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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 ! B. _* q: L6 b" p. x
/ j k0 z( S* u: I: o* vBBC评出100大英国文学名著
, k7 ?* o) ~& p: ]6 {8 ehttp://www.bbc.com/culture/story ... test-british-novels& Y3 e$ ~7 l- K
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。. o, H" q1 H; F) y$ l, P/ T0 Q( i
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100. The Code of the Woosters (PG Wodehouse, 1938)
: z0 r$ F1 o! A& r1 T9 v99. There but for the (Ali Smith, 2011)
# p1 B# k j! V% f. t98. Under the Volcano (Malcolm Lowry,1947)2 S; u. P6 H; x9 `* M1 w. B
97. The Chronicles of Narnia (CS Lewis, 1949-1954)1 C4 a" ]6 S4 v- b5 v& h
96. Memoirs of a Survivor (Doris Lessing, 1974)
: V* c6 E/ A7 f95. The Buddha of Suburbia (Hanif Kureishi, 1990)
* E) Z3 \: v+ e* B1 R94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
6 t) \8 d& D" Y93. Lord of the Flies (William Golding, 1954)
$ Q5 ^$ u' }" s- M$ }7 { {0 y92. Cold Comfort Farm (Stella Gibbons, 1932)
3 X3 ^! i2 _+ ?91. The Forsyte Saga (John Galsworthy, 1922)9 c7 L$ p8 V& m, |, ^8 c
90. The Woman in White (Wilkie Collins, 1859)8 J2 B( ]" r% l; [4 A: I9 K" ~
89. The Horse’s Mouth (Joyce Cary, 1944) I3 P2 H3 @1 m* w9 _' o/ D
88. The Death of the Heart (Elizabeth Bowen, 1938)
! y" y4 W! D+ Z- g% l87. The Old Wives’ Tale (Arnold Bennett,1908); }) A* C+ P# K! g. T" B
86. A Legacy (Sybille Bedford, 1956)
0 S. A3 a3 f7 S* R, j& `/ {85. Regeneration Trilogy (Pat Barker, 1991-1995)% } w" H b& z' g
84. Scoop (Evelyn Waugh, 1938)
- k1 S- p1 G) B$ x83. Barchester Towers (Anthony Trollope, 1857)
! [5 {% L) I6 z$ j; j82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) n+ R# T0 Z& j
81. The Jewel in the Crown (Paul Scott, 1966)
: {+ n& y8 f5 z! I/ V6 Q" j80. Excellent Women (Barbara Pym, 1952)
5 i, e! w3 l K79. His Dark Materials (Philip Pullman, 1995-2000)+ D3 V: n( V, U
78. A House for Mr Biswas (VS Naipaul, 1961)7 N, N1 \* e9 d7 T% G% ]; Y3 |
77. Of Human Bondage (W Somerset Maugham, 1915)
& u: u5 x) U+ h" W+ A! c+ Z76. Small Island (Andrea Levy, 2004)/ s# j0 l, d- U3 d
75. Women in Love (DH Lawrence, 1920)
' ]$ y3 _. U1 x$ b+ s/ H74. The Mayor of Casterbridge (Thomas Hardy, 1886)
+ b5 e, |. v5 p3 i73. The Blue Flower (Penelope Fitzgerald, 1995): I3 z( y( @3 y/ v) |) p1 G
72. The Heart of the Matter (Graham Greene, 1948)9 V+ ]; S9 K, }0 W) K& R+ }
71. Old Filth (Jane Gardam, 2004)9 G* h2 S$ f; I8 C* V1 ~- }
70. Daniel Deronda (George Eliot, 1876)
0 t7 a0 U$ \* M; l1 I3 u69. Nostromo (Joseph Conrad, 1904): b+ z" F" F7 `
68. A Clockwork Orange (Anthony Burgess, 1962)
- @+ O+ I4 k! H" v# K3 v: d+ w9 Q% |67. Crash (JG Ballard 1973)4 P2 @- v# ], _
66. Sense and Sensibility (Jane Austen, 1811): |9 }: [9 W- a3 N4 H* l# S, G
65. Orlando (Virginia Woolf, 1928)" o3 i y8 P& x
64. The Way We Live Now (Anthony Trollope, 1875)
& m6 E$ L! {5 P63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
5 ]" ]4 F7 }4 W" @9 p0 z: M62. Animal Farm (George Orwell, 1945)
4 n5 Y! L4 L Z61. The Sea, The Sea (Iris Murdoch, 1978)
( e+ `$ \: R4 s3 P60. Sons and Lovers (DH Lawrence, 1913)
9 c: y5 Y2 v0 w% c8 B. K: K59. The Line of Beauty (Alan Hollinghurst, 2004)
8 _3 _# o. S7 I" k$ z58. Loving (Henry Green, 1945)1 a6 O! F" C7 j
57. Parade’s End (Ford Madox Ford, 1924-1928)
+ C9 e% C) T6 \0 Y* |* g6 d; F; o/ p56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)& a0 q c5 X, ?6 ]* a6 a
55. Gulliver’s Travels (Jonathan Swift, 1726)
g: M0 I/ f5 B8 b1 x54. NW (Zadie Smith, 2012)
}1 ]2 R6 e1 |( x9 I53. Wide Sargasso Sea (Jean Rhys, 1966)" }; ?" N# a9 c. V: ?; ]
52. New Grub Street (George Gissing, 1891)5 V2 W8 w- _* z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 Z0 V! I' [$ a) V6 v
50. A Passage to India (EM Forster, 1924)
' f" O, n. K* m5 M# b, }49. Possession (AS Byatt, 1990)
6 [8 F4 r6 c9 g" w' r' N48. Lucky Jim (Kingsley Amis, 1954)7 |( p& ? p0 @ @9 e
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
5 }, \' T4 R {3 x/ N: ]46. Midnight’s Children (Salman Rushdie, 1981)( y& ~4 I9 A- ` g
45. The Little Stranger (Sarah Waters, 2009)2 r9 K' ?$ ~# _- r
44. Wolf Hall (Hilary Mantel, 2009)
. H6 x) I% Q4 [0 X3 u; l% l# U43. The Swimming Pool Library (Alan Hollinghurst, 1988)2 @- t7 ?0 v* _
42. Brighton Rock (Graham Greene, 1938)4 a3 T+ m' i8 K' `1 P# d
41. Dombey and Son (Charles Dickens, 1848). W4 u v1 c& q0 ]1 |. Q
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)5 {# O& V1 C% [/ V/ Q
39. The Sense of an Ending (Julian Barnes, 2011)
6 E" U% O: j( P. c0 V5 F t38. The Passion (Jeanette Winterson, 1987)
3 r L3 Q9 Y- n2 E37. Decline and Fall (Evelyn Waugh, 1928)& @: ?% m- ^4 R9 z7 T) u* B
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)' I2 D; ?2 f$ ~
35. Remainder (Tom McCarthy, 2005)
Y6 r8 }1 A1 D8 h! C34. Never Let Me Go (Kazuo Ishiguro, 2005)% ?, E( z3 {1 D
33. The Wind in the Willows (Kenneth Grahame, 1908)9 ]+ x# D' G. T/ v& Q! M
32. A Room with a View (EM Forster, 1908)
' u3 `4 Q: Z u5 Q6 z31. The End of the Affair (Graham Greene, 1951)7 y! Z5 O! G' e* L( g# F
30. Moll Flanders (Daniel Defoe, 1722)9 \: H" j+ u/ k8 F K8 z6 b! V1 _( H9 g
29. Brick Lane (Monica Ali, 2003), `8 M7 e" @! y: q2 F+ q O+ M
28. Villette (Charlotte Brontë, 1853)
4 z" v) l* ?5 P, P( c: {4 K2 Q/ m27. Robinson Crusoe (Daniel Defoe, 1719)
( M0 L! o6 w6 l+ g26. The Lord of the Rings (JRR Tolkien, 1954)% q! Q8 d N+ i0 f% M
25. White Teeth (Zadie Smith, 2000)
" i3 W% I9 \5 l0 ?/ p0 D" ^4 U$ q24. The Golden Notebook (Doris Lessing, 1962)
7 N. v" P P8 C23. Jude the Obscure (Thomas Hardy, 1895)
# p) C1 }/ c" ]# ^22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
7 n" C8 Y2 S7 V, B21. Heart of Darkness (Joseph Conrad, 1899)
. K2 @, W# W+ d8 n20. Persuasion (Jane Austen, 1817)0 {+ z) T* @4 ?2 E3 m& G
19. Emma (Jane Austen, 1815)
: L2 Y9 N) m( c18. Remains of the Day (Kazuo Ishiguro, 1989)1 U, {* F; n5 `
17. Howards End (EM Forster, 1910)
; R" c$ X5 p! A1 `% F- k: j16. The Waves (Virginia Woolf, 1931)( e& h! }7 K; P) P( H
15. Atonement (Ian McEwan, 2001)
7 }! v4 E+ i9 r4 c! Q. T14. Clarissa (Samuel Richardson,1748)
# R* M* P6 I- S" p! {13. The Good Soldier (Ford Madox Ford, 1915)
, g1 H& S; j' B7 V( ^! [12. Nineteen Eighty-Four (George Orwell, 1949)2 ]. b- b8 g1 E+ s8 P
11. Pride and Prejudice (Jane Austen, 1813)% [7 J+ R& m( ?+ D! `
10. Vanity Fair (William Makepeace Thackeray, 1848)
4 u; Q4 V, \' g( C- |5 S9. Frankenstein (Mary Shelley, 1818)! h5 O7 |0 J/ V# v" _
8. David Copperfield (Charles Dickens, 1850)
9 _4 g* T T5 U5 {' W7. Wuthering Heights (Emily Brontë, 1847), N3 O# Z2 l$ b) L m) s
6. Bleak House (Charles Dickens, 1853)$ M( N" ]0 O! E+ B+ F0 E( t
5. Jane Eyre (Charlotte Brontë, 1847)
, x+ d8 I9 y2 x0 q7 c' k g4. Great Expectations (Charles Dickens, 1861)% }6 @# ~2 Y- }9 @/ l& A! @; n: K
3. Mrs. Dalloway (Virginia Woolf, 1925)# m* s" e% k% v' G e+ X2 x8 `
2. To the Lighthouse (Virginia Woolf, 1927). ^( a; s& `: U& O k
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。0 j- P2 k0 ]0 d
4 K5 a3 B. K' ^+ { z+ L呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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