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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 # Z, \& r1 X! j( Z: x
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BBC评出100大英国文学名著
?9 H( Q8 y/ c" x# w) Chttp://www.bbc.com/culture/story ... test-british-novels
8 D9 X1 `( g- A4 ?/ o惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。4 \; U' p7 s! o# H, o2 w2 F
4 G! ]( b( o' m) ^% V100. The Code of the Woosters (PG Wodehouse, 1938)3 c3 ^. n% ?/ A: v* N1 }
99. There but for the (Ali Smith, 2011)
* b* V% W, k4 L+ M/ [3 i4 S98. Under the Volcano (Malcolm Lowry,1947)
7 k5 G" w9 W4 t2 [' I% l5 A( K97. The Chronicles of Narnia (CS Lewis, 1949-1954)
2 V. ?( f4 K6 h# S96. Memoirs of a Survivor (Doris Lessing, 1974)8 R- D& o% @ Q4 } O9 r
95. The Buddha of Suburbia (Hanif Kureishi, 1990)+ c8 u' \& e! }3 q
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)& z5 |2 o# h, ?& n) ~9 u2 i
93. Lord of the Flies (William Golding, 1954)
9 }0 E2 I% D# I2 J( H8 {( I92. Cold Comfort Farm (Stella Gibbons, 1932)
( B# y$ Q3 P3 v0 }91. The Forsyte Saga (John Galsworthy, 1922)% v( P3 g+ d( A4 w) R, @
90. The Woman in White (Wilkie Collins, 1859)
J: X6 J8 H$ ?: }89. The Horse’s Mouth (Joyce Cary, 1944)
% }: q+ ]0 X; S2 U4 n1 ~88. The Death of the Heart (Elizabeth Bowen, 1938)0 D$ f( J' y k$ g$ H/ I
87. The Old Wives’ Tale (Arnold Bennett,1908)* H# T& A' T f& j, ^
86. A Legacy (Sybille Bedford, 1956)
& N& _0 H/ f9 U, c+ _. b1 ^8 [5 c85. Regeneration Trilogy (Pat Barker, 1991-1995)
4 k# G! ~# z5 F& m8 U T# {: Y84. Scoop (Evelyn Waugh, 1938)
* j4 @* U# X0 N83. Barchester Towers (Anthony Trollope, 1857)0 h; s$ W* J; Y4 k- e
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
3 R4 T: g$ Z( E1 A81. The Jewel in the Crown (Paul Scott, 1966)
+ F' ?& c" T6 P1 `3 j4 U* j80. Excellent Women (Barbara Pym, 1952)
( F6 u0 M4 y/ C/ n79. His Dark Materials (Philip Pullman, 1995-2000)2 U/ y! h5 a: Q0 u3 O" Z& ]
78. A House for Mr Biswas (VS Naipaul, 1961)
. D" Y: m" i; h- c: S i Y4 W- j77. Of Human Bondage (W Somerset Maugham, 1915) q6 h/ U3 S+ `! _9 T( l
76. Small Island (Andrea Levy, 2004)$ y( q' G4 k8 `$ W6 C' z
75. Women in Love (DH Lawrence, 1920)
- S% D& | q4 D8 b) m) G7 {74. The Mayor of Casterbridge (Thomas Hardy, 1886): i9 E" G0 |5 m, r
73. The Blue Flower (Penelope Fitzgerald, 1995)
: }2 T0 K) q1 c4 Z4 u, \/ h72. The Heart of the Matter (Graham Greene, 1948)" q' O8 H4 G3 O, N& m
71. Old Filth (Jane Gardam, 2004)
+ ~# Q; \ O. Z: s3 c0 B5 A70. Daniel Deronda (George Eliot, 1876)
* j/ g7 o( z" L" B, Z, D. h69. Nostromo (Joseph Conrad, 1904)
9 M) y/ X3 s4 l$ R" p68. A Clockwork Orange (Anthony Burgess, 1962)
, O" v4 m' [4 u# x( }) D- m67. Crash (JG Ballard 1973)
) J* f3 C8 l" s/ f' z66. Sense and Sensibility (Jane Austen, 1811)3 b9 K. Z. O9 _: V
65. Orlando (Virginia Woolf, 1928)
5 ]6 H" D$ l( p! `3 Q1 |64. The Way We Live Now (Anthony Trollope, 1875)
/ D* v* x+ E! L* @6 C4 X63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
; u! w4 z$ B7 y' A4 m1 X6 O1 n62. Animal Farm (George Orwell, 1945)
' c0 j% C( p5 r( E0 V4 |61. The Sea, The Sea (Iris Murdoch, 1978)
* y: D9 W8 @) l* Y' ^# @9 {60. Sons and Lovers (DH Lawrence, 1913)$ J) M8 A/ E7 N; d
59. The Line of Beauty (Alan Hollinghurst, 2004)" F/ t- M' B. z
58. Loving (Henry Green, 1945)3 _: b1 }) ^/ y& r o" A& y
57. Parade’s End (Ford Madox Ford, 1924-1928)
) m3 H4 I( B" F) c56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)- u* J$ ~( U; ]% p0 K
55. Gulliver’s Travels (Jonathan Swift, 1726)
- Y! A2 a3 S2 m2 U2 h# Z i: t54. NW (Zadie Smith, 2012)- {" B M- z: w1 m( x" u
53. Wide Sargasso Sea (Jean Rhys, 1966)
% J) |/ S+ o8 v5 N52. New Grub Street (George Gissing, 1891): V' F5 M4 _7 m) L2 [5 E8 L
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 H/ m: E2 s4 ?1 I! L+ P- f
50. A Passage to India (EM Forster, 1924)8 v! s; k8 h& m
49. Possession (AS Byatt, 1990)# x* |6 p; @1 f/ U Z
48. Lucky Jim (Kingsley Amis, 1954)! f, }! [- l9 D, D4 H
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
. ?) D; ~! O0 u9 v& `9 R8 g46. Midnight’s Children (Salman Rushdie, 1981)
; Y* y; @# I% n8 B, e* j- ?' n! ?45. The Little Stranger (Sarah Waters, 2009)# ]9 ~3 [2 }& E- n' v% y
44. Wolf Hall (Hilary Mantel, 2009)
, o' C ?4 Q$ }' ^43. The Swimming Pool Library (Alan Hollinghurst, 1988)
4 R, t8 P6 x' P42. Brighton Rock (Graham Greene, 1938)& ^* c! g9 u0 h. y( @! s) {/ x
41. Dombey and Son (Charles Dickens, 1848)" Z: K# r- l6 d, w; n
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)1 d. K0 X! a7 f$ q7 D W8 S
39. The Sense of an Ending (Julian Barnes, 2011)
3 s( f3 ?6 A _7 k7 a6 G; {38. The Passion (Jeanette Winterson, 1987)
8 r* f* Z2 n8 c# b# @37. Decline and Fall (Evelyn Waugh, 1928)
! l1 A- n& g8 w. K# y36. A Dance to the Music of Time (Anthony Powell, 1951-1975), }7 T# ]4 E, E. e
35. Remainder (Tom McCarthy, 2005)6 e: H- T2 ?. B" r! S3 R
34. Never Let Me Go (Kazuo Ishiguro, 2005): f2 I0 y7 X* x6 r- R* h
33. The Wind in the Willows (Kenneth Grahame, 1908)
% g) F1 U1 }) e- S; r1 s32. A Room with a View (EM Forster, 1908)& x: ]" k6 s: ]; ~2 x
31. The End of the Affair (Graham Greene, 1951)
J" Y% p$ g: P& W& `# L30. Moll Flanders (Daniel Defoe, 1722)
6 x7 |" e4 Y1 ]3 K29. Brick Lane (Monica Ali, 2003)2 Z) N/ u: }9 }% n% r( S
28. Villette (Charlotte Brontë, 1853)
- X; F( i7 b4 ?27. Robinson Crusoe (Daniel Defoe, 1719)
& {4 f# T3 H; E' I3 ]& }, Z9 u" L Q1 f26. The Lord of the Rings (JRR Tolkien, 1954)
v' G6 Z' u& j: Z. A! m' M8 r1 `. ?25. White Teeth (Zadie Smith, 2000)
, M& \+ M7 y3 p' a24. The Golden Notebook (Doris Lessing, 1962); E' L) Q3 b0 i3 t
23. Jude the Obscure (Thomas Hardy, 1895)
& D t T" S6 P/ o22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)% {# t8 j; A6 z; c
21. Heart of Darkness (Joseph Conrad, 1899)
/ i7 \. G0 Z0 O- F. R M20. Persuasion (Jane Austen, 1817)6 o$ f# j' ^8 B$ y) I0 G' v8 X1 F
19. Emma (Jane Austen, 1815)
' q4 L1 n N! y. J18. Remains of the Day (Kazuo Ishiguro, 1989)* L. Z! y* M; z: \& p
17. Howards End (EM Forster, 1910)
$ `0 H% C+ U3 Y5 D0 O M16. The Waves (Virginia Woolf, 1931) ^1 M |. X, b# I& C" j
15. Atonement (Ian McEwan, 2001)
6 u0 q$ y' U5 a+ G14. Clarissa (Samuel Richardson,1748)% |$ K1 I. m! B" b9 h
13. The Good Soldier (Ford Madox Ford, 1915)
$ G! ]% ]0 a: \ t/ x9 Y12. Nineteen Eighty-Four (George Orwell, 1949)
: G' ~7 ?( M& q# D" p11. Pride and Prejudice (Jane Austen, 1813)/ K, B* Z+ k' w8 @* ?$ F, }- q" c3 u
10. Vanity Fair (William Makepeace Thackeray, 1848)
" L: E0 g" ~3 a; J. T" [, X; v9. Frankenstein (Mary Shelley, 1818)
`! ?8 G H9 M* m8. David Copperfield (Charles Dickens, 1850)( n: C+ w- L8 [5 M+ G, f
7. Wuthering Heights (Emily Brontë, 1847)
: p6 U6 H9 W7 i1 P: }, F* u6. Bleak House (Charles Dickens, 1853)3 q, L% H& y# P$ b/ S) C ?
5. Jane Eyre (Charlotte Brontë, 1847)
1 p! Q6 p* O P" o2 p4. Great Expectations (Charles Dickens, 1861)
! K. Z2 r! h5 q8 I3. Mrs. Dalloway (Virginia Woolf, 1925)9 Q# n9 J/ r$ Q3 \4 o4 B S! q) k
2. To the Lighthouse (Virginia Woolf, 1927)
5 E$ a+ \1 b) b1. Middlemarch (George Eliot, 1874)+ F! O6 F+ F4 X) Z) n) E
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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. F3 h) `4 J* A' w1 a5 x/ G呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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