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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著* ~' X6 D/ v$ W9 C
http://www.bbc.com/culture/story ... test-british-novels- Q$ D( y& S. X9 ]& C" I3 u" M
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( ]' _0 d- a9 s& X
* d: G. N. m! `! t5 h100. The Code of the Woosters (PG Wodehouse, 1938)" p. v. _9 x1 Z+ C. t) \
99. There but for the (Ali Smith, 2011)8 R+ e) c6 F9 G6 p0 S
98. Under the Volcano (Malcolm Lowry,1947)
5 ?' P8 t) Z+ X3 x. h$ m97. The Chronicles of Narnia (CS Lewis, 1949-1954)
; |: u+ P# N+ r- i }96. Memoirs of a Survivor (Doris Lessing, 1974)! `" w1 u% A' x: n2 F& p3 R
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
: e; K0 U! x4 q. Y O: Q94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' B: w- Z% z! v( A( j93. Lord of the Flies (William Golding, 1954)3 t/ y$ C- ^) p( W: x
92. Cold Comfort Farm (Stella Gibbons, 1932)1 ~/ e* F: R4 H* m
91. The Forsyte Saga (John Galsworthy, 1922)
: C! H0 d( H6 o) A3 ?2 I90. The Woman in White (Wilkie Collins, 1859)) Q0 C: \4 o+ G; _7 S
89. The Horse’s Mouth (Joyce Cary, 1944)
2 E2 U! l7 c) i4 }9 X# t88. The Death of the Heart (Elizabeth Bowen, 1938)
# Z* l- O2 H( x7 w. l% g8 R87. The Old Wives’ Tale (Arnold Bennett,1908)
) p8 _3 b- M- g" Q& k86. A Legacy (Sybille Bedford, 1956)
$ d8 F) G" x7 G+ a& n5 a, ?85. Regeneration Trilogy (Pat Barker, 1991-1995)
/ H8 k; H- v7 o c84. Scoop (Evelyn Waugh, 1938)8 h0 a0 o/ `- t* u
83. Barchester Towers (Anthony Trollope, 1857)+ n! a" Y/ V( n* M, V
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)# {3 U: O' U2 ^4 w8 A+ R
81. The Jewel in the Crown (Paul Scott, 1966)
/ d$ R( Q3 `* m80. Excellent Women (Barbara Pym, 1952)
, h( e j3 o$ A+ b6 J79. His Dark Materials (Philip Pullman, 1995-2000). Z& G4 V0 q; Y' F! H- U
78. A House for Mr Biswas (VS Naipaul, 1961)
7 O" p( K; T9 f: e0 E77. Of Human Bondage (W Somerset Maugham, 1915)+ n& d o. D/ e" ?" {
76. Small Island (Andrea Levy, 2004)/ p, {% G9 q$ g' P! m& c
75. Women in Love (DH Lawrence, 1920)% Q- r7 c; f1 l ^% k* s+ Z7 f* ?/ f
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
: B5 @; X& ^% y73. The Blue Flower (Penelope Fitzgerald, 1995)
; }, `1 o0 e1 \72. The Heart of the Matter (Graham Greene, 1948)0 N1 z( `4 }0 Q" l
71. Old Filth (Jane Gardam, 2004)
0 z+ R: A4 N" _" H- a70. Daniel Deronda (George Eliot, 1876)7 G& B( V$ k3 S" o7 ?
69. Nostromo (Joseph Conrad, 1904)4 s- J! U% q7 f
68. A Clockwork Orange (Anthony Burgess, 1962)
4 E& ^" `) h- L' e& d5 Y3 u67. Crash (JG Ballard 1973)8 d* Z2 ^4 r/ T0 z
66. Sense and Sensibility (Jane Austen, 1811). r9 q1 ~/ c0 C9 f; x
65. Orlando (Virginia Woolf, 1928)
7 [% p% n2 m: ^ ~, T3 V% t, d64. The Way We Live Now (Anthony Trollope, 1875)
9 _; i6 H/ i6 P9 g63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)7 p! m% L$ ` a8 d' W
62. Animal Farm (George Orwell, 1945)4 @, W M, X; }% N; U; T5 n. S
61. The Sea, The Sea (Iris Murdoch, 1978): k: B$ d! Q; n B1 W- K% A4 d0 J
60. Sons and Lovers (DH Lawrence, 1913)/ d+ A/ D( N3 n
59. The Line of Beauty (Alan Hollinghurst, 2004): C) x! B6 k& F, c: T! J
58. Loving (Henry Green, 1945)3 l ^6 f1 i* V: ?* a# v& s" R. L3 }
57. Parade’s End (Ford Madox Ford, 1924-1928)2 Q- S7 ?( f! I
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)8 {* V5 _" J* z$ A! ?2 D
55. Gulliver’s Travels (Jonathan Swift, 1726)
4 t* k% M3 G( R; \8 P2 j! f54. NW (Zadie Smith, 2012)
! H; `7 K! h/ d+ \" Z; C53. Wide Sargasso Sea (Jean Rhys, 1966)
0 R: X) [$ J ]( S' B5 K% [7 y52. New Grub Street (George Gissing, 1891)& o9 g0 D T7 e' H, z `
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
) N8 l! }, ^ w% F50. A Passage to India (EM Forster, 1924)% z9 Z$ p8 `1 p( b
49. Possession (AS Byatt, 1990)) ?( Y- d! X s; g% V. `4 F
48. Lucky Jim (Kingsley Amis, 1954)
. F: Y& m! z$ u3 m: O47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759). b8 U7 }3 D7 F8 e9 M- v9 N
46. Midnight’s Children (Salman Rushdie, 1981)/ ]7 \' w+ ]0 h9 k+ K7 Y' x5 q: x; e
45. The Little Stranger (Sarah Waters, 2009)
( o/ v3 A$ m$ R6 B44. Wolf Hall (Hilary Mantel, 2009)+ p( O( {" E* a9 t! z6 W. p
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 G9 `& ~2 g5 v$ u- X2 |# r1 m42. Brighton Rock (Graham Greene, 1938)1 G$ T; J1 t) J1 e" B" F' \
41. Dombey and Son (Charles Dickens, 1848)
5 T3 C3 q' q4 t2 B5 _2 \40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
6 j5 z; H0 Q: P/ F2 l, Y39. The Sense of an Ending (Julian Barnes, 2011)# x7 K% m, j3 q( Z' Q
38. The Passion (Jeanette Winterson, 1987)- f/ ^ P$ b! _7 k+ N, F
37. Decline and Fall (Evelyn Waugh, 1928)8 ^5 b6 W% A s0 o! L# Z" j" W
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
. W) V+ e) f8 r. F5 q. g. G0 N35. Remainder (Tom McCarthy, 2005)
7 e+ T5 \7 L1 I0 z34. Never Let Me Go (Kazuo Ishiguro, 2005)
* ^1 [" ^0 `" l- N0 o2 r33. The Wind in the Willows (Kenneth Grahame, 1908)
7 e6 p$ C+ `. ]; Z( Y! d32. A Room with a View (EM Forster, 1908)% E7 f6 a* U# t; m& `0 m
31. The End of the Affair (Graham Greene, 1951)
( d1 p. f& |$ N3 Q& z1 ?3 ?30. Moll Flanders (Daniel Defoe, 1722)# G- }2 X3 i3 c0 d1 p
29. Brick Lane (Monica Ali, 2003)
7 {" P0 x3 O5 f$ J28. Villette (Charlotte Brontë, 1853)
4 R/ U5 O% N* V8 [: i2 `6 a* L4 B27. Robinson Crusoe (Daniel Defoe, 1719)
" i* t8 {' N$ j/ S- `26. The Lord of the Rings (JRR Tolkien, 1954)0 B# ]. r7 @' T6 I9 _
25. White Teeth (Zadie Smith, 2000)! W3 P, C4 ]( }7 g, i
24. The Golden Notebook (Doris Lessing, 1962)
5 {& u+ r, ?" E6 C g. o23. Jude the Obscure (Thomas Hardy, 1895)
7 |9 v4 g; m: E7 y) @0 x+ b t22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 s9 U% c% f3 O2 P21. Heart of Darkness (Joseph Conrad, 1899)
" _3 U# l1 ^+ _20. Persuasion (Jane Austen, 1817)" G* W. S& N' r l, Q; Q
19. Emma (Jane Austen, 1815)
( I; |2 t, g* I5 m* Q- K2 t' E5 K18. Remains of the Day (Kazuo Ishiguro, 1989)
5 e6 @3 q p7 Z1 t2 x y( `17. Howards End (EM Forster, 1910)
9 a: ]9 O& X( Q+ f" o3 Q1 U; a; w) B16. The Waves (Virginia Woolf, 1931)2 Z2 m% p- U, p
15. Atonement (Ian McEwan, 2001)
5 f7 t3 c2 i1 ^/ W/ H" T14. Clarissa (Samuel Richardson,1748): i3 X0 v' F; r
13. The Good Soldier (Ford Madox Ford, 1915)+ s' R* R4 b! J5 \+ \
12. Nineteen Eighty-Four (George Orwell, 1949)
3 R4 P+ f$ I9 U o11. Pride and Prejudice (Jane Austen, 1813)8 j |. U$ z3 A4 `* d8 k
10. Vanity Fair (William Makepeace Thackeray, 1848)& T$ g1 U/ `7 T# ]/ J
9. Frankenstein (Mary Shelley, 1818)$ |. X* c& ?9 X# e; R, ?! H' @
8. David Copperfield (Charles Dickens, 1850); T! @! i4 X2 N. x" C
7. Wuthering Heights (Emily Brontë, 1847)( J: `7 h) j/ \# V$ t. r
6. Bleak House (Charles Dickens, 1853)
" z2 P }0 X- `- P0 T5. Jane Eyre (Charlotte Brontë, 1847)8 u9 |4 B" [; M1 a6 G6 c# \ W
4. Great Expectations (Charles Dickens, 1861)
2 ]) a( \% b. Q0 l3. Mrs. Dalloway (Virginia Woolf, 1925)! ^& ?0 _& R8 q3 f4 z& e( v- x
2. To the Lighthouse (Virginia Woolf, 1927)
# _& b; Y- w6 e$ G7 P# A$ ?1. Middlemarch (George Eliot, 1874)8 B! m9 S0 A) n g
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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1 }) v& d, b9 e I呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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