我是藤藤 发表于 2015-5-26 16:14:12

解读一个老中医的文学密码

  走近他的小说视野,我首先嗅到的是中药的芬芳。中医的望、闻、问、切,是诊疗过程中的重要环节;理、法、方、药,是把握除病的重要手段。老先生运用中医学训练有素的诊治方法,睁着内在的眼睛,发现和捕捉生活中那些故事内涵的场景和瞬间,借用望、闻、问、切中医传统诊断手法,把人性的内核演绎成一个又一个的精美故事,淋漓尽致地表现人物的“神、色、形、态”。我曾暗自猜度:这老孙头敢情想给自己“孕育”的人物“治病”?

  老先生曾对我说,他的文学之路十分曲折艰难,甚至有悲情的情节:青年时期因办《漫谈》小报险些打成反革命,而一度泯灭了文学梦,亲历“读初中时,老校长因为‘咬文嚼字’毁了一生的清誉”。因此,他为人心的冷漠感到震惊,于是他怀念善良;他为人们心灵的贫乏感到震惊,于是他怀念丰富;他为一些人的灵魂的卑鄙感到震惊,于是他怀念高贵。令人覃思的是最后,老先生还是选择了写作,皈依了文学。而且,他的作品还让我们读出:他生命之善良,头脑之丰富,灵魂之高贵。这让我想起毕加索的名言:“我的每一幅画中都装有我的血,这就是我的画的含义。”更令人兴奋的是他用医生的独特视角与思考,拿起开处方的救赎之笔,用不刻板,也不完全是医学的语言,诠释了一个个鲜活的人性特征,创造了一个个文学中的“这一个”。他的作品是医学还是文学,并不重要,亦如一首曲子,听起来舒服就好。

  读孙老的作品是一种享受。他用多种创作手法,揭示人性,励志人生。《故乡的山,故乡的云》就运用了“一箭双雕,一点二面”创作技巧。作者熟稔得像个导演,让故乡的山水呈现出连绵不断的场景,又从偌多场景里挖掘人的心灵世界。“一方水土育一方人。古城人生性儒雅,讲究温良恭俭让,做事诚信,有一往直前的忍劲。不过,骨子里还有一股不畏强暴的狠劲,惹恼了,也会示强”。老先生就这样揭露生活的本质,刻画乡党的风骨。“我游历过许多名山大川,然我唯独钟情于故乡山水,那是因为她别致的秀美,因为我铭心的情结。我眷念十里画廊的壮美,眷念澧溇沧浪的秀丽,我更眷念那山那水哺育的故乡人……”。萦怀于心的浓郁乡愁中依稀可见作者的美学创意。

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