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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 4 |% x1 C6 I! t7 Z, j
, f! `3 w+ t+ G; Z% Q7 H k: jBBC评出100大英国文学名著
* {+ K4 K! x% \http://www.bbc.com/culture/story ... test-british-novels) ?- F6 M. G* A
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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* {- D& ~* y4 S3 u. I5 |, E; T$ O100. The Code of the Woosters (PG Wodehouse, 1938)7 K$ p9 y* C# a+ y7 F' J
99. There but for the (Ali Smith, 2011)
9 Q% c+ C! e0 J; M9 F+ u98. Under the Volcano (Malcolm Lowry,1947): |$ ] v/ N# z6 h- w t
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
6 {" C d& y+ c# F96. Memoirs of a Survivor (Doris Lessing, 1974)
% g8 p% b: ~3 d8 Y. A- H6 Z95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 H5 H; T" M0 f f" G. D
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824). x7 X# d: v9 h; K" E' H
93. Lord of the Flies (William Golding, 1954)
3 b. J U3 J9 j+ e+ C' V+ w92. Cold Comfort Farm (Stella Gibbons, 1932)
/ H& c8 t2 D/ V6 T5 F6 e2 O' w91. The Forsyte Saga (John Galsworthy, 1922)
% D+ w" I( B) k90. The Woman in White (Wilkie Collins, 1859)
2 X! X8 f1 H, x89. The Horse’s Mouth (Joyce Cary, 1944)$ y# o6 n! s0 v, y: h- w1 C
88. The Death of the Heart (Elizabeth Bowen, 1938)
7 I5 ^; D5 G$ ], Z2 @! ~87. The Old Wives’ Tale (Arnold Bennett,1908)
6 }: F( T6 [0 u# G9 d4 i. @, d* H86. A Legacy (Sybille Bedford, 1956)
( H' V* E( u* |9 E! B' ~2 `3 ?0 |9 d85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 y9 f1 F3 }6 G& g" u84. Scoop (Evelyn Waugh, 1938)1 x- o) \! @) ^0 Y
83. Barchester Towers (Anthony Trollope, 1857)
1 b& R7 `5 U. G3 r w82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)) G! x! n8 d% p9 t% C
81. The Jewel in the Crown (Paul Scott, 1966)5 e& A+ o$ j. v0 S
80. Excellent Women (Barbara Pym, 1952), c- i! {* @' A) w
79. His Dark Materials (Philip Pullman, 1995-2000)2 W: C ~" `) g, j3 r& J7 s% Z
78. A House for Mr Biswas (VS Naipaul, 1961)
4 U* F$ o, p( @4 k9 F# k77. Of Human Bondage (W Somerset Maugham, 1915)- d8 c( P2 b) l G
76. Small Island (Andrea Levy, 2004)5 Q: ]/ F6 R: N# C! Y
75. Women in Love (DH Lawrence, 1920)
7 K! }. C* b7 Q) l ?) x74. The Mayor of Casterbridge (Thomas Hardy, 1886)
# F) v5 v0 b0 e73. The Blue Flower (Penelope Fitzgerald, 1995)) e! N1 f$ ~8 S' z. M& G
72. The Heart of the Matter (Graham Greene, 1948)4 q7 {. m$ Z0 i" g3 Y! c
71. Old Filth (Jane Gardam, 2004)4 ^9 z6 O6 v7 }6 g( I- o0 }
70. Daniel Deronda (George Eliot, 1876)
% [/ I- T6 e' j5 `, ?( a8 M D6 \69. Nostromo (Joseph Conrad, 1904)
; N7 f" L9 w- s2 C68. A Clockwork Orange (Anthony Burgess, 1962)' n: R2 `1 D& V2 t
67. Crash (JG Ballard 1973)) C+ S2 x6 P5 @' u" S3 j1 p4 K6 c
66. Sense and Sensibility (Jane Austen, 1811)+ Y% z( n& N) a3 L5 O* k
65. Orlando (Virginia Woolf, 1928)
) ^8 X! n: k' N64. The Way We Live Now (Anthony Trollope, 1875). `$ Z& Q- C' `, i4 d8 ` z
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)$ @( w' i* o, r& M8 P: P b
62. Animal Farm (George Orwell, 1945)
9 k5 {. a; e; i4 b% [; J61. The Sea, The Sea (Iris Murdoch, 1978)
Q- M) N- B* ^60. Sons and Lovers (DH Lawrence, 1913)' y N# j& S2 `) P: h9 j x
59. The Line of Beauty (Alan Hollinghurst, 2004)
$ a! ~5 }0 l" I1 b58. Loving (Henry Green, 1945)
5 r: g9 U6 Q1 U4 t c1 x" w57. Parade’s End (Ford Madox Ford, 1924-1928)
; K$ {; z1 N' N' H4 w5 k56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 s" l3 ^8 i$ _ B0 }% [+ U# b. r55. Gulliver’s Travels (Jonathan Swift, 1726)
: l1 Y2 p* w3 a Z8 h! P54. NW (Zadie Smith, 2012)
- R3 l/ g( `: q7 ^, w+ r53. Wide Sargasso Sea (Jean Rhys, 1966)
# v3 e6 F1 h W b- K! E' W52. New Grub Street (George Gissing, 1891)
8 X; w: k; u0 t' a5 s51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
p& h. d0 B! F50. A Passage to India (EM Forster, 1924): Z( m3 k* u2 @6 L; `1 V' \; `4 D8 h
49. Possession (AS Byatt, 1990)1 x+ n" g7 i, G5 x y/ ]
48. Lucky Jim (Kingsley Amis, 1954)1 j+ x: \7 h4 o2 E
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* i _0 M/ ]9 I46. Midnight’s Children (Salman Rushdie, 1981)
6 K; d; d/ Z# ]45. The Little Stranger (Sarah Waters, 2009)
L: N5 O Y f, s' Q( ?44. Wolf Hall (Hilary Mantel, 2009)
9 R7 R8 n* N7 }7 m43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- @9 }$ a! r4 t8 t$ E( Q, X3 S) j42. Brighton Rock (Graham Greene, 1938)
+ Z; r7 s) P {0 \41. Dombey and Son (Charles Dickens, 1848)" A) R) p' l1 e+ |
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
, w+ ^' W% p- q s6 ]39. The Sense of an Ending (Julian Barnes, 2011)
I. E b, D w38. The Passion (Jeanette Winterson, 1987)% j1 H: b# d7 w' J$ H
37. Decline and Fall (Evelyn Waugh, 1928)5 r% m3 u7 f: p8 d; s1 J
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)) A/ p) E2 N( ]6 {! [& k
35. Remainder (Tom McCarthy, 2005)7 W9 r4 S; c7 k- I; j
34. Never Let Me Go (Kazuo Ishiguro, 2005)
. y) ?( |$ A2 L0 H) C33. The Wind in the Willows (Kenneth Grahame, 1908)% v/ Y9 {# }( q( V l
32. A Room with a View (EM Forster, 1908)
/ @# l! A* R, I' E0 N! y* p. q31. The End of the Affair (Graham Greene, 1951)' u7 b( m7 H- u- Y0 f; Z5 |2 c% r
30. Moll Flanders (Daniel Defoe, 1722)# R. k. J8 G4 k" |: N2 V
29. Brick Lane (Monica Ali, 2003)
1 n( u/ H6 c- k- P, S28. Villette (Charlotte Brontë, 1853)( }. ~0 u1 p m: S2 B! t2 q
27. Robinson Crusoe (Daniel Defoe, 1719)( n; `) t! N7 ~8 n/ w" E+ k
26. The Lord of the Rings (JRR Tolkien, 1954)
+ @& h# t. M# H# [+ A( G25. White Teeth (Zadie Smith, 2000)6 t* M6 T6 D9 s! g. k1 r
24. The Golden Notebook (Doris Lessing, 1962)2 P L; t y% b+ Y0 h
23. Jude the Obscure (Thomas Hardy, 1895)* }4 @8 s+ A6 A Y9 G3 l6 J2 {$ f
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( S) N4 W9 X7 f6 _$ b+ E3 ^4 {
21. Heart of Darkness (Joseph Conrad, 1899)( N% Z( m/ u, U
20. Persuasion (Jane Austen, 1817)3 U" h* y7 V; ?7 s/ }- Y
19. Emma (Jane Austen, 1815) q: X! A% a2 u3 y
18. Remains of the Day (Kazuo Ishiguro, 1989)5 C/ B2 V: ]! r* k! y5 p
17. Howards End (EM Forster, 1910)
. D3 v3 L& k; m4 A6 d' I16. The Waves (Virginia Woolf, 1931)6 j3 l( H: ?2 c" A, ~
15. Atonement (Ian McEwan, 2001)
; ^4 G' b7 n# p* J9 J5 z14. Clarissa (Samuel Richardson,1748)
0 q. J. q& R3 r, c* I% \13. The Good Soldier (Ford Madox Ford, 1915)
4 |$ f# e0 w( a) R W a8 S12. Nineteen Eighty-Four (George Orwell, 1949)
% i/ n+ B; S/ ^6 g; } W+ R11. Pride and Prejudice (Jane Austen, 1813)
! v8 |- r0 J: f( g0 j1 \( X: N10. Vanity Fair (William Makepeace Thackeray, 1848)1 }9 R W1 \& M: q. f9 X/ X
9. Frankenstein (Mary Shelley, 1818)
; `/ L( K$ w; E! f$ H1 a( Q8. David Copperfield (Charles Dickens, 1850). B. m. |/ k2 y
7. Wuthering Heights (Emily Brontë, 1847)
: |' `; n2 k4 ^6. Bleak House (Charles Dickens, 1853); J( I0 D$ b8 O& l# l) n! X2 [4 T* x
5. Jane Eyre (Charlotte Brontë, 1847)
1 n8 K2 Z% a7 P: ?0 ]9 I4 V4 |, {4. Great Expectations (Charles Dickens, 1861)0 B& y/ {1 g8 @
3. Mrs. Dalloway (Virginia Woolf, 1925)
0 ]- e' l# `+ |3 D. N2. To the Lighthouse (Virginia Woolf, 1927)
- p5 k5 X' y+ U/ D# H; @% |1. Middlemarch (George Eliot, 1874)- J1 z. s% _/ U% x( V* f
2 [! g8 m6 d: f# a' y前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
2 \2 N0 G1 e! I5 X$ d
7 _) v% R* w2 u呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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