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回复 平沙落雁 的帖子
比如豆瓣上有俩巴赫大拿,一个是弹管风琴的,另一个玩儿过古钢琴,你不多听俩版本多研修些乐理,根本看不懂人家写的老巴精妙之处:
平兄给个链接吧,我平常不上豆瓣,看了老兄的介绍,上去了也没找到。在下也想学习理解一下巴赫,可是老听《Solo Cello Suites》和《Jesu, Joy of man’s desiring》那些东西耳朵都出茧了。那巴老的《Well-Tempered Clavie》和《Arts of Fugue》实在是味同嚼蜡。
就如平兄讲到,巴赫的东西没有感情可言,拿来比喻十二平均律和赋格艺术真实觉得再恰当不过了。在我浅薄的理解,这几十篇作品基本是用于和音乐教学和音乐科研的东西。十二平均律对于练习钢琴的学生算是有一定难度的练习曲,对于肖邦就是手指头的热身运动(肖邦自己也说过演出前拿十二平均律来放松心情),那个赋格的艺术,一个主题VI-III-VII-VI,然后开始转来转去,升三度,升五度,降一度,降五度,在我看来没有音乐只有声音,没有旋律只有高低。犹如孔乙己秀才陶醉于茴香豆的十四种写法,而不愿意写一篇通顺的文章。如果这样的音乐算是美,它应该算是规律之美,数学之美,机械之美,而不是艺术的美。
我看到网上的一个毒舌的巴赫评价,其实挺有意思的:
"Bach sucks because he was not a true composer. A true composer hears the music before he writes it. Bach composed using a mathematical system of numbers which he tought[sic] his students. After his death one of his students published a book “How to write a menuet[sic] with little or no musical knowledge”. Frankly, the result of his work is not musical, the opening bars always sound musical because he copied someone else’s melody, broke it down into numbers and wrote counterpoint from it. Handel did not even like Bach, because Handel wrote music. Anyone who does like Bach does so because they are told to. For a comparison, listen to music by Frescobaldi, Rameau, or Couperin, then listen to Bach. The difference? Something that is musical throughout the entire piece, and something that is musical for 10 seconds and quickly loses interest."
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