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本帖最后由 晨枫 于 2015-12-12 11:29 编辑 1 Y" x8 r. y/ E0 W0 _# Y X
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BBC评出100大英国文学名著
; O6 g M. P6 \# Zhttp://www.bbc.com/culture/story ... test-british-novels& p [" }3 W9 ]
惭愧得很，听说过一小半名字，读过听说过的一小半，最惭愧的是，前三都是闻所未闻。
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100. The Code of the Woosters (PG Wodehouse, 1938)
& _0 X" h$ o3 o3 b99. There but for the (Ali Smith, 2011)
. Q: l) h1 m% W98. Under the Volcano (Malcolm Lowry,1947)- n, d, a' t$ C$ S3 T
97. The Chronicles of Narnia (CS Lewis, 1949-1954)
) L( R) W9 G: I! U J% J, H6 `) k96. Memoirs of a Survivor (Doris Lessing, 1974)
! R; g: \7 B0 [3 e8 y2 O0 Y3 D95. The Buddha of Suburbia (Hanif Kureishi, 1990)
; c g5 n2 K& c# u8 m" h4 \94. The Private Memoirs and Confessions of a Justified Sinner (James Hogg, 1824)
3 y, I4 I& d5 e8 J93. Lord of the Flies (William Golding, 1954)+ A/ \1 I# \2 {
92. Cold Comfort Farm (Stella Gibbons, 1932)' F ]5 _) o( n& }9 N' G5 A: g
91. The Forsyte Saga (John Galsworthy, 1922)
: C8 G8 |6 H3 C4 c/ o. f8 C90. The Woman in White (Wilkie Collins, 1859)
+ Y5 A3 V& J1 }& j/ x+ D89. The Horse’s Mouth (Joyce Cary, 1944)- L$ K2 t0 X0 k9 z9 O ?9 J) ~9 S
88. The Death of the Heart (Elizabeth Bowen, 1938)9 |4 g) C8 j1 {
87. The Old Wives’ Tale (Arnold Bennett,1908); B; h3 \, F5 R! _6 m2 k
86. A Legacy (Sybille Bedford, 1956)
4 {6 |4 P6 Z5 f85. Regeneration Trilogy (Pat Barker, 1991-1995)7 }- T' v/ H' @5 Q. x G1 z
84. Scoop (Evelyn Waugh, 1938)4 j4 Q! z2 j/ [( r2 k' l
83. Barchester Towers (Anthony Trollope, 1857)4 Z1 i( Y1 G- ~ v) a
82. The Patrick Melrose Novels (Edward St Aubyn, 1992-2012)5 | g0 X, l: f {0 _5 w
81. The Jewel in the Crown (Paul Scott, 1966)
0 ~! A& c) D/ g; G8 p" s80. Excellent Women (Barbara Pym, 1952)) g2 I# G4 w, F( [5 O( Y, z+ h
79. His Dark Materials (Philip Pullman, 1995-2000)
1 Y2 f1 U% }8 ` @7 R1 {5 \; e78. A House for Mr Biswas (VS Naipaul, 1961)
* n9 l0 B# |9 K0 Y" Z# L77. Of Human Bondage (W Somerset Maugham, 1915)& C% O3 I4 a( n# T7 G& B9 X" ]
76. Small Island (Andrea Levy, 2004)
/ P" B+ S) {3 f7 _( r" _: V. d75. Women in Love (DH Lawrence, 1920): N9 |/ @5 x6 X7 c
74. The Mayor of Casterbridge (Thomas Hardy, 1886)
+ p( i; n W7 m; s# I73. The Blue Flower (Penelope Fitzgerald, 1995)
5 F% G4 f4 J! Y2 G N9 J* v72. The Heart of the Matter (Graham Greene, 1948); D' D G5 `/ \) g [1 q
71. Old Filth (Jane Gardam, 2004)
$ \+ t8 r$ [; v/ Q# g70. Daniel Deronda (George Eliot, 1876)
& r; K8 ~: e. k2 f. t* H$ ]! @69. Nostromo (Joseph Conrad, 1904)
" m/ R4 ^( q4 M( A1 h: B6 @) A68. A Clockwork Orange (Anthony Burgess, 1962)
6 ?' L9 z2 Z1 W! S67. Crash (JG Ballard 1973)
* [. j9 e( z& N# |: v/ n66. Sense and Sensibility (Jane Austen, 1811)
3 W. x' G' a# {/ s+ j65. Orlando (Virginia Woolf, 1928)6 {- g4 J$ c# [: F8 z
64. The Way We Live Now (Anthony Trollope, 1875)
- z! m9 r/ O) S: a' w, f63. The Prime of Miss Jean Brodie (Muriel Spark, 1961)
+ ^8 l# Q' ?6 P+ A% _- K8 C0 T62. Animal Farm (George Orwell, 1945)6 m" w- Y! _# q8 X* y% n1 g4 f
61. The Sea, The Sea (Iris Murdoch, 1978)
1 @" R' m& }; @5 F, a: E60. Sons and Lovers (DH Lawrence, 1913)
% Y# g; n% h) S) w2 g) c; {59. The Line of Beauty (Alan Hollinghurst, 2004)' I2 l1 `- T( C4 |- c. [5 P
58. Loving (Henry Green, 1945)) ?; e% R; v; o
57. Parade’s End (Ford Madox Ford, 1924-1928)! p/ p% r7 g; m9 Q' P* I
56. Oranges Are Not the Only Fruit (Jeanette Winterson, 1985)7 I6 @7 h& d5 I
55. Gulliver’s Travels (Jonathan Swift, 1726)
5 @# r. g& b' s' c2 c54. NW (Zadie Smith, 2012)
f' T; U y. X6 u4 C# i% {53. Wide Sargasso Sea (Jean Rhys, 1966)
" l% m! s+ E6 f% A52. New Grub Street (George Gissing, 1891)/ z( F5 y; Q: a3 w- q0 \4 D! g6 H
51. Tess of the d’Urbervilles (Thomas Hardy, 1891)
" n! n6 E* G4 J$ J w3 W50. A Passage to India (EM Forster, 1924)
4 k( P/ j- i1 N+ R% o; q/ T, S49. Possession (AS Byatt, 1990)
0 b% `4 C7 G p5 U+ e1 j48. Lucky Jim (Kingsley Amis, 1954)
0 F7 Z1 @6 w, j: ^1 o9 w7 ^47. The Life and Opinions of Tristram Shandy, Gentleman (Laurence Sterne, 1759)
* Q& g+ b) p F6 j3 ^0 w46. Midnight’s Children (Salman Rushdie, 1981)+ L) b# u& k/ _: y; m1 v4 n
45. The Little Stranger (Sarah Waters, 2009)/ y; l5 m, O( n F- n" C! i
44. Wolf Hall (Hilary Mantel, 2009)
: z5 C9 b1 l+ y5 t$ }43. The Swimming Pool Library (Alan Hollinghurst, 1988)
* o9 i J/ J. z* @42. Brighton Rock (Graham Greene, 1938)
! ^3 l$ d+ j% w41. Dombey and Son (Charles Dickens, 1848)
8 O0 [: {5 K( o$ G40. Alice’s Adventures in Wonderland (Lewis Carroll, 1865)
* K; t9 m. b( z6 F2 J( m2 }' D39. The Sense of an Ending (Julian Barnes, 2011)
# U0 s+ N' I p38. The Passion (Jeanette Winterson, 1987)8 o! \, }. \1 ]" a" U% ~/ \. D
37. Decline and Fall (Evelyn Waugh, 1928)3 M0 ^$ S# G% ~
36. A Dance to the Music of Time (Anthony Powell, 1951-1975)
2 r8 W% ^3 b* s1 O0 l9 L+ U: m- J35. Remainder (Tom McCarthy, 2005)
5 l6 b! H4 S1 H( o/ p34. Never Let Me Go (Kazuo Ishiguro, 2005)/ i' N/ A, k- m1 c. H% O1 t" H
33. The Wind in the Willows (Kenneth Grahame, 1908)
0 l; n$ O2 g- k32. A Room with a View (EM Forster, 1908). i- ~+ w' h! q8 C3 W
31. The End of the Affair (Graham Greene, 1951)
/ I6 |" q; _: P# {" { r) k/ g) A30. Moll Flanders (Daniel Defoe, 1722)
+ o" }. z1 p' i4 V" S) H. z+ t3 P29. Brick Lane (Monica Ali, 2003)2 K' B: A* ~2 a7 I' z/ m% i3 R. p
28. Villette (Charlotte Brontë, 1853)' z/ y2 N) E Z6 e9 y: K3 c
27. Robinson Crusoe (Daniel Defoe, 1719)
0 v& K. _& t% x, e6 _ N26. The Lord of the Rings (JRR Tolkien, 1954)
6 Z, ?* I( b) u; N7 t25. White Teeth (Zadie Smith, 2000)- }6 U* g; m! u1 V# r8 f- d+ h
24. The Golden Notebook (Doris Lessing, 1962)5 E6 B; c7 ^ M
23. Jude the Obscure (Thomas Hardy, 1895)
. u m4 c5 q5 S, w22. The History of Tom Jones, a Foundling (Henry Fielding, 1749)( l; R( m1 M4 V$ c- k$ N5 u
21. Heart of Darkness (Joseph Conrad, 1899)
0 F% L! H' p% u8 K- R20. Persuasion (Jane Austen, 1817)
) d$ H9 X$ y+ q V7 I" k# I! A! v# R+ T19. Emma (Jane Austen, 1815)1 @# c2 D2 l2 f
18. Remains of the Day (Kazuo Ishiguro, 1989)& Y# ]5 a* y) X L# q( A# k7 b
17. Howards End (EM Forster, 1910)# i" L; G9 j; }9 d j$ o& `
16. The Waves (Virginia Woolf, 1931)
) p' G. T' t5 x, d: I15. Atonement (Ian McEwan, 2001)4 d# \' ^0 V. _# q0 s) C9 Y, x
14. Clarissa (Samuel Richardson,1748)' _" v0 ?& u* g6 r/ l6 ~
13. The Good Soldier (Ford Madox Ford, 1915); z& R" z( @$ `: N
12. Nineteen Eighty-Four (George Orwell, 1949)1 B4 E" Z8 q9 S# R+ v
11. Pride and Prejudice (Jane Austen, 1813)
8 O9 F1 J- ~% ?, M10. Vanity Fair (William Makepeace Thackeray, 1848)5 Z0 `- \; p5 b& Z7 m
9. Frankenstein (Mary Shelley, 1818), J$ M8 k' _5 Y+ H6 H
8. David Copperfield (Charles Dickens, 1850)1 D& y. c: k7 v. S
7. Wuthering Heights (Emily Brontë, 1847)) {4 @; ?: P* I! @! k H" e) @
6. Bleak House (Charles Dickens, 1853)
! U1 B ]7 X2 W0 r5. Jane Eyre (Charlotte Brontë, 1847)) r, ?" E% }; x, A n- R* }
4. Great Expectations (Charles Dickens, 1861)
9 Y7 n E8 G$ G7 t3. Mrs. Dalloway (Virginia Woolf, 1925)
( f: \8 r) T K. w2. To the Lighthouse (Virginia Woolf, 1927)/ p. B1 r( Z/ n4 E
1. Middlemarch (George Eliot, 1874)) S$ d/ a. T5 F* H$ k
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前10里只有狄更斯（远大前程、Bleak House（中文译名是什么？）、大卫·科波菲尔）和萨克雷（名利场）是男作家，其他都是女的：乔治·艾略特（本名Mary Ann Evans，用男性化的笔名）、弗吉尼亚·沃尔芙、勃朗特姐妹、玛丽·雪莱。算入前20的话，也有一半是女作家的作品，加上简·奥斯汀。全部100部作品中，也有40%是女作家的作品。只有狄更斯（远大前程、Bleak House）、大卫·科波菲尔、Dombey and Son）、奥斯汀（傲慢与偏见、爱玛、Persuasion、感觉与情感）、沃尔芙（To The Lighthouse、Mrs Dalloway、The Waves、Orlando）有四部作品入选，又是两个女作家。这是相当高的女作家比例。
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呃，这里全部是英国作家的作品，而不包括英国之外的英语文学作品。这是由世界上82个文学批评家评的，其中没有英国人，纯粹是从外国人（美国、加拿大、澳大利亚、丹麦、印度）的角度来评的。很有意思的评比法。 |
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发表于 2015-12-13 01:01:45
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