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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
" d! v( ]3 g/ d# ]. V1 @ k: Fhttp://www.bbc.com/culture/story ... test-british-novels
9 Q: E/ W& K! P' k! {; |' L惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( m4 D) A* G+ I! s8 z
$ C0 J2 L$ ]; q1 q100. The Code of the Woosters (PG Wodehouse, 1938)1 u0 a% w2 k* B% m( u6 @- A: ~
99. There but for the (Ali Smith, 2011); S9 s& l& Q% U G, f1 a+ V
98. Under the Volcano (Malcolm Lowry,1947)% k% N. L' T6 \5 S& J! w
97. The Chronicles of Narnia (CS Lewis, 1949-1954)" f$ K0 z, S$ o) l$ y" |( j
96. Memoirs of a Survivor (Doris Lessing, 1974)
7 }+ n* S9 L' c# Q' s95. The Buddha of Suburbia (Hanif Kureishi, 1990)
- y0 K: Q2 k" i' x$ C& T94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); c# X2 u: h, D I* f5 i9 T
93. Lord of the Flies (William Golding, 1954)0 [: h- k- a- R7 o/ `6 _+ y" J
92. Cold Comfort Farm (Stella Gibbons, 1932)( F( @0 \2 ^* `# |- E
91. The Forsyte Saga (John Galsworthy, 1922)8 \; `) z" P' \% W7 a& m" y0 _
90. The Woman in White (Wilkie Collins, 1859)& D2 L( }$ j. O. u0 {7 E
89. The Horse’s Mouth (Joyce Cary, 1944)
2 L! i4 H9 R, @2 \% m2 J88. The Death of the Heart (Elizabeth Bowen, 1938)# m0 c) q* c' V9 t8 ~+ y
87. The Old Wives’ Tale (Arnold Bennett,1908)
4 l8 M. n5 t; b9 u7 ~, t4 W+ e86. A Legacy (Sybille Bedford, 1956)
8 e! v: x2 W4 X85. Regeneration Trilogy (Pat Barker, 1991-1995)
) x2 Z6 F& ~" U: D* y) \# _( _" q% [84. Scoop (Evelyn Waugh, 1938): [* a [, _* \; ]7 o# o1 I1 ?5 P! S; e
83. Barchester Towers (Anthony Trollope, 1857)
5 R! ]! W( }+ d$ F/ q: w6 B x82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
7 u# D+ ?. e3 s7 Z/ y% k81. The Jewel in the Crown (Paul Scott, 1966)
( b& e! D$ N4 w3 d2 m80. Excellent Women (Barbara Pym, 1952)
: U5 C* ?( }. ]" U/ \" A/ y79. His Dark Materials (Philip Pullman, 1995-2000)$ a- { d( ~! M* S& Q( O0 n, o
78. A House for Mr Biswas (VS Naipaul, 1961); {& {! w- n+ y5 [# Y
77. Of Human Bondage (W Somerset Maugham, 1915)4 t3 \" b5 }) H' y' p7 z
76. Small Island (Andrea Levy, 2004) C C$ U" @) e4 t& g6 a, [' Z% q
75. Women in Love (DH Lawrence, 1920)
5 _ a$ \1 Y2 X$ w' S74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 o/ I' |0 Y z$ L0 P, }- C5 A73. The Blue Flower (Penelope Fitzgerald, 1995)
9 w3 R# \) w8 f0 t3 O72. The Heart of the Matter (Graham Greene, 1948)! J8 X* x9 W! H0 w
71. Old Filth (Jane Gardam, 2004)
4 F# f9 d' y, }: B& h' G! h70. Daniel Deronda (George Eliot, 1876)4 e5 |+ Q+ a* [ J# |
69. Nostromo (Joseph Conrad, 1904)* A3 e1 A" \. I$ k
68. A Clockwork Orange (Anthony Burgess, 1962)7 b& Q5 ?9 D8 X3 H0 Z* j
67. Crash (JG Ballard 1973)
2 a7 B. l4 l6 z! c' w1 ^66. Sense and Sensibility (Jane Austen, 1811)
' ^; f: {9 i: @/ G) B; G& C% t65. Orlando (Virginia Woolf, 1928)- x$ S: F/ ~" c" u
64. The Way We Live Now (Anthony Trollope, 1875)! m8 j3 E/ u: N) _+ `1 H, `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; G. r' M; y: T( E$ P62. Animal Farm (George Orwell, 1945)( d- \: b. w9 T: L; \3 a; P
61. The Sea, The Sea (Iris Murdoch, 1978)! `0 C1 ~1 ?0 r* {' V d: l5 |% ?
60. Sons and Lovers (DH Lawrence, 1913)+ L# h' x ^$ n- }( j% [
59. The Line of Beauty (Alan Hollinghurst, 2004), `9 O: u* U3 S# I% h- Z+ {2 l
58. Loving (Henry Green, 1945)
5 b) q2 Q0 ]1 T" V" }2 M57. Parade’s End (Ford Madox Ford, 1924-1928)
# J3 G; q# J2 p: t. C; _56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
) B5 I" O: n/ K+ E55. Gulliver’s Travels (Jonathan Swift, 1726)
, l `3 N8 [4 _54. NW (Zadie Smith, 2012)0 ^3 Q& q# H0 W' F( m) L: r2 S1 G
53. Wide Sargasso Sea (Jean Rhys, 1966)
% ?! H/ H4 v2 R9 W! }. W% L/ z52. New Grub Street (George Gissing, 1891) C- n. I J3 `# X0 X0 ?! v/ B
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
2 j# W$ ]8 D/ A% N" [50. A Passage to India (EM Forster, 1924) i0 m9 u) t6 q4 }% f
49. Possession (AS Byatt, 1990)8 r) d/ q# o! b# X- K
48. Lucky Jim (Kingsley Amis, 1954)
7 V$ ?6 s4 V. t9 \/ |47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
2 c5 c7 B* X* c! T# u0 s% n46. Midnight’s Children (Salman Rushdie, 1981)
8 d- Y) u1 s' _3 K( v' N* ^/ c. v! d45. The Little Stranger (Sarah Waters, 2009)
# `% r+ o( _1 Q! c44. Wolf Hall (Hilary Mantel, 2009)
8 a) I7 g. P, d* ~1 r; E( L43. The Swimming Pool Library (Alan Hollinghurst, 1988)* N% b1 T! W+ i# k
42. Brighton Rock (Graham Greene, 1938)
9 a" j d9 X5 z, b* w1 ?: H41. Dombey and Son (Charles Dickens, 1848)
7 Z( {3 {- _" E2 G6 B) F( x40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)! P- c: ]$ E$ x2 l; h
39. The Sense of an Ending (Julian Barnes, 2011)
) O* K* E/ W) O, r3 M( p38. The Passion (Jeanette Winterson, 1987)! i* d' q t H8 D1 D3 A9 _8 b; j
37. Decline and Fall (Evelyn Waugh, 1928)- j1 |: H1 t0 ?5 M, `2 d8 h+ h
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* P. L/ h! m1 H: f
35. Remainder (Tom McCarthy, 2005)
0 x2 [' F/ W/ o# e ^ Z34. Never Let Me Go (Kazuo Ishiguro, 2005)
; B6 j: ]+ ?1 `33. The Wind in the Willows (Kenneth Grahame, 1908)& F; w$ D# ~6 d5 w5 L- @
32. A Room with a View (EM Forster, 1908)
6 ]. r7 T/ v% e( X* I( R31. The End of the Affair (Graham Greene, 1951)
0 q. b% `# u$ z; l# b30. Moll Flanders (Daniel Defoe, 1722); u# k3 X; g! F# J+ H; y
29. Brick Lane (Monica Ali, 2003)
! v* Z; O( D6 R3 _28. Villette (Charlotte Brontë, 1853)
8 w# w4 i/ [3 b. H: X) V27. Robinson Crusoe (Daniel Defoe, 1719)- X5 V# A; H) h5 B* q
26. The Lord of the Rings (JRR Tolkien, 1954)
; e" _! ^# D m9 q25. White Teeth (Zadie Smith, 2000)
. b( C% X, N2 {$ ~2 Y' @7 b24. The Golden Notebook (Doris Lessing, 1962)
9 `5 x$ ^3 q( U, i/ q23. Jude the Obscure (Thomas Hardy, 1895)
z2 r) h0 n5 m22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)5 t8 R" H+ D* U8 d2 C& [8 n% M
21. Heart of Darkness (Joseph Conrad, 1899)
) J, W F) n. J e* ^4 F' B20. Persuasion (Jane Austen, 1817)
$ b8 W# B* y8 C! y4 V; ^& g5 e19. Emma (Jane Austen, 1815)5 r* ^. B9 f5 h6 X
18. Remains of the Day (Kazuo Ishiguro, 1989)
2 Q9 D1 ^4 Y% J. C5 [17. Howards End (EM Forster, 1910)
' o% w5 L7 w, S9 e% J. t/ y16. The Waves (Virginia Woolf, 1931)
\: S% \) p! d/ e15. Atonement (Ian McEwan, 2001)
5 Z4 f/ ]& V) C8 Z. \( i14. Clarissa (Samuel Richardson,1748), V9 g6 B3 {! L2 S
13. The Good Soldier (Ford Madox Ford, 1915)
4 t8 S P' t( }; w5 r12. Nineteen Eighty-Four (George Orwell, 1949). h( |' I0 [% B" l
11. Pride and Prejudice (Jane Austen, 1813)
- G9 o" e1 j* A3 [1 d10. Vanity Fair (William Makepeace Thackeray, 1848)
1 B# o9 x5 s, e+ E- M# T( P9. Frankenstein (Mary Shelley, 1818)
* T' y6 n6 G$ W9 V9 z5 `8. David Copperfield (Charles Dickens, 1850)% V; _5 J% z5 p% W% L" Y) y0 J% L
7. Wuthering Heights (Emily Brontë, 1847)
) ]% N2 Q+ G8 u" J6 b2 P% {5 W2 F6. Bleak House (Charles Dickens, 1853)
$ j& j- a, n9 E/ c5. Jane Eyre (Charlotte Brontë, 1847)
4 f$ P" R5 h% J; T% l* z% V4. Great Expectations (Charles Dickens, 1861)
$ Z* P8 E2 G4 S- i9 r6 a" w3. Mrs. Dalloway (Virginia Woolf, 1925)6 {5 O7 q& U- }
2. To the Lighthouse (Virginia Woolf, 1927), \; G6 e8 |# ]( e2 B n2 w0 O2 B
1. Middlemarch (George Eliot, 1874)
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$ P. `% b/ F4 X3 ]8 x% E9 i前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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9 \- l# v) V4 h3 o, o8 c呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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