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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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' Z7 }% m- Q) H+ j8 i: i9 ZBBC评出100大英国文学名著5 F2 M2 n0 e* ^
http://www.bbc.com/culture/story ... test-british-novels
# e7 w- ?& o) l! v$ u, ?3 N惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) C6 X1 F5 z1 l# ?* |
6 e% f4 H7 _2 M+ ^4 i100. The Code of the Woosters (PG Wodehouse, 1938)
4 N$ Z: x: c# H8 ?. q; Y99. There but for the (Ali Smith, 2011)4 Y2 j/ N$ r) R5 F
98. Under the Volcano (Malcolm Lowry,1947)
6 Z' e! L. M' F( p: B97. The Chronicles of Narnia (CS Lewis, 1949-1954)
" f. Z* s# m( x0 |" e96. Memoirs of a Survivor (Doris Lessing, 1974)
2 s4 I+ L, k; @0 d- ~95. The Buddha of Suburbia (Hanif Kureishi, 1990)$ B+ P8 b! B8 K. ^" I
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)3 d V* e9 ]; O6 j4 E X( P7 C6 e
93. Lord of the Flies (William Golding, 1954)
2 b0 C% M7 R8 X92. Cold Comfort Farm (Stella Gibbons, 1932)# l# n; K6 l7 R% F7 b
91. The Forsyte Saga (John Galsworthy, 1922)
+ N" l Q% H. q" T: \90. The Woman in White (Wilkie Collins, 1859)
4 y7 h5 M/ c% V: c: R, U89. The Horse’s Mouth (Joyce Cary, 1944)
/ [: X# R% u+ |; Z" ]. k/ H x0 C88. The Death of the Heart (Elizabeth Bowen, 1938)+ q1 D" z! ^/ A6 x
87. The Old Wives’ Tale (Arnold Bennett,1908)# L# k7 l7 \ }; `
86. A Legacy (Sybille Bedford, 1956)9 D( _" O- N0 O" I1 r
85. Regeneration Trilogy (Pat Barker, 1991-1995)
9 e _. D/ N9 M84. Scoop (Evelyn Waugh, 1938)
8 H, I# m0 J4 o% T: x83. Barchester Towers (Anthony Trollope, 1857)4 z! @- W5 K# _, Q9 o- H, v7 p
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
0 s6 y! t4 D: \& z8 H1 ~$ P5 ~/ ~- X81. The Jewel in the Crown (Paul Scott, 1966)
$ G: [& [+ v$ o- V* c3 C/ |& B% R80. Excellent Women (Barbara Pym, 1952)
( |5 W! {" U5 Z7 S; \79. His Dark Materials (Philip Pullman, 1995-2000)7 F% c p; ]1 ]# `# k% P' s6 f
78. A House for Mr Biswas (VS Naipaul, 1961)2 C; C8 R/ k! ~' r2 N* }* T5 k
77. Of Human Bondage (W Somerset Maugham, 1915)% Y! Q4 u% V; S6 o, s) w
76. Small Island (Andrea Levy, 2004)
5 r1 O3 x! G U0 `3 f+ l75. Women in Love (DH Lawrence, 1920)
7 f; r! T4 ~4 a" Q74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) K3 l. A9 j# Z+ |. K: O7 ^6 R6 H73. The Blue Flower (Penelope Fitzgerald, 1995)
% z' D2 | e% {. i; p4 Y# }72. The Heart of the Matter (Graham Greene, 1948)2 {' \$ K* y' f* m+ V
71. Old Filth (Jane Gardam, 2004)! S+ y$ `7 o, q" l* V% h* s* I
70. Daniel Deronda (George Eliot, 1876)
( k8 Q6 d. K1 r9 E% Q9 E69. Nostromo (Joseph Conrad, 1904)
6 l8 L' Q! r: |- U9 L& l- l68. A Clockwork Orange (Anthony Burgess, 1962)/ Z+ X$ \" r: {0 C1 _, ]( P- v
67. Crash (JG Ballard 1973)
5 F; ^' H$ q: w% ]& ]* @/ c9 ], g66. Sense and Sensibility (Jane Austen, 1811)
; }. U% q. ?, [8 @7 v65. Orlando (Virginia Woolf, 1928)* R" y+ C& g" w5 [; a8 J
64. The Way We Live Now (Anthony Trollope, 1875)4 v) Y6 V! `, P p
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
# _: p6 P' }, u% T: }8 M& A. G0 A62. Animal Farm (George Orwell, 1945)% ^$ N- z* U3 U
61. The Sea, The Sea (Iris Murdoch, 1978)
7 n) Q) }1 [, s8 U0 R# ^5 Q60. Sons and Lovers (DH Lawrence, 1913)
, p+ g" a3 H# c59. The Line of Beauty (Alan Hollinghurst, 2004)5 s% F; x; d) h5 V9 [4 T$ D7 h; X& \2 |
58. Loving (Henry Green, 1945)8 W, o! Z s. |: P
57. Parade’s End (Ford Madox Ford, 1924-1928)! @0 B$ Y$ B3 Z# l! V1 j
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 a( F/ ?" c' | p K* Z" u55. Gulliver’s Travels (Jonathan Swift, 1726)! G z; i% O" W- F( f# ~) ^! w
54. NW (Zadie Smith, 2012)! k* W1 n6 M z; E9 i, }1 _
53. Wide Sargasso Sea (Jean Rhys, 1966)
8 R- J# J4 `" r3 G52. New Grub Street (George Gissing, 1891)
: q* g. F0 o- g3 H6 }+ x* N8 d( ]51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
1 X: Q' p8 P% i6 m: I8 E" S50. A Passage to India (EM Forster, 1924)1 y0 O5 G, s7 z E5 x
49. Possession (AS Byatt, 1990)# O: W( J! _( N5 ^5 U
48. Lucky Jim (Kingsley Amis, 1954)
+ H/ ~# A1 u% ]9 q/ J* w47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 f& y: W4 O a: O3 `
46. Midnight’s Children (Salman Rushdie, 1981)
/ h, I: v4 E W& ^+ t45. The Little Stranger (Sarah Waters, 2009)
0 L+ @$ \4 W+ {! {9 u44. Wolf Hall (Hilary Mantel, 2009)
+ F3 e' y& y2 I0 n8 L/ C. l43. The Swimming Pool Library (Alan Hollinghurst, 1988)& e- u6 M1 z% M, x; q( H% P
42. Brighton Rock (Graham Greene, 1938)" n: E" I( x+ x. g
41. Dombey and Son (Charles Dickens, 1848)( T# R9 L/ a: z+ X/ s9 }
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)& M3 V2 e/ z+ |) u5 @: T
39. The Sense of an Ending (Julian Barnes, 2011)
! H, z% \/ P! u- g4 R38. The Passion (Jeanette Winterson, 1987)
" F# D t( R- B6 `37. Decline and Fall (Evelyn Waugh, 1928)
& V7 u7 f8 m1 \36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 t. [$ I4 g. {. @8 C, X2 v
35. Remainder (Tom McCarthy, 2005)
: i$ V; `+ M( d+ x& Y/ l34. Never Let Me Go (Kazuo Ishiguro, 2005)! S4 d a% r: j- B- r
33. The Wind in the Willows (Kenneth Grahame, 1908)* {5 q+ D# N7 \4 a$ b! t
32. A Room with a View (EM Forster, 1908)
0 R7 U j3 b& U9 [31. The End of the Affair (Graham Greene, 1951)
& H& S3 S8 B6 Z$ x& Y30. Moll Flanders (Daniel Defoe, 1722)
; J8 N: f0 P2 ?6 h8 ?9 F$ N E29. Brick Lane (Monica Ali, 2003)
. O& D4 C) m* e; A+ R3 Z8 ]28. Villette (Charlotte Brontë, 1853)0 _5 a7 K7 q6 n( j* A& A. a* g
27. Robinson Crusoe (Daniel Defoe, 1719); A% ~% w/ t/ G# u
26. The Lord of the Rings (JRR Tolkien, 1954)
& I( z$ y7 I8 l! {8 `25. White Teeth (Zadie Smith, 2000)) x9 v' @$ r: X' F- R; [' |
24. The Golden Notebook (Doris Lessing, 1962)# Y* `- y; s' j
23. Jude the Obscure (Thomas Hardy, 1895)
( [0 x3 P, P, r" @22. The History of Tom Jones, a Foundling (Henry Fielding, 1749): _7 |$ [- ~6 y! y- R6 ]
21. Heart of Darkness (Joseph Conrad, 1899), e# n {$ A. n% g7 o, F3 o
20. Persuasion (Jane Austen, 1817)
4 k7 k L8 v+ X3 w8 f9 _19. Emma (Jane Austen, 1815)
: y% m: a+ I& a9 `18. Remains of the Day (Kazuo Ishiguro, 1989)! @ \2 o4 d8 j, e9 x* L
17. Howards End (EM Forster, 1910)
6 c* \. H2 B+ ^, r9 y9 }! }16. The Waves (Virginia Woolf, 1931): u4 L; x" R5 N8 Z# `- N. k
15. Atonement (Ian McEwan, 2001)- y& l. m: e. u! n n
14. Clarissa (Samuel Richardson,1748)$ w8 X, W6 \* S2 B4 F
13. The Good Soldier (Ford Madox Ford, 1915)$ E3 X8 O+ s) G8 ` p6 M
12. Nineteen Eighty-Four (George Orwell, 1949)
- V/ D. _: I2 A: C8 |* e! e11. Pride and Prejudice (Jane Austen, 1813)4 |% P: l. ]9 i: c
10. Vanity Fair (William Makepeace Thackeray, 1848): d, s5 @ ^( X5 P4 q! b! C* f
9. Frankenstein (Mary Shelley, 1818)
7 \& E8 n5 d6 h+ S8. David Copperfield (Charles Dickens, 1850)
t2 N7 v4 P7 }7. Wuthering Heights (Emily Brontë, 1847)+ W9 T- ?6 U# j2 ^9 X& T* X9 n
6. Bleak House (Charles Dickens, 1853)5 C' T; X: R9 j$ h$ s0 N
5. Jane Eyre (Charlotte Brontë, 1847), S8 Q, o! N+ k- E5 [' O: v0 U# N
4. Great Expectations (Charles Dickens, 1861)4 @0 V" h2 w/ ?$ J9 V* }% e1 Y
3. Mrs. Dalloway (Virginia Woolf, 1925)
6 P! x8 }" P0 F& w) o' ?2. To the Lighthouse (Virginia Woolf, 1927)
! Z# f9 j- l0 q7 V2 S# w |# c1. Middlemarch (George Eliot, 1874)
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' |: H: U) U6 |9 F# x0 U' ~8 z5 Q/ g% t前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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5 d/ y0 r- B0 \* Y0 g& B4 f呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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