|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
6 e. c2 _0 \$ K# m" w/ G% `
8 D5 N" z7 {# P- Y+ W' L% Y) `BBC评出100大英国文学名著7 { Y. n, C/ C0 X% n' ~
http://www.bbc.com/culture/story ... test-british-novels+ ^7 ~; D% ]4 ^% M; X
惭愧得很,听说过一小半名字,读过听说过的一小半,最惭愧的是,前三都是闻所未闻。6 h7 V5 W0 g w% ~( s* o* A; t
& q r+ b% U/ a
100. The Code of the Woosters (PG Wodehouse, 1938)5 @ ?, n e3 L* q4 L2 P
99. There but for the (Ali Smith, 2011)
/ [- ~1 x- O8 r, k98. Under the Volcano (Malcolm Lowry,1947)3 ^+ Z) e) V* x8 A- g1 w& ?
97. The Chronicles of Narnia (CS Lewis, 1949-1954). T- K5 M0 d# n. j
96. Memoirs of a Survivor (Doris Lessing, 1974)5 C z3 i: F( g! B, c% E
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
6 v- R# \; s2 ?4 C" P3 a94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
) N0 z0 j3 w& i/ n93. Lord of the Flies (William Golding, 1954); ~4 j, D3 _ ?; V" B5 u5 N
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ G9 W+ C* [- x1 `& c+ I91. The Forsyte Saga (John Galsworthy, 1922)2 s8 L! I' Q/ }/ z) j+ Z
90. The Woman in White (Wilkie Collins, 1859)1 X; g0 N) v: J! g% q( @5 b
89. The Horse’s Mouth (Joyce Cary, 1944)
9 n0 C- k3 l+ v/ T- y6 z/ D* C1 s88. The Death of the Heart (Elizabeth Bowen, 1938)
, V3 K; H% r& y% j9 B, e9 l, f! n87. The Old Wives’ Tale (Arnold Bennett,1908)/ m, [- z, \4 j
86. A Legacy (Sybille Bedford, 1956)
/ D P% r* ]5 R' S2 t85. Regeneration Trilogy (Pat Barker, 1991-1995). f% A8 L* @$ s8 x3 B6 K+ l
84. Scoop (Evelyn Waugh, 1938)( l) B$ ~7 E: z: L; ~4 _
83. Barchester Towers (Anthony Trollope, 1857)
( x% }1 I. ]) N82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
% H4 r& o v- j& ^, `/ F$ d81. The Jewel in the Crown (Paul Scott, 1966)
: f* A0 Q. L# f" y, v* h& x6 |80. Excellent Women (Barbara Pym, 1952)- ^1 R6 X+ i! H# [- g9 g1 l
79. His Dark Materials (Philip Pullman, 1995-2000)4 e( i+ s0 K, z& ~3 s( }0 V
78. A House for Mr Biswas (VS Naipaul, 1961)
4 D: B& A4 D# r$ ^: ?$ `# g1 @5 D77. Of Human Bondage (W Somerset Maugham, 1915)
3 t) n( R5 K/ f& F/ o/ a( k76. Small Island (Andrea Levy, 2004)
4 I* L$ c7 a4 }2 A' ~# b75. Women in Love (DH Lawrence, 1920)
' [% B6 G2 ^6 \2 j- X% p74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ W K5 y: Q& y* `5 O" E
73. The Blue Flower (Penelope Fitzgerald, 1995)* W6 u5 F% J: a! y z! ]
72. The Heart of the Matter (Graham Greene, 1948)
% O/ L* ? a7 [& ~& M* Y71. Old Filth (Jane Gardam, 2004)
) d! K! s9 T6 Q70. Daniel Deronda (George Eliot, 1876)
( N/ W' {- I, N$ m69. Nostromo (Joseph Conrad, 1904)! U/ ^) @( e; ?+ I
68. A Clockwork Orange (Anthony Burgess, 1962)
' K8 [" B; K; O' t& R3 x67. Crash (JG Ballard 1973); G) o8 Q& B$ W7 H$ }
66. Sense and Sensibility (Jane Austen, 1811)
5 u, D5 ^1 B1 j+ Z; `0 @3 f. [65. Orlando (Virginia Woolf, 1928)
& R/ D+ S1 H, l+ f2 w) Y64. The Way We Live Now (Anthony Trollope, 1875)
2 G( B! G- }8 F! W6 o h! s63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)4 _, J6 x, c* y6 M: R+ z1 X
62. Animal Farm (George Orwell, 1945)+ C+ A4 Z1 X: z K
61. The Sea, The Sea (Iris Murdoch, 1978)
; R- V" w5 G5 ^+ }% o% K0 g60. Sons and Lovers (DH Lawrence, 1913)
6 l0 {! w$ ` M59. The Line of Beauty (Alan Hollinghurst, 2004)0 o/ v, ]. L0 O& L- M' k
58. Loving (Henry Green, 1945)' ~/ h. }4 k! z7 c
57. Parade’s End (Ford Madox Ford, 1924-1928)& [6 J5 o& l$ b
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
5 _. u. l. U' u: {55. Gulliver’s Travels (Jonathan Swift, 1726)+ h+ o8 d8 [; E0 u( `9 G# u
54. NW (Zadie Smith, 2012)) \3 t! _/ F+ g4 {! i
53. Wide Sargasso Sea (Jean Rhys, 1966) g% A; ? I/ r' |/ U
52. New Grub Street (George Gissing, 1891); _+ j. \$ o) \ `2 a( {9 @9 G- z
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
" u. X- T+ U2 r4 { z: X' k; p50. A Passage to India (EM Forster, 1924)
* y% I2 p. b; O7 Z+ F# ^/ t49. Possession (AS Byatt, 1990)1 d. y. W6 i5 O+ \
48. Lucky Jim (Kingsley Amis, 1954)) E% \$ I5 ]8 x9 z. b
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)- q6 e% G( H0 _/ z' M
46. Midnight’s Children (Salman Rushdie, 1981)) w. e; M! z4 b! n
45. The Little Stranger (Sarah Waters, 2009)8 r+ w2 e! E# ]0 M2 X! d/ L
44. Wolf Hall (Hilary Mantel, 2009)
% h% q2 g; z1 S1 F8 w/ U J43. The Swimming Pool Library (Alan Hollinghurst, 1988)$ q# W! \) s1 e& J. z9 O
42. Brighton Rock (Graham Greene, 1938)
0 y5 G2 c1 _1 N6 Q& T! p4 _41. Dombey and Son (Charles Dickens, 1848); f) c2 X5 L3 j$ m
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)* ]6 |! _5 C/ a) _3 c( O5 a
39. The Sense of an Ending (Julian Barnes, 2011)" D& Q- ?' }: W
38. The Passion (Jeanette Winterson, 1987)
r5 b5 H5 M: k; {3 L$ J5 t" U37. Decline and Fall (Evelyn Waugh, 1928) O3 d/ G. p7 t1 G# p
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)7 a9 p! ~, Q( T( r
35. Remainder (Tom McCarthy, 2005)
$ j S$ H8 ]0 i7 G p34. Never Let Me Go (Kazuo Ishiguro, 2005)
& G+ c! h5 \$ s# J( w. h/ H33. The Wind in the Willows (Kenneth Grahame, 1908)
p5 [* c0 o5 f5 j32. A Room with a View (EM Forster, 1908)
6 d1 P* u2 h3 ?- R" a% G31. The End of the Affair (Graham Greene, 1951)
: a! u) g$ w6 s30. Moll Flanders (Daniel Defoe, 1722)7 `) y/ J p4 g/ y# S \, q
29. Brick Lane (Monica Ali, 2003)
' |! H: C$ f1 o' O7 ~, o* o' c28. Villette (Charlotte Brontë, 1853)6 i8 M- B; j" x$ U' ?
27. Robinson Crusoe (Daniel Defoe, 1719)
, b, r& b2 |5 V' Y5 ~4 V" W26. The Lord of the Rings (JRR Tolkien, 1954)
! F j1 K5 ]0 D) V* f25. White Teeth (Zadie Smith, 2000)8 B- u& p. h9 F1 @. ?* z
24. The Golden Notebook (Doris Lessing, 1962)
" B' p9 L6 U5 [9 H6 P23. Jude the Obscure (Thomas Hardy, 1895)
( f) m) n- W6 [6 _22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ @, Q# u7 B% u0 E
21. Heart of Darkness (Joseph Conrad, 1899); q3 b7 J/ K) p# g
20. Persuasion (Jane Austen, 1817): M$ B7 l% T( V$ ?$ N; ?* p+ x
19. Emma (Jane Austen, 1815)' g8 @5 [! E$ |9 M7 {6 ~6 x
18. Remains of the Day (Kazuo Ishiguro, 1989)% M+ p9 F0 B$ o3 @& [* |
17. Howards End (EM Forster, 1910)
5 H- l7 r- C) m! {" c( n16. The Waves (Virginia Woolf, 1931)
" Q' Z& ~! P5 W15. Atonement (Ian McEwan, 2001)6 R0 l$ e: D: o2 o( b
14. Clarissa (Samuel Richardson,1748)
6 o4 W1 |6 u! \& a. k13. The Good Soldier (Ford Madox Ford, 1915)0 F6 d( [( q. ?, O3 t5 S, P6 A% i
12. Nineteen Eighty-Four (George Orwell, 1949)! E+ t' W5 C6 Q6 M
11. Pride and Prejudice (Jane Austen, 1813)& \+ D4 f& O/ ?" w7 Q/ B. f
10. Vanity Fair (William Makepeace Thackeray, 1848)
8 J4 {% p, O* u- n1 {$ T9. Frankenstein (Mary Shelley, 1818) @$ t2 o! y G w
8. David Copperfield (Charles Dickens, 1850)! [- E2 D; V$ t
7. Wuthering Heights (Emily Brontë, 1847)* \( |) N- ~) e. ]2 a
6. Bleak House (Charles Dickens, 1853): N: s! M2 e& m/ E5 q" x
5. Jane Eyre (Charlotte Brontë, 1847)4 s: S: d- y! w: L; e
4. Great Expectations (Charles Dickens, 1861)
' p1 b, Y' `* s0 R! J3. Mrs. Dalloway (Virginia Woolf, 1925)
, M0 ]9 N) ~1 r j; |2. To the Lighthouse (Virginia Woolf, 1927)
6 w& B/ T" w, S1 [" V8 G1. Middlemarch (George Eliot, 1874)6 a- @) Z' {/ @9 \# W% ]( V Y) T
' m/ g; _5 t' j前10里只有狄更斯(远大前程、Bleak House(中文译名是什么?)、大卫·科波菲尔)和萨克雷(名利场)是男作家,其他都是女的:乔治·艾略特(本名Mary Ann Evans,用男性化的笔名)、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话,也有一半是女作家的作品,加上简·奥斯汀。全部100部作品中,也有40%是女作家的作品。只有狄更斯(远大前程、Bleak House)、大卫·科波菲尔、Dombey and Son)、奥斯汀(傲慢与偏见、爱玛、Persuasion、感觉与情感)、沃尔芙(To The Lighthouse、Mrs Dalloway、The Waves、Orlando)有四部作品入选,又是两个女作家。这是相当高的女作家比例。, ]& q1 D4 A' `$ G" n" G
0 }) ]9 a7 r$ u8 H0 E
呃,这里全部是英国作家的作品,而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的,其中没有英国人,纯粹是从外国人(美国、加拿大、澳大利亚、丹麦、印度)的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|