|
|
本帖最后由 晨枫 于 2015-12-12 11:29 编辑
6 D; ~' ^) g7 [8 V4 Q1 M% x. t7 }. n. I' d! q
BBC评出100大英国文学名著: o- y& G1 L( a" J6 ~; H" o1 g
http://www.bbc.com/culture/story ... test-british-novels: V& k" u" a9 G9 @ V$ N4 e
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
6 p/ i8 y/ H) n- P1 h. z8 V2 |2 d; o, B5 I
100. The Code of the Woosters (PG Wodehouse, 1938)
% K- R; ^; m( k* I: q; B99. There but for the (Ali Smith, 2011) T: N2 M. v- s( q- j
98. Under the Volcano (Malcolm Lowry,1947)3 G7 O! F1 k ^6 o. Z
97. The Chronicles of Narnia (CS Lewis, 1949-1954)% b7 {* M# d$ `. `5 P, y1 t; q
96. Memoirs of a Survivor (Doris Lessing, 1974)* w! _2 o& P! y8 f6 `+ f6 d
95. The Buddha of Suburbia (Hanif Kureishi, 1990)5 o6 f7 ]5 |( ^1 x$ i) H9 l
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)7 ~7 z" R5 v+ i. N/ c
93. Lord of the Flies (William Golding, 1954)/ E# }% J+ e4 b2 h, G
92. Cold Comfort Farm (Stella Gibbons, 1932)
+ X% Z, b$ ]6 C, o$ R4 I# J91. The Forsyte Saga (John Galsworthy, 1922): S W2 C) ~' i8 }0 Q
90. The Woman in White (Wilkie Collins, 1859)
3 p% p1 B& B( Z0 C/ R8 A& U89. The Horse’s Mouth (Joyce Cary, 1944)) {7 P y7 d/ H) m# @& |& q
88. The Death of the Heart (Elizabeth Bowen, 1938)
: S' Q( i+ j% y1 r1 h" y- N87. The Old Wives’ Tale (Arnold Bennett,1908)
+ a6 X/ }/ w8 \' t/ e* |86. A Legacy (Sybille Bedford, 1956)7 ?/ {5 O! p5 N+ X
85. Regeneration Trilogy (Pat Barker, 1991-1995)
3 Y7 |9 g( r. U84. Scoop (Evelyn Waugh, 1938)0 @( w5 ~' ^6 k
83. Barchester Towers (Anthony Trollope, 1857)$ N; i! e5 P' F$ C* P
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
* K8 E# I3 N- r1 C: w. N7 p81. The Jewel in the Crown (Paul Scott, 1966)0 R+ z* _" x! S8 s" o! E
80. Excellent Women (Barbara Pym, 1952): ]2 y2 D- m% y3 R9 r0 }+ R( S8 S
79. His Dark Materials (Philip Pullman, 1995-2000)+ v+ c' r7 h: _/ t, T: A) W# i
78. A House for Mr Biswas (VS Naipaul, 1961)) ~* O, m+ t' n
77. Of Human Bondage (W Somerset Maugham, 1915)
2 G; k# L1 [5 a) \6 _( m- q76. Small Island (Andrea Levy, 2004)
7 M2 F s0 P& I8 G75. Women in Love (DH Lawrence, 1920)
- ]5 o' T3 {* D& B& G3 J7 m74. The Mayor of Casterbridge (Thomas Hardy, 1886)/ I1 ~ ]8 q0 k9 `( l) t: I" O
73. The Blue Flower (Penelope Fitzgerald, 1995)
' P6 R, l+ {& d4 s9 V6 Q# h72. The Heart of the Matter (Graham Greene, 1948)' I+ f1 @7 ~. l: p
71. Old Filth (Jane Gardam, 2004). _' G$ D( P# G; X2 w, I3 z+ v1 i% U
70. Daniel Deronda (George Eliot, 1876)6 I) X- a; S% g
69. Nostromo (Joseph Conrad, 1904)
: s7 ~6 e% P7 i9 t% E68. A Clockwork Orange (Anthony Burgess, 1962)
) V+ M* b0 D% q& K# s4 H6 o6 `6 z67. Crash (JG Ballard 1973)3 i% C' t# m* k2 K# g4 Z
66. Sense and Sensibility (Jane Austen, 1811)% r6 Z$ g- l2 i) L1 g/ R
65. Orlando (Virginia Woolf, 1928)
$ c1 H5 r4 {/ f- K* I5 q! w64. The Way We Live Now (Anthony Trollope, 1875)# s6 `& v6 P) }' N
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)" f; Z8 {' g5 \* ?* g0 w
62. Animal Farm (George Orwell, 1945)
8 N. [/ L, @8 K5 u5 W9 o' c61. The Sea, The Sea (Iris Murdoch, 1978)
6 @5 C, t2 r) p7 y60. Sons and Lovers (DH Lawrence, 1913)
2 |0 T {5 w1 P- z/ U+ @/ [& M59. The Line of Beauty (Alan Hollinghurst, 2004)3 u3 e$ X, B& h; R* b9 m# O) E
58. Loving (Henry Green, 1945)
- L( b( E- ^) l( m+ t# h6 u57. Parade’s End (Ford Madox Ford, 1924-1928)" s! G5 f/ ]3 O2 Q6 D' R8 Z8 {
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)1 ]) ~6 {) H/ D# J9 m, g
55. Gulliver’s Travels (Jonathan Swift, 1726)' ] Y2 y2 E- f1 q! \
54. NW (Zadie Smith, 2012)
0 \3 w# v- D! C8 ~4 {& D53. Wide Sargasso Sea (Jean Rhys, 1966)& Q- a5 }! J0 L5 }; [5 A
52. New Grub Street (George Gissing, 1891)8 g Z* I) E7 ~1 b
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)1 v9 M6 ?4 z* N: G0 O( l
50. A Passage to India (EM Forster, 1924)$ u, C; c& \4 c- |: [
49. Possession (AS Byatt, 1990)
s+ z& |: o% g6 V O R48. Lucky Jim (Kingsley Amis, 1954)) L6 s' F6 h2 [. L6 F `
47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
4 G, M# s: l: S0 i L46. Midnight’s Children (Salman Rushdie, 1981)
% Z9 f; v8 {- V& t1 X \45. The Little Stranger (Sarah Waters, 2009)5 U+ d7 M- e3 b- l
44. Wolf Hall (Hilary Mantel, 2009)4 j6 O- s: Q& R! e; _1 |
43. The Swimming Pool Library (Alan Hollinghurst, 1988)
) t& f6 B" f; Q( D& h42. Brighton Rock (Graham Greene, 1938)+ [. R) F2 R! D5 `
41. Dombey and Son (Charles Dickens, 1848)
; G$ I3 h( N# F# A- f40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
+ S; t: @1 b" X! e2 d" l! b39. The Sense of an Ending (Julian Barnes, 2011)$ o( x4 a0 l0 l. k6 `
38. The Passion (Jeanette Winterson, 1987), J' A- ~' C: n; s! v
37. Decline and Fall (Evelyn Waugh, 1928). a( \: I4 S+ R) m& d
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
$ J% _7 P2 k6 G( I5 J( o35. Remainder (Tom McCarthy, 2005)
5 l+ ` B3 k; N5 z) a34. Never Let Me Go (Kazuo Ishiguro, 2005)
1 W1 c- X9 M4 ?- I) ^7 ^33. The Wind in the Willows (Kenneth Grahame, 1908)
8 V* p1 W* L% w( x* {32. A Room with a View (EM Forster, 1908)3 o1 h7 N- O( u4 d* O) W' e
31. The End of the Affair (Graham Greene, 1951)
! H9 Q# E) D1 j, @3 P4 N30. Moll Flanders (Daniel Defoe, 1722)
$ M. @/ J+ }: k9 u/ \1 F- h# s$ K29. Brick Lane (Monica Ali, 2003)
' O/ T; R7 ^) e& z2 x/ s28. Villette (Charlotte Brontë, 1853)5 ^! P' e; {3 g( e
27. Robinson Crusoe (Daniel Defoe, 1719)! d+ H+ v! N0 l: x* O; c+ K, M
26. The Lord of the Rings (JRR Tolkien, 1954): O' Z# H. f' N9 l. @
25. White Teeth (Zadie Smith, 2000)5 ? G3 w8 B. ?' e, z: y8 F3 I
24. The Golden Notebook (Doris Lessing, 1962)
) V0 s7 B( k) [+ J23. Jude the Obscure (Thomas Hardy, 1895)
+ b6 h1 k' }' T22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
5 U6 O/ t0 u4 H( h, F% n21. Heart of Darkness (Joseph Conrad, 1899)
0 \$ G3 z4 }5 x0 B9 w& t, B0 G# H20. Persuasion (Jane Austen, 1817)
# D% ^) H7 \+ c# [( F# f& a19. Emma (Jane Austen, 1815)3 I+ o- x& p9 c3 a1 {6 C# @' ?* ~
18. Remains of the Day (Kazuo Ishiguro, 1989)( A% H$ J% f6 E x6 b$ l( ^9 D; u
17. Howards End (EM Forster, 1910)
% }7 M4 c- ]; v5 P- Q16. The Waves (Virginia Woolf, 1931)
9 M( k' W7 {5 \, B' f; k8 Q3 t& n15. Atonement (Ian McEwan, 2001)
4 E' p3 g* o8 Z: ~# p B14. Clarissa (Samuel Richardson,1748)
6 ~- l( x8 a# b" R9 b( b) }+ s13. The Good Soldier (Ford Madox Ford, 1915)
: j9 E3 S2 z6 {+ o# x; B3 }0 v, h8 D12. Nineteen Eighty-Four (George Orwell, 1949)2 y3 R1 n- a7 c6 C
11. Pride and Prejudice (Jane Austen, 1813)
3 s/ ~+ z' H* S R9 R10. Vanity Fair (William Makepeace Thackeray, 1848)1 Q' W- D& [3 A, }
9. Frankenstein (Mary Shelley, 1818)1 F! s8 u( l" u* U ^6 z
8. David Copperfield (Charles Dickens, 1850)
6 ~% `. t/ v' y% E7. Wuthering Heights (Emily Brontë, 1847)& y. ^9 T9 R+ f
6. Bleak House (Charles Dickens, 1853)
3 I j" V! B! ~# X% a5. Jane Eyre (Charlotte Brontë, 1847)
! X+ R+ y- F b6 h4. Great Expectations (Charles Dickens, 1861)
9 p' ^3 I( ?, }! B3. Mrs. Dalloway (Virginia Woolf, 1925)7 g/ j3 d& M, J6 _, e6 Q% V+ @
2. To the Lighthouse (Virginia Woolf, 1927)
1 Q4 ^1 G9 t- Z) p8 u3 u- \9 r1 P6 z! s1. Middlemarch (George Eliot, 1874)
/ |9 P- `2 E# X& u& {& ~( g M/ Y: M0 w2 q. T& d# M [9 h
前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
$ R! {; A1 [5 W4 i+ \- ^1 ]: O: @4 ]. B ?; f
呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
评分
-
查看全部评分
|
雷达卡
发表于 2015-12-13 01:01:45
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
抢沙发
千斤顶
显身卡
发表于 2015-12-13 03:54:16
