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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 6 ~9 I* K: a% [+ h
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BBC评出100大英国文学名著2 q' s8 m0 U7 H$ }) s( c
http://www.bbc.com/culture/story ... test-british-novels
9 x, W- z0 e6 D, {惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。7 i$ c# N6 u2 |' |
* r. o# }* |# H; t- e5 @100. The Code of the Woosters (PG Wodehouse, 1938)
r, h; n' e( o4 c! i, P$ x99. There but for the (Ali Smith, 2011)
' y/ v) O$ p, a7 t* M8 s98. Under the Volcano (Malcolm Lowry,1947)
+ r4 _, i) f' f: N4 E. B% V% @97. The Chronicles of Narnia (CS Lewis, 1949-1954)% t" ~4 C7 y# N! P# }
96. Memoirs of a Survivor (Doris Lessing, 1974), S- i% m3 _8 J* Z- O; b# X8 N
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
7 x/ @' {( z' |9 V' ]" [; U- L94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 f( W& m: M8 v! m, A; K93. Lord of the Flies (William Golding, 1954)7 f+ O @' @- ^
92. Cold Comfort Farm (Stella Gibbons, 1932)* R2 C- [3 ^4 M5 o( h* Q( d. D2 \
91. The Forsyte Saga (John Galsworthy, 1922)+ B$ X# Q6 [4 U* X6 Q
90. The Woman in White (Wilkie Collins, 1859)+ L/ Y& d8 @, J
89. The Horse’s Mouth (Joyce Cary, 1944)+ Q: V' b! P5 Y+ X+ x6 o8 S2 m
88. The Death of the Heart (Elizabeth Bowen, 1938)
6 t, h8 G8 C7 D* _% d0 z z6 m" X87. The Old Wives’ Tale (Arnold Bennett,1908)
# x) t$ [5 y& U4 n# c86. A Legacy (Sybille Bedford, 1956)" o0 O) D1 Q5 y+ r8 S5 Y
85. Regeneration Trilogy (Pat Barker, 1991-1995)
) e' z" i$ w& ~' |: L N' g84. Scoop (Evelyn Waugh, 1938)+ ^ c v/ P# s( l
83. Barchester Towers (Anthony Trollope, 1857)
" n7 n) N( D- L5 m: V3 D82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
" d8 T1 U$ J9 M9 d. d' u81. The Jewel in the Crown (Paul Scott, 1966)
9 R2 }+ `' A. Z80. Excellent Women (Barbara Pym, 1952)
: A( G/ J2 ]+ z9 O4 L7 @79. His Dark Materials (Philip Pullman, 1995-2000)
8 v3 T3 k+ R6 R' G* V1 G78. A House for Mr Biswas (VS Naipaul, 1961)
' H; q" Q3 i; ?% g/ G. U y- m( L, J77. Of Human Bondage (W Somerset Maugham, 1915)
4 `: u* c* Z( Z, t4 V8 Z# P76. Small Island (Andrea Levy, 2004)
: ?& ~- O e8 h7 b g: h75. Women in Love (DH Lawrence, 1920)
& {) @0 [# h" Y8 t( p' ^74. The Mayor of Casterbridge (Thomas Hardy, 1886)
- m- t, L/ ^( U5 R6 x7 |73. The Blue Flower (Penelope Fitzgerald, 1995)
( z# @; } d: o2 o$ f72. The Heart of the Matter (Graham Greene, 1948)- j+ ]4 u1 H6 r$ V
71. Old Filth (Jane Gardam, 2004)
R; @* S& @( K* J3 o- v70. Daniel Deronda (George Eliot, 1876)8 @; Q7 f0 i+ j+ i, j9 x ?
69. Nostromo (Joseph Conrad, 1904)
" G; p. i1 b6 O/ Z/ j3 v68. A Clockwork Orange (Anthony Burgess, 1962)
3 f/ t8 g N$ w5 Z5 D9 l) Z( ?! k% [" |67. Crash (JG Ballard 1973)
+ U4 a$ @3 r) ?5 @( J% v66. Sense and Sensibility (Jane Austen, 1811)
, G$ F$ L3 S' }& l: s; F- M65. Orlando (Virginia Woolf, 1928)2 j; ?6 a) S5 M; |
64. The Way We Live Now (Anthony Trollope, 1875)
! T' ~3 ^# R( A) }) L# R A63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
/ u/ p& U2 G" @# p" t0 ~62. Animal Farm (George Orwell, 1945)8 b5 l( ^# Y" K( t
61. The Sea, The Sea (Iris Murdoch, 1978)# }8 E' K. k2 m7 }+ e
60. Sons and Lovers (DH Lawrence, 1913)
8 K7 f$ Z: r' J59. The Line of Beauty (Alan Hollinghurst, 2004)4 R$ U- \ u% R5 H
58. Loving (Henry Green, 1945)5 U( V8 I- o9 M! _/ K- R; c
57. Parade’s End (Ford Madox Ford, 1924-1928); ]: x% W9 c! R6 B5 Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985), j# ]2 s$ y4 o% a J w8 C
55. Gulliver’s Travels (Jonathan Swift, 1726)2 g/ [4 p# p8 E. c6 n5 \8 ?) f
54. NW (Zadie Smith, 2012)
; P6 {: n$ Q4 R# N53. Wide Sargasso Sea (Jean Rhys, 1966)
1 G) G. J0 l. W2 M' u52. New Grub Street (George Gissing, 1891)0 t& g& a1 _8 ?) t) l8 @7 [2 O
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
- {0 h0 E* p- F* M50. A Passage to India (EM Forster, 1924)
; A* R! _) C1 V" c" p0 R+ j49. Possession (AS Byatt, 1990)# U: x; S* Z) ]& V7 r9 P' s
48. Lucky Jim (Kingsley Amis, 1954)! l6 Y: G d$ T
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)) S1 L! @: X% I2 P! n
46. Midnight’s Children (Salman Rushdie, 1981)6 x2 f( O8 o* h- f) b3 j
45. The Little Stranger (Sarah Waters, 2009)
- b* I# R8 i2 N% m0 O; q5 a5 `! X# |44. Wolf Hall (Hilary Mantel, 2009)- O8 W! e: _+ \! i- P: Q
43. The Swimming Pool Library (Alan Hollinghurst, 1988): t5 D& ~# a' X c& V6 o- }
42. Brighton Rock (Graham Greene, 1938)& }% J3 K& o; ]% L, V
41. Dombey and Son (Charles Dickens, 1848)
O' _. q7 _& }40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: V& u/ q5 Y6 ~! N: w r$ W39. The Sense of an Ending (Julian Barnes, 2011)) U( R! I" H/ h' ~1 x' ?$ X
38. The Passion (Jeanette Winterson, 1987). V7 M* w) l0 m# r. P9 _
37. Decline and Fall (Evelyn Waugh, 1928)7 K4 j8 D$ ~/ ^* h) v1 I
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
+ [% ^! ~8 D9 z x4 K35. Remainder (Tom McCarthy, 2005): P1 r0 m' L8 v. u5 s% C3 U! A
34. Never Let Me Go (Kazuo Ishiguro, 2005)4 i8 M# K0 [2 Z* |8 ?8 O* B" y
33. The Wind in the Willows (Kenneth Grahame, 1908)$ @6 L5 C; U- D) a7 k& Y
32. A Room with a View (EM Forster, 1908)
6 Y( z% P) Y. @6 i& h, S2 h+ J31. The End of the Affair (Graham Greene, 1951)- \4 Y8 b. h# ^ X3 F: q8 V
30. Moll Flanders (Daniel Defoe, 1722), @, H7 l7 X. G2 S0 h% D9 ?/ b
29. Brick Lane (Monica Ali, 2003)
e1 w9 d) e* T7 n/ H28. Villette (Charlotte Brontë, 1853)
( R1 Y4 A7 u9 x8 y9 M% P& Q27. Robinson Crusoe (Daniel Defoe, 1719)
# @7 F5 G, }+ P6 X. B26. The Lord of the Rings (JRR Tolkien, 1954)" O: f j2 [5 q* [! p% j5 T0 m
25. White Teeth (Zadie Smith, 2000)
5 v# S2 z7 d1 E/ f- m' Z) m3 r, {2 c24. The Golden Notebook (Doris Lessing, 1962)7 d( K5 D2 v/ i9 ^: n: H; Y
23. Jude the Obscure (Thomas Hardy, 1895)& N/ j1 O3 C' K# h, U4 y1 [; x
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( n. r& ^. M# O8 t" W2 ?4 c$ t* N
21. Heart of Darkness (Joseph Conrad, 1899)
* w6 N7 m0 @3 k3 k2 O I G20. Persuasion (Jane Austen, 1817)
2 k% x" \0 w' T! M" Q19. Emma (Jane Austen, 1815)
1 f: x/ j9 h) |. z18. Remains of the Day (Kazuo Ishiguro, 1989)% b1 G+ r6 u$ L" v# h: o- X# D+ j
17. Howards End (EM Forster, 1910)/ |( O$ i1 f7 Q% L) P
16. The Waves (Virginia Woolf, 1931)
1 }; b" j( Q4 g0 H& p# y" \15. Atonement (Ian McEwan, 2001)
7 S7 E8 |& y, f( W14. Clarissa (Samuel Richardson,1748)/ Q3 F) O1 W# U) s& A6 Y
13. The Good Soldier (Ford Madox Ford, 1915)
/ `2 B3 `) I) Q$ Q7 @12. Nineteen Eighty-Four (George Orwell, 1949)
6 G* x" u: }: ^: q- \5 c11. Pride and Prejudice (Jane Austen, 1813); P& S4 P! t6 v( W; f
10. Vanity Fair (William Makepeace Thackeray, 1848)" `' e( m+ \3 Q! K, K3 X+ @3 o0 C
9. Frankenstein (Mary Shelley, 1818)8 i7 o; t- J3 z9 ~2 \
8. David Copperfield (Charles Dickens, 1850)
" W$ f' F R" W1 J4 H7. Wuthering Heights (Emily Brontë, 1847)0 u2 g) L# J2 \0 ?- T. D* |9 t8 r
6. Bleak House (Charles Dickens, 1853)
% k. F" K7 u' O" D5. Jane Eyre (Charlotte Brontë, 1847)) o# |! s" Z, b( a
4. Great Expectations (Charles Dickens, 1861)' H3 z. }& a* p6 U
3. Mrs. Dalloway (Virginia Woolf, 1925), p- u4 \2 \0 }( ~: X
2. To the Lighthouse (Virginia Woolf, 1927)
5 k' H$ V9 w/ w# g1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。/ g1 v8 g/ L: x# Q3 @
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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