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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 Q8 |! Z+ k. [ f# O7 t
" w% Z! v, D5 e$ V. k' L7 W OBBC评出100大英国文学名著
4 y, |4 z# w7 z0 m" R; q6 b+ Whttp://www.bbc.com/culture/story ... test-british-novels l% D" D6 V, H
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。& x- ~( J( A4 n4 c' G# f2 F
% u! M3 }3 W' D7 ^100. The Code of the Woosters (PG Wodehouse, 1938)7 y4 Y+ P! p; b8 D0 N f# d
99. There but for the (Ali Smith, 2011)/ Z1 r2 n* s& J4 _3 k @# J
98. Under the Volcano (Malcolm Lowry,1947)! H% z+ o% a; B$ l5 u
97. The Chronicles of Narnia (CS Lewis, 1949-1954)% S; I0 N$ `2 Z; L% _1 d
96. Memoirs of a Survivor (Doris Lessing, 1974)
) H& D& s+ |# x. D2 x8 g; a95. The Buddha of Suburbia (Hanif Kureishi, 1990)6 d6 h5 N+ ?3 o" c, [: R3 W
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
: T L) y5 d" U- }93. Lord of the Flies (William Golding, 1954)
$ [& W5 ^ l) X' p92. Cold Comfort Farm (Stella Gibbons, 1932)
" w5 X6 c2 u) I) \3 A7 V/ D91. The Forsyte Saga (John Galsworthy, 1922)
" V. u v6 c3 K5 J2 c90. The Woman in White (Wilkie Collins, 1859)6 r2 X7 ?2 N% E. U1 R {
89. The Horse’s Mouth (Joyce Cary, 1944)
& A5 e! W5 r( J1 ?88. The Death of the Heart (Elizabeth Bowen, 1938)# k0 }4 w' k$ ~3 e" [" a# j" M! f: t
87. The Old Wives’ Tale (Arnold Bennett,1908) L! U, F) D/ m k2 S9 R
86. A Legacy (Sybille Bedford, 1956)6 a$ a8 {7 j q' Y3 K
85. Regeneration Trilogy (Pat Barker, 1991-1995)
7 {6 O3 H( _8 C2 d% _. W0 Y2 d8 P1 N84. Scoop (Evelyn Waugh, 1938)
5 T9 |5 G1 d- s; T83. Barchester Towers (Anthony Trollope, 1857)7 o2 K' ]: u& z; {
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)$ I3 F& G1 ?( v2 A- a4 d4 G
81. The Jewel in the Crown (Paul Scott, 1966)3 U, W% B9 W) C3 g2 ?* j' s
80. Excellent Women (Barbara Pym, 1952). \( [6 a8 g' J. s0 k+ `
79. His Dark Materials (Philip Pullman, 1995-2000)1 f, W5 {) W2 [0 W z
78. A House for Mr Biswas (VS Naipaul, 1961)1 X! l, [1 Z# ^+ N& F
77. Of Human Bondage (W Somerset Maugham, 1915)1 p, g: @' V2 u( ^" l( v
76. Small Island (Andrea Levy, 2004)
) d5 }' T( u0 m3 @2 Z75. Women in Love (DH Lawrence, 1920)
; s8 I8 a0 S8 W) [/ i74. The Mayor of Casterbridge (Thomas Hardy, 1886)
2 f2 H/ |2 O6 B( B) O2 W- K, `73. The Blue Flower (Penelope Fitzgerald, 1995)
! E$ ^, W- u1 g; Q9 G8 e Y! t72. The Heart of the Matter (Graham Greene, 1948); [/ X9 m2 F7 u/ c2 ^
71. Old Filth (Jane Gardam, 2004)
8 R7 J$ I4 K$ D! L4 s+ R70. Daniel Deronda (George Eliot, 1876)
( q# C4 R: v/ ~3 j, Y! n69. Nostromo (Joseph Conrad, 1904)! A/ O6 a4 V% Z* C
68. A Clockwork Orange (Anthony Burgess, 1962)1 M5 _- n. T- U: P0 E
67. Crash (JG Ballard 1973)
' K* @! m& v, B n, P66. Sense and Sensibility (Jane Austen, 1811)4 }0 k" c8 m# Z6 h/ _$ O0 g) J
65. Orlando (Virginia Woolf, 1928)6 i7 o2 V H7 M8 `
64. The Way We Live Now (Anthony Trollope, 1875)
4 C% X! G$ f8 y8 z8 U; |63. The Prime of Miss Jean Brodie (Muriel Spark, 1961): A& s( s& O2 W3 g3 C! ^
62. Animal Farm (George Orwell, 1945)9 a8 ]( z; s8 H# N5 |. K
61. The Sea, The Sea (Iris Murdoch, 1978), d, U. e1 f2 j; s
60. Sons and Lovers (DH Lawrence, 1913)( n1 R p e# P0 S
59. The Line of Beauty (Alan Hollinghurst, 2004)
/ c8 |: ~; T! M$ a! p# h! ^58. Loving (Henry Green, 1945)
: r9 n/ b* l9 N' b3 ~, q) X57. Parade’s End (Ford Madox Ford, 1924-1928)
5 v( |, K' ^2 _+ O1 Z56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
- ]$ J3 m" d" F& {7 Y+ M. Z0 h55. Gulliver’s Travels (Jonathan Swift, 1726)3 R8 G* m/ ^- p/ ~' h$ F
54. NW (Zadie Smith, 2012)- C* y, E0 u a7 `( D
53. Wide Sargasso Sea (Jean Rhys, 1966)
4 _. m4 q) n6 b7 X; \- z$ P52. New Grub Street (George Gissing, 1891)
! g+ }* w+ j% k- V) o" G51. Tess of the d’Urbervilles (Thomas Hardy, 1891)' [5 J! S3 ]) z. y6 G7 _
50. A Passage to India (EM Forster, 1924)
`) A1 {$ ^ @+ ?49. Possession (AS Byatt, 1990)
0 n8 m, M1 x$ R9 q48. Lucky Jim (Kingsley Amis, 1954)
, g0 Z2 ]' I2 D47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)1 I( p4 X4 L9 i2 r, w
46. Midnight’s Children (Salman Rushdie, 1981)6 `; i" M6 Q$ M7 H* ^+ U
45. The Little Stranger (Sarah Waters, 2009)+ e5 }; i/ e E
44. Wolf Hall (Hilary Mantel, 2009)
9 m& }* U$ }0 Q, G3 {5 g7 u$ @) l43. The Swimming Pool Library (Alan Hollinghurst, 1988)
6 F) N* [; ~: n* L42. Brighton Rock (Graham Greene, 1938)
2 q$ A, E7 j7 U. |4 e6 T41. Dombey and Son (Charles Dickens, 1848)6 M3 _9 Q; T% N4 l2 h1 J
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)) t8 U3 s" M( W8 c
39. The Sense of an Ending (Julian Barnes, 2011)
1 L% H+ F4 O$ T38. The Passion (Jeanette Winterson, 1987)# U8 S7 K% w/ ^. r. i
37. Decline and Fall (Evelyn Waugh, 1928)0 n3 t/ C5 G7 w! q+ o3 _
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)( B* b+ Q( k9 t# {$ e
35. Remainder (Tom McCarthy, 2005)" _6 W7 |0 C- E5 F. P, H
34. Never Let Me Go (Kazuo Ishiguro, 2005)
# n% X9 M+ ~1 P0 J# D N( T6 q33. The Wind in the Willows (Kenneth Grahame, 1908)
3 X4 h7 G( e' U# v; w; H7 `32. A Room with a View (EM Forster, 1908)2 z) X" x$ @1 X+ O& l
31. The End of the Affair (Graham Greene, 1951)
. s N: S5 U+ L C+ t" }* h, D30. Moll Flanders (Daniel Defoe, 1722)4 l. K1 t1 _. w* G2 V6 ]& `1 ~
29. Brick Lane (Monica Ali, 2003)
M9 u! k: r, t" l$ p28. Villette (Charlotte Brontë, 1853)* I+ x2 T1 Y1 R$ }" x! I
27. Robinson Crusoe (Daniel Defoe, 1719)* w- r9 |' g& s6 |: K& w! v
26. The Lord of the Rings (JRR Tolkien, 1954)
" Q* h+ t* N( |1 f, Z25. White Teeth (Zadie Smith, 2000)
# p9 g1 j4 r9 _1 H1 T7 d0 ?8 t24. The Golden Notebook (Doris Lessing, 1962)3 o2 @. K( w, M5 N
23. Jude the Obscure (Thomas Hardy, 1895)4 f; |% a. ^, ]# P6 ?& I: `1 C
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
: h& y! b; I6 Y+ \0 M21. Heart of Darkness (Joseph Conrad, 1899)/ c" r% c& H1 t
20. Persuasion (Jane Austen, 1817)
5 ?; r4 F. R) H19. Emma (Jane Austen, 1815)+ k, o$ F5 S& i& u t2 P
18. Remains of the Day (Kazuo Ishiguro, 1989)1 c! `: ^5 h4 g. i* W
17. Howards End (EM Forster, 1910)
" E U4 u7 i# G- Z7 Z3 W X5 f16. The Waves (Virginia Woolf, 1931)
9 @, l6 I5 _! }' A/ L7 g15. Atonement (Ian McEwan, 2001)0 C! ^$ m' U# p4 s
14. Clarissa (Samuel Richardson,1748)
. o$ r$ h$ A# ?- {, J13. The Good Soldier (Ford Madox Ford, 1915): O) b$ |* U7 F7 {( s4 V
12. Nineteen Eighty-Four (George Orwell, 1949)
, ?5 @1 `* ^* v V) D" S11. Pride and Prejudice (Jane Austen, 1813)
# |9 h- u) ~8 B% ^( a9 i' n10. Vanity Fair (William Makepeace Thackeray, 1848)8 r l4 L6 [7 T% i7 E7 P' }
9. Frankenstein (Mary Shelley, 1818)
/ R1 Z: ^% Z+ _$ F! c; p9 V8. David Copperfield (Charles Dickens, 1850)
1 f& c! z2 d" M2 ]/ }7. Wuthering Heights (Emily Brontë, 1847)- L9 N+ i* A0 P4 n! o$ c0 S: c
6. Bleak House (Charles Dickens, 1853)
6 T5 B! C8 z9 R8 J5. Jane Eyre (Charlotte Brontë, 1847)! A* O; W+ Z1 D' N) H0 B
4. Great Expectations (Charles Dickens, 1861)
0 }* N0 o: k& k6 i( v& t5 ]8 [3. Mrs. Dalloway (Virginia Woolf, 1925)/ I( l0 t Y% L0 p2 E" D
2. To the Lighthouse (Virginia Woolf, 1927)
) l9 T1 `; l6 V, ?1 l( G1. Middlemarch (George Eliot, 1874)
* |+ O, B- z! Y# |7 T9 i2 \; V5 B) @2 L) r; c3 b% O d
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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( [1 y3 e3 ?+ C9 w' j呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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