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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 $ E$ e- Z/ ~! T( g) o( t. |
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BBC评出100大英国文学名著$ q9 v8 O9 O8 W
http://www.bbc.com/culture/story ... test-british-novels
, P* n0 v2 |" d* D5 z3 O惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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2 i# N( @5 ?* S6 n100. The Code of the Woosters (PG Wodehouse, 1938); G7 |7 W* i- u) r
99. There but for the (Ali Smith, 2011)
% q* i7 q3 N5 v9 ~" v- M98. Under the Volcano (Malcolm Lowry,1947)6 O }* q. C: L1 B! f+ F
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
0 q- b9 P/ a, [0 L0 t; ]$ P96. Memoirs of a Survivor (Doris Lessing, 1974)* S' s" R5 M$ p' z4 n- M( J4 |
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
' X2 r6 _+ n) e1 {8 c) t0 d94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
! F$ @5 ?/ {4 e. f. ^93. Lord of the Flies (William Golding, 1954)$ h1 s- W! M6 B
92. Cold Comfort Farm (Stella Gibbons, 1932)
- A; ~4 l' I+ w$ [91. The Forsyte Saga (John Galsworthy, 1922)
" \0 t6 X( B/ T/ ^/ b; ]0 D90. The Woman in White (Wilkie Collins, 1859)
( G$ \ f, F$ g4 F: \89. The Horse’s Mouth (Joyce Cary, 1944)
' D3 Q9 z* J( \/ ?: G: i88. The Death of the Heart (Elizabeth Bowen, 1938)
/ q: w t6 a- x& Q* `$ _87. The Old Wives’ Tale (Arnold Bennett,1908)/ ?4 H" d( {9 ~9 `9 L7 O/ J
86. A Legacy (Sybille Bedford, 1956)
1 e1 b( A; V7 M, U$ @8 Q85. Regeneration Trilogy (Pat Barker, 1991-1995)
, V; w4 M) u$ z# s! t84. Scoop (Evelyn Waugh, 1938): Y+ ?/ }/ [. t/ p. W
83. Barchester Towers (Anthony Trollope, 1857)
8 z$ m; z% t# O* n. M; I s) P82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
( I$ d L( S7 N& Y3 r81. The Jewel in the Crown (Paul Scott, 1966)
& Z& |! H/ R/ i* l7 ^80. Excellent Women (Barbara Pym, 1952)
; k) K, p2 _1 p6 v; E# ?, s79. His Dark Materials (Philip Pullman, 1995-2000)
% Q0 Z. g& v: s: |, G. u8 p78. A House for Mr Biswas (VS Naipaul, 1961)* h9 K# ?; _! H; n
77. Of Human Bondage (W Somerset Maugham, 1915)
( r( F0 \) i* w. C' N* s8 T. T76. Small Island (Andrea Levy, 2004)6 \3 d. M' X$ w6 @# D
75. Women in Love (DH Lawrence, 1920)
Z0 b3 M2 f( I: t7 x; D U4 e$ J74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# l C8 \. E4 Z. D8 G8 X73. The Blue Flower (Penelope Fitzgerald, 1995)4 p, j% w/ g/ A v2 ?- Z3 }# V! v- y
72. The Heart of the Matter (Graham Greene, 1948)( ^7 C; d w: I! K( p6 c5 T& g, e: b3 w
71. Old Filth (Jane Gardam, 2004)# v6 ] l) B5 ~1 [7 {
70. Daniel Deronda (George Eliot, 1876)/ Z( }' Y" p1 m. |9 W4 @
69. Nostromo (Joseph Conrad, 1904)$ \% q2 u: P! h% l# @
68. A Clockwork Orange (Anthony Burgess, 1962)
5 `& F$ a% ^, W; N/ @3 G0 g67. Crash (JG Ballard 1973)
/ d3 Z( _; D( y Z1 `6 e66. Sense and Sensibility (Jane Austen, 1811)
4 n, j+ C) M# T0 P8 x- e+ u! Y65. Orlando (Virginia Woolf, 1928)* l% `+ i; b, [& g4 Z" ~) O0 a
64. The Way We Live Now (Anthony Trollope, 1875) {: {" C7 x7 y# `
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)( w# K: P6 l {0 @* {+ A# Y
62. Animal Farm (George Orwell, 1945)- R/ y# l3 |2 z6 A: M
61. The Sea, The Sea (Iris Murdoch, 1978)
7 h1 k' M- {. d7 D60. Sons and Lovers (DH Lawrence, 1913); S! n2 |0 d' E( U9 M
59. The Line of Beauty (Alan Hollinghurst, 2004)
8 S2 ]# }) _2 U58. Loving (Henry Green, 1945)
( C2 K! Y0 X& f/ p5 [- c! `57. Parade’s End (Ford Madox Ford, 1924-1928)0 f* I' ?2 N& v9 ~1 _) o7 Z& Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
, _' Y+ `- e, \/ N55. Gulliver’s Travels (Jonathan Swift, 1726)! j! K" c+ N, o
54. NW (Zadie Smith, 2012)) j& i5 ~) }' w4 m |0 W
53. Wide Sargasso Sea (Jean Rhys, 1966)
|: A7 n; ~, ^: o5 B& V3 o52. New Grub Street (George Gissing, 1891)
% i9 E% q* w. H( B9 W' S51. Tess of the d’Urbervilles (Thomas Hardy, 1891), E5 k: d2 N9 l! D: a5 f
50. A Passage to India (EM Forster, 1924)% G: N/ H7 a" y& Z9 F8 m4 P( D
49. Possession (AS Byatt, 1990)
O' y7 W# R8 A X0 ^% P48. Lucky Jim (Kingsley Amis, 1954)8 r6 H# Y& K' w# J$ E
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
) V0 r, w6 o0 Q7 F& Z& o& Q4 o" s1 E46. Midnight’s Children (Salman Rushdie, 1981)& y& T+ L* h3 K& L( A9 j
45. The Little Stranger (Sarah Waters, 2009)
* c/ D! Y) L/ s$ v44. Wolf Hall (Hilary Mantel, 2009)
( M0 w0 W, R/ c$ N5 L$ n6 p* I6 z43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 r" c+ Z; f" y* n3 Y42. Brighton Rock (Graham Greene, 1938)9 m; s+ y0 |9 F0 c
41. Dombey and Son (Charles Dickens, 1848)$ i! g4 ]/ I. {7 g' Q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)) z3 S/ a/ o/ U) p/ j2 b* S3 W
39. The Sense of an Ending (Julian Barnes, 2011)
) i( {2 @8 z1 o. O+ E. g/ X38. The Passion (Jeanette Winterson, 1987)4 o) ]& D7 L R# B7 B
37. Decline and Fall (Evelyn Waugh, 1928)$ `" ?% B9 K M z, {
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)9 Z; @! i. O! H5 [* F
35. Remainder (Tom McCarthy, 2005)/ a7 y3 H& F& W6 |- c
34. Never Let Me Go (Kazuo Ishiguro, 2005)
/ `9 g6 c4 A% @7 a5 ]33. The Wind in the Willows (Kenneth Grahame, 1908)
7 L$ y" I) G7 s. U) D, u32. A Room with a View (EM Forster, 1908)
: p0 I2 C( W5 N: c: a- F, q" P31. The End of the Affair (Graham Greene, 1951)
: d3 j2 t( _: z30. Moll Flanders (Daniel Defoe, 1722), T5 D U1 Z2 N# a5 H+ I/ m
29. Brick Lane (Monica Ali, 2003)2 j6 n8 O! Z, b* J
28. Villette (Charlotte Brontë, 1853)1 z( P8 c3 n! f0 P1 f4 g
27. Robinson Crusoe (Daniel Defoe, 1719)
: Q4 j9 G, q/ r- H0 f26. The Lord of the Rings (JRR Tolkien, 1954)) f) i3 N" v& Q' I
25. White Teeth (Zadie Smith, 2000)
) i- {- Z+ D" g8 k/ u( s24. The Golden Notebook (Doris Lessing, 1962)
, C+ [4 t ?$ n1 ^23. Jude the Obscure (Thomas Hardy, 1895)
) s Z. t% K# g) {- p* Y+ X* B22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)" C; u! ^5 L! B. Y' e O) E
21. Heart of Darkness (Joseph Conrad, 1899)
H# {9 v# X" q; Z! T) a20. Persuasion (Jane Austen, 1817)
/ i# d; k; z% r8 e, _* I0 D) B: M19. Emma (Jane Austen, 1815)4 l7 [& R0 R% H8 W4 z( Z
18. Remains of the Day (Kazuo Ishiguro, 1989)
" s6 z1 J' H+ I7 M. @* N17. Howards End (EM Forster, 1910)
8 w8 w$ K& H0 K) ]! b* q* A" x$ o16. The Waves (Virginia Woolf, 1931)+ @% v7 u0 w# X- X* {
15. Atonement (Ian McEwan, 2001), d7 U) w: ?4 H& p
14. Clarissa (Samuel Richardson,1748)* D2 z; m8 z' a0 P, d
13. The Good Soldier (Ford Madox Ford, 1915)0 w' A! `) q! r* M) |0 P( N* Z1 J3 Q
12. Nineteen Eighty-Four (George Orwell, 1949)
3 _- w7 }" {/ A11. Pride and Prejudice (Jane Austen, 1813)2 [' @0 R0 Z0 K/ t
10. Vanity Fair (William Makepeace Thackeray, 1848)* H! N2 c" O- h' C0 Q9 a: U* F+ b
9. Frankenstein (Mary Shelley, 1818)
# N% D4 G! N7 k5 q# R9 j& h! t8. David Copperfield (Charles Dickens, 1850)* d$ S/ n, M/ X+ u; e( J. ?/ \9 W1 v
7. Wuthering Heights (Emily Brontë, 1847)
( P/ [1 l! ?) P$ n' ^( t6. Bleak House (Charles Dickens, 1853)9 v$ W5 G8 q$ w- U2 F! a0 { h
5. Jane Eyre (Charlotte Brontë, 1847)
* X W( l! K1 V1 ?4. Great Expectations (Charles Dickens, 1861)
1 f- @3 ?, M3 l9 Z* c3. Mrs. Dalloway (Virginia Woolf, 1925)5 \/ V; T ?9 H k
2. To the Lighthouse (Virginia Woolf, 1927)
' L9 u! A e0 O) {0 X% L1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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5 F( f% S6 X7 D8 a& d呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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