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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 % c% A+ R4 A! Z" m9 h
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BBC评出100大英国文学名著& l+ ?7 ?0 |2 j5 w6 O7 D' n: q
http://www.bbc.com/culture/story ... test-british-novels: o0 A) }: y7 c. |
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。# T+ a9 g- ]3 n
# G" ^/ D5 k7 R: c7 e7 P100. The Code of the Woosters (PG Wodehouse, 1938)
2 e+ M2 w9 P9 [( J/ ]2 ]99. There but for the (Ali Smith, 2011)
! \! S! j" P3 u, d {1 i98. Under the Volcano (Malcolm Lowry,1947)) z. L6 a, I- H9 P
97. The Chronicles of Narnia (CS Lewis, 1949-1954): i( E; z6 ?3 F
96. Memoirs of a Survivor (Doris Lessing, 1974)) k' @ L4 Y; L0 m% I" j
95. The Buddha of Suburbia (Hanif Kureishi, 1990). n0 V0 ^$ h) ~( ?
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
2 `. y4 S0 W% |; ?& z93. Lord of the Flies (William Golding, 1954)
* I2 p3 V r& ~& n" o3 M, t9 ~! v92. Cold Comfort Farm (Stella Gibbons, 1932)5 w+ _, |. h, {; v. y
91. The Forsyte Saga (John Galsworthy, 1922)
7 U* S& X4 P5 G3 g& F8 Z90. The Woman in White (Wilkie Collins, 1859)
$ V1 e6 h0 m \7 z89. The Horse’s Mouth (Joyce Cary, 1944)
( f: z4 C- @8 L d! k; n5 B2 ?9 f88. The Death of the Heart (Elizabeth Bowen, 1938)
7 d- f( u3 |8 v4 C7 s: H1 U87. The Old Wives’ Tale (Arnold Bennett,1908)
3 u" [8 K" i. U& Q8 b86. A Legacy (Sybille Bedford, 1956)4 d& a: g1 x1 ]! [; M9 _/ s, L
85. Regeneration Trilogy (Pat Barker, 1991-1995)4 N& o3 Y# Z$ s3 T4 ?5 R1 {
84. Scoop (Evelyn Waugh, 1938)4 E7 |2 p8 a6 u4 [
83. Barchester Towers (Anthony Trollope, 1857); d9 u) ?$ c$ n* _: L. b9 c2 o7 c
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
8 `+ v1 T0 M g0 Q, d, \81. The Jewel in the Crown (Paul Scott, 1966)
' s: d3 V2 R$ T80. Excellent Women (Barbara Pym, 1952)
; w) e/ `, K% z$ N+ Q, [79. His Dark Materials (Philip Pullman, 1995-2000)3 e8 V& @7 g" l" X# P
78. A House for Mr Biswas (VS Naipaul, 1961)
* a9 N3 q9 s0 ]8 e77. Of Human Bondage (W Somerset Maugham, 1915)! f0 K3 Y4 Q* f" W5 K
76. Small Island (Andrea Levy, 2004)
4 A$ B- V4 t+ W7 V6 K8 v g! Q75. Women in Love (DH Lawrence, 1920)+ I( ?+ c$ G* p4 l$ l! u9 X
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
9 W7 [& ]7 |2 |+ Y73. The Blue Flower (Penelope Fitzgerald, 1995)( U( q* W3 a/ B* a# A& p
72. The Heart of the Matter (Graham Greene, 1948)6 _ m; \. Z7 b! B4 Z$ M
71. Old Filth (Jane Gardam, 2004)+ m' q, t2 s' u. c, t. G- Q4 E
70. Daniel Deronda (George Eliot, 1876)
% S) k6 n* q- b3 B$ _69. Nostromo (Joseph Conrad, 1904)
! Z) L- ^% X$ A- b68. A Clockwork Orange (Anthony Burgess, 1962) {7 H' ~- v. g3 S
67. Crash (JG Ballard 1973)
0 `( n' c5 v: H% B/ ^5 O66. Sense and Sensibility (Jane Austen, 1811)8 y. Z) M9 G1 I. p- B, Z( j( k
65. Orlando (Virginia Woolf, 1928); [ o: P! Y4 `! r: K' m
64. The Way We Live Now (Anthony Trollope, 1875)
. ~# K0 B8 H2 ^4 X2 x63. The Prime of Miss Jean Brodie (Muriel Spark, 1961). ?1 u8 I$ _6 y. B( t, Q: O; u3 r
62. Animal Farm (George Orwell, 1945); z) d$ C3 j, K9 g- U" }* O
61. The Sea, The Sea (Iris Murdoch, 1978)' Y6 z3 {5 _8 _3 y6 m# E
60. Sons and Lovers (DH Lawrence, 1913)5 z [3 [' Z3 W [: C
59. The Line of Beauty (Alan Hollinghurst, 2004)
% z' Q4 ?) g6 _- `6 p+ ]58. Loving (Henry Green, 1945)
- }, E9 M4 n6 z57. Parade’s End (Ford Madox Ford, 1924-1928), O' j7 B+ ~4 E
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
+ U6 O) A, y: k, m- q; X/ q55. Gulliver’s Travels (Jonathan Swift, 1726)
& _$ K. e' j' [" F7 a% Y# m54. NW (Zadie Smith, 2012)5 n+ Y6 C/ H+ }+ V
53. Wide Sargasso Sea (Jean Rhys, 1966)
) O4 x3 E' }6 C4 N1 [) M52. New Grub Street (George Gissing, 1891)2 }6 T6 Y0 T% ^6 J
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)* }+ B/ F# L9 n6 D* t( e5 F
50. A Passage to India (EM Forster, 1924)
. H: ?2 T. ^8 \8 {% S49. Possession (AS Byatt, 1990)9 n& h& Q2 w- p; e; S
48. Lucky Jim (Kingsley Amis, 1954)) E! U$ S! k% e
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759) Z W7 ^' f/ m# Y- J
46. Midnight’s Children (Salman Rushdie, 1981), r' n/ E/ H9 z; Q7 e
45. The Little Stranger (Sarah Waters, 2009)
1 h! F; A4 p3 T44. Wolf Hall (Hilary Mantel, 2009); n8 t0 W1 ^) F8 V
43. The Swimming Pool Library (Alan Hollinghurst, 1988). @5 X5 e' k6 c- Y
42. Brighton Rock (Graham Greene, 1938)
3 n' k" M d# Y+ {41. Dombey and Son (Charles Dickens, 1848)
$ A# M9 X$ K6 Y% g( ?9 h40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
: R! n: ~+ l3 \7 N( V39. The Sense of an Ending (Julian Barnes, 2011)
- @6 R' Z" ~/ w38. The Passion (Jeanette Winterson, 1987)3 T" Q+ M3 \" r- ~1 E# N. G- T
37. Decline and Fall (Evelyn Waugh, 1928)) z1 x) |+ R" S) ~- g( P: ]* A9 o
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
/ u c' n2 s/ L3 N7 @( G# q35. Remainder (Tom McCarthy, 2005)) z# h& [; J" ?$ a+ ?' o
34. Never Let Me Go (Kazuo Ishiguro, 2005) o4 u( I$ G1 i9 q
33. The Wind in the Willows (Kenneth Grahame, 1908)
, o4 \, a) Z2 o$ u32. A Room with a View (EM Forster, 1908)9 z6 M+ q' N2 H/ V" P1 p; T) a
31. The End of the Affair (Graham Greene, 1951)
4 E0 |* V& r* A4 y$ f7 W30. Moll Flanders (Daniel Defoe, 1722)
1 s) l3 L8 d4 O29. Brick Lane (Monica Ali, 2003)
$ I0 _& m% V, r: a28. Villette (Charlotte Brontë, 1853)# Z0 r- p! [7 K5 D0 C5 @/ g; w
27. Robinson Crusoe (Daniel Defoe, 1719)* w) j% m; S9 B! n! R
26. The Lord of the Rings (JRR Tolkien, 1954)
0 V0 g* G, v3 @$ c+ ]25. White Teeth (Zadie Smith, 2000)
4 N: F9 q: p/ } s! C3 D24. The Golden Notebook (Doris Lessing, 1962)
3 o3 |* O4 v, Z- f) l- e+ J$ G23. Jude the Obscure (Thomas Hardy, 1895)1 _3 U2 J" ]$ j9 [3 O9 i
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
( ]2 ]& d! N* x0 V! Z$ v21. Heart of Darkness (Joseph Conrad, 1899)
9 y' c- o) ^9 z3 B; p1 l4 X20. Persuasion (Jane Austen, 1817)
) ?" D$ ]* p" @" f; b% ~19. Emma (Jane Austen, 1815)6 i3 {" W3 T1 g3 w) U7 M$ L
18. Remains of the Day (Kazuo Ishiguro, 1989)/ R! _' u7 R) J) B
17. Howards End (EM Forster, 1910)
7 r) l+ |) Y3 S6 ~8 b16. The Waves (Virginia Woolf, 1931)
6 j2 y6 l' p! ^- ?; K15. Atonement (Ian McEwan, 2001)
2 O* b+ ~! h& q! U" E14. Clarissa (Samuel Richardson,1748); O& m+ y% Z2 ^& b" l
13. The Good Soldier (Ford Madox Ford, 1915)
2 \1 H6 y: J* m+ E12. Nineteen Eighty-Four (George Orwell, 1949)
5 o1 w& I2 h% ?4 h11. Pride and Prejudice (Jane Austen, 1813)
9 `2 \- s) M' {- a% M10. Vanity Fair (William Makepeace Thackeray, 1848)
* g4 Q' X k' [9. Frankenstein (Mary Shelley, 1818)3 r) }0 f7 N' X
8. David Copperfield (Charles Dickens, 1850), q& T' m' y: s) V+ v/ K: {
7. Wuthering Heights (Emily Brontë, 1847)/ y2 t' n4 C- Z/ A1 B
6. Bleak House (Charles Dickens, 1853)
F9 h0 h3 @5 F3 L5. Jane Eyre (Charlotte Brontë, 1847)
, u) M+ \' v3 ]2 e2 q Z! y4. Great Expectations (Charles Dickens, 1861)/ f' p3 ?1 n6 d- `- w- @5 d
3. Mrs. Dalloway (Virginia Woolf, 1925)
7 g: b Q4 H" ]) D1 ] l" k2. To the Lighthouse (Virginia Woolf, 1927)
% c% _9 u X' b7 X. h6 m4 `8 v1. Middlemarch (George Eliot, 1874), o8 q# F; c: h7 B3 d. F+ }
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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: l" h, L$ a7 U呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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