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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 9 @# C5 s. s" k/ @ |4 o
& K( A. S, z3 gBBC评出100大英国文学名著0 S' `% \5 x5 T5 G* Q
http://www.bbc.com/culture/story ... test-british-novels
- i# C3 P+ m9 l# g+ n惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
+ C, O& e: z; Q% L* W99. There but for the (Ali Smith, 2011)# Z9 v" J. _2 H" f
98. Under the Volcano (Malcolm Lowry,1947), W0 p7 p3 l) ?" \# g: t5 f. `! X
97. The Chronicles of Narnia (CS Lewis, 1949-1954)$ a. i5 L, W% V a) t4 q
96. Memoirs of a Survivor (Doris Lessing, 1974)& s$ P2 ~ ?2 S3 }5 ^9 B
95. The Buddha of Suburbia (Hanif Kureishi, 1990)/ a: U+ V3 x9 H5 d3 y
94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
/ S1 _( ~; u% t93. Lord of the Flies (William Golding, 1954) u( ^: O/ V; v7 H* z( o
92. Cold Comfort Farm (Stella Gibbons, 1932)9 J0 r0 [. _; o, u |+ A9 v
91. The Forsyte Saga (John Galsworthy, 1922)
; s+ R3 Q# B* B3 D* V; N- \90. The Woman in White (Wilkie Collins, 1859)3 |- S8 q5 t, ~9 e( @
89. The Horse’s Mouth (Joyce Cary, 1944)# S; ? X" F0 |6 q' g+ h. k
88. The Death of the Heart (Elizabeth Bowen, 1938)
, _4 `8 [$ E# D& Y M87. The Old Wives’ Tale (Arnold Bennett,1908)0 s' C8 Z& r& B, D6 y r
86. A Legacy (Sybille Bedford, 1956)" N( u- W3 r1 T& w0 |3 w0 ^3 B
85. Regeneration Trilogy (Pat Barker, 1991-1995); i! }7 M, ~" e( S
84. Scoop (Evelyn Waugh, 1938)
7 }2 y1 T( ^6 u, V" [3 |3 l6 X. C83. Barchester Towers (Anthony Trollope, 1857)
' a4 o' d: l, ~82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)
' ~) m0 r; a: M, A- X81. The Jewel in the Crown (Paul Scott, 1966)
7 ]4 r, S% G. N* _, W0 H80. Excellent Women (Barbara Pym, 1952)
& W9 X7 Z' |/ u. n" _! K9 H0 I; K79. His Dark Materials (Philip Pullman, 1995-2000)4 i+ G! i Z1 ^$ s, v9 ?$ [; j+ s; G
78. A House for Mr Biswas (VS Naipaul, 1961)
% g# Z! b3 z+ h' r9 n77. Of Human Bondage (W Somerset Maugham, 1915)
! t! \( W: x- C% \" ]76. Small Island (Andrea Levy, 2004)) E( A. k2 Y' }
75. Women in Love (DH Lawrence, 1920)
% l4 }3 `4 d4 p# @' b5 w. v74. The Mayor of Casterbridge (Thomas Hardy, 1886)
; o" ?: b( \" O, J0 l73. The Blue Flower (Penelope Fitzgerald, 1995)( ^/ |5 j t9 w2 e, G
72. The Heart of the Matter (Graham Greene, 1948)
/ m1 D( D/ t8 M) O {; Z71. Old Filth (Jane Gardam, 2004)% R+ L5 q; E! c, S* m
70. Daniel Deronda (George Eliot, 1876)
' Y6 `& C2 H% d8 D69. Nostromo (Joseph Conrad, 1904): R1 [+ H* ?8 v* F7 w3 A5 Q
68. A Clockwork Orange (Anthony Burgess, 1962)+ E% |7 u. n6 N) P
67. Crash (JG Ballard 1973)
/ S; l# U% e- f2 j: Z66. Sense and Sensibility (Jane Austen, 1811)
* k8 @" n+ l$ ~! A# L65. Orlando (Virginia Woolf, 1928): V. H- V- c, s% K5 f
64. The Way We Live Now (Anthony Trollope, 1875)
T1 r. L6 l$ T" L4 D63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
8 T: f1 P d7 ]. g* }7 @. K62. Animal Farm (George Orwell, 1945)- Z" w' Y1 R7 }# w5 k
61. The Sea, The Sea (Iris Murdoch, 1978)0 A4 u, s9 f `
60. Sons and Lovers (DH Lawrence, 1913)
& }& h* M& r. Q0 T" K8 y; }59. The Line of Beauty (Alan Hollinghurst, 2004)
6 V6 q( n+ h7 \$ q& V58. Loving (Henry Green, 1945)
* a% n1 a' \0 _& x57. Parade’s End (Ford Madox Ford, 1924-1928)
3 r: ?. \! S9 }1 r' p56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985); J5 ~2 K5 ?# k" G' b! y
55. Gulliver’s Travels (Jonathan Swift, 1726)# w' u' @# s3 V1 k# b9 ?
54. NW (Zadie Smith, 2012), I. y2 G/ q% ]' O4 v9 E( K
53. Wide Sargasso Sea (Jean Rhys, 1966)5 D6 G% u9 T5 W2 e4 |5 i) P
52. New Grub Street (George Gissing, 1891)
1 l9 a7 v8 D$ v+ G. r3 R m51. Tess of the d’Urbervilles (Thomas Hardy, 1891)5 X0 a) G7 S- c+ s2 ^
50. A Passage to India (EM Forster, 1924)2 _" K* U, M0 q2 i" @9 o
49. Possession (AS Byatt, 1990)
, m- z4 j* D3 _$ ~48. Lucky Jim (Kingsley Amis, 1954)
2 k7 y) X- l$ x# {" V$ v2 }" I5 C& [( P47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
) t0 b, y. q; r W: E46. Midnight’s Children (Salman Rushdie, 1981)
F7 w# H7 d8 Y* Y45. The Little Stranger (Sarah Waters, 2009)
: C* `, x2 o- I" Z" G44. Wolf Hall (Hilary Mantel, 2009)
/ @6 H8 ]. p) ]) G! m43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* i _% ^3 f3 _. J42. Brighton Rock (Graham Greene, 1938)1 X. F d0 U9 F1 {1 \' R
41. Dombey and Son (Charles Dickens, 1848)0 o9 F1 H8 p+ R) [$ \8 n' w
40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
- @. G: M k F+ C) T Z39. The Sense of an Ending (Julian Barnes, 2011)
. G7 m; r; J" `& w7 \( a& \38. The Passion (Jeanette Winterson, 1987)( b7 u7 H% y2 I' e" o) ~0 Q
37. Decline and Fall (Evelyn Waugh, 1928)
) _# V6 q4 Q6 i$ D36. A Dance to the Music of Time (Anthony Powell, 1951-1975) q1 _, B# p5 d N$ u
35. Remainder (Tom McCarthy, 2005)
M0 v' \ U$ ?9 j34. Never Let Me Go (Kazuo Ishiguro, 2005)
; {: ?4 R2 h* U/ ~9 ?+ ? L2 _" _33. The Wind in the Willows (Kenneth Grahame, 1908)% @* o) x/ a2 }- o. W* m! @
32. A Room with a View (EM Forster, 1908)9 ~( P7 `" l- Z' e3 z5 X
31. The End of the Affair (Graham Greene, 1951)7 t" D( M8 j; t' G2 |- G4 A
30. Moll Flanders (Daniel Defoe, 1722)
- A2 @6 S3 e9 C& G3 O' c% k29. Brick Lane (Monica Ali, 2003)0 {& I6 o; F% W5 D
28. Villette (Charlotte Brontë, 1853)
- d! |7 A$ `! |7 v6 x( L27. Robinson Crusoe (Daniel Defoe, 1719)
6 R# {/ P% ]! r) F8 o8 g26. The Lord of the Rings (JRR Tolkien, 1954)- D# G3 R E8 y, M
25. White Teeth (Zadie Smith, 2000)6 @& ?+ \0 ]' h
24. The Golden Notebook (Doris Lessing, 1962)8 B' }( @6 s% Q6 r
23. Jude the Obscure (Thomas Hardy, 1895); V7 Y- J4 _0 L8 u' o7 S
22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)+ O& S5 H+ Z0 n( h% L
21. Heart of Darkness (Joseph Conrad, 1899)! s5 N9 a$ F; U2 P3 L: f
20. Persuasion (Jane Austen, 1817)6 }; |! v- S6 v
19. Emma (Jane Austen, 1815)
1 [8 Z1 x C9 }18. Remains of the Day (Kazuo Ishiguro, 1989)
1 E+ k7 H& ]* ]* _& t ]5 u$ l17. Howards End (EM Forster, 1910)
7 I( l. d J8 [ |. F16. The Waves (Virginia Woolf, 1931)5 u) W& N2 y5 l5 Q: a) I% o4 p
15. Atonement (Ian McEwan, 2001)
* |2 m) v' ]0 u8 @9 J( e0 ]( V14. Clarissa (Samuel Richardson,1748)
) T8 g8 Q) c( V t. ]3 O/ e13. The Good Soldier (Ford Madox Ford, 1915)
& R. }( r* p# ?; y; H% o$ |- f* C12. Nineteen Eighty-Four (George Orwell, 1949)( ?# k$ n, [/ m5 \. [4 s
11. Pride and Prejudice (Jane Austen, 1813)* A! @. C9 q" R; @0 t, Z: r
10. Vanity Fair (William Makepeace Thackeray, 1848)
$ ^; b7 T y+ n' C6 g3 H6 ]6 E, w1 I9. Frankenstein (Mary Shelley, 1818)7 W8 t* O g6 z1 V y: g
8. David Copperfield (Charles Dickens, 1850)! P+ K2 |5 g: L9 H" G% p$ C* A4 t& B7 v6 a
7. Wuthering Heights (Emily Brontë, 1847)( v) ^; b8 \' [: y
6. Bleak House (Charles Dickens, 1853)
) B7 p' ]' a, s+ G2 \" e5. Jane Eyre (Charlotte Brontë, 1847)
$ j' }5 b+ @0 ^0 t7 e% ?4. Great Expectations (Charles Dickens, 1861)0 Y: G4 P& m& Y- @
3. Mrs. Dalloway (Virginia Woolf, 1925); b! W4 d& l5 M0 F. ]) G
2. To the Lighthouse (Virginia Woolf, 1927)6 q; s3 z# O. J: X. W0 L
1. Middlemarch (George Eliot, 1874)
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。4 T- f5 o% I: e8 {. a. ?
$ ~- W/ @, Y; B( {2 ~' j+ O呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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