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本帖最后由 晨枫 于 2015-12-12 11:29 编辑
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7 c4 t8 w% H6 [2 n' PBBC评出100大英国文学名著
6 S0 Y. c) j5 `0 z7 o) ^http://www.bbc.com/culture/story ... test-british-novels0 z) \) X3 F+ o U( D
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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7 l1 j; W- p: {$ C0 W100. The Code of the Woosters (PG Wodehouse, 1938)
. |# c7 X% O8 G2 X( ^# {, ^99. There but for the (Ali Smith, 2011); }* ^+ v' q6 [. V1 Y: n, G
98. Under the Volcano (Malcolm Lowry,1947)
0 x- P4 y, A' N& U97. The Chronicles of Narnia (CS Lewis, 1949-1954)
3 L* g$ e( Z3 d+ r96. Memoirs of a Survivor (Doris Lessing, 1974)
$ s9 R# }9 l5 P p- A/ M: j95. The Buddha of Suburbia (Hanif Kureishi, 1990)
" t" |. B( J2 l n+ b7 e94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
' [4 O3 E: ^( Z+ \- j. ^ \93. Lord of the Flies (William Golding, 1954)& P2 o8 k! G: d# j1 C- n5 w
92. Cold Comfort Farm (Stella Gibbons, 1932); Q) ?# L) ?+ G$ C. Q
91. The Forsyte Saga (John Galsworthy, 1922)
: S0 j; h0 W2 T90. The Woman in White (Wilkie Collins, 1859)
% S6 d; j- t( _8 K: c' b* a1 A89. The Horse’s Mouth (Joyce Cary, 1944)2 k, s% V+ @/ M! _' A5 T5 \5 S& E
88. The Death of the Heart (Elizabeth Bowen, 1938)$ T9 C: `6 c f. M- {6 J
87. The Old Wives’ Tale (Arnold Bennett,1908)
* O& l% \) x1 @/ E" t/ c86. A Legacy (Sybille Bedford, 1956)
d" A# ?% P. m' }1 A85. Regeneration Trilogy (Pat Barker, 1991-1995)
5 }% w7 b! }8 r. X8 w) v$ g6 J84. Scoop (Evelyn Waugh, 1938)1 }. Y+ ~6 R# j2 A3 d
83. Barchester Towers (Anthony Trollope, 1857)
( R, |' \6 H' i82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
) z/ |3 H8 b6 A/ k( S81. The Jewel in the Crown (Paul Scott, 1966)* o' _: P3 w. m; d' x
80. Excellent Women (Barbara Pym, 1952)# T; ?9 |- @2 ]- b; P
79. His Dark Materials (Philip Pullman, 1995-2000)* Y& \- |" I6 I9 s( u" {
78. A House for Mr Biswas (VS Naipaul, 1961)1 K& \6 w% x3 q
77. Of Human Bondage (W Somerset Maugham, 1915)
: R; g9 D; V- g' d5 S0 W76. Small Island (Andrea Levy, 2004) v/ | U9 {8 u+ n, X: S3 U9 d2 j$ I
75. Women in Love (DH Lawrence, 1920)/ o7 e/ P# C9 q5 ~
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
2 H c' A- w& q* d2 c" V73. The Blue Flower (Penelope Fitzgerald, 1995)" w; C1 V' r J8 L
72. The Heart of the Matter (Graham Greene, 1948)7 B0 V, V% j1 @+ u9 A
71. Old Filth (Jane Gardam, 2004)( o: ` n& h* O2 v. h% m! o% |* Z
70. Daniel Deronda (George Eliot, 1876)
- q5 T6 O/ n- s t5 G69. Nostromo (Joseph Conrad, 1904)
: n9 H) r3 w+ k; T( `4 n2 m68. A Clockwork Orange (Anthony Burgess, 1962)1 ?" n9 T1 T) e% T Y7 Q( g. H
67. Crash (JG Ballard 1973)9 H. |. H0 G; W! ^7 P5 F
66. Sense and Sensibility (Jane Austen, 1811)
2 i9 [8 `( ]0 d3 o& @8 M1 g( I. M& j65. Orlando (Virginia Woolf, 1928)
7 ?; t l* u5 x+ I6 p6 [: G$ r) w64. The Way We Live Now (Anthony Trollope, 1875)5 G7 T! B" A; ~; g8 T0 }" U9 j7 d
63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
9 e% Y: }: R6 y! S- b1 L6 v& `- `7 z62. Animal Farm (George Orwell, 1945)
( w, T% ^- A# w: E61. The Sea, The Sea (Iris Murdoch, 1978). o& g0 L; N6 E F$ K4 S6 i8 t
60. Sons and Lovers (DH Lawrence, 1913)
% b) y* S) o/ _, i1 D- s59. The Line of Beauty (Alan Hollinghurst, 2004)
) T& N: z- b8 v6 a2 X58. Loving (Henry Green, 1945)( f8 w/ ?& A3 s' L7 G! z" w
57. Parade’s End (Ford Madox Ford, 1924-1928)+ o9 d! O6 {5 t$ X; t. Q
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)
2 y$ [( n) M, o: b1 r j55. Gulliver’s Travels (Jonathan Swift, 1726)
( x3 _4 j3 V% L6 u$ S- _6 ?54. NW (Zadie Smith, 2012)5 a7 p5 ~; }. P2 V, N& d0 V
53. Wide Sargasso Sea (Jean Rhys, 1966)( e1 }$ g1 W' o
52. New Grub Street (George Gissing, 1891)
9 C; v/ m% W8 m! @& K" |( d9 [51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
, S4 m8 y! {. m50. A Passage to India (EM Forster, 1924)
7 c5 R: @ O9 a. S. f Y49. Possession (AS Byatt, 1990)
/ }- V. r; N4 C# Z48. Lucky Jim (Kingsley Amis, 1954)
: D, H; v5 b' B9 e3 q+ u4 u47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)& j- o' | S1 d1 t- n! R8 N
46. Midnight’s Children (Salman Rushdie, 1981)
- y( ?/ \- @4 V1 C45. The Little Stranger (Sarah Waters, 2009)
. F1 {+ h; b. Q4 F: `6 s+ P: f44. Wolf Hall (Hilary Mantel, 2009)
- K7 }! r& L3 e% M; e43. The Swimming Pool Library (Alan Hollinghurst, 1988)
- J8 b" m/ U& H& T; k) T7 |42. Brighton Rock (Graham Greene, 1938)1 J' E$ c$ f8 y! b% u9 I# T- r. d
41. Dombey and Son (Charles Dickens, 1848)* W" `; Z% p* @& t# N" j. C0 |
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)6 e l& q5 {9 X) \1 ^/ L7 M8 |
39. The Sense of an Ending (Julian Barnes, 2011)
. v& c( T& ? ~( C* @' H; K* b38. The Passion (Jeanette Winterson, 1987)
5 J$ E6 t' N7 G( R37. Decline and Fall (Evelyn Waugh, 1928)
9 Y4 h' C2 t V' N: _: o6 D/ U/ T36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
" }* s) H% H7 G& J7 n35. Remainder (Tom McCarthy, 2005)
' S7 e; t8 p9 y/ E' i34. Never Let Me Go (Kazuo Ishiguro, 2005)9 ^. m% m$ V- {8 H. |* C5 I
33. The Wind in the Willows (Kenneth Grahame, 1908)# C' F# T% w" O7 L1 l. u
32. A Room with a View (EM Forster, 1908)! Q8 r4 [$ f u' K0 J
31. The End of the Affair (Graham Greene, 1951); U+ |3 v9 G2 }; M9 A* T7 X* b
30. Moll Flanders (Daniel Defoe, 1722)
% r) h, P9 D5 Q: T29. Brick Lane (Monica Ali, 2003)# T* N+ y0 h- D R5 ]( \
28. Villette (Charlotte Brontë, 1853): i# [: {/ j- M7 x: o+ t( T
27. Robinson Crusoe (Daniel Defoe, 1719)" s2 h1 |* b2 h) D' X
26. The Lord of the Rings (JRR Tolkien, 1954)
0 ~3 X6 W1 f3 u$ f# I25. White Teeth (Zadie Smith, 2000)
* h# C5 q. a* @9 ?$ K; T24. The Golden Notebook (Doris Lessing, 1962): G- Z( b J9 u) M; m3 y
23. Jude the Obscure (Thomas Hardy, 1895)
. b% @ W' h! n& |: O( j22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)4 d7 M$ { J9 V, ?
21. Heart of Darkness (Joseph Conrad, 1899)& r& L& D5 W6 O6 ]0 E) B+ n
20. Persuasion (Jane Austen, 1817)/ b3 [+ {0 |- X
19. Emma (Jane Austen, 1815)
$ L, J" ~7 s9 z18. Remains of the Day (Kazuo Ishiguro, 1989)
9 S4 S" }! X4 E/ F( s( M0 @# Y17. Howards End (EM Forster, 1910)3 A# T) _0 _8 q: S3 @% T/ @
16. The Waves (Virginia Woolf, 1931)7 F% G9 x0 s1 \ e0 c$ S; m1 S4 n7 @
15. Atonement (Ian McEwan, 2001)# P/ v% A1 b8 B6 A
14. Clarissa (Samuel Richardson,1748)
. o" `* L5 M- z& B13. The Good Soldier (Ford Madox Ford, 1915); }7 \3 y' L' Y3 N
12. Nineteen Eighty-Four (George Orwell, 1949)! {" F# l4 W$ H/ F, B, ]
11. Pride and Prejudice (Jane Austen, 1813)# A7 ~: Y+ g% |* U9 Q
10. Vanity Fair (William Makepeace Thackeray, 1848)$ l9 S0 i4 K9 l% B
9. Frankenstein (Mary Shelley, 1818)
8 N. \* Z+ S* P6 {) E, U* d8. David Copperfield (Charles Dickens, 1850)" c% Z/ O* K# U8 Y
7. Wuthering Heights (Emily Brontë, 1847)/ v$ J" o0 s# X) A$ T2 Y" h
6. Bleak House (Charles Dickens, 1853)
' @; R- q3 N* r8 @4 }: u5. Jane Eyre (Charlotte Brontë, 1847)
, W! t& U0 v: p+ H, N4. Great Expectations (Charles Dickens, 1861); Q9 d* F$ S! l" d T. n0 Z6 t
3. Mrs. Dalloway (Virginia Woolf, 1925)- J3 ]/ {+ F$ L7 ~
2. To the Lighthouse (Virginia Woolf, 1927)- F% D, `1 j& a6 k! ]$ E) F
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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发表于 2015-12-13 03:54:16
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