Excellent Women (Barbara Pym, 1952)& x! k% O& G) ^1 Q8 f; A( N
79. His Dark Materials (Philip Pullman, 1995-2000)3 O3 q' n( T+ z& a* M: ?
78. A House for Mr Biswas (VS Naipaul, 1961)- v6 V4 _8 G u7 h, w9 B
77. Of Human Bondage (W Somerset Maugham, 1915)! I% Y3 ]' f: Q0 s+ g
76. Small Island (Andrea Levy, 2004)
3 f, Y# F" J! P75. Women in Love (DH Lawrence, 1920)
0 T6 @3 ^0 h1 c1 {# }74. The Mayor of Casterbridge (Thomas Hardy, 1886)
- q8 q3 F( B! [( k, {/ j73. The Blue Flower (Penelope Fitzgerald, 1995)2 u5 U! W# [7 x4 v& F
72. The Heart of the Matter (Graham Greene, 1948)
+ [$ {2 {( B; _0 A71. Old Filth (Jane Gardam, 2004): A( `1 H/ {* {. _! h2 u C! C
70. Daniel Deronda (George Eliot, 1876)1 J: f! _ V/ ~0 i9 @& t
69. Nostromo (Joseph Conrad, 1904)
0 V( q5 g' h0 i8 V$ Y) Q% T! ~2 ]: \68. A Clockwork Orange (Anthony Burgess, 1962)
& e3 q h- g$ V; W. D67. Crash (JG Ballard 1973)+ M, D8 ?, z, ~' b
66. Sense and Sensibility (Jane Austen, 1811) Q( P7 f9 E1 w+ I% d
65. Orlando (Virginia Woolf, 1928)
! n3 P# T% Q% W3 F5 y( | C64. The Way We Live Now (Anthony Trollope, 1875)
- ?+ o1 ^0 G0 g- r# j63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)- H/ B' T' [# H7 i0 m) v
62. Animal Farm (George Orwell, 1945), e1 {7 x' C5 M6 e, h! S
61. The Sea, The Sea (Iris Murdoch, 1978)+ L, M8 x6 K" J, S! }5 h
60. Sons and Lovers (DH Lawrence, 1913)" F( \+ x7 g2 \2 I
59. The Line of Beauty (Alan Hollinghurst, 2004)$ D3 Y! T) \( W# X F$ G
58. Loving (Henry Green, 1945), l4 D% z0 d+ W! ]# [( y3 D
57. Parade’s End (Ford Madox Ford, 1924-1928)
, L; Z7 Q5 I1 k- Q+ x56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
& S8 q& t) ~8 `5 ?# P( N/ O, s55. Gulliver’s Travels (Jonathan Swift, 1726)& |9 }8 n, y5 {$ q) h$ g
54. NW (Zadie Smith, 2012)" J1 p- h4 S. K) E+ s
53. Wide Sargasso Sea (Jean Rhys, 1966)+ H1 y5 T- e1 k+ L1 v3 B
52. New Grub Street (George Gissing, 1891)
3 N+ K& W3 a/ l/ p, J) s51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
' F6 ~9 C' q- U0 d50. A Passage to India (EM Forster, 1924)/ |0 t$ ?6 D* e$ T4 `# s
49. Possession (AS Byatt, 1990)( u( b H4 t# a. i" K) Z4 q6 i z
48. Lucky Jim (Kingsley Amis, 1954)
4 t4 A7 N3 f( p47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)0 R: N9 N0 Y6 u+ n! C# l3 A
46. Midnight’s Children (Salman Rushdie, 1981) F5 m9 c& \6 M
45. The Little Stranger (Sarah Waters, 2009), Q1 ]3 g- V1 l- D" F: Y/ @* e
44. Wolf Hall (Hilary Mantel, 2009)
& I$ V' H, ^6 j4 X& y7 w, M; N9 m43. The Swimming Pool Library (Alan Hollinghurst, 1988)8 l7 ?/ B" W, q) `
42. Brighton Rock (Graham Greene, 1938)
# |, B d" N5 o& ]41. Dombey and Son (Charles Dickens, 1848)+ R- m9 |$ {/ x2 n' A
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
# ^+ `5 D5 d8 \) c8 o" s39. The Sense of an Ending (Julian Barnes, 2011), J2 P* P, u) o; q
38. The Passion (Jeanette Winterson, 1987)$ U6 [4 J& G/ L8 e5 L& H ?" `5 D
37. Decline and Fall (Evelyn Waugh, 1928)
* e- o( j1 Q# z. X. d* G4 Y9 r36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
- i6 s+ J/ O: Z35. Remainder (Tom McCarthy, 2005)
: i( Y% s) m1 p9 ^. G34. Never Let Me Go (Kazuo Ishiguro, 2005): k0 T; o# V& m
33. The Wind in the Willows (Kenneth Grahame, 1908); x' j: |7 p8 i6 r$ {, W- B: j* g
32. A Room with a View (EM Forster, 1908)# f& a* B1 Z3 w6 J% ?
31. The End of the Affair (Graham Greene, 1951)+ d" F, F' i' ^3 b4 Y6 m
30. Moll Flanders (Daniel Defoe, 1722)6 \& ~: F5 a9 N, Y
29. Brick Lane (Monica Ali, 2003)
8 {, m, l7 |1 z3 S% W28. Villette (Charlotte Brontë, 1853)
/ H: A3 j( [ y( J/ z X1 S0 i27. Robinson Crusoe (Daniel Defoe, 1719)
, ^# g! g) n. Q4 Q9 ^) ~' b( S26. The Lord of the Rings (JRR Tolkien, 1954)7 W1 s9 Y, g% i
25. White Teeth (Zadie Smith, 2000); P* |. H, d; s, c7 a
24. The Golden Notebook (Doris Lessing, 1962)% x9 K0 U3 T8 [
23. Jude the Obscure (Thomas Hardy, 1895)
9 e& y% W; S+ u: c, |' O m2 L22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
% F8 @. E2 ~' G' s7 o; c21. Heart of Darkness (Joseph Conrad, 1899)6 S, ?* h/ Q9 I) c* g
20. Persuasion (Jane Austen, 1817)* E4 x. J) l$ Y3 _5 ^: l
19. Emma (Jane Austen, 1815)
3 B7 G- k w5 B9 ^, p9 l1 s6 H18. Remains of the Day (Kazuo Ishiguro, 1989)' l. v& \) l1 E1 R
17. Howards End (EM Forster, 1910)1 A% I$ G* F Q' E
16. The Waves (Virginia Woolf, 1931)
) I( s4 n$ w' ]# |6 I2 L0 J15. Atonement (Ian McEwan, 2001)+ @+ v. z4 m! k A
14. Clarissa (Samuel Richardson,1748)
6 M5 \4 [# w& I! O* p13. The Good Soldier (Ford Madox Ford, 1915)
z% v) ^7 t2 V/ A ?2 K$ ~1 L12. Nineteen Eighty-Four (George Orwell, 1949)- {- I, K1 p( e# z, i$ Q$ p1 U0 }
11. Pride and Prejudice (Jane Austen, 1813)
, E4 H8 p P% `10. Vanity Fair (William Makepeace Thackeray, 1848)
! H y6 e- q, Z* D" B6 I7 [9. Frankenstein (Mary Shelley, 1818)
; }1 `# y( H+ w$ r- K7 ~0 z$ S% [/ C8. David Copperfield (Charles Dickens, 1850)4 u/ r$ ]6 Q8 i) w8 p
7. Wuthering Heights (Emily Brontë, 1847)
6 K. v7 [8 J# ~. E6. Bleak House (Charles Dickens, 1853)
/ \* p# T- U7 n& \; v5. Jane Eyre (Charlotte Brontë, 1847)
1 |" c3 Z) X$ o. Q4. Great Expectations (Charles Dickens, 1861)
% d; @$ n1 o- h) a: n, z3. Mrs. Dalloway (Virginia Woolf, 1925)
0 k2 P: r J5 p* _9 t$ V2. To the Lighthouse (Virginia Woolf, 1927)
. p4 b! Q9 F7 m6 R9 K0 e8 _2 Z5 M1. Middlemarch (George Eliot, 1874)1 E6 D& k+ r9 ?* W A, ^- ^
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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- U9 \* ^8 y6 W9 S* ^/ U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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