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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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( ?7 g' c9 V3 A9 \BBC评出100大英国文学名著/ Q+ ?- O9 f- |$ r
http://www.bbc.com/culture/story ... test-british-novels
$ J; a A9 J- g6 Q惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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3 V% e$ b$ [% v, d100. The Code of the Woosters (PG Wodehouse, 1938)9 z5 p( a% I; {9 K8 G
99. There but for the (Ali Smith, 2011)( _; t% \5 b* H4 Z9 i. n# m
98. Under the Volcano (Malcolm Lowry,1947)/ I" g: i9 Y! o, \7 R4 y" _
97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ `# L8 J1 S c, M1 c' U
96. Memoirs of a Survivor (Doris Lessing, 1974)6 [6 m* i# M3 W, Z
95. The Buddha of Suburbia (Hanif Kureishi, 1990)
$ `0 @. n4 M3 z" _4 E0 D94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)! Z6 m8 t7 q" q# [/ S& p3 e) `* u
93. Lord of the Flies (William Golding, 1954)" v! v% M" a' b1 o* ]0 S$ M
92. Cold Comfort Farm (Stella Gibbons, 1932)
9 `! \9 b0 n! o9 p/ x91. The Forsyte Saga (John Galsworthy, 1922)$ K$ o, o: _* _5 o
90. The Woman in White (Wilkie Collins, 1859), W5 ~, M# V: T- H+ z, r
89. The Horse’s Mouth (Joyce Cary, 1944)- h/ ?" C# q" @7 x& F
88. The Death of the Heart (Elizabeth Bowen, 1938)
, G; l ?9 I. _% F5 g87. The Old Wives’ Tale (Arnold Bennett,1908)
$ K5 x% K5 b0 u1 ^$ `7 g+ @' R# W86. A Legacy (Sybille Bedford, 1956)# C) @$ a0 q: o6 r) A
85. Regeneration Trilogy (Pat Barker, 1991-1995)# _2 @' T+ A! K
84. Scoop (Evelyn Waugh, 1938)$ i! ~, C) V6 @( R+ P# k% V
83. Barchester Towers (Anthony Trollope, 1857)
! q% m6 q5 F `" ] J7 I82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)" X2 k2 v) k @" U7 s" ^/ Z) t/ j
81. The Jewel in the Crown (Paul Scott, 1966)
- j# k% u2 R9 {80. Excellent Women (Barbara Pym, 1952)( x3 ]7 W* I4 y
79. His Dark Materials (Philip Pullman, 1995-2000)
9 u+ K" j& \* Z& V/ U8 q78. A House for Mr Biswas (VS Naipaul, 1961), i( U) d6 J8 A1 T. l, \# Q
77. Of Human Bondage (W Somerset Maugham, 1915)
C, k" Y% u- L( b9 f- b" ^6 P$ L76. Small Island (Andrea Levy, 2004)5 c! |7 l: }# G _
75. Women in Love (DH Lawrence, 1920)) e3 [! P' l( T& W" h$ n0 I
74. The Mayor of Casterbridge (Thomas Hardy, 1886): a# t8 A C" a4 i Q3 k
73. The Blue Flower (Penelope Fitzgerald, 1995)
1 p4 j7 f2 s. f% [$ ?' M72. The Heart of the Matter (Graham Greene, 1948)
$ h% y* V/ x3 p) `, k71. Old Filth (Jane Gardam, 2004)) J/ w7 C+ h: I
70. Daniel Deronda (George Eliot, 1876)3 P( c3 G* }7 v3 p( J
69. Nostromo (Joseph Conrad, 1904)3 Z+ w) Z0 r, [: W) X, |5 I
68. A Clockwork Orange (Anthony Burgess, 1962)4 U% j( Y0 H. _! w* }/ w' r. B: q
67. Crash (JG Ballard 1973)8 A5 {, Y/ G: V, a5 q, i+ Y
66. Sense and Sensibility (Jane Austen, 1811)
+ w1 l( d+ i' n65. Orlando (Virginia Woolf, 1928)/ S! f* F; X4 f8 }7 {
64. The Way We Live Now (Anthony Trollope, 1875)* [4 `5 \( U4 P2 @' Z9 f' }: H
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
6 E5 [3 h, f+ F0 _# v62. Animal Farm (George Orwell, 1945)
v4 ~: F) g. q- U) y61. The Sea, The Sea (Iris Murdoch, 1978)
2 \: `: d8 R8 B4 ?: W. f1 J60. Sons and Lovers (DH Lawrence, 1913)
; x. g+ E6 v8 Z6 J; W59. The Line of Beauty (Alan Hollinghurst, 2004)5 o0 @0 [" {! L. V8 g" t2 s* G
58. Loving (Henry Green, 1945)6 A# g2 e6 c& G
57. Parade’s End (Ford Madox Ford, 1924-1928)! ? U: h [& K C& D- s7 d9 Z
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
2 | U! h) l0 T$ q1 T% K55. Gulliver’s Travels (Jonathan Swift, 1726)% F! c0 X7 m! R4 {! E8 U' g
54. NW (Zadie Smith, 2012)
/ t$ Q E( i8 B- D53. Wide Sargasso Sea (Jean Rhys, 1966); o1 \5 L6 S% w& p
52. New Grub Street (George Gissing, 1891)$ \0 @' \$ R/ @1 y+ R+ I
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)- J$ K, k0 ?# w8 V8 e3 {
50. A Passage to India (EM Forster, 1924)
- a4 R: V( L1 z3 v- V49. Possession (AS Byatt, 1990)# q; E$ S: g* A* A8 C
48. Lucky Jim (Kingsley Amis, 1954)
$ x) g5 ]0 ?$ @% \+ s47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)+ H, P0 k9 f2 m$ H
46. Midnight’s Children (Salman Rushdie, 1981)
: v/ h, P5 d, t/ W7 K45. The Little Stranger (Sarah Waters, 2009)
( C# C G; d( _* V! m8 w2 s9 `44. Wolf Hall (Hilary Mantel, 2009)
* g0 ^- A8 n9 k* q7 O# G43. The Swimming Pool Library (Alan Hollinghurst, 1988)
; g' P( y0 V' D- Y1 u* a42. Brighton Rock (Graham Greene, 1938)% Z* a" S/ @. N- A; |$ ]- P
41. Dombey and Son (Charles Dickens, 1848); U. R- }2 h' {9 _3 H
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
3 a" s; ?9 ^+ L8 \% D$ a39. The Sense of an Ending (Julian Barnes, 2011)( F. Y' l; T/ X' g$ H
38. The Passion (Jeanette Winterson, 1987)% l' G3 |+ G" }8 I* x5 Q
37. Decline and Fall (Evelyn Waugh, 1928)
# ^. c7 a5 L, }4 S5 p/ h$ n36. A Dance to the Music of Time (Anthony Powell, 1951-1975): {$ H6 K$ i9 o7 O
35. Remainder (Tom McCarthy, 2005)
% _7 Y4 E6 ^& w! ?3 j" E34. Never Let Me Go (Kazuo Ishiguro, 2005)! V+ @9 u5 f; Y T1 F& n7 l' ~3 k
33. The Wind in the Willows (Kenneth Grahame, 1908)
3 P0 z+ `9 P: H8 g32. A Room with a View (EM Forster, 1908)/ h! F8 {" u/ q! s8 B }5 i
31. The End of the Affair (Graham Greene, 1951)7 ~) w) @* ]: F3 B
30. Moll Flanders (Daniel Defoe, 1722)
( w4 H! A# e. k c$ s3 A( r29. Brick Lane (Monica Ali, 2003)
6 o/ |; a% B. S& s) R1 R28. Villette (Charlotte Brontë, 1853)& o4 y% C: f. T4 o) e- a
27. Robinson Crusoe (Daniel Defoe, 1719)
2 w/ c- }' a- K1 Z$ @! x) F26. The Lord of the Rings (JRR Tolkien, 1954)
9 C4 N3 l& v/ u( q, Q2 _25. White Teeth (Zadie Smith, 2000)- W" q; l6 f9 _$ x. A0 C7 z# l2 J
24. The Golden Notebook (Doris Lessing, 1962)
0 i7 V. s: _- B0 E& }( W23. Jude the Obscure (Thomas Hardy, 1895)
! I5 f& P, i( R- `3 F22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
* ?8 m9 c, w- Z21. Heart of Darkness (Joseph Conrad, 1899)
/ v* f9 C& U' l% J$ b20. Persuasion (Jane Austen, 1817)
, c, c+ T" x! n8 {9 q2 N19. Emma (Jane Austen, 1815)
- e$ |# a! @5 l( a7 {18. Remains of the Day (Kazuo Ishiguro, 1989)
" |! q1 b. N }% _; p; g17. Howards End (EM Forster, 1910)
+ @2 ~7 N. y+ O' x16. The Waves (Virginia Woolf, 1931)9 h& C) [! a. Q9 k
15. Atonement (Ian McEwan, 2001)
) a# L0 x! ` Z14. Clarissa (Samuel Richardson,1748)) A- b: i% `$ r4 x$ C: W( I5 S
13. The Good Soldier (Ford Madox Ford, 1915)9 T) L" A I, p& ~* p8 w" O
12. Nineteen Eighty-Four (George Orwell, 1949)
' s2 d8 p9 f, y, _# x0 a& [11. Pride and Prejudice (Jane Austen, 1813)
4 {) ^6 n2 ]% \: R4 U+ |9 C10. Vanity Fair (William Makepeace Thackeray, 1848)% k; @' f J/ g8 {1 c& n% A
9. Frankenstein (Mary Shelley, 1818)
5 y3 C( y; z% O8. David Copperfield (Charles Dickens, 1850)
# d+ Z: J4 e/ q1 P8 L1 M7. Wuthering Heights (Emily Brontë, 1847)
. Y0 W+ L7 V0 {% H6 p8 {: x1 P6. Bleak House (Charles Dickens, 1853)
- P4 ^8 D. \4 \9 V% |3 r4 L# V5. Jane Eyre (Charlotte Brontë, 1847)
8 |* f/ [0 F* ?! J4. Great Expectations (Charles Dickens, 1861)
3 Y" H8 Q$ C5 ^' e) \ T1 \3. Mrs. Dalloway (Virginia Woolf, 1925)
9 n9 j+ D! w8 A% }% J- a+ ]+ E. C+ S, c2. To the Lighthouse (Virginia Woolf, 1927)
1 U) D+ t; n1 l0 @0 ?4 H' J6 d& ^1 n1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。. a" {) \3 X; N/ B8 r
+ g. J" F7 D# F1 V8 ]+ l% P呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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