|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
5 N7 ?4 [% Q1 x. Z P
+ B/ S6 P- u! a3 {$ RBBC评出100大英国文学名著
2 e7 H, _- C3 D4 r3 R" bhttp://www.bbc.com/culture/story ... test-british-novels& k# I! z$ f/ G8 T. M$ ?1 ^1 t3 k
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。! Y) u! k6 a) b5 y' o, D
+ O% {$ V* ^5 k9 t5 `
100. The Code of the Woosters (PG Wodehouse, 1938)
- U" ~% G# y- N( t99. There but for the (Ali Smith, 2011). ~* w3 l3 y5 t, g- q# I4 g
98. Under the Volcano (Malcolm Lowry,1947), W! Q+ ]5 ^' \1 R+ E% ]$ Z
97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ R4 Q9 D( x$ D c% n* E
96. Memoirs of a Survivor (Doris Lessing, 1974)5 y; B7 J2 p# V. w: E
95. The Buddha of Suburbia (Hanif Kureishi, 1990)4 U4 d5 P' W4 P" T( O
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
9 ^7 b4 h* Z. b93. Lord of the Flies (William Golding, 1954)9 E( O3 u6 o6 L* i1 ]( A& b
92. Cold Comfort Farm (Stella Gibbons, 1932)+ s5 I0 f6 Q* _2 V
91. The Forsyte Saga (John Galsworthy, 1922)- N+ |* J' R( w8 L1 Z A% O' K, f
90. The Woman in White (Wilkie Collins, 1859)9 g1 y; |+ {' j1 O. t0 L
89. The Horse’s Mouth (Joyce Cary, 1944)* l8 Q& f/ p2 h9 f
88. The Death of the Heart (Elizabeth Bowen, 1938)
9 g" l& t1 @' N: N4 u6 a( X87. The Old Wives’ Tale (Arnold Bennett,1908). L# y$ `% r3 @* y0 f3 N- g
86. A Legacy (Sybille Bedford, 1956)
# R/ g- U- F- Y3 Z85. Regeneration Trilogy (Pat Barker, 1991-1995)
U9 s; ]) f1 L84. Scoop (Evelyn Waugh, 1938)$ s9 _* l t' G
83. Barchester Towers (Anthony Trollope, 1857)/ ~/ u- @5 X( K+ B
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)2 |8 A8 N: i1 M1 ~7 k1 |5 \* M
81. The Jewel in the Crown (Paul Scott, 1966)+ v2 M1 W, z* |
80. Excellent Women (Barbara Pym, 1952)% O' Y, I( L8 } @0 p
79. His Dark Materials (Philip Pullman, 1995-2000)9 m; k9 h: j! A3 {
78. A House for Mr Biswas (VS Naipaul, 1961)
+ H: U2 L$ ?4 {4 v: a77. Of Human Bondage (W Somerset Maugham, 1915)$ w- @. h1 ~! B
76. Small Island (Andrea Levy, 2004). m; |% L3 k/ L9 L
75. Women in Love (DH Lawrence, 1920)
+ }! L0 g3 x/ r& e74. The Mayor of Casterbridge (Thomas Hardy, 1886)" X, K9 t( v$ V3 m! ~$ j- [4 \- S
73. The Blue Flower (Penelope Fitzgerald, 1995)4 h& S* D7 _0 a3 l2 T
72. The Heart of the Matter (Graham Greene, 1948)
8 R. E0 n3 e9 @, V3 ?7 v Z71. Old Filth (Jane Gardam, 2004)
0 X) R: r/ T9 A: L* P70. Daniel Deronda (George Eliot, 1876)
# F. ~: u' j! c0 y$ B69. Nostromo (Joseph Conrad, 1904)3 V: m5 b; C4 ^- [5 q
68. A Clockwork Orange (Anthony Burgess, 1962)3 \9 q8 U+ b, u( w. {4 N
67. Crash (JG Ballard 1973)
6 \, K' t8 }' I1 V1 O. f) \66. Sense and Sensibility (Jane Austen, 1811)
( r5 U4 G* J! Y$ c65. Orlando (Virginia Woolf, 1928)( L% o0 M" c) o# R2 _% D
64. The Way We Live Now (Anthony Trollope, 1875)
/ V- z' M) s0 W i" N3 C63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
t1 y# G. Q0 F8 R* h62. Animal Farm (George Orwell, 1945)2 L$ c3 x3 e% P: N6 F" L" J
61. The Sea, The Sea (Iris Murdoch, 1978)8 o% X0 `4 C2 S/ i4 }
60. Sons and Lovers (DH Lawrence, 1913)8 v! w$ p1 J* _0 X: g
59. The Line of Beauty (Alan Hollinghurst, 2004)% K" ^9 h2 j* } U
58. Loving (Henry Green, 1945)) W! L1 K$ @; K' r& G! Z, q
57. Parade’s End (Ford Madox Ford, 1924-1928)
$ L; i& T$ I. I" o56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)9 v; B! t7 [+ I% _& D0 L* r
55. Gulliver’s Travels (Jonathan Swift, 1726)
% o s1 `' N! g# A+ b3 _# S X54. NW (Zadie Smith, 2012)
; q1 W4 ]* Y5 j5 S6 ?& J53. Wide Sargasso Sea (Jean Rhys, 1966)) y7 [- |( G0 e. F& Y
52. New Grub Street (George Gissing, 1891)
+ A' n( n$ @0 ?9 ~; s z51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 ?' K5 P+ m: U/ T
50. A Passage to India (EM Forster, 1924)& u# b2 S0 h! |- k0 V7 [$ o
49. Possession (AS Byatt, 1990) I& z; G3 _- f
48. Lucky Jim (Kingsley Amis, 1954)
" d- K L/ k7 _1 e; f0 e4 K47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759), g) j" Y8 J& O( \5 O- s
46. Midnight’s Children (Salman Rushdie, 1981)+ ?, h$ W) d8 h* _
45. The Little Stranger (Sarah Waters, 2009)
5 u! @2 D4 l6 N6 K* l+ z44. Wolf Hall (Hilary Mantel, 2009)0 U @+ ]' U) T
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
0 q: u. g+ C6 d4 v42. Brighton Rock (Graham Greene, 1938)
2 z8 h0 i$ |( a; N41. Dombey and Son (Charles Dickens, 1848)
: u; \: f7 v* O- y40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 n* A' i) k6 d% ?
39. The Sense of an Ending (Julian Barnes, 2011)
$ l) }# a: ~$ R6 q" a: e; ^38. The Passion (Jeanette Winterson, 1987)
) B5 k6 q* u% ^) x. x37. Decline and Fall (Evelyn Waugh, 1928)
0 x N6 g, Z7 b1 `36. A Dance to the Music of Time (Anthony Powell, 1951-1975); L( x# c* L! _+ m: V. o3 i
35. Remainder (Tom McCarthy, 2005)" Z$ K5 ?2 m" R4 C4 j2 q
34. Never Let Me Go (Kazuo Ishiguro, 2005)
2 _: U+ [' J* \ ^* E" h; U9 P33. The Wind in the Willows (Kenneth Grahame, 1908)
; B' @; O% o7 o, S; g7 a32. A Room with a View (EM Forster, 1908)
' V) j! c% W1 @31. The End of the Affair (Graham Greene, 1951)' v# ^8 F5 o4 n/ }1 |2 X4 `
30. Moll Flanders (Daniel Defoe, 1722)- W. J, K, a* p6 g3 m: I- F6 U
29. Brick Lane (Monica Ali, 2003)
0 a; ~7 v- f1 B& }+ H2 I6 i28. Villette (Charlotte Brontë, 1853)# s9 X- d' ]4 R2 u2 V
27. Robinson Crusoe (Daniel Defoe, 1719)
" h# @7 E+ D2 l* s9 r26. The Lord of the Rings (JRR Tolkien, 1954)+ `) Y+ P$ L2 e# z: C
25. White Teeth (Zadie Smith, 2000)
7 r1 j4 r: F3 f6 S0 n9 D$ G4 F. _24. The Golden Notebook (Doris Lessing, 1962)
0 \% X7 x4 e+ W, I23. Jude the Obscure (Thomas Hardy, 1895)
# I' k$ A$ q5 A9 I# y22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)/ O( L6 i4 X( T. |
21. Heart of Darkness (Joseph Conrad, 1899)9 V# ?: l/ C; F( p2 v/ b
20. Persuasion (Jane Austen, 1817)# @; J8 W& Z( x4 {" T0 B7 m
19. Emma (Jane Austen, 1815)
1 u; n1 [( C: J' r1 V. I18. Remains of the Day (Kazuo Ishiguro, 1989)8 Z5 |' H- @+ v2 Q3 z7 V; `
17. Howards End (EM Forster, 1910)
4 U, m' M1 v! s* J G9 |" f* _' o16. The Waves (Virginia Woolf, 1931)2 x6 B2 b2 u& O: c& N
15. Atonement (Ian McEwan, 2001)
+ @' p; B: s4 Z8 t+ w" ?14. Clarissa (Samuel Richardson,1748)
7 S9 j0 t; V, A! }' c3 k2 T13. The Good Soldier (Ford Madox Ford, 1915)
8 g0 q% o/ U! g( q7 A# K12. Nineteen Eighty-Four (George Orwell, 1949)
q& w% @9 s9 K w- l11. Pride and Prejudice (Jane Austen, 1813)# b, C$ Y+ F) f: o. @* Q& h M
10. Vanity Fair (William Makepeace Thackeray, 1848)
9 _9 _/ U, c' k& @ m/ }9. Frankenstein (Mary Shelley, 1818)
7 m6 p* ~4 F$ _3 V7 ~8. David Copperfield (Charles Dickens, 1850)
( t* C* N9 s! e) O. W# {7. Wuthering Heights (Emily Brontë, 1847)
6 e" Z" v6 Z% X6. Bleak House (Charles Dickens, 1853)
: T |# B$ f9 \% h( ^5. Jane Eyre (Charlotte Brontë, 1847)
5 M7 W# g6 F' M9 I: h- t7 C/ ]4. Great Expectations (Charles Dickens, 1861)3 k( T( n8 K2 q
3. Mrs. Dalloway (Virginia Woolf, 1925)
! f% p, m2 m6 T# z; N+ C ~2. To the Lighthouse (Virginia Woolf, 1927)
h% r4 K0 G0 G" K, _2 n1. Middlemarch (George Eliot, 1874)
! ]* A' Q3 B7 y+ h0 s
( w8 F2 I7 u' s5 P" G+ V L前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。 w4 I/ D2 }8 Q8 n$ Y9 H5 ~2 r; e! M
$ r' c5 ~* z# ?1 A' \1 T x: U7 }呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
收藏
分享
淘帖
支持
反对
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
楼主
! H, x; w8 Z3 O7 t `1 ?% l4 F
