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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 5 z+ `6 i' X4 P4 U T( _
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BBC评出100大英国文学名著
- z6 z9 Y7 u6 e& m4 S6 d% ~9 a4 shttp://www.bbc.com/culture/story ... test-british-novels
5 w1 N w4 h# _3 S3 P$ R$ O惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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J/ ~7 H; u4 @4 f7 T100. The Code of the Woosters (PG Wodehouse, 1938)* M! R, @4 e0 L) P. \- \$ w
99. There but for the (Ali Smith, 2011)
& J" [( A& r% T3 I98. Under the Volcano (Malcolm Lowry,1947)
+ m9 r/ p6 N8 I' j$ p( b97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 c: R) S0 [5 M) z0 I. N2 O8 s- t, A96. Memoirs of a Survivor (Doris Lessing, 1974)
* C/ J- [# l& O0 @' U+ k% f( q+ }95. The Buddha of Suburbia (Hanif Kureishi, 1990)
! L1 E' a5 S3 H/ x$ c |94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 i# E) a; \. x: Q( N+ ]- H93. Lord of the Flies (William Golding, 1954)
% ?) d+ o# `/ J! H1 j% P$ b92. Cold Comfort Farm (Stella Gibbons, 1932)* F- c+ A4 z- A4 Q4 ~
91. The Forsyte Saga (John Galsworthy, 1922)$ W# q! N* T9 O4 m" @2 E3 n4 H. r
90. The Woman in White (Wilkie Collins, 1859)
+ q* Y9 N- D& n89. The Horse’s Mouth (Joyce Cary, 1944)& v( H0 k+ R# F7 T7 w
88. The Death of the Heart (Elizabeth Bowen, 1938)' k9 Q: o' L, z8 t- g. }$ o) O
87. The Old Wives’ Tale (Arnold Bennett,1908); e5 b: y! [. Q/ P( I" o; @
86. A Legacy (Sybille Bedford, 1956)6 ]' s5 f% I/ \% j: l, O& I0 a
85. Regeneration Trilogy (Pat Barker, 1991-1995)5 e. ~( t& Q" s. T% I
84. Scoop (Evelyn Waugh, 1938)- L' Z# ]( d5 `7 n6 l# ~
83. Barchester Towers (Anthony Trollope, 1857)
4 J% l4 v1 G5 ^( L: n82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012). t: K& p% w) F1 w1 l t7 A$ M
81. The Jewel in the Crown (Paul Scott, 1966)
& y3 q! A# l) b# M! N80. Excellent Women (Barbara Pym, 1952)
2 Q; h/ E4 W1 b9 I l% |79. His Dark Materials (Philip Pullman, 1995-2000)' L z7 [# P/ ]0 r
78. A House for Mr Biswas (VS Naipaul, 1961)
! R9 i) O! S6 M5 ]/ d' M77. Of Human Bondage (W Somerset Maugham, 1915)
$ z. p8 y- s9 O( W% m! @76. Small Island (Andrea Levy, 2004)
4 Q$ U0 D6 k( Q L3 t75. Women in Love (DH Lawrence, 1920)$ O' P8 D0 M$ W5 f/ z; f8 u
74. The Mayor of Casterbridge (Thomas Hardy, 1886)" V( t9 M. S# a2 q
73. The Blue Flower (Penelope Fitzgerald, 1995)$ L3 m4 |3 S0 h
72. The Heart of the Matter (Graham Greene, 1948)' y- v* m! o8 D/ V
71. Old Filth (Jane Gardam, 2004)3 B# Q# C/ X8 g
70. Daniel Deronda (George Eliot, 1876)
5 v1 g* h& F# i( z" x5 d4 X9 Z1 a69. Nostromo (Joseph Conrad, 1904)
( M% L" j! l2 [+ O, B3 v( I68. A Clockwork Orange (Anthony Burgess, 1962)9 D4 n/ D p. i
67. Crash (JG Ballard 1973)
2 F& R( D$ |2 a" v% p4 Y1 x66. Sense and Sensibility (Jane Austen, 1811)0 T! m2 ~( e/ Z
65. Orlando (Virginia Woolf, 1928), Q) ]5 F$ z# u& ~# P
64. The Way We Live Now (Anthony Trollope, 1875)
$ l; U+ q7 ? F: \ Q$ i7 A1 f+ r63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)3 f1 g$ ], I; w+ `& Y
62. Animal Farm (George Orwell, 1945)
% T% k* n* H/ a! q) X2 ~61. The Sea, The Sea (Iris Murdoch, 1978)4 n6 o2 W/ z; K& k
60. Sons and Lovers (DH Lawrence, 1913)3 ]' v: X5 i0 v1 \ P- V! O
59. The Line of Beauty (Alan Hollinghurst, 2004)* A, l" ~' R' I# S- _
58. Loving (Henry Green, 1945)
& V5 o- m2 F8 I57. Parade’s End (Ford Madox Ford, 1924-1928)
4 m! u, {* g8 l; W) D56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985) C( n1 w6 r9 V' ?. C( e
55. Gulliver’s Travels (Jonathan Swift, 1726)
, @+ F# w$ y, U6 f% `" D" }54. NW (Zadie Smith, 2012)/ d. U% ^! }* Q+ c0 r
53. Wide Sargasso Sea (Jean Rhys, 1966)
! p6 x+ z, F4 v4 @52. New Grub Street (George Gissing, 1891)
; X# f6 w; f: y3 |51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
5 w3 q5 [# i; G50. A Passage to India (EM Forster, 1924)
' l- H0 b; A* q9 R; `* f3 F49. Possession (AS Byatt, 1990)8 n* I1 e, Y. a5 |4 E6 h
48. Lucky Jim (Kingsley Amis, 1954)% @! B* X3 V2 Q6 b! F1 _7 V! B
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
$ ]' Y7 h) }7 P( ]9 P46. Midnight’s Children (Salman Rushdie, 1981). Q$ h7 Q6 @- Z
45. The Little Stranger (Sarah Waters, 2009)
I4 C1 Q9 |/ o2 B1 i: k# J& K/ R. o2 o44. Wolf Hall (Hilary Mantel, 2009)
! ?: G$ U. V0 y& P& f6 C43. The Swimming Pool Library (Alan Hollinghurst, 1988)" X5 u4 q% M7 o
42. Brighton Rock (Graham Greene, 1938)0 P' x% d# Q* O- G1 [; m. T
41. Dombey and Son (Charles Dickens, 1848)
+ V1 ^, g3 f8 o& h. g# ~40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
' C ^0 Y7 f. @& t- A39. The Sense of an Ending (Julian Barnes, 2011)
$ N, A: e+ f6 [% Q) \) X% I, V38. The Passion (Jeanette Winterson, 1987): E9 M0 q7 T! J, ]9 Q
37. Decline and Fall (Evelyn Waugh, 1928)6 C! k9 _) Q3 [$ c
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
c: g$ O d+ Y1 O# k% a35. Remainder (Tom McCarthy, 2005)# W+ o- v& K* i1 G
34. Never Let Me Go (Kazuo Ishiguro, 2005)* \1 [- M; [( {: a, l8 g y9 X
33. The Wind in the Willows (Kenneth Grahame, 1908)
6 g7 i3 S. z+ G0 v( @) d5 s32. A Room with a View (EM Forster, 1908)
" ~3 }) }# ~5 q& g* ]) K31. The End of the Affair (Graham Greene, 1951); c1 u8 J. N2 }9 U2 t
30. Moll Flanders (Daniel Defoe, 1722)
/ f" O8 X m' L8 Z29. Brick Lane (Monica Ali, 2003)7 e0 ^5 q% R+ g q0 w0 U9 _6 y1 }
28. Villette (Charlotte Brontë, 1853)- w1 P/ i& e" C8 f( f
27. Robinson Crusoe (Daniel Defoe, 1719)
# |. T% ] v" R; G2 Y3 t2 [: } C26. The Lord of the Rings (JRR Tolkien, 1954)7 H2 W1 M+ |5 Y+ ~8 I
25. White Teeth (Zadie Smith, 2000)
`3 R" {' u1 J* r5 r) Z; N4 s24. The Golden Notebook (Doris Lessing, 1962), W& x6 l# C7 Z5 q$ d {' W
23. Jude the Obscure (Thomas Hardy, 1895)% ?, W, x* X1 _! C) q
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
+ J- D3 |) _# v0 {/ `9 A- _21. Heart of Darkness (Joseph Conrad, 1899)
1 G! i9 N) O, b X20. Persuasion (Jane Austen, 1817)5 Z: W8 X3 F/ P8 N, [6 | l
19. Emma (Jane Austen, 1815)
& W! ~& e4 B2 ?2 b6 z: M7 p18. Remains of the Day (Kazuo Ishiguro, 1989)7 _' Y5 e9 D; `( t7 H2 V
17. Howards End (EM Forster, 1910)9 z1 Z# h/ E. G( q7 {3 W( M
16. The Waves (Virginia Woolf, 1931)
7 C: e& o# m* ? L, q15. Atonement (Ian McEwan, 2001); p6 j8 m) C5 I# t4 c3 ~$ @
14. Clarissa (Samuel Richardson,1748)
4 \# K9 \+ I, q3 w$ L13. The Good Soldier (Ford Madox Ford, 1915)
, A) l2 d. w' D- k- X l: H- O' t6 D1 s12. Nineteen Eighty-Four (George Orwell, 1949)2 {, t5 S% z& x3 Z/ `
11. Pride and Prejudice (Jane Austen, 1813)
! r" E" J( z5 T5 p* [10. Vanity Fair (William Makepeace Thackeray, 1848)
. ^& h( d* O: z# V- l$ B9. Frankenstein (Mary Shelley, 1818)+ Y4 _4 o3 r2 b* I p
8. David Copperfield (Charles Dickens, 1850)" F2 {' r" ^$ c3 K, C$ J7 b. A
7. Wuthering Heights (Emily Brontë, 1847)8 P: f7 u3 Q3 Q# K! h& |% ?
6. Bleak House (Charles Dickens, 1853)
/ I. e: }" P; e5 P+ X6 U, N# i8 o7 F/ Z5. Jane Eyre (Charlotte Brontë, 1847)( z, \: J+ x( L( Q% z4 H9 ]
4. Great Expectations (Charles Dickens, 1861)
6 Z! h/ J8 a4 o; y. k$ ^) c3. Mrs. Dalloway (Virginia Woolf, 1925)3 h( x- g' d' w I) h/ h" }
2. To the Lighthouse (Virginia Woolf, 1927)& k7 t5 P& d( \' O$ Y3 n; ?
1. Middlemarch (George Eliot, 1874)& e4 i0 k1 P1 n. z
* X) t6 ]) L5 Y4 a) Q% F7 I前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 f# O, v4 O; o; \+ f# y
" L o& Q3 U' }$ Z+ n呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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