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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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BBC评出100大英国文学名著
3 ]# |) l2 _. q4 w2 g5 D fhttp://www.bbc.com/culture/story ... test-british-novels0 x3 \0 _( J" [" [0 e! [
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。( v% U+ m2 U& y: [2 T8 P* r
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100. The Code of the Woosters (PG Wodehouse, 1938)
; K; o1 m& I$ e" ?$ L99. There but for the (Ali Smith, 2011)
* D5 A4 h/ z% r! f% v% l* i98. Under the Volcano (Malcolm Lowry,1947)9 {/ M8 @6 Q6 F' t
97. The Chronicles of Narnia (CS Lewis, 1949-1954)8 V" I3 G5 c; U
96. Memoirs of a Survivor (Doris Lessing, 1974)& S5 Z# x) X( o4 V
95. The Buddha of Suburbia (Hanif Kureishi, 1990)* O7 d) \" _5 T/ x( {" J
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)' b5 l0 [6 h( b) J z$ m- D, U5 C, G
93. Lord of the Flies (William Golding, 1954)/ E9 ^5 `' Z" S0 C
92. Cold Comfort Farm (Stella Gibbons, 1932)
9 U4 Z0 r6 A; {* d91. The Forsyte Saga (John Galsworthy, 1922)
( W) B3 B" _+ C6 n! M90. The Woman in White (Wilkie Collins, 1859)
. i& m! f: V2 [) a89. The Horse’s Mouth (Joyce Cary, 1944)
9 Q* B0 U; O# i3 H' ?6 R$ M( M88. The Death of the Heart (Elizabeth Bowen, 1938)
$ W. F& X, D% C1 u$ L6 `87. The Old Wives’ Tale (Arnold Bennett,1908)
: M) Q+ ^& g1 c4 e86. A Legacy (Sybille Bedford, 1956)6 u- L: p' E+ ?, S- [- H
85. Regeneration Trilogy (Pat Barker, 1991-1995)
1 Y" @) S2 {+ r& Y5 t8 q84. Scoop (Evelyn Waugh, 1938)& l& T4 _ M, y$ H
83. Barchester Towers (Anthony Trollope, 1857)/ V2 g% g2 d; a6 k1 d$ ^
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)6 E, }( p4 ?: x- `8 k" B V4 w! ^
81. The Jewel in the Crown (Paul Scott, 1966)
9 c D3 J" m/ e' \' S80. Excellent Women (Barbara Pym, 1952)+ q5 _* _* G7 u' I
79. His Dark Materials (Philip Pullman, 1995-2000)
- a5 n% S$ m6 R' d, Z8 K78. A House for Mr Biswas (VS Naipaul, 1961)+ B# q+ p5 J5 B# K P
77. Of Human Bondage (W Somerset Maugham, 1915)& J& o9 {' U. y9 P6 G4 d
76. Small Island (Andrea Levy, 2004)
3 m H0 L1 ^) R6 W& y2 z. e, J; w75. Women in Love (DH Lawrence, 1920)7 B; p; \; D2 n( R j W/ x$ s
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
+ B7 d! S# h- d9 B( l& q73. The Blue Flower (Penelope Fitzgerald, 1995)
+ m+ h5 A, c- }72. The Heart of the Matter (Graham Greene, 1948)
# F+ t3 L) g6 `9 g2 O1 Z71. Old Filth (Jane Gardam, 2004)! G9 M5 X! B! s. ^* h0 K9 G! T/ U
70. Daniel Deronda (George Eliot, 1876)
3 T* l& I4 u3 v. U+ f5 i% X69. Nostromo (Joseph Conrad, 1904)1 B6 k7 K, S! n- Y$ ^" d" A
68. A Clockwork Orange (Anthony Burgess, 1962)% g& P" d# c8 z1 o
67. Crash (JG Ballard 1973)
3 h; a2 o& T0 D1 ?2 l* t7 E; ?, H4 U: L66. Sense and Sensibility (Jane Austen, 1811)
2 F- R d) @2 ^. ?) s6 ]# R65. Orlando (Virginia Woolf, 1928)- M& ^0 g" `. [; v0 o4 ^( f
64. The Way We Live Now (Anthony Trollope, 1875)
) _9 v) g# R$ [3 ]! q63. The Prime of Miss Jean Brodie (Muriel Spark, 1961) s2 F% m' N; W! S* }* G; K
62. Animal Farm (George Orwell, 1945)
5 }1 {0 Q; L4 V, {61. The Sea, The Sea (Iris Murdoch, 1978)& W4 V9 T, t0 o. i
60. Sons and Lovers (DH Lawrence, 1913)
( H+ L/ b0 v+ @3 z59. The Line of Beauty (Alan Hollinghurst, 2004)
* N; l* n! z9 Z6 S5 y' d- I58. Loving (Henry Green, 1945)' ~3 @/ b* x& q! `$ ]" v( {0 N
57. Parade’s End (Ford Madox Ford, 1924-1928)) |) B8 x2 [/ \. i" d2 T
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
# x" w- ^# z* u55. Gulliver’s Travels (Jonathan Swift, 1726)+ G0 h: W, l4 S; M2 ~
54. NW (Zadie Smith, 2012)' H5 O) B: C9 h- H2 `, s0 F; U
53. Wide Sargasso Sea (Jean Rhys, 1966)2 C6 g v) o9 Z% s1 f
52. New Grub Street (George Gissing, 1891)9 t M+ a4 K6 O' S8 x4 w, B3 z/ A
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
: V1 I* e E+ U" B50. A Passage to India (EM Forster, 1924)' C7 Y1 F- M+ q
49. Possession (AS Byatt, 1990)
" R; d/ a6 Q0 W1 N; ~48. Lucky Jim (Kingsley Amis, 1954)
" f! `8 ^# U/ {0 u: s1 ^47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), B, s, ~( c' [9 t. G+ H$ m. T
46. Midnight’s Children (Salman Rushdie, 1981)6 {) q" r* O- T4 n' I2 P: k7 D2 v
45. The Little Stranger (Sarah Waters, 2009)
q( k9 d( |# L) q' n44. Wolf Hall (Hilary Mantel, 2009). F. u+ s1 [+ ^8 t& E" l1 ]
43. The Swimming Pool Library (Alan Hollinghurst, 1988)& \% ^9 b; u0 s: l/ U" m% ^5 }
42. Brighton Rock (Graham Greene, 1938)
8 z+ g3 ?) @6 v2 H& O: Z# H, f6 \; L41. Dombey and Son (Charles Dickens, 1848)
9 X& o$ w: i. K2 Q40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)- g5 ]6 n8 v+ ?8 u4 R6 U5 b' N
39. The Sense of an Ending (Julian Barnes, 2011): b% m% n( e: f; |7 Z
38. The Passion (Jeanette Winterson, 1987)
& h+ X1 l! Z/ ?% |& p) z# |( n+ G37. Decline and Fall (Evelyn Waugh, 1928)
) W4 |; v8 `/ D5 f. W& r36. A Dance to the Music of Time (Anthony Powell, 1951-1975)* B/ I8 Q" D$ s1 j* H
35. Remainder (Tom McCarthy, 2005)5 I0 K# S& [8 ~% h
34. Never Let Me Go (Kazuo Ishiguro, 2005)9 }! h1 E2 R: c( z" c* p
33. The Wind in the Willows (Kenneth Grahame, 1908)' i* ?! W7 M7 [4 l& l! N. x, @
32. A Room with a View (EM Forster, 1908)3 k8 a6 E/ ]& x* I9 r- f R( Q
31. The End of the Affair (Graham Greene, 1951)% T, D" I( t- ?% |2 }
30. Moll Flanders (Daniel Defoe, 1722). x9 @8 ^ R0 j
29. Brick Lane (Monica Ali, 2003)
3 Z+ }, k. D- x( S+ u5 W& V2 F28. Villette (Charlotte Brontë, 1853)
& Y6 T7 B* {$ r3 r- Q3 A' a27. Robinson Crusoe (Daniel Defoe, 1719)
/ N" K7 c$ N! a; l6 |26. The Lord of the Rings (JRR Tolkien, 1954)
- h4 I( h. ~9 @8 T25. White Teeth (Zadie Smith, 2000)
; t/ _; e4 w7 T H( L$ _24. The Golden Notebook (Doris Lessing, 1962)
( w* O5 L. ~& ?1 ]: E23. Jude the Obscure (Thomas Hardy, 1895)4 M5 F, W- {/ H8 c
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( n( [) X; B' b0 c( [. b8 |% b
21. Heart of Darkness (Joseph Conrad, 1899). C: p) y5 A" l" U1 x8 ?0 o9 r
20. Persuasion (Jane Austen, 1817)# \; f9 u, P+ H7 G3 h, m
19. Emma (Jane Austen, 1815), h; Z: G9 `7 ~
18. Remains of the Day (Kazuo Ishiguro, 1989)
; e' a/ [1 W, N r# D2 X2 C7 `17. Howards End (EM Forster, 1910)
- e* n H) R5 }8 w16. The Waves (Virginia Woolf, 1931)
8 F( n' H: }1 l7 N3 A! j7 Y15. Atonement (Ian McEwan, 2001)* w- e1 W; g' U* M4 Q2 q& I g, k
14. Clarissa (Samuel Richardson,1748)% @8 Q/ U7 E# U& k+ Y& T/ a% }; }
13. The Good Soldier (Ford Madox Ford, 1915)
! X! @9 P( _' t- S8 a/ z: n12. Nineteen Eighty-Four (George Orwell, 1949)2 Q5 P8 f' U d
11. Pride and Prejudice (Jane Austen, 1813)
& V+ B$ M, u1 i6 j R10. Vanity Fair (William Makepeace Thackeray, 1848)& j. r0 m3 Q( l4 X4 M- o/ Q
9. Frankenstein (Mary Shelley, 1818)
: x3 ?3 o8 y# v0 m$ x! L% e8. David Copperfield (Charles Dickens, 1850)
2 Z/ Q) }6 H1 u7 I7. Wuthering Heights (Emily Brontë, 1847)9 ^ D4 t1 h: l' c0 R9 Z7 L
6. Bleak House (Charles Dickens, 1853)
0 {; ~' W, r! ]6 R6 G5. Jane Eyre (Charlotte Brontë, 1847)
b' k/ m B* p7 f/ j# }1 T- P4. Great Expectations (Charles Dickens, 1861)
6 C$ C: u, T9 T+ j3. Mrs. Dalloway (Virginia Woolf, 1925)
7 j/ ^( A, t2 v" G) e# O2 W3 @3 X4 K2. To the Lighthouse (Virginia Woolf, 1927)
$ t. M5 u) A2 H1. Middlemarch (George Eliot, 1874)
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; x7 [+ v' F" [前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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/ u* T; s' N5 t) S D- _呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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