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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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; G a6 |% z4 _' B( P- OBBC评出100大英国文学名著! n6 {& W! } {4 b
http://www.bbc.com/culture/story ... test-british-novels
+ {- {, j0 i6 c7 ^1 T惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
?0 D( Y, e& D! ?99. There but for the (Ali Smith, 2011)5 c8 c2 x; v/ E( R$ ^! c7 }
98. Under the Volcano (Malcolm Lowry,1947)
% ~3 _5 P, s" ?$ z% @) E) w97. The Chronicles of Narnia (CS Lewis, 1949-1954)/ e. z% ?5 { J9 b
96. Memoirs of a Survivor (Doris Lessing, 1974) r3 j w* T2 L- P" t
95. The Buddha of Suburbia (Hanif Kureishi, 1990) f+ u5 y& B6 r) ~ d) I
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ Z" \- Y' s& ]; t& m0 F& @3 v. g4 j, ~& y4 Y93. Lord of the Flies (William Golding, 1954)$ S6 Z0 R. e: G5 y y3 O' L& R6 ~
92. Cold Comfort Farm (Stella Gibbons, 1932)/ d" a% Z. B0 r% k7 k
91. The Forsyte Saga (John Galsworthy, 1922)2 l+ a" C4 R9 @ d" f2 y9 L
90. The Woman in White (Wilkie Collins, 1859)( s6 T5 n) R( {" M; X9 @! y
89. The Horse’s Mouth (Joyce Cary, 1944)
+ @& t0 O; W! ~& @; j, W9 W" ^88. The Death of the Heart (Elizabeth Bowen, 1938)( A4 U l. {6 B6 U1 x1 X$ C
87. The Old Wives’ Tale (Arnold Bennett,1908)1 C8 L' V% s2 Z+ ]" f
86. A Legacy (Sybille Bedford, 1956)2 O" E; ^! X6 e
85. Regeneration Trilogy (Pat Barker, 1991-1995)
b: C R6 ~2 z/ K n84. Scoop (Evelyn Waugh, 1938)
# F5 i& v# j6 O) p( O% c5 d8 }83. Barchester Towers (Anthony Trollope, 1857)* h0 g; h$ w* z1 d& T8 t6 G3 u* R
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)/ r( A4 J5 d/ t5 m; M/ S" c" u# d) x& L
81. The Jewel in the Crown (Paul Scott, 1966)# @+ H! T F2 D
80. Excellent Women (Barbara Pym, 1952)( }; R) g; L, G3 X2 Q, B
79. His Dark Materials (Philip Pullman, 1995-2000)! v0 P, G+ d E% Q* M# F
78. A House for Mr Biswas (VS Naipaul, 1961)
O& O/ B- J9 x77. Of Human Bondage (W Somerset Maugham, 1915)! Y- [5 q. `) M0 Z0 Q
76. Small Island (Andrea Levy, 2004)
/ T2 D8 h K( G75. Women in Love (DH Lawrence, 1920)
, J. P" c: a; H# \. \4 o74. The Mayor of Casterbridge (Thomas Hardy, 1886)
) T' P' M. B& Z) G( c73. The Blue Flower (Penelope Fitzgerald, 1995)0 w) d: b- R- q& t( E6 Z% e
72. The Heart of the Matter (Graham Greene, 1948)
; z/ v: p9 w5 p" f6 u3 [7 F71. Old Filth (Jane Gardam, 2004)& E- T% T1 {# L4 D4 K
70. Daniel Deronda (George Eliot, 1876)
6 _0 q) \3 [" p; X69. Nostromo (Joseph Conrad, 1904)
9 [2 e/ H) V- ] x+ N9 f68. A Clockwork Orange (Anthony Burgess, 1962)
" V9 u# b5 F, u$ u3 q6 z; e67. Crash (JG Ballard 1973)/ `$ `2 s" C0 n7 Q+ h
66. Sense and Sensibility (Jane Austen, 1811)
2 O7 d. u2 v0 m' |65. Orlando (Virginia Woolf, 1928)
8 |4 H6 d6 ~% U# v' C64. The Way We Live Now (Anthony Trollope, 1875)) c7 c5 Z0 ^9 M
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
2 U1 j3 K6 `+ k7 K' l. g2 D, S62. Animal Farm (George Orwell, 1945)
9 d% U- `+ t6 H61. The Sea, The Sea (Iris Murdoch, 1978)
$ J8 u/ ^' D% @7 i' C6 B60. Sons and Lovers (DH Lawrence, 1913)5 \" n9 T3 o! K4 e' f+ R
59. The Line of Beauty (Alan Hollinghurst, 2004)1 j0 B$ o! N) p0 G' Z. P6 ]9 L
58. Loving (Henry Green, 1945)
% \ ?9 Z& T( J5 _57. Parade’s End (Ford Madox Ford, 1924-1928)5 O" ]4 {& G8 N' ]/ _1 f% X# S& F' W8 ^% l
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
1 r: M6 O6 f0 X; v# s! ~, K& m! o55. Gulliver’s Travels (Jonathan Swift, 1726)
) [; |# {( z0 h54. NW (Zadie Smith, 2012)
+ p; f' b# H! b9 K, x# N$ h53. Wide Sargasso Sea (Jean Rhys, 1966)
6 E Y+ a" n& P" O52. New Grub Street (George Gissing, 1891)
# |9 c8 O8 z1 W+ d51. Tess of the d’Urbervilles (Thomas Hardy, 1891)6 Y2 Q* w* n! G. V3 t) e8 V
50. A Passage to India (EM Forster, 1924)
7 _; V. [+ _8 M4 T49. Possession (AS Byatt, 1990)) u% `9 Z: U+ R0 R6 u/ g2 N" V7 U& x
48. Lucky Jim (Kingsley Amis, 1954)
9 j8 E) I. i R1 c& f/ Y$ _47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
# U9 `4 C1 v$ z9 }46. Midnight’s Children (Salman Rushdie, 1981)
* r) D8 W7 Q+ @- E45. The Little Stranger (Sarah Waters, 2009)
" T% f7 k% v. t0 l: r1 C5 \44. Wolf Hall (Hilary Mantel, 2009)3 |- ^# u+ x' c: h# [& x1 b
43. The Swimming Pool Library (Alan Hollinghurst, 1988)! |7 q( f7 O; R$ Z- V0 U% Z0 e9 M
42. Brighton Rock (Graham Greene, 1938), I D" P8 h' J; S
41. Dombey and Son (Charles Dickens, 1848)
, z# x! |0 m$ X, Y- x( R40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
7 M; Y1 m' a: ?. [! V) c7 v39. The Sense of an Ending (Julian Barnes, 2011)
& o+ E) e8 B' n5 _1 r5 ^+ G& O38. The Passion (Jeanette Winterson, 1987)
$ x9 n. y: {. r. D37. Decline and Fall (Evelyn Waugh, 1928)- b% g8 ^$ \+ g# k$ v' {( }
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)1 ^" f S) `' n" t/ ^
35. Remainder (Tom McCarthy, 2005)( F+ `% N6 M8 N3 o
34. Never Let Me Go (Kazuo Ishiguro, 2005)
# @' ?( U: H: w; u1 N; E33. The Wind in the Willows (Kenneth Grahame, 1908)
; ~& S/ C: g& L! T( q32. A Room with a View (EM Forster, 1908)
3 l! n2 a& \6 T( Y; D& i31. The End of the Affair (Graham Greene, 1951)
. A1 N8 `' s9 A, L, _0 z7 H30. Moll Flanders (Daniel Defoe, 1722)
* P6 ?' L# N. L9 q" ]5 [29. Brick Lane (Monica Ali, 2003)
" L" G% q9 [& D28. Villette (Charlotte Brontë, 1853), X! G( G. z# m2 X" O* z) d
27. Robinson Crusoe (Daniel Defoe, 1719)
2 Q) `5 Q: a9 s+ L. J- w5 i26. The Lord of the Rings (JRR Tolkien, 1954)
8 @3 m9 s' I* a5 O) f25. White Teeth (Zadie Smith, 2000)
" |! T g. s0 y/ D% J: U1 P' C; n24. The Golden Notebook (Doris Lessing, 1962)' k) q# P6 ], I0 E4 ^
23. Jude the Obscure (Thomas Hardy, 1895): O& L7 r6 K3 o: M' R
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)
7 y% g* n3 _$ ~21. Heart of Darkness (Joseph Conrad, 1899)1 K6 B" I$ l( n; M
20. Persuasion (Jane Austen, 1817)
7 ^8 H$ Y) F5 g% _1 q2 i" r7 c |19. Emma (Jane Austen, 1815)- S+ X& J0 F! N% O
18. Remains of the Day (Kazuo Ishiguro, 1989)
+ _5 q* K$ P2 P/ o: T17. Howards End (EM Forster, 1910)) n! C9 a. j$ z7 v2 R
16. The Waves (Virginia Woolf, 1931)
; m; l% [" I7 M1 y: M) ?15. Atonement (Ian McEwan, 2001)
" k( k: R# O0 J: K2 s/ K! @0 Q14. Clarissa (Samuel Richardson,1748)% E3 B" B/ ?" I, |- Y; _- @1 S, T
13. The Good Soldier (Ford Madox Ford, 1915)
1 Q- w" _7 y) m& ?1 l, s- w4 G. t12. Nineteen Eighty-Four (George Orwell, 1949)6 }5 `: [' N* I
11. Pride and Prejudice (Jane Austen, 1813)
0 N( v( a- U0 y$ S10. Vanity Fair (William Makepeace Thackeray, 1848)
: v: n1 g1 z0 Q/ k# e2 x9. Frankenstein (Mary Shelley, 1818)
: A: c a: l* [- C4 k8. David Copperfield (Charles Dickens, 1850): Y& Q8 b5 L' `+ F' d0 P
7. Wuthering Heights (Emily Brontë, 1847)
6 k! n' @' R7 b' R6. Bleak House (Charles Dickens, 1853)
# `2 X4 Q% F1 R ^* W/ }. D5. Jane Eyre (Charlotte Brontë, 1847)
1 z" }/ S+ [! T( g, P' e4. Great Expectations (Charles Dickens, 1861)
8 _+ I3 J6 A' `4 Z* i5 e" \' W3. Mrs. Dalloway (Virginia Woolf, 1925)7 h0 H' y& d" h" R* p$ I4 x
2. To the Lighthouse (Virginia Woolf, 1927)
- o- [4 a5 W' g+ }! i1. Middlemarch (George Eliot, 1874)2 E& Z0 O7 |; V' k5 }& E
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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