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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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" U1 C2 d* k4 zBBC评出100大英国文学名著
1 ?) O; w; _' [. C" D& Chttp://www.bbc.com/culture/story ... test-british-novels
% m! |) @: r0 S' \0 s惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。) q1 G# E8 |. X6 `3 B8 A6 s
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100. The Code of the Woosters (PG Wodehouse, 1938); y: }0 U- r6 V: |; R4 E/ \6 ~
99. There but for the (Ali Smith, 2011)% v0 H% R- |% R. h0 r/ A( Y) T
98. Under the Volcano (Malcolm Lowry,1947)) J. Z8 W, D+ O5 C M4 T! Y4 R! C
97. The Chronicles of Narnia (CS Lewis, 1949-1954)7 f7 t" W9 C2 ]# m
96. Memoirs of a Survivor (Doris Lessing, 1974)
" _6 a7 O+ c/ l+ V; A95. The Buddha of Suburbia (Hanif Kureishi, 1990)
3 x8 F; d4 l! [94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824); S0 d+ k' `$ f0 Z
93. Lord of the Flies (William Golding, 1954)9 D- L. Z9 w7 o3 @- `
92. Cold Comfort Farm (Stella Gibbons, 1932). e0 T' p0 f7 J: C9 I% w' ?) `
91. The Forsyte Saga (John Galsworthy, 1922)
k4 U( r$ ?+ K: k- B90. The Woman in White (Wilkie Collins, 1859)* e* E. s6 N# V% m& U7 W) y
89. The Horse’s Mouth (Joyce Cary, 1944)
$ U! `' ?$ v6 r+ a- s b" n88. The Death of the Heart (Elizabeth Bowen, 1938)
- }9 [& W" V; t: r, A87. The Old Wives’ Tale (Arnold Bennett,1908)# O& {7 Z: S- t; J. @, k3 p
86. A Legacy (Sybille Bedford, 1956)
- t4 `$ D% o2 @9 O+ t85. Regeneration Trilogy (Pat Barker, 1991-1995) b9 I; ~. T1 h4 c
84. Scoop (Evelyn Waugh, 1938)
9 u+ s: S, ^& v+ `4 q83. Barchester Towers (Anthony Trollope, 1857)( T* h/ }! ]& ^/ L9 }( m; Z
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
! Q6 Z, @& s6 _# q& k9 Z81. The Jewel in the Crown (Paul Scott, 1966)
, z& {4 \0 l$ L! \- ?( K; Y1 p80. Excellent Women (Barbara Pym, 1952)( A1 a) A; t7 u* u" h8 K' b9 h
79. His Dark Materials (Philip Pullman, 1995-2000)
# O0 e& u; q# G9 r78. A House for Mr Biswas (VS Naipaul, 1961)
: s5 I# a) }0 V77. Of Human Bondage (W Somerset Maugham, 1915)
, n0 L+ Z" L2 p% z$ D5 e5 q0 H76. Small Island (Andrea Levy, 2004)
, H0 f1 N! k% {* R75. Women in Love (DH Lawrence, 1920). a. }# p6 k- j# X
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
! w* X, |' G) U+ p73. The Blue Flower (Penelope Fitzgerald, 1995)* D, P4 z$ g3 y1 H+ V
72. The Heart of the Matter (Graham Greene, 1948)9 p, X8 U ^: d0 b& q; `/ \: t
71. Old Filth (Jane Gardam, 2004)
( ?* N9 E6 M; y' m: o70. Daniel Deronda (George Eliot, 1876) B8 L |1 Q0 n1 z2 c
69. Nostromo (Joseph Conrad, 1904): i Q$ H8 V N# r/ C
68. A Clockwork Orange (Anthony Burgess, 1962)
: H3 d" p; |: P' U4 |67. Crash (JG Ballard 1973)& @& {1 t3 t; z7 s# f. ~( W" I
66. Sense and Sensibility (Jane Austen, 1811)
3 M7 ?- l. k% y M/ N65. Orlando (Virginia Woolf, 1928)' C% _+ \1 r9 i9 x
64. The Way We Live Now (Anthony Trollope, 1875). z8 ?# _5 _" L: A
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)9 u8 \; \. q( b$ E
62. Animal Farm (George Orwell, 1945)
/ I! F$ }# Q! u9 Y, t" K: h61. The Sea, The Sea (Iris Murdoch, 1978)5 C/ A$ G$ G% u2 P1 `9 k# V8 W* s
60. Sons and Lovers (DH Lawrence, 1913)
9 l# P) ~2 R8 V; R7 y59. The Line of Beauty (Alan Hollinghurst, 2004)
$ N4 p, G" D' Z4 A. c% L58. Loving (Henry Green, 1945)! A: Y7 S) v4 N
57. Parade’s End (Ford Madox Ford, 1924-1928)
1 l. g& O# ?# k9 e56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)4 W0 t2 K5 _. c( t) k$ z2 {
55. Gulliver’s Travels (Jonathan Swift, 1726)
8 w$ n& V) M r$ [# V& n# r1 {% L54. NW (Zadie Smith, 2012)6 A2 \6 f# m: K3 q
53. Wide Sargasso Sea (Jean Rhys, 1966)
* N: W% }5 t, o6 P6 i52. New Grub Street (George Gissing, 1891) w; @: _+ j7 A% ^
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)0 b; X5 Q; o) H& |# c3 \) ^
50. A Passage to India (EM Forster, 1924)
9 \2 P6 e, E* D! A$ d, C49. Possession (AS Byatt, 1990)
7 v$ t% k8 B, a$ H/ |( E48. Lucky Jim (Kingsley Amis, 1954)" o: U8 Q3 H/ b% D7 j1 f: b4 {
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)/ j) ^1 ^$ T" u" e5 f) H& ?: `
46. Midnight’s Children (Salman Rushdie, 1981)+ H( U- ] ^7 S0 T) o! z; w6 f K* Y
45. The Little Stranger (Sarah Waters, 2009)
- S2 N p7 K% l! i+ Y44. Wolf Hall (Hilary Mantel, 2009)% ?9 T, R9 e3 V1 p9 f% N/ Z
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
! V* d( F ^+ V; i42. Brighton Rock (Graham Greene, 1938)$ G* m8 x' W- O$ R+ R: N
41. Dombey and Son (Charles Dickens, 1848)' R4 R3 Z8 l3 [% [( B! |: R
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
0 E o4 u1 V& w& U- d2 t4 E39. The Sense of an Ending (Julian Barnes, 2011)
+ E6 \0 H( Q* [# n38. The Passion (Jeanette Winterson, 1987): c) ~; p4 {$ W6 q. U
37. Decline and Fall (Evelyn Waugh, 1928)$ S! Z8 V z# I( o! X5 r8 [: G8 k
36. A Dance to the Music of Time (Anthony Powell, 1951-1975) h F% x& t) I% |, Y i, |1 P
35. Remainder (Tom McCarthy, 2005)- h5 X: A( \, |2 u, ^5 q
34. Never Let Me Go (Kazuo Ishiguro, 2005)
+ `) K* t' i& H* z L33. The Wind in the Willows (Kenneth Grahame, 1908)" D: U- S: {- a6 ]" h- x7 ]! _
32. A Room with a View (EM Forster, 1908)
7 h* ]& v" t6 a& A7 F- g31. The End of the Affair (Graham Greene, 1951)
; r9 D: T6 E$ y30. Moll Flanders (Daniel Defoe, 1722)
9 A9 E1 K$ \/ [& y29. Brick Lane (Monica Ali, 2003)
: M1 [3 ^$ t- }0 m7 L) U28. Villette (Charlotte Brontë, 1853)
) i" j2 T) r2 l27. Robinson Crusoe (Daniel Defoe, 1719)8 n! r$ } j' G" ]$ H* Q: g, t1 e
26. The Lord of the Rings (JRR Tolkien, 1954); E( e; y8 o, K6 v9 y0 Z* r
25. White Teeth (Zadie Smith, 2000)
& L. V$ X" @' t7 [& x/ c24. The Golden Notebook (Doris Lessing, 1962)+ e0 V2 w1 L0 D) z' e
23. Jude the Obscure (Thomas Hardy, 1895)! ^ @$ h0 F) Z* V
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
4 d0 q! r8 ^6 l7 H( V/ T) N21. Heart of Darkness (Joseph Conrad, 1899)
/ N6 r3 h7 @2 F- e3 @" j8 {% a20. Persuasion (Jane Austen, 1817)
! q' E7 s3 K0 O19. Emma (Jane Austen, 1815)
, D4 }* e9 [# F! O" M18. Remains of the Day (Kazuo Ishiguro, 1989)( h" @; L6 W$ i5 Z
17. Howards End (EM Forster, 1910)$ m9 X- i9 m6 I2 [! C
16. The Waves (Virginia Woolf, 1931)" h- x. H/ H. W2 G
15. Atonement (Ian McEwan, 2001)% I% q7 E/ }. Q% L: f! N. y
14. Clarissa (Samuel Richardson,1748)
3 L- E" u1 O8 X13. The Good Soldier (Ford Madox Ford, 1915)- ~" x7 m& q- M8 v9 V
12. Nineteen Eighty-Four (George Orwell, 1949)
7 c% D8 A, |( ?- J+ P11. Pride and Prejudice (Jane Austen, 1813)
, |0 Q, x8 Y. C3 G" Q" H' e L10. Vanity Fair (William Makepeace Thackeray, 1848)
% P5 G" \* V- y" L& c7 k9. Frankenstein (Mary Shelley, 1818)
5 j4 X4 d6 H% ], p( r& t. L( z8. David Copperfield (Charles Dickens, 1850)6 ?1 w2 K5 E% K+ N
7. Wuthering Heights (Emily Brontë, 1847)
: X4 r' o% r3 \, S6. Bleak House (Charles Dickens, 1853)* U5 c C% [$ X8 d, D, w" X
5. Jane Eyre (Charlotte Brontë, 1847)
8 Y5 t1 L) r- B1 Z: Y9 o* p4. Great Expectations (Charles Dickens, 1861)' h3 f6 x! z# t& C- \
3. Mrs. Dalloway (Virginia Woolf, 1925)
x& t" W9 M) o2 D2. To the Lighthouse (Virginia Woolf, 1927)7 x5 z6 j6 D3 Z. h+ d5 E
1. Middlemarch (George Eliot, 1874). h1 \2 C @& J, |
9 F3 w* u8 O3 L" M g j1 z5 Q! c前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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/ ? z [4 o5 A; p3 m% @% R! P1 f呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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